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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F241ED it is the complementary color #0DBE12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F241ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F241ED shade: #F741E8, #FF53FB, #FF65FF, #FF77FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F241ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F241ED shade: #F241ED, #E12FDA, #D01DC7, #BF0BB4 and #AE00A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F241ED shade: #F240ED, #F240BD, #F2408D, #F2405D and #F24040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F241ED shade: #F240ED, #C740F2, #9740F2, #6740F2 and #4040F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F241ED shade matches the following richer shades: #F240ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F241ED shade: #F240ED, #E151DD, #D161CE, #C072BE and #B082AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F241ED shade: #9640F2, #C540F2, #F240EF, #F240BF and #F24090

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F241ED shade: #D10FCB, #EF1AE9, #F240ED, #F467F0 and #F78DF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F241ED shade: #F241ED, #F26740 and #40F2AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F241ED shade: #F241ED, #EFF240 and #40EFF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F241ED shade: #F241ED, #F26740, #40F243 and #40CBF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F241ED shade: #F241ED, #F29C40, #40F243 and #4096F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 2 / 5

HEX #F241ED

RGB 242 65 237

HSL 301.69, 0.87%, 0.6%

LAB 60.58, 83.5, -50.55

 

Complementary color

CMYK 93 / 0 / 91 / 25

HEX #0DBE12

RGB 13 190 18

HSL 121.69, 0.87%, 0.4%

LAB 67.24, -68.06, 64.48

 

CMYK 0 / 74 / 6 / 3

HEX #F741E8

RGB 247 65 232

HSL 304.95, 0.92%, 0.61%

LAB 61.12, 83.79, -46.85

 

CMYK 0 / 67 / 2 / 0

HEX #FF53FB

RGB 255 83 251

HSL 301.4, 1%, 0.66%

LAB 65.29, 82.66, -50.73

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 73 / 2 / 5

HEX #F241ED

RGB 242 65 237

HSL 301.69, 0.87%, 0.6%

LAB 60.58, 83.5, -50.55

 

CMYK 0 / 79 / 3 / 12

HEX #E12FDA

RGB 225 47 218

HSL 302.36, 0.75%, 0.53%

LAB 55.18, 82.1, -48.59

 

CMYK 0 / 86 / 4 / 18

HEX #D01DC7

RGB 208 29 199

HSL 303.02, 0.76%, 0.46%

LAB 49.99, 79.84, -46.13

 

CMYK 0 / 94 / 6 / 25

HEX #BF0BB4

RGB 191 11 180

HSL 303.67, 0.89%, 0.4%

LAB 45.1, 76.49, -43

 

CMYK 0 / 100 / 7 / 32

HEX #AE00A1

RGB 174 0 161

HSL 304.48, 1%, 0.34%

LAB 40.53, 71.89, -39.14

 

CMYK 0 / 74 / 2 / 5

HEX #F240ED

RGB 242 64 237

HSL 301.69, 0.87%, 0.6%

LAB 60.48, 83.79, -50.71

 

CMYK 0 / 74 / 22 / 5

HEX #F240BD

RGB 242 64 189

HSL 317.87, 0.87%, 0.6%

LAB 58.24, 77.15, -27

 

CMYK 0 / 74 / 42 / 5

HEX #F2408D

RGB 242 64 141

HSL 334.04, 0.87%, 0.6%

LAB 56.55, 71.88, -1.55

 

CMYK 0 / 74 / 62 / 5

HEX #F2405D

RGB 242 64 93

HSL 350.22, 0.87%, 0.6%

LAB 55.42, 68.2, 25.34

 

CMYK 0 / 74 / 74 / 5

HEX #F24040

RGB 242 64 64

HSL 0, 0.87%, 0.6%

LAB 54.98, 66.77, 41.52

 

CMYK 0 / 74 / 2 / 5

HEX #F240ED

RGB 242 64 237

HSL 301.69, 0.87%, 0.6%

LAB 60.48, 83.79, -50.71

 

CMYK 18 / 74 / 0 / 5

HEX #C740F2

RGB 199 64 242

HSL 285.51, 0.87%, 0.6%

LAB 54.26, 76.22, -63.82

 

CMYK 38 / 74 / 0 / 5

HEX #9740F2

RGB 151 64 242

HSL 269.33, 0.87%, 0.6%

LAB 47.82, 67.67, -74.55

 

CMYK 57 / 74 / 0 / 5

HEX #6740F2

RGB 103 64 242

HSL 253.15, 0.87%, 0.6%

LAB 42.7, 60.58, -83.13

 

CMYK 74 / 74 / 0 / 5

HEX #4040F2

RGB 64 64 242

HSL 240, 0.87%, 0.6%

LAB 39.86, 56.49, -87.92

 

CMYK 0 / 74 / 2 / 5

HEX #F240ED

RGB 242 64 237

HSL 301.69, 0.87%, 0.6%

LAB 60.48, 83.79, -50.71

 

CMYK 0 / 74 / 2 / 5

HEX #F240ED

RGB 242 64 237

HSL 301.69, 0.87%, 0.6%

LAB 60.48, 83.79, -50.71

 

CMYK 0 / 64 / 2 / 12

HEX #E151DD

RGB 225 81 221

HSL 301.67, 0.71%, 0.6%

LAB 59.08, 71.9, -44.12

 

