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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F22341 it is the complementary color #0DDCBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F22341. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F22341 shade: #F7233C, #FF354F, #FF4762, #FF5975 and #FF6B88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F22341. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F22341 shade: #F22341, #E1112E, #D0001B, #BF0008 and #AE0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F22341 shade: #F22140 and #F22121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F22341 shade: #F22140, #F22178, #F221B0, #F221E8 and #C321F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F22341 shade matches the following richer shades: #F22140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F22341 shade: #F22140, #DF344D, #CC475B, #B95A68 and #A66D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F22341 shade: #F221B0, #F22178, #F22141, #F23A21 and #F27121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F22341 shade: #B60B23, #DD0D2B, #F22140, #F44861 and #F76F83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F22341 shade: #F22341, #E8F221 and #2194F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F22341 shade: #F22341, #41F221 and #2141F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F22341 shade: #F22341, #E8F221, #21F2D3 and #2C21F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F22341 shade: #F22341, #A9F221, #21F2D3 and #6A21F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 73 / 5

HEX #F22341

RGB 242 35 65

HSL 351.3, 0.89%, 0.54%

LAB 52.35, 74.27, 37.97

 

Complementary color

CMYK 94 / 0 / 14 / 14

HEX #0DDCBE

RGB 13 220 190

HSL 171.3, 0.89%, 0.46%

LAB 79.04, -51.07, 2.21

 

CMYK 0 / 86 / 76 / 3

HEX #F7233C

RGB 247 35 60

HSL 352.92, 0.93%, 0.55%

LAB 53.28, 75.37, 42.13

 

CMYK 0 / 79 / 69 / 0

HEX #FF354F

RGB 255 53 79

HSL 352.28, 1%, 0.6%

LAB 56.46, 74.25, 35.34

 

CMYK 0 / 72 / 62 / 0

HEX #FF4762

RGB 255 71 98

HSL 351.2, 1%, 0.64%

LAB 58.65, 69.95, 27.06

 

CMYK 0 / 65 / 54 / 0

HEX #FF5975

RGB 255 89 117

HSL 349.88, 1%, 0.67%

LAB 61.39, 64.68, 19.68

 

CMYK 0 / 58 / 47 / 0

HEX #FF6B88

RGB 255 107 136

HSL 348.24, 1%, 0.71%

LAB 64.61, 58.7, 13.2

 

CMYK 0 / 86 / 73 / 5

HEX #F22341

RGB 242 35 65

HSL 351.3, 0.89%, 0.54%

LAB 52.35, 74.27, 37.97

 

CMYK 0 / 92 / 80 / 12

HEX #E1112E

RGB 225 17 46

HSL 351.63, 0.86%, 0.47%

LAB 47.76, 72.08, 42.8

 

CMYK 0 / 100 / 87 / 18

HEX #D0001B

RGB 208 0 27

HSL 352.21, 1%, 0.41%

LAB 43.49, 69.02, 47.61

 

CMYK 0 / 100 / 96 / 25

HEX #BF0008

RGB 191 0 8

HSL 357.49, 1%, 0.37%

LAB 39.74, 64.54, 51.15

 

CMYK 0 / 100 / 100 / 32

HEX #AE0000

RGB 174 0 0

HSL 0, 1%, 0.34%

LAB 35.98, 60.15, 50.35

 

CMYK 0 / 86 / 74 / 5

HEX #F22140

RGB 242 33 64

HSL 351.1, 0.89%, 0.54%

LAB 52.21, 74.6, 38.38

 

CMYK 0 / 86 / 86 / 5

HEX #F22121

RGB 242 33 33

HSL 0, 0.89%, 0.54%

LAB 51.92, 73.75, 54.5

 

CMYK 0 / 86 / 74 / 5

HEX #F22140

RGB 242 33 64

HSL 351.1, 0.89%, 0.54%

LAB 52.21, 74.6, 38.38

 

CMYK 0 / 86 / 50 / 5

HEX #F22178

RGB 242 33 120

HSL 335.02, 0.89%, 0.54%

LAB 53.3, 77.71, 6.27

 

CMYK 0 / 86 / 27 / 5

HEX #F221B0

RGB 242 33 176

HSL 318.95, 0.89%, 0.54%

LAB 55.17, 82.91, -24.2

 

CMYK 0 / 86 / 4 / 5

HEX #F221E8

RGB 242 33 232

HSL 302.87, 0.89%, 0.54%

LAB 57.84, 89.95, -52.1

 

CMYK 19 / 86 / 0 / 5

HEX #C321F2

RGB 195 33 242

HSL 286.51, 0.89%, 0.54%

LAB 50.8, 83.84, -69.43

 

CMYK 0 / 86 / 74 / 5

HEX #F22140

RGB 242 33 64

HSL 351.1, 0.89%, 0.54%

LAB 52.21, 74.6, 38.38

 

CMYK 0 / 86 / 74 / 5

HEX #F22140

RGB 242 33 64

HSL 351.1, 0.89%, 0.54%

LAB 52.21, 74.6, 38.38

 

CMYK 0 / 77 / 65 / 13

HEX #DF344D

RGB 223 52 77

HSL 351.23, 0.73%, 0.54%

LAB 50.31, 65.6, 27.57

 

