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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2307F it is the complementary color #0DCF80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2307F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2307F shade: #F7307A, #FF428D, #FF54A0, #FF66B3 and #FF78C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2307F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2307F shade: #F2307F, #E11E6C, #D00C59, #BF0046 and #AE0033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2307F shade: #F2317F, #F2314B and #F23131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2307F shade: #F2317F, #F231B3, #F231E8, #C831F2 and #9431F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2307F shade matches the following richer shades: #F2317F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2307F shade: #F2317F, #E04383, #CE5486, #BD6689 and #AB788D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2307F shade: #F231E8, #F231B5, #F23181, #F2314E and #F24731

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2307F shade: #C40C57, #EA0F68, #F2317F, #F45897 and #F77EAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2307F shade: #F2307F, #F2C831 and #31CEF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2307F shade: #F2307F, #81F231 and #3181F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2307F shade: #F2307F, #F2C831, #31F2A1 and #315BF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2307F shade: #F2307F, #E2F231, #31F2A1 and #4131F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 48 / 5

HEX #F2307F

RGB 242 48 127

HSL 335.57, 0.88%, 0.57%

LAB 54.58, 75.12, 3.9

 

Complementary color

CMYK 94 / 0 / 38 / 19

HEX #0DCF80

RGB 13 207 128

HSL 155.57, 0.88%, 0.43%

LAB 73.72, -60.6, 27.56

 

CMYK 0 / 81 / 51 / 3

HEX #F7307A

RGB 247 48 122

HSL 337.69, 0.93%, 0.58%

LAB 55.37, 75.98, 8.16

 

CMYK 0 / 74 / 45 / 0

HEX #FF428D

RGB 255 66 141

HSL 336.19, 1%, 0.63%

LAB 59.05, 74.68, 2.37

 

CMYK 0 / 67 / 37 / 0

HEX #FF54A0

RGB 255 84 160

HSL 333.33, 1%, 0.66%

LAB 61.77, 70.42, -4.71

 

CMYK 0 / 60 / 30 / 0

HEX #FF66B3

RGB 255 102 179

HSL 329.8, 1%, 0.7%

LAB 64.98, 65.41, -10.85

 

CMYK 0 / 53 / 22 / 0

HEX #FF78C6

RGB 255 120 198

HSL 325.33, 1%, 0.74%

LAB 68.58, 59.87, -16.15

 

CMYK 0 / 80 / 48 / 5

HEX #F2307F

RGB 242 48 127

HSL 335.57, 0.88%, 0.57%

LAB 54.58, 75.12, 3.9

 

CMYK 0 / 87 / 52 / 12

HEX #E11E6C

RGB 225 30 108

HSL 336, 0.76%, 0.5%

LAB 49.52, 73.3, 7.73

 

CMYK 0 / 94 / 57 / 18

HEX #D00C59

RGB 208 12 89

HSL 336.43, 0.89%, 0.43%

LAB 44.79, 70.44, 12.36

 

CMYK 0 / 100 / 63 / 25

HEX #BF0046

RGB 191 0 70

HSL 338.01, 1%, 0.37%

LAB 40.44, 66.44, 17.86

 

CMYK 0 / 100 / 71 / 32

HEX #AE0033

RGB 174 0 51

HSL 342.41, 1%, 0.34%

LAB 36.44, 61.39, 24.13

 

CMYK 0 / 80 / 48 / 5

HEX #F2317F

RGB 242 49 127

HSL 335.75, 0.88%, 0.57%

LAB 54.66, 74.88, 4.03

 

CMYK 0 / 80 / 69 / 5

HEX #F2314B

RGB 242 49 75

HSL 351.92, 0.88%, 0.57%

LAB 53.58, 71.59, 33.6

 

CMYK 0 / 80 / 80 / 5

HEX #F23131

RGB 242 49 49

HSL 0, 0.88%, 0.57%

LAB 53.27, 70.63, 47.82

 

CMYK 0 / 80 / 48 / 5

HEX #F2317F

RGB 242 49 127

HSL 335.75, 0.88%, 0.57%

LAB 54.66, 74.88, 4.03

 

CMYK 0 / 80 / 26 / 5

HEX #F231B3

RGB 242 49 179

HSL 319.59, 0.88%, 0.57%

LAB 56.42, 80.01, -24.04

 

CMYK 0 / 80 / 4 / 5

HEX #F231E8

RGB 242 49 232

HSL 303.11, 0.88%, 0.57%

LAB 58.88, 86.91, -50.44

 

CMYK 17 / 80 / 0 / 5

HEX #C831F2

RGB 200 49 242

HSL 286.94, 0.88%, 0.57%

LAB 52.83, 80.96, -66.12

 

CMYK 39 / 80 / 0 / 5

HEX #9431F2

RGB 148 49 242

HSL 270.78, 0.88%, 0.57%

LAB 45.5, 72.82, -78.36

 

CMYK 0 / 80 / 48 / 5

HEX #F2317F

RGB 242 49 127

HSL 335.75, 0.88%, 0.57%

LAB 54.66, 74.88, 4.03

 

CMYK 0 / 80 / 48 / 5

HEX #F2317F

RGB 242 49 127

HSL 335.75, 0.88%, 0.57%

LAB 54.66, 74.88, 4.03

 

CMYK 0 / 70 / 42 / 12

HEX #E04383

RGB 224 67 131

HSL 335.54, 0.72%, 0.57%

LAB 53.49, 65.03, -0.46

 

