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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F24F5F it is the complementary color #0DB0A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F24F5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F24F5F shade: #F74F5A, #FF616D, #FF7380, #FF8593 and #FF97A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F24F5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F24F5F shade: #F24F5F, #E13D4C, #D02B39, #BF1926 and #AE0713

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F24F5F shade: #F2505F and #F25050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F24F5F shade: #F2505F, #F2508B, #F250B7, #F250E3 and #D550F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F24F5F shade matches the following richer shades: #F2505F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F24F5F shade: #F2505F, #E35F6C, #D36E78, #C47D84 and #B58D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F24F5F shade: #F250B6, #F2508B, #F25060, #F26B50 and #F29650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F24F5F shade: #DE1125, #EF293D, #F2505F, #F57682 and #F89CA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F24F5F shade: #F24F5F, #E2F250 and #50A1F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F24F5F shade: #F24F5F, #60F250 and #5060F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F24F5F shade: #F24F5F, #E2F250, #50F2E2 and #6050F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F24F5F shade: #F24F5F, #B1F250, #50F2E2 and #9050F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 61 / 5

HEX #F24F5F

RGB 242 79 95

HSL 354.11, 0.86%, 0.63%

LAB 57.36, 63.04, 26.7

 

Complementary color

CMYK 93 / 0 / 9 / 31

HEX #0DB0A0

RGB 13 176 160

HSL 174.11, 0.86%, 0.37%

LAB 64.7, -40.69, -2.4

 

CMYK 0 / 68 / 64 / 3

HEX #F74F5A

RGB 247 79 90

HSL 356.07, 0.91%, 0.64%

LAB 58.14, 64.28, 30.76

 

CMYK 0 / 62 / 57 / 0

HEX #FF616D

RGB 255 97 109

HSL 355.44, 1%, 0.69%

LAB 62.43, 60.85, 25.69

 

CMYK 0 / 55 / 50 / 0

HEX #FF7380

RGB 255 115 128

HSL 354.43, 1%, 0.73%

LAB 65.81, 54.38, 19.42

 

CMYK 0 / 48 / 42 / 0

HEX #FF8593

RGB 255 133 147

HSL 353.11, 1%, 0.76%

LAB 69.57, 47.55, 13.93

 

CMYK 0 / 41 / 35 / 0

HEX #FF97A6

RGB 255 151 166

HSL 351.35, 1%, 0.8%

LAB 73.64, 40.6, 9.12

 

CMYK 0 / 67 / 61 / 5

HEX #F24F5F

RGB 242 79 95

HSL 354.11, 0.86%, 0.63%

LAB 57.36, 63.04, 26.7

 

CMYK 0 / 73 / 66 / 12

HEX #E13D4C

RGB 225 61 76

HSL 354.51, 0.73%, 0.56%

LAB 51.69, 63.27, 29.97

 

CMYK 0 / 79 / 73 / 18

HEX #D02B39

RGB 208 43 57

HSL 354.91, 0.66%, 0.49%

LAB 46.22, 62.96, 33.82

 

CMYK 0 / 87 / 80 / 25

HEX #BF1926

RGB 191 25 38

HSL 355.3, 0.77%, 0.42%

LAB 41.08, 61.83, 38.24

 

CMYK 0 / 96 / 89 / 32

HEX #AE0713

RGB 174 7 19

HSL 355.69, 0.92%, 0.35%

LAB 36.36, 59.56, 42.75

 

CMYK 0 / 67 / 61 / 5

HEX #F2505F

RGB 242 80 95

HSL 354.44, 0.86%, 0.63%

LAB 57.5, 62.66, 26.88

 

CMYK 0 / 67 / 67 / 5

HEX #F25050

RGB 242 80 80

HSL 0, 0.86%, 0.63%

LAB 57.26, 61.8, 35.2

 

CMYK 0 / 67 / 61 / 5

HEX #F2505F

RGB 242 80 95

HSL 354.44, 0.86%, 0.63%

LAB 57.5, 62.66, 26.88

 

CMYK 0 / 67 / 43 / 5

HEX #F2508B

RGB 242 80 139

HSL 338.15, 0.86%, 0.63%

LAB 58.49, 66.15, 2.45

 

CMYK 0 / 67 / 24 / 5

HEX #F250B7

RGB 242 80 183

HSL 321.85, 0.86%, 0.63%

LAB 59.92, 71.03, -20.98

 

CMYK 0 / 67 / 6 / 5

HEX #F250E3

RGB 242 80 227

HSL 305.56, 0.86%, 0.63%

LAB 61.79, 77.14, -43.04

 

CMYK 12 / 67 / 0 / 5

HEX #D550F2

RGB 213 80 242

HSL 289.26, 0.86%, 0.63%

LAB 58.32, 73.19, -57.2

 

CMYK 0 / 67 / 61 / 5

HEX #F2505F

RGB 242 80 95

HSL 354.44, 0.86%, 0.63%

LAB 57.5, 62.66, 26.88

 

CMYK 0 / 67 / 61 / 5

HEX #F2505F

RGB 242 80 95

HSL 354.44, 0.86%, 0.63%

LAB 57.5, 62.66, 26.88

 

CMYK 0 / 58 / 52 / 11

HEX #E35F6C

RGB 227 95 108

HSL 354.09, 0.7%, 0.63%

LAB 57.65, 52.41, 19.08

 

