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Color name
HEX #F22367

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F22367 it is the complementary color #0DDC98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F22367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F22367 shade: #F72362, #FF3575, #FF4788, #FF599B and #FF6BAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F22367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F22367 shade: #F22367, #E11154, #D00041, #BF002E and #AE001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F22367 shade: #F22166, #F2212E and #F22121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F22367 shade: #F22166, #F2219E, #F221D7, #D521F2 and #9D21F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F22367 shade matches the following richer shades: #F22166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F22367 shade: #F22166, #DF346C, #CC4773, #B95A79 and #A66D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F22367 shade: #F221D6, #F2219F, #F22167, #F2212F and #F24B21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F22367 shade: #B60B43, #DD0D51, #F22166, #F44881 and #F76F9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F22367 shade: #F22367, #F2D621 and #21BAF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F22367 shade: #F22367, #67F221 and #2167F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F22367 shade: #F22367, #F2D621, #21F2AC and #213DF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F22367 shade: #F22367, #CFF221, #21F2AC and #4421F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 57 / 5

HEX #F22367

RGB 242 35 103

HSL 340.29, 0.89%, 0.54%

LAB 53.01, 76.18, 16.14

 

Complementary color

CMYK 94 / 0 / 31 / 14

HEX #0DDC98

RGB 13 220 152

HSL 160.29, 0.89%, 0.46%

LAB 78.19, -60.25, 21.12

 

CMYK 0 / 86 / 60 / 3

HEX #F72362

RGB 247 35 98

HSL 342.17, 0.93%, 0.55%

LAB 53.88, 77.1, 20.49

 

CMYK 0 / 79 / 54 / 0

HEX #FF3575

RGB 255 53 117

HSL 340.99, 1%, 0.6%

LAB 57.16, 76.42, 13.87

 

CMYK 0 / 72 / 47 / 0

HEX #FF4788

RGB 255 71 136

HSL 338.8, 1%, 0.64%

LAB 59.47, 72.68, 5.92

 

CMYK 0 / 65 / 39 / 0

HEX #FF599B

RGB 255 89 155

HSL 336.14, 1%, 0.67%

LAB 62.31, 68.02, -1.03

 

CMYK 0 / 58 / 32 / 0

HEX #FF6BAE

RGB 255 107 174

HSL 332.84, 1%, 0.71%

LAB 65.62, 62.67, -7.05

 

CMYK 0 / 86 / 57 / 5

HEX #F22367

RGB 242 35 103

HSL 340.29, 0.89%, 0.54%

LAB 53.01, 76.18, 16.14

 

CMYK 0 / 92 / 63 / 12

HEX #E11154

RGB 225 17 84

HSL 340.67, 0.86%, 0.47%

LAB 48.32, 73.65, 20.82

 

CMYK 0 / 100 / 69 / 18

HEX #D00041

RGB 208 0 65

HSL 341.25, 1%, 0.41%

LAB 43.93, 70.22, 26.22

 

CMYK 0 / 100 / 76 / 25

HEX #BF002E

RGB 191 0 46

HSL 345.55, 1%, 0.37%

LAB 40.04, 65.36, 32.41

 

CMYK 0 / 100 / 84 / 32

HEX #AE001B

RGB 174 0 27

HSL 350.69, 1%, 0.34%

LAB 36.13, 60.56, 38.39

 

CMYK 0 / 86 / 58 / 5

HEX #F22166

RGB 242 33 102

HSL 340.19, 0.89%, 0.54%

LAB 52.87, 76.48, 16.55

 

CMYK 0 / 86 / 81 / 5

HEX #F2212E

RGB 242 33 46

HSL 356.27, 0.89%, 0.54%

LAB 52.02, 74.03, 48.17

 

CMYK 0 / 86 / 86 / 5

HEX #F22121

RGB 242 33 33

HSL 0, 0.89%, 0.54%

LAB 51.92, 73.75, 54.5

 

CMYK 0 / 86 / 58 / 5

HEX #F22166

RGB 242 33 102

HSL 340.19, 0.89%, 0.54%

LAB 52.87, 76.48, 16.55

 

CMYK 0 / 86 / 35 / 5

HEX #F2219E

RGB 242 33 158

HSL 324.11, 0.89%, 0.54%

LAB 54.48, 81.02, -14.68

 

CMYK 0 / 86 / 11 / 5

HEX #F221D7

RGB 242 33 215

HSL 307.75, 0.89%, 0.54%

LAB 56.95, 87.64, -43.9

 

CMYK 12 / 86 / 0 / 5

HEX #D521F2

RGB 213 33 242

HSL 291.67, 0.89%, 0.54%

LAB 53.65, 86.62, -64.69

 

CMYK 35 / 86 / 0 / 5

HEX #9D21F2

RGB 157 33 242

HSL 275.6, 0.89%, 0.54%

LAB 45.17, 78.54, -78.85

 

CMYK 0 / 86 / 58 / 5

HEX #F22166

RGB 242 33 102

HSL 340.19, 0.89%, 0.54%

LAB 52.87, 76.48, 16.55

 

CMYK 0 / 86 / 58 / 5

HEX #F22166

RGB 242 33 102

HSL 340.19, 0.89%, 0.54%

LAB 52.87, 76.48, 16.55

 

CMYK 0 / 77 / 52 / 13

HEX #DF346C

RGB 223 52 108

HSL 340.35, 0.73%, 0.54%

LAB 50.95, 67.62, 9.7

 

