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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F22418CE it is the complementary color #0DDBE7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F22418CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F22418CE shade: #F72413CE, #FF3626CE, #FF4839CE, #FF5A4CCE and #FF6C5FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F22418CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F22418CE shade: #F22418CE, #E11205CE, #D00000CE, #BF0000CE and #AE0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F22418CE shade: #F22418 and #F21818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F22418CE shade: #F22418, #F25E18, #F29918, #F2D418 and #D4F218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F22418CE shade matches the following richer shades: #F22418

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F22418CE shade: #F22418, #DE352B, #CA473F, #B65953 and #A26A67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F22418CE shade: #F21881, #F21847, #F22318, #F25D18 and #F29718

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F22418CE shade: #AD130A, #D4170C, #F22418, #F4493F and #F66E66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F22418CE shade: #F22418, #BBF218 and #1864F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F22418CE shade: #F22418, #18F223 and #2318F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F22418CE shade: #F22418, #BBF218, #18E7F2 and #4E18F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F22418CE shade: #F22418, #7AF218, #18E7F2 and #8F18F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 73 / 4

HEX #F22418CE

RGBA 242 36 24 0.81

HSLA 3.3, 0.89%, 0.52%, 0.81

LABA 52.07, 73.04, 58.38, 0.81

 

Complementary color

CMYK 76 / 4 / 0 / 8

HEX #0DDBE7CE

RGBA 13 219 231 0.81

HSLA 183.3, 0.89%, 0.48%, 0.81

LABA 79.91, -38.95, -18.37, 0.81

 

CMYK 0 / 69 / 75 / 3

HEX #F72413CE

RGBA 247 36 19 0.81

HSLA 4.47, 0.93%, 0.52%, 0.81

LABA 53.04, 74.3, 61.26, 0.81

 

CMYK 0 / 64 / 69 / 0

HEX #FF3626CE

RGBA 255 54 38 0.81

HSLA 4.42, 1%, 0.57%, 0.81

LABA 56.13, 72.68, 56.71, 0.81

 

CMYK 0 / 58 / 63 / 0

HEX #FF4839CE

RGBA 255 72 57 0.81

HSLA 4.55, 1%, 0.61%, 0.81

LABA 58.22, 67.75, 49.43, 0.81

 

CMYK 0 / 52 / 57 / 0

HEX #FF5A4CCE

RGBA 255 90 76 0.81

HSLA 4.69, 1%, 0.65%, 0.81

LABA 60.86, 61.82, 42.24, 0.81

 

CMYK 0 / 47 / 51 / 0

HEX #FF6C5FCE

RGBA 255 108 95 0.81

HSLA 4.88, 1%, 0.69%, 0.81

LABA 64.01, 55.15, 35.59, 0.81

 

CMYK 0 / 69 / 73 / 4

HEX #F22418CE

RGBA 242 36 24 0.81

HSLA 3.3, 0.89%, 0.52%, 0.81

LABA 52.07, 73.04, 58.38, 0.81

 

CMYK 0 / 75 / 79 / 10

HEX #E11205CE

RGBA 225 18 5 0.81

HSLA 3.55, 0.96%, 0.45%, 0.81

LABA 47.56, 71.29, 59.9, 0.81

 

CMYK 0 / 81 / 81 / 15

HEX #D00000CE

RGBA 208 0 0 0.81

HSLA 0, 1%, 0.41%, 0.81

LABA 43.37, 68.7, 57.65, 0.81

 

CMYK 0 / 81 / 81 / 20

HEX #BF0000CE

RGBA 191 0 0 0.81

HSLA 0, 1%, 0.37%, 0.81

LABA 39.71, 64.46, 54.09, 0.81

 

CMYK 0 / 81 / 81 / 26

HEX #AE0000CE

RGBA 174 0 0 0.81

HSLA 0, 1%, 0.34%, 0.81

LABA 35.98, 60.15, 50.35, 0.81

 

CMYK 0 / 85 / 90 / 5

HEX #F22418

RGB 242 36 24

HSL 3.3, 0.89%, 0.52%

LAB 52.07, 73.04, 58.38

 

CMYK 0 / 90 / 90 / 5

HEX #F21818

RGB 242 24 24

HSL 0, 0.89%, 0.52%

LAB 51.38, 75.02, 57.91

 

CMYK 0 / 85 / 90 / 5

HEX #F22418

RGB 242 36 24

HSL 3.3, 0.89%, 0.52%

LAB 52.07, 73.04, 58.38

 

CMYK 0 / 61 / 90 / 5

HEX #F25E18

RGB 242 94 24

HSL 19.27, 0.89%, 0.52%

LAB 58.93, 54.17, 63.17

 

CMYK 0 / 37 / 90 / 5

HEX #F29918

RGB 242 153 24

HSL 35.5, 0.89%, 0.52%

LAB 70.68, 25.03, 71.77

 

CMYK 0 / 12 / 90 / 5

HEX #F2D418

RGB 242 212 24

HSL 51.74, 0.89%, 0.52%

LAB 85.01, -5.7, 82.65

 

CMYK 12 / 0 / 90 / 5

HEX #D4F218

RGB 212 242 24

HSL 68.26, 0.89%, 0.52%

LAB 90.58, -32.72, 85.98

 

CMYK 0 / 85 / 90 / 5

HEX #F22418

RGB 242 36 24

HSL 3.3, 0.89%, 0.52%

LAB 52.07, 73.04, 58.38

 

CMYK 0 / 85 / 90 / 5

HEX #F22418

RGB 242 36 24

HSL 3.3, 0.89%, 0.52%

LAB 52.07, 73.04, 58.38

 