CMYK 0 / 48 / 43 / 17

HEX #D36E78

RGB 211 110 120

HSL 354.06, 0.53%, 0.63%

LAB 58.37, 40.61, 12.74

 

CMYK 0 / 36 / 33 / 23

HEX #C47D84

RGB 196 125 132

HSL 354.08, 0.38%, 0.63%

LAB 59.95, 28.48, 7.76

 

CMYK 0 / 22 / 20 / 29

HEX #B58D91

RGB 181 141 145

HSL 354, 0.21%, 0.63%

LAB 62.44, 15.76, 3.69

 

CMYK 0 / 67 / 25 / 5

HEX #F250B6

RGB 242 80 182

HSL 322.22, 0.86%, 0.63%

LAB 59.88, 70.9, -20.46

 

CMYK 0 / 67 / 43 / 5

HEX #F2508B

RGB 242 80 139

HSL 338.15, 0.86%, 0.63%

LAB 58.49, 66.15, 2.45

 

CMYK 0 / 67 / 60 / 5

HEX #F25060

RGB 242 80 96

HSL 354.07, 0.86%, 0.63%

LAB 57.52, 62.72, 26.33

 

CMYK 0 / 56 / 67 / 5

HEX #F26B50

RGB 242 107 80

HSL 10, 0.86%, 0.63%

LAB 61.63, 50.19, 40.44

 

CMYK 0 / 38 / 67 / 5

HEX #F29650

RGB 242 150 80

HSL 25.93, 0.86%, 0.63%

LAB 70.36, 28.58, 50.49

 

CMYK 0 / 92 / 83 / 13

HEX #DE1125

RGB 222 17 37

HSL 354.15, 0.86%, 0.47%

LAB 47.06, 71.1, 46.78

 

CMYK 0 / 83 / 74 / 6

HEX #EF293D

RGB 239 41 61

HSL 353.94, 0.86%, 0.55%

LAB 52.15, 72.11, 39.87

 

CMYK 0 / 67 / 61 / 5

HEX #F2505F

RGB 242 80 95

HSL 354.44, 0.86%, 0.63%

LAB 57.5, 62.66, 26.88

 

CMYK 0 / 52 / 47 / 4

HEX #F57682

RGB 245 118 130

HSL 354.33, 0.86%, 0.71%

LAB 64.95, 49.71, 16.87

 

CMYK 0 / 37 / 33 / 3

HEX #F89CA5

RGB 248 156 165

HSL 354.13, 0.87%, 0.79%

LAB 73.84, 35.38, 9.84

 

CMYK 0 / 67 / 61 / 5

HEX #F24F5F

RGB 242 79 95

HSL 354.11, 0.86%, 0.63%

LAB 57.36, 63.04, 26.7

 

CMYK 7 / 0 / 67 / 5

HEX #E2F250

RGB 226 242 80

HSL 65.93, 0.86%, 0.63%

LAB 91.8, -25.12, 72.78

 

CMYK 67 / 33 / 0 / 5

HEX #50A1F2

RGB 80 161 242

HSL 210, 0.86%, 0.63%

LAB 64.65, 0.5, -47.81

 

CMYK 0 / 67 / 61 / 5

HEX #F24F5F

RGB 242 79 95

HSL 354.11, 0.86%, 0.63%

LAB 57.36, 63.04, 26.7

 

CMYK 60 / 0 / 67 / 5

HEX #60F250

RGB 96 242 80

HSL 114.07, 0.86%, 0.63%

LAB 85.29, -68.16, 63.99

 

CMYK 67 / 60 / 0 / 5

HEX #5060F2

RGB 80 96 242

HSL 234.07, 0.86%, 0.63%

LAB 47.6, 39.76, -75.18

 

CMYK 0 / 67 / 61 / 5

HEX #F24F5F

RGB 242 79 95

HSL 354.11, 0.86%, 0.63%

LAB 57.36, 63.04, 26.7

 

CMYK 7 / 0 / 67 / 5

HEX #E2F250

RGB 226 242 80

HSL 65.93, 0.86%, 0.63%

LAB 91.8, -25.12, 72.78

 

CMYK 67 / 0 / 7 / 5

HEX #50F2E2

RGB 80 242 226

HSL 174.07, 0.86%, 0.63%

LAB 87.34, -45.09, -4.55

 

CMYK 60 / 67 / 0 / 5

HEX #6050F2

RGB 96 80 242

HSL 245.93, 0.86%, 0.63%

LAB 45.13, 51.3, -79.18

 

CMYK 0 / 67 / 61 / 5

HEX #F24F5F

RGB 242 79 95

HSL 354.11, 0.86%, 0.63%

LAB 57.36, 63.04, 26.7

 

CMYK 27 / 0 / 67 / 5

HEX #B1F250

RGB 177 242 80

HSL 84.07, 0.86%, 0.63%

LAB 88.65, -43.91, 68.56

 

CMYK 67 / 0 / 7 / 5

HEX #50F2E2

RGB 80 242 226

HSL 174.07, 0.86%, 0.63%

LAB 87.34, -45.09, -4.55

 

CMYK 40 / 67 / 0 / 5

HEX #9050F2

RGB 144 80 242

HSL 263.7, 0.86%, 0.63%

LAB 49.59, 59.21, -71.71

 

Description

Color code: HEX #F24F5F | qconv.com Color code: HEX #F24F5F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 79 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 79 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 61 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 61% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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