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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F22375 it is the complementary color #0DDC8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F22375. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F22375 shade: #F72370, #FF3583, #FF4796, #FF59A9 and #FF6BBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F22375. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F22375 shade: #F22375, #E11162, #D0004F, #BF003C and #AE0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F22375 shade: #F22174, #F2213C and #F22121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F22375 shade: #F22174, #F221AC, #F221E5, #C721F2 and #8F21F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F22375 shade matches the following richer shades: #F22174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F22375 shade: #F22174, #DF3478, #CC477C, #B95A80 and #A66D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F22375 shade: #F221E4, #F221AC, #F22175, #F2213D and #F23D21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F22375 shade: #B60B4F, #DD0D5F, #F22174, #F4488C and #F76FA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F22375 shade: #F22375, #F2C821 and #21C8F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F22375 shade: #F22375, #75F221 and #2175F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F22375 shade: #F22375, #F2C821, #21F29F and #214BF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F22375 shade: #F22375, #DDF221, #21F29F and #3621F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 52 / 5

HEX #F22375

RGB 242 35 117

HSL 336.23, 0.89%, 0.54%

LAB 53.35, 77.13, 8.15

 

Complementary color

CMYK 94 / 0 / 37 / 14

HEX #0DDC8A

RGB 13 220 138

HSL 156.23, 0.89%, 0.46%

LAB 77.94, -63.17, 28.03

 

CMYK 0 / 86 / 55 / 3

HEX #F72370

RGB 247 35 112

HSL 338.21, 0.93%, 0.55%

LAB 54.18, 77.98, 12.48

 

CMYK 0 / 79 / 49 / 0

HEX #FF3583

RGB 255 53 131

HSL 336.83, 1%, 0.6%

LAB 57.51, 77.45, 6.04

 

CMYK 0 / 72 / 41 / 0

HEX #FF4796

RGB 255 71 150

HSL 334.24, 1%, 0.64%

LAB 59.86, 73.93, -1.72

 

CMYK 0 / 65 / 34 / 0

HEX #FF59A9

RGB 255 89 169

HSL 331.08, 1%, 0.67%

LAB 62.73, 69.5, -8.48

 

CMYK 0 / 58 / 26 / 0

HEX #FF6BBC

RGB 255 107 188

HSL 327.16, 1%, 0.71%

LAB 66.06, 64.38, -14.32

 

CMYK 0 / 86 / 52 / 5

HEX #F22375

RGB 242 35 117

HSL 336.23, 0.89%, 0.54%

LAB 53.35, 77.13, 8.15

 

CMYK 0 / 92 / 56 / 12

HEX #E11162

RGB 225 17 98

HSL 336.63, 0.86%, 0.47%

LAB 48.62, 74.48, 12.61

 

CMYK 0 / 100 / 62 / 18

HEX #D0004F

RGB 208 0 79

HSL 337.21, 1%, 0.41%

LAB 44.2, 70.93, 17.81

 

CMYK 0 / 100 / 69 / 25

HEX #BF003C

RGB 191 0 60

HSL 341.15, 1%, 0.37%

LAB 40.25, 65.93, 23.96

 

CMYK 0 / 100 / 76 / 32

HEX #AE0029

RGB 174 0 41

HSL 345.86, 1%, 0.34%

LAB 36.29, 60.98, 30.26

 

CMYK 0 / 86 / 52 / 5

HEX #F22174

RGB 242 33 116

HSL 336.17, 0.89%, 0.54%

LAB 53.2, 77.41, 8.54

 

CMYK 0 / 86 / 75 / 5

HEX #F2213C

RGB 242 33 60

HSL 352.25, 0.89%, 0.54%

LAB 52.16, 74.46, 40.62

 

CMYK 0 / 86 / 86 / 5

HEX #F22121

RGB 242 33 33

HSL 0, 0.89%, 0.54%

LAB 51.92, 73.75, 54.5

 

CMYK 0 / 86 / 52 / 5

HEX #F22174

RGB 242 33 116

HSL 336.17, 0.89%, 0.54%

LAB 53.2, 77.41, 8.54

 

CMYK 0 / 86 / 29 / 5

HEX #F221AC

RGB 242 33 172

HSL 320.1, 0.89%, 0.54%

LAB 55.01, 82.47, -22.11

 

CMYK 0 / 86 / 5 / 5

HEX #F221E5

RGB 242 33 229

HSL 303.73, 0.89%, 0.54%

LAB 57.68, 89.54, -50.67

 

CMYK 18 / 86 / 0 / 5

HEX #C721F2

RGB 199 33 242

HSL 287.66, 0.89%, 0.54%

LAB 51.43, 84.44, -68.39

 

CMYK 41 / 86 / 0 / 5

HEX #8F21F2

RGB 143 33 242

HSL 271.58, 0.89%, 0.54%

LAB 43.27, 76.82, -82.05

 

CMYK 0 / 86 / 52 / 5

HEX #F22174

RGB 242 33 116

HSL 336.17, 0.89%, 0.54%

LAB 53.2, 77.41, 8.54

 

CMYK 0 / 86 / 52 / 5

HEX #F22174

RGB 242 33 116

HSL 336.17, 0.89%, 0.54%

LAB 53.2, 77.41, 8.54

 

CMYK 0 / 77 / 46 / 13

HEX #DF3478

RGB 223 52 120

HSL 336.14, 0.73%, 0.54%

LAB 51.27, 68.61, 2.89

 

