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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F25930CE it is the complementary color #0DA6CFCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F25930CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F25930CE shade: #F7592BCE, #FF6B3ECE, #FF7D51CE, #FF8F64CE and #FFA177CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F25930CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F25930CE shade: #F25930CE, #E1471DCE, #D0350ACE, #BF2300CE and #AE1100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F25930CE shade: #F25A31 and #F23131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F25930CE shade: #F25A31, #F28E31, #F2C231, #EEF231 and #BAF231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F25930CE shade matches the following richer shades: #F25A31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F25930CE shade: #F25A31, #E06443, #CE6E54, #BD7866 and #AB8378

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F25930CE shade: #F23171, #F2313E, #F25731, #F28B31 and #F2BE31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F25930CE shade: #C4330C, #EA3D0F, #F25A31, #F47958 and #F7987E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F25930CE shade: #F25930, #A5F231 and #3157F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F25930CE shade: #F25930, #31F257 and #5731F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F25930CE shade: #F25930, #A5F231, #31CBF2 and #7E31F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F25930CE shade: #F25930, #6BF231, #31CBF2 and #B831F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 65 / 4

HEX #F25930CE

RGBA 242 89 48 0.81

HSLA 12.68, 0.88%, 0.57%, 0.81

LABA 58.26, 56.86, 53.16, 0.81

 

Complementary color

CMYK 76 / 16 / 0 / 15

HEX #0DA6CFCE

RGBA 13 166 207 0.81

HSLA 192.68, 0.88%, 0.43%, 0.81

LABA 63.23, -20.87, -30.81, 0.81

 

CMYK 0 / 52 / 67 / 3

HEX #F7592BCE

RGBA 247 89 43 0.81

HSLA 13.53, 0.93%, 0.57%, 0.81

LABA 59.06, 58.4, 56.47, 0.81

 

CMYK 0 / 47 / 61 / 0

HEX #FF6B3ECE

RGBA 255 107 62 0.81

HSLA 13.99, 1%, 0.62%, 0.81

LABA 63.44, 53.98, 52.3, 0.81

 

CMYK 0 / 41 / 55 / 0

HEX #FF7D51CE

RGBA 255 125 81 0.81

HSLA 15.17, 1%, 0.66%, 0.81

LABA 66.92, 46.39, 46.55, 0.81

 

CMYK 0 / 36 / 49 / 0

HEX #FF8F64CE

RGBA 255 143 100 0.81

HSLA 16.65, 1%, 0.7%, 0.81

LABA 70.75, 38.56, 41.21, 0.81

 

CMYK 0 / 30 / 43 / 0

HEX #FFA177CE

RGBA 255 161 119 0.81

HSLA 18.53, 1%, 0.73%, 0.81

LABA 74.88, 30.71, 36.35, 0.81

 

CMYK 0 / 51 / 65 / 4

HEX #F25930CE

RGBA 242 89 48 0.81

HSLA 12.68, 0.88%, 0.57%, 0.81

LABA 58.26, 56.86, 53.16, 0.81

 

CMYK 0 / 55 / 71 / 10

HEX #E1471DCE

RGBA 225 71 29 0.81

HSLA 12.86, 0.77%, 0.5%, 0.81

LABA 52.51, 57.97, 55.32, 0.81

 

CMYK 0 / 60 / 77 / 15

HEX #D0350ACE

RGBA 208 53 10 0.81

HSLA 13.03, 0.91%, 0.43%, 0.81

LABA 46.95, 58.74, 56.38, 0.81

 

CMYK 0 / 66 / 81 / 20

HEX #BF2300CE

RGBA 191 35 0 0.81

HSLA 10.99, 1%, 0.37%, 0.81

LABA 41.66, 58.88, 54.83, 0.81

 

CMYK 0 / 73 / 81 / 26

HEX #AE1100CE

RGBA 174 17 0 0.81

HSLA 5.86, 1%, 0.34%, 0.81

LABA 36.74, 57.95, 50.71, 0.81

 

CMYK 0 / 63 / 80 / 5

HEX #F25A31

RGB 242 90 49

HSL 12.75, 0.88%, 0.57%

LAB 58.43, 56.46, 52.84

 

CMYK 0 / 80 / 80 / 5

HEX #F23131

RGB 242 49 49

HSL 0, 0.88%, 0.57%

LAB 53.27, 70.63, 47.82

 

CMYK 0 / 63 / 80 / 5

HEX #F25A31

RGB 242 90 49

HSL 12.75, 0.88%, 0.57%

LAB 58.43, 56.46, 52.84

 

CMYK 0 / 41 / 80 / 5

HEX #F28E31

RGB 242 142 49

HSL 28.91, 0.88%, 0.57%

LAB 68.35, 31.39, 62.16

 

CMYK 0 / 20 / 80 / 5

HEX #F2C231

RGB 242 194 49

HSL 45.08, 0.88%, 0.57%

LAB 80.56, 4.11, 73.16

 

CMYK 2 / 0 / 80 / 5

HEX #EEF231

RGB 238 242 49

HSL 61.24, 0.88%, 0.57%

LAB 92.53, -21.57, 83.48

 

CMYK 23 / 0 / 80 / 5

HEX #BAF231

RGB 186 242 49

HSL 77.41, 0.88%, 0.57%

LAB 89, -42.2, 79.02

 

CMYK 0 / 63 / 80 / 5

HEX #F25A31

RGB 242 90 49

HSL 12.75, 0.88%, 0.57%

LAB 58.43, 56.46, 52.84

 

CMYK 0 / 63 / 80 / 5

HEX #F25A31

RGB 242 90 49

HSL 12.75, 0.88%, 0.57%

LAB 58.43, 56.46, 52.84

 

