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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2425B it is the complementary color #0DBDA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2425B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2425B shade: #F74256, #FF5469, #FF667C, #FF788F and #FF8AA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2425B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2425B shade: #F2425B, #E13048, #D01E35, #BF0C22 and #AE000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2425B shade: #F24059 and #F24040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2425B shade: #F24059, #F24089, #F240B9, #F240E9 and #CB40F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2425B shade matches the following richer shades: #F24059

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2425B shade: #F24059, #E15165, #D16171, #C0727D and #B08289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2425B shade: #F240BA, #F2408A, #F2405B, #F25540 and #F28440

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2425B shade: #D10F2A, #EF1A38, #F24059, #F4677B and #F78D9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2425B shade: #F2425B, #E9F240 and #40A2F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2425B shade: #F2425B, #5BF240 and #405BF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2425B shade: #F2425B, #E9F240, #40F2D7 and #4940F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2425B shade: #F2425B, #B4F240, #40F2D7 and #7E40F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 62 / 5

HEX #F2425B

RGB 242 66 91

HSL 351.48, 0.87%, 0.6%

LAB 55.61, 67.43, 26.77

 

Complementary color

CMYK 93 / 0 / 13 / 26

HEX #0DBDA4

RGB 13 189 164

HSL 171.48, 0.87%, 0.4%

LAB 68.87, -45.18, 1.48

 

CMYK 0 / 73 / 65 / 3

HEX #F74256

RGB 247 66 86

HSL 353.37, 0.92%, 0.61%

LAB 56.43, 68.6, 30.92

 

CMYK 0 / 67 / 59 / 0

HEX #FF5469

RGB 255 84 105

HSL 352.63, 1%, 0.66%

LAB 60.45, 65.77, 25.36

 

CMYK 0 / 60 / 51 / 0

HEX #FF667C

RGB 255 102 124

HSL 351.37, 1%, 0.7%

LAB 63.52, 59.86, 18.57

 

CMYK 0 / 53 / 44 / 0

HEX #FF788F

RGB 255 120 143

HSL 349.78, 1%, 0.74%

LAB 67.03, 53.42, 12.62

 

CMYK 0 / 46 / 36 / 0

HEX #FF8AA2

RGB 255 138 162

HSL 347.69, 1%, 0.77%

LAB 70.9, 46.7, 7.43

 

CMYK 0 / 73 / 62 / 5

HEX #F2425B

RGB 242 66 91

HSL 351.48, 0.87%, 0.6%

LAB 55.61, 67.43, 26.77

 

CMYK 0 / 79 / 68 / 12

HEX #E13048

RGB 225 48 72

HSL 351.86, 0.75%, 0.54%

LAB 50.2, 67.05, 30.5

 

CMYK 0 / 86 / 75 / 18

HEX #D01E35

RGB 208 30 53

HSL 352.25, 0.75%, 0.47%

LAB 45.08, 65.91, 34.87

 

CMYK 0 / 94 / 82 / 25

HEX #BF0C22

RGB 191 12 34

HSL 352.63, 0.88%, 0.4%

LAB 40.34, 63.73, 39.76

 

CMYK 0 / 100 / 91 / 32

HEX #AE000F

RGB 174 0 15

HSL 354.83, 1%, 0.34%

LAB 36.05, 60.33, 44.37

 

CMYK 0 / 74 / 63 / 5

HEX #F24059

RGB 242 64 89

HSL 351.57, 0.87%, 0.6%

LAB 55.34, 67.97, 27.6

 

CMYK 0 / 74 / 74 / 5

HEX #F24040

RGB 242 64 64

HSL 0, 0.87%, 0.6%

LAB 54.98, 66.77, 41.52

 

CMYK 0 / 74 / 63 / 5

HEX #F24059

RGB 242 64 89

HSL 351.57, 0.87%, 0.6%

LAB 55.34, 67.97, 27.6

 

CMYK 0 / 74 / 43 / 5

HEX #F24089

RGB 242 64 137

HSL 335.39, 0.87%, 0.6%

LAB 56.44, 71.51, 0.65

 

CMYK 0 / 74 / 24 / 5

HEX #F240B9

RGB 242 64 185

HSL 319.21, 0.87%, 0.6%

LAB 58.08, 76.65, -24.95

 

CMYK 0 / 74 / 4 / 5

HEX #F240E9

RGB 242 64 233

HSL 303.03, 0.87%, 0.6%

LAB 60.27, 83.19, -48.8

 

CMYK 16 / 74 / 0 / 5

HEX #CB40F2

RGB 203 64 242

HSL 286.85, 0.87%, 0.6%

LAB 54.84, 76.97, -62.85

 

CMYK 0 / 74 / 63 / 5

HEX #F24059

RGB 242 64 89

HSL 351.57, 0.87%, 0.6%

LAB 55.34, 67.97, 27.6

 

CMYK 0 / 74 / 63 / 5

HEX #F24059

RGB 242 64 89

HSL 351.57, 0.87%, 0.6%

LAB 55.34, 67.97, 27.6

 

CMYK 0 / 64 / 55 / 12

HEX #E15165

RGB 225 81 101

HSL 351.67, 0.71%, 0.6%

LAB 54.9, 57.31, 19.4

 