CMYK 0 / 54 / 1 / 18

HEX #D161CE

RGB 209 97 206

HSL 301.61, 0.55%, 0.6%

LAB 58.57, 58.55, -36.6

 

CMYK 0 / 41 / 1 / 25

HEX #C072BE

RGB 192 114 190

HSL 301.54, 0.38%, 0.6%

LAB 58.94, 42.25, -27.1

 

CMYK 0 / 26 / 1 / 31

HEX #B082AE

RGB 176 130 174

HSL 302.61, 0.23%, 0.6%

LAB 60.12, 25.2, -16.33

 

CMYK 38 / 74 / 0 / 5

HEX #9640F2

RGB 150 64 242

HSL 268.99, 0.87%, 0.6%

LAB 47.7, 67.5, -74.75

 

CMYK 19 / 74 / 0 / 5

HEX #C540F2

RGB 197 64 242

HSL 284.83, 0.87%, 0.6%

LAB 53.97, 75.84, -64.29

 

CMYK 0 / 74 / 1 / 5

HEX #F240EF

RGB 242 64 239

HSL 301.01, 0.87%, 0.6%

LAB 60.58, 84.09, -51.66

 

CMYK 0 / 74 / 21 / 5

HEX #F240BF

RGB 242 64 191

HSL 317.19, 0.87%, 0.6%

LAB 58.33, 77.4, -28.03

 

CMYK 0 / 74 / 40 / 5

HEX #F24090

RGB 242 64 144

HSL 333.03, 0.87%, 0.6%

LAB 56.64, 72.16, -3.19

 

CMYK 0 / 93 / 3 / 18

HEX #D10FCB

RGB 209 15 203

HSL 301.86, 0.87%, 0.44%

LAB 49.75, 82.49, -48.81

 

CMYK 0 / 89 / 3 / 6

HEX #EF1AE9

RGB 239 26 233

HSL 301.69, 0.87%, 0.52%

LAB 57.05, 90.57, -53.95

 

CMYK 0 / 74 / 2 / 5

HEX #F240ED

RGB 242 64 237

HSL 301.69, 0.87%, 0.6%

LAB 60.48, 83.79, -50.71

 

CMYK 0 / 58 / 2 / 4

HEX #F467F0

RGB 244 103 240

HSL 301.7, 0.87%, 0.68%

LAB 65.92, 70.7, -43.76

 

CMYK 0 / 43 / 1 / 3

HEX #F78DF4

RGB 247 141 244

HSL 301.7, 0.87%, 0.76%

LAB 73.13, 54.57, -34.7

 

CMYK 0 / 73 / 2 / 5

HEX #F241ED

RGB 242 65 237

HSL 301.69, 0.87%, 0.6%

LAB 60.58, 83.5, -50.55

 

CMYK 0 / 57 / 74 / 5

HEX #F26740

RGB 242 103 64

HSL 13.15, 0.87%, 0.6%

LAB 60.74, 51.27, 47.83

 

CMYK 74 / 0 / 28 / 5

HEX #40F2AE

RGB 64 242 174

HSL 157.08, 0.87%, 0.6%

LAB 85.83, -59.59, 20.34

 

CMYK 0 / 73 / 2 / 5

HEX #F241ED

RGB 242 65 237

HSL 301.69, 0.87%, 0.6%

LAB 60.58, 83.5, -50.55

 

CMYK 1 / 0 / 74 / 5

HEX #EFF240

RGB 239 242 64

HSL 61.01, 0.87%, 0.6%

LAB 92.67, -20.63, 79.42

 

CMYK 74 / 1 / 0 / 5

HEX #40EFF2

RGB 64 239 242

HSL 181.01, 0.87%, 0.6%

LAB 86.62, -41.39, -14.04

 

CMYK 0 / 73 / 2 / 5

HEX #F241ED

RGB 242 65 237

HSL 301.69, 0.87%, 0.6%

LAB 60.58, 83.5, -50.55

 

CMYK 0 / 57 / 74 / 5

HEX #F26740

RGB 242 103 64

HSL 13.15, 0.87%, 0.6%

LAB 60.74, 51.27, 47.83

 

CMYK 74 / 0 / 72 / 5

HEX #40F243

RGB 64 242 67

HSL 121.01, 0.87%, 0.6%

LAB 84.48, -75.15, 67.67

 

CMYK 74 / 16 / 0 / 5

HEX #40CBF2

RGB 64 203 242

HSL 193.15, 0.87%, 0.6%

LAB 76.2, -24.29, -29.85

 

CMYK 0 / 73 / 2 / 5

HEX #F241ED

RGB 242 65 237

HSL 301.69, 0.87%, 0.6%

LAB 60.58, 83.5, -50.55

 

CMYK 0 / 36 / 74 / 5

HEX #F29C40

RGB 242 156 64

HSL 31.01, 0.87%, 0.6%

LAB 71.57, 24.63, 59.13

 

CMYK 74 / 0 / 72 / 5

HEX #40F243

RGB 64 242 67

HSL 121.01, 0.87%, 0.6%

LAB 84.48, -75.15, 67.67

 

CMYK 74 / 38 / 0 / 5

HEX #4096F2

RGB 64 150 242

HSL 211.01, 0.87%, 0.6%

LAB 61.06, 4.65, -53.53

 

Description

Color code: HEX #F241ED | qconv.com Color code: HEX #F241ED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 65 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 65 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 2 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 2% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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