CMYK 0 / 65 / 55 / 20

HEX #CC475B

RGB 204 71 91

HSL 350.98, 0.57%, 0.54%

LAB 49.62, 53.95, 17.62

 

CMYK 0 / 51 / 44 / 27

HEX #B95A68

RGB 185 90 104

HSL 351.16, 0.4%, 0.54%

LAB 50.25, 39.7, 10.21

 

CMYK 0 / 34 / 30 / 35

HEX #A66D75

RGB 166 109 117

HSL 351.58, 0.24%, 0.54%

LAB 52.21, 23.8, 4.93

 

CMYK 0 / 86 / 27 / 5

HEX #F221B0

RGB 242 33 176

HSL 318.95, 0.89%, 0.54%

LAB 55.17, 82.91, -24.2

 

CMYK 0 / 86 / 50 / 5

HEX #F22178

RGB 242 33 120

HSL 335.02, 0.89%, 0.54%

LAB 53.3, 77.71, 6.27

 

CMYK 0 / 86 / 73 / 5

HEX #F22141

RGB 242 33 65

HSL 350.81, 0.89%, 0.54%

LAB 52.23, 74.64, 37.82

 

CMYK 0 / 76 / 86 / 5

HEX #F23A21

RGB 242 58 33

HSL 7.18, 0.89%, 0.54%

LAB 54.04, 67.75, 56.19

 

CMYK 0 / 53 / 86 / 5

HEX #F27121

RGB 242 113 33

HSL 22.97, 0.89%, 0.54%

LAB 62.34, 45.58, 62.84

 

CMYK 0 / 94 / 81 / 29

HEX #B60B23

RGB 182 11 35

HSL 351.58, 0.89%, 0.38%

LAB 38.39, 61.55, 36.62

 

CMYK 0 / 94 / 81 / 13

HEX #DD0D2B

RGB 221 13 43

HSL 351.35, 0.89%, 0.46%

LAB 46.76, 71.43, 43.19

 

CMYK 0 / 86 / 74 / 5

HEX #F22140

RGB 242 33 64

HSL 351.1, 0.89%, 0.54%

LAB 52.21, 74.6, 38.38

 

CMYK 0 / 70 / 60 / 4

HEX #F44861

RGB 244 72 97

HSL 351.28, 0.89%, 0.62%

LAB 56.81, 66.34, 24.88

 

CMYK 0 / 55 / 47 / 3

HEX #F76F83

RGB 247 111 131

HSL 351.18, 0.89%, 0.7%

LAB 63.98, 53.8, 15.01

 

CMYK 0 / 86 / 73 / 5

HEX #F22341

RGB 242 35 65

HSL 351.3, 0.89%, 0.54%

LAB 52.35, 74.27, 37.97

 

CMYK 4 / 0 / 86 / 5

HEX #E8F221

RGB 232 242 33

HSL 62.87, 0.89%, 0.54%

LAB 92.03, -24.44, 86.31

 

CMYK 86 / 39 / 0 / 5

HEX #2194F2

RGB 33 148 242

HSL 206.99, 0.89%, 0.54%

LAB 59.81, 2.9, -55.56

 

CMYK 0 / 86 / 73 / 5

HEX #F22341

RGB 242 35 65

HSL 351.3, 0.89%, 0.54%

LAB 52.35, 74.27, 37.97

 

CMYK 73 / 0 / 86 / 5

HEX #41F221

RGB 65 242 33

HSL 110.81, 0.89%, 0.54%

LAB 84.35, -76.88, 76.78

 

CMYK 86 / 73 / 0 / 5

HEX #2141F2

RGB 33 65 242

HSL 230.81, 0.89%, 0.54%

LAB 38.75, 54, -89.8

 

CMYK 0 / 86 / 73 / 5

HEX #F22341

RGB 242 35 65

HSL 351.3, 0.89%, 0.54%

LAB 52.35, 74.27, 37.97

 

CMYK 4 / 0 / 86 / 5

HEX #E8F221

RGB 232 242 33

HSL 62.87, 0.89%, 0.54%

LAB 92.03, -24.44, 86.31

 

CMYK 86 / 0 / 13 / 5

HEX #21F2D3

RGB 33 242 211

HSL 171.1, 0.89%, 0.54%

LAB 86.27, -53.63, 1.66

 

CMYK 82 / 86 / 0 / 5

HEX #2C21F2

RGB 44 33 242

HSL 243.16, 0.89%, 0.54%

LAB 34.05, 69.29, -97.59

 

CMYK 0 / 86 / 73 / 5

HEX #F22341

RGB 242 35 65

HSL 351.3, 0.89%, 0.54%

LAB 52.35, 74.27, 37.97

 

CMYK 30 / 0 / 86 / 5

HEX #A9F221

RGB 169 242 33

HSL 80.96, 0.89%, 0.54%

LAB 87.99, -49, 81.33

 

CMYK 86 / 0 / 13 / 5

HEX #21F2D3

RGB 33 242 211

HSL 171.1, 0.89%, 0.54%

LAB 86.27, -53.63, 1.66

 

CMYK 56 / 86 / 0 / 5

HEX #6A21F2

RGB 106 33 242

HSL 260.96, 0.89%, 0.54%

LAB 38.83, 73.02, -89.51

 

Description

Color code: HEX #F22341 | qconv.com Color code: HEX #F22341 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 35 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 35 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 73 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 73% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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