CMYK 0 / 54 / 46 / 18

HEX #D16171

RGB 209 97 113

HSL 351.43, 0.55%, 0.6%

LAB 55.38, 45.7, 12.59

 

CMYK 0 / 41 / 35 / 25

HEX #C0727D

RGB 192 114 125

HSL 351.54, 0.38%, 0.6%

LAB 56.8, 32.05, 7.25

 

CMYK 0 / 26 / 22 / 31

HEX #B08289

RGB 176 130 137

HSL 350.87, 0.23%, 0.6%

LAB 58.98, 18.78, 3.19

 

CMYK 0 / 74 / 23 / 5

HEX #F240BA

RGB 242 64 186

HSL 318.88, 0.87%, 0.6%

LAB 58.12, 76.78, -25.46

 

CMYK 0 / 74 / 43 / 5

HEX #F2408A

RGB 242 64 138

HSL 335.06, 0.87%, 0.6%

LAB 56.47, 71.6, 0.1

 

CMYK 0 / 74 / 62 / 5

HEX #F2405B

RGB 242 64 91

HSL 350.9, 0.87%, 0.6%

LAB 55.38, 68.08, 26.47

 

CMYK 0 / 65 / 74 / 5

HEX #F25540

RGB 242 85 64

HSL 7.08, 0.87%, 0.6%

LAB 57.79, 59.07, 44.63

 

CMYK 0 / 45 / 74 / 5

HEX #F28440

RGB 242 132 64

HSL 22.92, 0.87%, 0.6%

LAB 66.33, 37.11, 53.75

 

CMYK 0 / 93 / 80 / 18

HEX #D10F2A

RGB 209 15 42

HSL 351.65, 0.87%, 0.44%

LAB 44.32, 68.19, 40.49

 

CMYK 0 / 89 / 77 / 6

HEX #EF1A38

RGB 239 26 56

HSL 351.55, 0.87%, 0.52%

LAB 51.12, 74.7, 41.58

 

CMYK 0 / 74 / 63 / 5

HEX #F24059

RGB 242 64 89

HSL 351.57, 0.87%, 0.6%

LAB 55.34, 67.97, 27.6

 

CMYK 0 / 58 / 50 / 4

HEX #F4677B

RGB 244 103 123

HSL 351.49, 0.87%, 0.68%

LAB 61.97, 55.74, 16.73

 

CMYK 0 / 43 / 37 / 3

HEX #F78D9C

RGB 247 141 156

HSL 351.51, 0.87%, 0.76%

LAB 70.33, 41.69, 9.83

 

CMYK 0 / 73 / 62 / 5

HEX #F2425B

RGB 242 66 91

HSL 351.48, 0.87%, 0.6%

LAB 55.61, 67.43, 26.77

 

CMYK 4 / 0 / 74 / 5

HEX #E9F240

RGB 233 242 64

HSL 63.03, 0.87%, 0.6%

LAB 92.22, -23.07, 78.83

 

CMYK 74 / 33 / 0 / 5

HEX #40A2F2

RGB 64 162 242

HSL 206.97, 0.87%, 0.6%

LAB 64.44, -2.31, -48.18

 

CMYK 0 / 73 / 62 / 5

HEX #F2425B

RGB 242 66 91

HSL 351.48, 0.87%, 0.6%

LAB 55.61, 67.43, 26.77

 

CMYK 62 / 0 / 74 / 5

HEX #5BF240

RGB 91 242 64

HSL 110.9, 0.87%, 0.6%

LAB 85.05, -70.49, 69.43

 

CMYK 74 / 62 / 0 / 5

HEX #405BF2

RGB 64 91 242

HSL 230.9, 0.87%, 0.6%

LAB 45.61, 40.88, -78.46

 

CMYK 0 / 73 / 62 / 5

HEX #F2425B

RGB 242 66 91

HSL 351.48, 0.87%, 0.6%

LAB 55.61, 67.43, 26.77

 

CMYK 4 / 0 / 74 / 5

HEX #E9F240

RGB 233 242 64

HSL 63.03, 0.87%, 0.6%

LAB 92.22, -23.07, 78.83

 

CMYK 74 / 0 / 11 / 5

HEX #40F2D7

RGB 64 242 215

HSL 170.9, 0.87%, 0.6%

LAB 86.75, -49.95, 0.31

 

CMYK 70 / 74 / 0 / 5

HEX #4940F2

RGB 73 64 242

HSL 243.03, 0.87%, 0.6%

LAB 40.4, 57.27, -87.01

 

CMYK 0 / 73 / 62 / 5

HEX #F2425B

RGB 242 66 91

HSL 351.48, 0.87%, 0.6%

LAB 55.61, 67.43, 26.77

 

CMYK 26 / 0 / 74 / 5

HEX #B4F240

RGB 180 242 64

HSL 80.9, 0.87%, 0.6%

LAB 88.72, -43.77, 74.28

 

CMYK 74 / 0 / 11 / 5

HEX #40F2D7

RGB 64 242 215

HSL 170.9, 0.87%, 0.6%

LAB 86.75, -49.95, 0.31

 

CMYK 48 / 74 / 0 / 5

HEX #7E40F2

RGB 126 64 242

HSL 260.9, 0.87%, 0.6%

LAB 44.96, 63.74, -79.35

 

Description

Color code: HEX #F2425B | qconv.com Color code: HEX #F2425B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 66 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 66 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 62 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 62% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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