CMYK 0 / 65 / 39 / 20

HEX #CC477C

RGB 204 71 124

HSL 336.09, 0.57%, 0.54%

LAB 50.45, 56.98, -1.12

 

CMYK 0 / 51 / 31 / 27

HEX #B95A80

RGB 185 90 128

HSL 336, 0.4%, 0.54%

LAB 50.9, 42.57, -3.19

 

CMYK 0 / 34 / 20 / 35

HEX #A66D84

RGB 166 109 132

HSL 335.79, 0.24%, 0.54%

LAB 52.63, 26.06, -3.3

 

CMYK 0 / 86 / 6 / 5

HEX #F221E4

RGB 242 33 228

HSL 304.02, 0.89%, 0.54%

LAB 57.62, 89.4, -50.19

 

CMYK 0 / 86 / 29 / 5

HEX #F221AC

RGB 242 33 172

HSL 320.1, 0.89%, 0.54%

LAB 55.01, 82.47, -22.11

 

CMYK 0 / 86 / 52 / 5

HEX #F22175

RGB 242 33 117

HSL 335.89, 0.89%, 0.54%

LAB 53.22, 77.49, 7.97

 

CMYK 0 / 86 / 75 / 5

HEX #F2213D

RGB 242 33 61

HSL 351.96, 0.89%, 0.54%

LAB 52.18, 74.49, 40.07

 

CMYK 0 / 75 / 86 / 5

HEX #F23D21

RGB 242 61 33

HSL 8.04, 0.89%, 0.54%

LAB 54.37, 66.83, 56.46

 

CMYK 0 / 94 / 57 / 29

HEX #B60B4F

RGB 182 11 79

HSL 336.14, 0.89%, 0.38%

LAB 39.15, 63.68, 10.04

 

CMYK 0 / 94 / 57 / 13

HEX #DD0D5F

RGB 221 13 95

HSL 336.35, 0.89%, 0.46%

LAB 47.61, 73.77, 12.93

 

CMYK 0 / 86 / 52 / 5

HEX #F22174

RGB 242 33 116

HSL 336.17, 0.89%, 0.54%

LAB 53.2, 77.41, 8.54

 

CMYK 0 / 70 / 43 / 4

HEX #F4488C

RGB 244 72 140

HSL 336.28, 0.89%, 0.62%

LAB 57.81, 69.69, 0.92

 

CMYK 0 / 55 / 33 / 3

HEX #F76FA5

RGB 247 111 165

HSL 336.18, 0.89%, 0.7%

LAB 64.85, 57.36, -3.19

 

CMYK 0 / 86 / 52 / 5

HEX #F22375

RGB 242 35 117

HSL 336.23, 0.89%, 0.54%

LAB 53.35, 77.13, 8.15

 

CMYK 0 / 17 / 86 / 5

HEX #F2C821

RGB 242 200 33

HSL 47.94, 0.89%, 0.54%

LAB 82, 0.58, 78.6

 

CMYK 86 / 17 / 0 / 5

HEX #21C8F2

RGB 33 200 242

HSL 192.06, 0.89%, 0.54%

LAB 74.85, -25.51, -31.96

 

CMYK 0 / 86 / 52 / 5

HEX #F22375

RGB 242 35 117

HSL 336.23, 0.89%, 0.54%

LAB 53.35, 77.13, 8.15

 

CMYK 52 / 0 / 86 / 5

HEX #75F221

RGB 117 242 33

HSL 95.89, 0.89%, 0.54%

LAB 85.7, -65.68, 78.48

 

CMYK 86 / 52 / 0 / 5

HEX #2175F2

RGB 33 117 242

HSL 215.89, 0.89%, 0.54%

LAB 51.22, 21.92, -69.37

 

CMYK 0 / 86 / 52 / 5

HEX #F22375

RGB 242 35 117

HSL 336.23, 0.89%, 0.54%

LAB 53.35, 77.13, 8.15

 

CMYK 0 / 17 / 86 / 5

HEX #F2C821

RGB 242 200 33

HSL 47.94, 0.89%, 0.54%

LAB 82, 0.58, 78.6

 

CMYK 86 / 0 / 34 / 5

HEX #21F29F

RGB 33 242 159

HSL 156.17, 0.89%, 0.54%

LAB 85.16, -65.67, 27.04

 

CMYK 86 / 69 / 0 / 5

HEX #214BF2

RGB 33 75 242

HSL 227.94, 0.89%, 0.54%

LAB 40.84, 48.21, -86.34

 

CMYK 0 / 86 / 52 / 5

HEX #F22375

RGB 242 35 117

HSL 336.23, 0.89%, 0.54%

LAB 53.35, 77.13, 8.15

 

CMYK 9 / 0 / 86 / 5

HEX #DDF221

RGB 221 242 33

HSL 66.03, 0.89%, 0.54%

LAB 91.23, -28.92, 85.33

 

CMYK 86 / 0 / 34 / 5

HEX #21F29F

RGB 33 242 159

HSL 156.17, 0.89%, 0.54%

LAB 85.16, -65.67, 27.04

 

CMYK 78 / 86 / 0 / 5

HEX #3621F2

RGB 54 33 242

HSL 246.03, 0.89%, 0.54%

LAB 34.57, 69.67, -96.72

 

Description

Color code: HEX #F22375 | qconv.com Color code: HEX #F22375 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 35 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 35 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 52 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 52% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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