CMYK 0 / 55 / 70 / 12

HEX #E06443

RGB 224 100 67

HSL 12.61, 0.72%, 0.57%

LAB 57.43, 46.29, 41.83

 

CMYK 0 / 47 / 59 / 19

HEX #CE6E54

RGB 206 110 84

HSL 12.79, 0.55%, 0.57%

LAB 56.99, 35.48, 31.37

 

CMYK 0 / 37 / 46 / 26

HEX #BD7866

RGB 189 120 102

HSL 12.41, 0.4%, 0.57%

LAB 57.28, 24.95, 21.14

 

CMYK 0 / 23 / 30 / 33

HEX #AB8378

RGB 171 131 120

HSL 12.94, 0.23%, 0.57%

LAB 58.27, 13.75, 11.87

 

CMYK 0 / 80 / 53 / 5

HEX #F23171

RGB 242 49 113

HSL 340.1, 0.88%, 0.57%

LAB 54.31, 73.81, 11.91

 

CMYK 0 / 80 / 74 / 5

HEX #F2313E

RGB 242 49 62

HSL 355.96, 0.88%, 0.57%

LAB 53.41, 71.05, 40.87

 

CMYK 0 / 64 / 80 / 5

HEX #F25731

RGB 242 87 49

HSL 11.81, 0.88%, 0.57%

LAB 57.96, 57.72, 52.39

 

CMYK 0 / 43 / 80 / 5

HEX #F28B31

RGB 242 139 49

HSL 27.98, 0.88%, 0.57%

LAB 67.7, 32.94, 61.56

 

CMYK 0 / 21 / 80 / 5

HEX #F2BE31

RGB 242 190 49

HSL 43.83, 0.88%, 0.57%

LAB 79.57, 6.18, 72.28

 

CMYK 0 / 74 / 94 / 23

HEX #C4330C

RGB 196 51 12

HSL 12.72, 0.88%, 0.41%

LAB 44.42, 55.67, 53.13

 

CMYK 0 / 74 / 94 / 8

HEX #EA3D0F

RGB 234 61 15

HSL 12.6, 0.88%, 0.49%

LAB 52.8, 64.16, 61.04

 

CMYK 0 / 63 / 80 / 5

HEX #F25A31

RGB 242 90 49

HSL 12.75, 0.88%, 0.57%

LAB 58.43, 56.46, 52.84

 

CMYK 0 / 50 / 64 / 4

HEX #F47958

RGB 244 121 88

HSL 12.69, 0.88%, 0.65%

LAB 64.65, 44.65, 39.82

 

CMYK 0 / 38 / 49 / 3

HEX #F7987E

RGB 247 152 126

HSL 12.89, 0.88%, 0.73%

LAB 72.05, 32.92, 28.75

 

CMYK 0 / 63 / 80 / 5

HEX #F25930

RGB 242 89 48

HSL 12.68, 0.88%, 0.57%

LAB 58.26, 56.86, 53.16

 

CMYK 32 / 0 / 80 / 5

HEX #A5F231

RGB 165 242 49

HSL 83.94, 0.88%, 0.57%

LAB 87.84, -49.89, 77.53

 

CMYK 80 / 64 / 0 / 5

HEX #3157F2

RGB 49 87 242

HSL 228.19, 0.88%, 0.57%

LAB 44.06, 41.95, -81.03

 

CMYK 0 / 63 / 80 / 5

HEX #F25930

RGB 242 89 48

HSL 12.68, 0.88%, 0.57%

LAB 58.26, 56.86, 53.16

 

CMYK 80 / 0 / 64 / 5

HEX #31F257

RGB 49 242 87

HSL 131.81, 0.88%, 0.57%

LAB 84.4, -75.29, 59.99

 

CMYK 64 / 80 / 0 / 5

HEX #5731F2

RGB 87 49 242

HSL 251.81, 0.88%, 0.57%

LAB 38.96, 65.66, -89.36

 

CMYK 0 / 63 / 80 / 5

HEX #F25930

RGB 242 89 48

HSL 12.68, 0.88%, 0.57%

LAB 58.26, 56.86, 53.16

 

CMYK 32 / 0 / 80 / 5

HEX #A5F231

RGB 165 242 49

HSL 83.94, 0.88%, 0.57%

LAB 87.84, -49.89, 77.53

 

CMYK 80 / 16 / 0 / 5

HEX #31CBF2

RGB 49 203 242

HSL 192.12, 0.88%, 0.57%

LAB 75.93, -25.83, -30.28

 

CMYK 48 / 80 / 0 / 5

HEX #7E31F2

RGB 126 49 242

HSL 263.94, 0.88%, 0.57%

LAB 42.83, 69.88, -82.85

 

CMYK 0 / 63 / 80 / 5

HEX #F25930

RGB 242 89 48

HSL 12.68, 0.88%, 0.57%

LAB 58.26, 56.86, 53.16

 

CMYK 56 / 0 / 80 / 5

HEX #6BF231

RGB 107 242 49

HSL 101.97, 0.88%, 0.57%

LAB 85.43, -67.66, 74.45

 

CMYK 80 / 16 / 0 / 5

HEX #31CBF2

RGB 49 203 242

HSL 192.12, 0.88%, 0.57%

LAB 75.93, -25.83, -30.28

 

CMYK 24 / 80 / 0 / 5

HEX #B831F2

RGB 184 49 242

HSL 281.97, 0.88%, 0.57%

LAB 50.45, 78.31, -70.08

 

Description

Color code: HEX #F25930CE | qconv.com Color code: HEX #F25930CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 89 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 89 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 65 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 65% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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