CMYK 0 / 59 / 35 / 19

HEX #CE5486

RGB 206 84 134

HSL 335.41, 0.55%, 0.57%

LAB 53.15, 53.1, -3.09

 

CMYK 0 / 46 / 28 / 26

HEX #BD6689

RGB 189 102 137

HSL 335.86, 0.4%, 0.57%

LAB 54.16, 38.96, -3.65

 

CMYK 0 / 30 / 18 / 33

HEX #AB788D

RGB 171 120 141

HSL 335.29, 0.23%, 0.57%

LAB 56.1, 23.17, -3.39

 

CMYK 0 / 80 / 4 / 5

HEX #F231E8

RGB 242 49 232

HSL 303.11, 0.88%, 0.57%

LAB 58.88, 86.91, -50.44

 

CMYK 0 / 80 / 25 / 5

HEX #F231B5

RGB 242 49 181

HSL 318.96, 0.88%, 0.57%

LAB 56.5, 80.24, -25.08

 

CMYK 0 / 80 / 47 / 5

HEX #F23181

RGB 242 49 129

HSL 335.13, 0.88%, 0.57%

LAB 54.72, 75.04, 2.91

 

CMYK 0 / 80 / 68 / 5

HEX #F2314E

RGB 242 49 78

HSL 350.98, 0.88%, 0.57%

LAB 53.63, 71.72, 31.9

 

CMYK 0 / 71 / 80 / 5

HEX #F24731

RGB 242 71 49

HSL 6.84, 0.88%, 0.57%

LAB 55.69, 63.88, 50.2

 

CMYK 0 / 94 / 56 / 23

HEX #C40C57

RGB 196 12 87

HSL 335.54, 0.88%, 0.41%

LAB 42.29, 67.47, 9.76

 

CMYK 0 / 94 / 56 / 8

HEX #EA0F68

RGB 234 15 104

HSL 335.62, 0.88%, 0.49%

LAB 50.49, 77.16, 11.8

 

CMYK 0 / 80 / 48 / 5

HEX #F2317F

RGB 242 49 127

HSL 335.75, 0.88%, 0.57%

LAB 54.66, 74.88, 4.03

 

CMYK 0 / 64 / 38 / 4

HEX #F45897

RGB 244 88 151

HSL 335.77, 0.88%, 0.65%

LAB 60.29, 64.81, -1.88

 

CMYK 0 / 49 / 29 / 3

HEX #F77EAF

RGB 247 126 175

HSL 335.7, 0.88%, 0.73%

LAB 67.87, 51.49, -4.41

 

CMYK 0 / 80 / 48 / 5

HEX #F2307F

RGB 242 48 127

HSL 335.57, 0.88%, 0.57%

LAB 54.58, 75.12, 3.9

 

CMYK 0 / 17 / 80 / 5

HEX #F2C831

RGB 242 200 49

HSL 46.94, 0.88%, 0.57%

LAB 82.06, 1.01, 74.48

 

CMYK 80 / 15 / 0 / 5

HEX #31CEF2

RGB 49 206 242

HSL 191.19, 0.88%, 0.57%

LAB 76.8, -27.32, -28.94

 

CMYK 0 / 80 / 48 / 5

HEX #F2307F

RGB 242 48 127

HSL 335.57, 0.88%, 0.57%

LAB 54.58, 75.12, 3.9

 

CMYK 47 / 0 / 80 / 5

HEX #81F231

RGB 129 242 49

HSL 95.13, 0.88%, 0.57%

LAB 86.2, -61.64, 75.44

 

CMYK 80 / 47 / 0 / 5

HEX #3181F2

RGB 49 129 242

HSL 215.13, 0.88%, 0.57%

LAB 54.83, 15.68, -63.52

 

CMYK 0 / 80 / 48 / 5

HEX #F2307F

RGB 242 48 127

HSL 335.57, 0.88%, 0.57%

LAB 54.58, 75.12, 3.9

 

CMYK 0 / 17 / 80 / 5

HEX #F2C831

RGB 242 200 49

HSL 46.94, 0.88%, 0.57%

LAB 82.06, 1.01, 74.48

 

CMYK 80 / 0 / 33 / 5

HEX #31F2A1

RGB 49 242 161

HSL 154.82, 0.88%, 0.57%

LAB 85.37, -63.95, 26.33

 

CMYK 80 / 62 / 0 / 5

HEX #315BF2

RGB 49 91 242

HSL 226.94, 0.88%, 0.57%

LAB 45.01, 39.48, -79.48

 

CMYK 0 / 80 / 48 / 5

HEX #F2307F

RGB 242 48 127

HSL 335.57, 0.88%, 0.57%

LAB 54.58, 75.12, 3.9

 

CMYK 7 / 0 / 80 / 5

HEX #E2F231

RGB 226 242 49

HSL 64.97, 0.88%, 0.57%

LAB 91.64, -26.46, 82.35

 

CMYK 80 / 0 / 33 / 5

HEX #31F2A1

RGB 49 242 161

HSL 154.82, 0.88%, 0.57%

LAB 85.37, -63.95, 26.33

 

CMYK 73 / 80 / 0 / 5

HEX #4131F2

RGB 65 49 242

HSL 244.97, 0.88%, 0.57%

LAB 37.36, 63.93, -92.06

 

Description

Color code: HEX #F2307F | qconv.com Color code: HEX #F2307F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 48 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 48 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 48% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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