CMYK 0 / 76 / 81 / 13

HEX #DE352B

RGB 222 53 43

HSL 3.35, 0.73%, 0.52%

LAB 49.8, 63.62, 46.24

 

CMYK 0 / 65 / 69 / 21

HEX #CA473F

RGB 202 71 63

HSL 3.45, 0.57%, 0.52%

LAB 48.79, 51.48, 33.08

 

CMYK 0 / 51 / 54 / 29

HEX #B65953

RGB 182 89 83

HSL 3.64, 0.4%, 0.52%

LAB 49.15, 37.07, 21.15

 

CMYK 0 / 35 / 36 / 36

HEX #A26A67

RGB 162 106 103

HSL 3.05, 0.24%, 0.52%

LAB 50.65, 22.03, 10.92

 

CMYK 0 / 90 / 47 / 5

HEX #F21881

RGB 242 24 129

HSL 331.1, 0.89%, 0.52%

LAB 53.08, 79.77, 0.52

 

CMYK 0 / 90 / 71 / 5

HEX #F21847

RGB 242 24 71

HSL 347.06, 0.89%, 0.52%

LAB 51.82, 76.28, 33.83

 

CMYK 0 / 86 / 90 / 5

HEX #F22318

RGB 242 35 24

HSL 3.03, 0.89%, 0.52%

LAB 52, 73.23, 58.34

 

CMYK 0 / 62 / 90 / 5

HEX #F25D18

RGB 242 93 24

HSL 18.99, 0.89%, 0.52%

LAB 58.76, 54.61, 63.05

 

CMYK 0 / 38 / 90 / 5

HEX #F29718

RGB 242 151 24

HSL 34.95, 0.89%, 0.52%

LAB 70.23, 26.08, 71.44

 

CMYK 0 / 89 / 94 / 32

HEX #AD130A

RGB 173 19 10

HSL 3.31, 0.89%, 0.36%

LAB 36.69, 57.45, 46.68

 

CMYK 0 / 89 / 94 / 17

HEX #D4170C

RGB 212 23 12

HSL 3.3, 0.89%, 0.44%

LAB 45.13, 67.3, 55.2

 

CMYK 0 / 85 / 90 / 5

HEX #F22418

RGB 242 36 24

HSL 3.3, 0.89%, 0.52%

LAB 52.07, 73.04, 58.38

 

CMYK 0 / 70 / 74 / 4

HEX #F4493F

RGB 244 73 63

HSL 3.31, 0.89%, 0.6%

LAB 56.44, 64.26, 43.78

 

CMYK 0 / 55 / 59 / 4

HEX #F66E66

RGB 246 110 102

HSL 3.33, 0.89%, 0.68%

LAB 63.1, 51.57, 30.25

 

CMYK 0 / 85 / 90 / 5

HEX #F22418

RGB 242 36 24

HSL 3.3, 0.89%, 0.52%

LAB 52.07, 73.04, 58.38

 

CMYK 23 / 0 / 90 / 5

HEX #BBF218

RGB 187 242 24

HSL 75.14, 0.89%, 0.52%

LAB 88.99, -42.51, 84.04

 

CMYK 90 / 59 / 0 / 5

HEX #1864F2

RGB 24 100 242

HSL 219.08, 0.89%, 0.52%

LAB 46.6, 32.24, -76.89

 

CMYK 0 / 85 / 90 / 5

HEX #F22418

RGB 242 36 24

HSL 3.3, 0.89%, 0.52%

LAB 52.07, 73.04, 58.38

 

CMYK 90 / 0 / 86 / 5

HEX #18F223

RGB 24 242 35

HSL 123.03, 0.89%, 0.52%

LAB 83.87, -81.09, 75.78

 

CMYK 86 / 90 / 0 / 5

HEX #2318F2

RGB 35 24 242

HSL 243.03, 0.89%, 0.52%

LAB 32.75, 71.85, -99.77

 

CMYK 0 / 85 / 90 / 5

HEX #F22418

RGB 242 36 24

HSL 3.3, 0.89%, 0.52%

LAB 52.07, 73.04, 58.38

 

CMYK 23 / 0 / 90 / 5

HEX #BBF218

RGB 187 242 24

HSL 75.14, 0.89%, 0.52%

LAB 88.99, -42.51, 84.04

 

CMYK 90 / 5 / 0 / 5

HEX #18E7F2

RGB 24 231 242

HSL 183.03, 0.89%, 0.52%

LAB 83.84, -40.7, -18.26

 

CMYK 68 / 90 / 0 / 5

HEX #4E18F2

RGB 78 24 242

HSL 254.86, 0.89%, 0.52%

LAB 35.37, 73.46, -95.34

 

CMYK 0 / 85 / 90 / 5

HEX #F22418

RGB 242 36 24

HSL 3.3, 0.89%, 0.52%

LAB 52.07, 73.04, 58.38

 

CMYK 50 / 0 / 90 / 5

HEX #7AF218

RGB 122 242 24

HSL 93.03, 0.89%, 0.52%

LAB 85.86, -64.54, 80.19

 

CMYK 90 / 5 / 0 / 5

HEX #18E7F2

RGB 24 231 242

HSL 183.03, 0.89%, 0.52%

LAB 83.84, -40.7, -18.26

 

CMYK 41 / 90 / 0 / 5

HEX #8F18F2

RGB 143 24 242

HSL 272.75, 0.89%, 0.52%

LAB 42.62, 78.76, -83.12

 

Description

Color code: HEX #F22418CE | qconv.com Color code: HEX #F22418CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 36 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 36 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 73 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 73% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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