CMYK 0 / 65 / 44 / 20

HEX #CC4773

RGB 204 71 115

HSL 340.15, 0.57%, 0.54%

LAB 50.19, 56.05, 3.93

 

CMYK 0 / 51 / 35 / 27

HEX #B95A79

RGB 185 90 121

HSL 340.42, 0.4%, 0.54%

LAB 50.7, 41.67, 0.68

 

CMYK 0 / 34 / 23 / 35

HEX #A66D80

RGB 166 109 128

HSL 340, 0.24%, 0.54%

LAB 52.51, 25.44, -1.12

 

CMYK 0 / 86 / 12 / 5

HEX #F221D6

RGB 242 33 214

HSL 308.04, 0.89%, 0.54%

LAB 56.9, 87.51, -43.41

 

CMYK 0 / 86 / 34 / 5

HEX #F2219F

RGB 242 33 159

HSL 323.83, 0.89%, 0.54%

LAB 54.52, 81.12, -15.22

 

CMYK 0 / 86 / 57 / 5

HEX #F22167

RGB 242 33 103

HSL 339.9, 0.89%, 0.54%

LAB 52.89, 76.54, 15.97

 

CMYK 0 / 86 / 81 / 5

HEX #F2212F

RGB 242 33 47

HSL 355.98, 0.89%, 0.54%

LAB 52.03, 74.06, 47.65

 

CMYK 0 / 69 / 86 / 5

HEX #F24B21

RGB 242 75 33

HSL 12.06, 0.89%, 0.54%

LAB 56.11, 62.03, 57.85

 

CMYK 0 / 94 / 63 / 29

HEX #B60B43

RGB 182 11 67

HSL 340.35, 0.89%, 0.38%

LAB 38.88, 62.93, 17.36

 

CMYK 0 / 94 / 63 / 13

HEX #DD0D51

RGB 221 13 81

HSL 340.38, 0.89%, 0.46%

LAB 47.31, 72.95, 21.18

 

CMYK 0 / 86 / 58 / 5

HEX #F22166

RGB 242 33 102

HSL 340.19, 0.89%, 0.54%

LAB 52.87, 76.48, 16.55

 

CMYK 0 / 70 / 47 / 4

HEX #F44881

RGB 244 72 129

HSL 340.12, 0.89%, 0.62%

LAB 57.51, 68.71, 6.98

 

CMYK 0 / 55 / 37 / 3

HEX #F76F9C

RGB 247 111 156

HSL 340.15, 0.89%, 0.7%

LAB 64.6, 56.34, 1.58

 

CMYK 0 / 86 / 57 / 5

HEX #F22367

RGB 242 35 103

HSL 340.29, 0.89%, 0.54%

LAB 53.01, 76.18, 16.14

 

CMYK 0 / 12 / 86 / 5

HEX #F2D621

RGB 242 214 33

HSL 51.96, 0.89%, 0.54%

LAB 85.54, -6.55, 81.44

 

CMYK 86 / 23 / 0 / 5

HEX #21BAF2

RGB 33 186 242

HSL 196.08, 0.89%, 0.54%

LAB 70.77, -18.33, -38.29

 

CMYK 0 / 86 / 57 / 5

HEX #F22367

RGB 242 35 103

HSL 340.29, 0.89%, 0.54%

LAB 53.01, 76.18, 16.14

 

CMYK 57 / 0 / 86 / 5

HEX #67F221

RGB 103 242 33

HSL 99.9, 0.89%, 0.54%

LAB 85.25, -69.31, 77.91

 

CMYK 86 / 57 / 0 / 5

HEX #2167F2

RGB 33 103 242

HSL 219.9, 0.89%, 0.54%

LAB 47.54, 30.79, -75.35

 

CMYK 0 / 86 / 57 / 5

HEX #F22367

RGB 242 35 103

HSL 340.29, 0.89%, 0.54%

LAB 53.01, 76.18, 16.14

 

CMYK 0 / 12 / 86 / 5

HEX #F2D621

RGB 242 214 33

HSL 51.96, 0.89%, 0.54%

LAB 85.54, -6.55, 81.44

 

CMYK 86 / 0 / 29 / 5

HEX #21F2AC

RGB 33 242 172

HSL 159.9, 0.89%, 0.54%

LAB 85.41, -62.95, 20.72

 

CMYK 86 / 75 / 0 / 5

HEX #213DF2

RGB 33 61 242

HSL 231.96, 0.89%, 0.54%

LAB 37.97, 56.21, -91.09

 

CMYK 0 / 86 / 57 / 5

HEX #F22367

RGB 242 35 103

HSL 340.29, 0.89%, 0.54%

LAB 53.01, 76.18, 16.14

 

CMYK 14 / 0 / 86 / 5

HEX #CFF221

RGB 207 242 33

HSL 70.05, 0.89%, 0.54%

LAB 90.27, -34.53, 84.15

 

CMYK 86 / 0 / 29 / 5

HEX #21F2AC

RGB 33 242 172

HSL 159.9, 0.89%, 0.54%

LAB 85.41, -62.95, 20.72

 

CMYK 72 / 86 / 0 / 5

HEX #4421F2

RGB 68 33 242

HSL 250.05, 0.89%, 0.54%

LAB 35.45, 70.34, -95.22

 

Description

Color code: HEX #F22367 | qconv.com Color code: HEX #F22367 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 35 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 35 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 57 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 57% 5% C M Y K

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