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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F21932 it is the complementary color #0DE6CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F21932. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F21932 shade: #F7192D, #FF2B40, #FF3D53, #FF4F66 and #FF6179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F21932. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F21932 shade: #F21932, #E1071F, #D0000C, #BF0000 and #AE0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F21932 shade: #F21831 and #F21818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F21932 shade: #F21831, #F2186C, #F218A6, #F218E1 and #C718F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F21932 shade matches the following richer shades: #F21831

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F21932 shade: #F21831, #DE2B40, #CA3F4F, #B6535E and #A2676E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F21932 shade: #F218A5, #F2186B, #F21831, #F23818 and #F27218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F21932 shade: #AD0A1D, #D40C23, #F21831, #F43F54 and #F66676

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F21932 shade: #F21932, #DFF218 and #1888F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F21932 shade: #F21932, #31F218 and #1831F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F21932 shade: #F21932, #DFF218, #18F2D8 and #2A18F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F21932 shade: #F21932, #9EF218, #18F2D8 and #6B18F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 79 / 5

HEX #F21932

RGB 242 25 50

HSL 353.09, 0.89%, 0.52%

LAB 51.61, 75.42, 45.62

 

Complementary color

CMYK 94 / 0 / 11 / 10

HEX #0DE6CD

RGB 13 230 205

HSL 173.09, 0.89%, 0.48%

LAB 82.43, -51.18, -0.81

 

CMYK 0 / 90 / 82 / 3

HEX #F7192D

RGB 247 25 45

HSL 354.59, 0.93%, 0.53%

LAB 52.57, 76.54, 49.57

 

CMYK 0 / 83 / 75 / 0

HEX #FF2B40

RGB 255 43 64

HSL 354.06, 1%, 0.58%

LAB 55.44, 76, 42.7

 

CMYK 0 / 76 / 67 / 0

HEX #FF3D53

RGB 255 61 83

HSL 353.2, 1%, 0.62%

LAB 57.29, 72.25, 34.05

 

CMYK 0 / 69 / 60 / 0

HEX #FF4F66

RGB 255 79 102

HSL 352.16, 1%, 0.65%

LAB 59.72, 67.42, 26.14

 

CMYK 0 / 62 / 53 / 0

HEX #FF6179

RGB 255 97 121

HSL 350.89, 1%, 0.69%

LAB 62.67, 61.74, 19.12

 

CMYK 0 / 90 / 79 / 5

HEX #F21932

RGB 242 25 50

HSL 353.09, 0.89%, 0.52%

LAB 51.61, 75.42, 45.62

 

CMYK 0 / 97 / 86 / 12

HEX #E1071F

RGB 225 7 31

HSL 353.39, 0.94%, 0.45%

LAB 47.31, 72.66, 50.26

 

CMYK 0 / 100 / 94 / 18

HEX #D0000C

RGB 208 0 12

HSL 356.54, 1%, 0.41%

LAB 43.41, 68.81, 53.79

 

CMYK 0 / 100 / 100 / 25

HEX #BF0000

RGB 191 0 0

HSL 0, 1%, 0.37%

LAB 39.71, 64.46, 54.09

 

CMYK 0 / 100 / 100 / 32

HEX #AE0000

RGB 174 0 0

HSL 0, 1%, 0.34%

LAB 35.98, 60.15, 50.35

 

CMYK 0 / 90 / 80 / 5

HEX #F21831

RGB 242 24 49

HSL 353.12, 0.89%, 0.52%

LAB 51.56, 75.53, 46.11

 

CMYK 0 / 90 / 90 / 5

HEX #F21818

RGB 242 24 24

HSL 0, 0.89%, 0.52%

LAB 51.38, 75.02, 57.91

 

CMYK 0 / 90 / 80 / 5

HEX #F21831

RGB 242 24 49

HSL 353.12, 0.89%, 0.52%

LAB 51.56, 75.53, 46.11

 

CMYK 0 / 90 / 55 / 5

HEX #F2186C

RGB 242 24 108

HSL 336.88, 0.89%, 0.52%

LAB 52.52, 78.24, 12.44

 

CMYK 0 / 90 / 31 / 5

HEX #F218A6

RGB 242 24 166

HSL 320.92, 0.89%, 0.52%

LAB 54.33, 83.15, -19.64

 

CMYK 0 / 90 / 7 / 5

HEX #F218E1

RGB 242 24 225

HSL 304.68, 0.89%, 0.52%

LAB 57.04, 90.22, -49.42

 

CMYK 18 / 90 / 0 / 5

HEX #C718F2

RGB 199 24 242

HSL 288.17, 0.89%, 0.52%

LAB 50.93, 85.92, -69.2

 

CMYK 0 / 90 / 80 / 5

HEX #F21831

RGB 242 24 49

HSL 353.12, 0.89%, 0.52%

LAB 51.56, 75.53, 46.11

 

CMYK 0 / 90 / 80 / 5

HEX #F21831

RGB 242 24 49

HSL 353.12, 0.89%, 0.52%

LAB 51.56, 75.53, 46.11

 

CMYK 0 / 81 / 71 / 13

HEX #DE2B40

RGB 222 43 64

HSL 352.96, 0.73%, 0.52%

LAB 49.04, 67.17, 33.69

 

CMYK 0 / 69 / 61 / 21

HEX #CA3F4F

RGB 202 63 79

HSL 353.09, 0.57%, 0.52%

LAB 47.85, 55.67, 22.44

 

CMYK 0 / 54 / 48 / 29

HEX #B6535E

RGB 182 83 94

HSL 353.33, 0.4%, 0.52%

LAB 48.18, 41.14, 13.27

 

CMYK 0 / 36 / 32 / 36

HEX #A2676E

RGB 162 103 110

HSL 352.88, 0.24%, 0.52%

LAB 50.11, 24.66, 6

 

CMYK 0 / 90 / 32 / 5

HEX #F218A5

RGB 242 24 165

HSL 321.19, 0.89%, 0.52%

LAB 54.29, 83.05, -19.11

 

CMYK 0 / 90 / 56 / 5

HEX #F2186B

RGB 242 24 107

HSL 337.16, 0.89%, 0.52%

LAB 52.5, 78.18, 13.01

 

CMYK 0 / 90 / 80 / 5

HEX #F21831

RGB 242 24 49

HSL 353.12, 0.89%, 0.52%

LAB 51.56, 75.53, 46.11

 

CMYK 0 / 77 / 90 / 5

HEX #F23818

RGB 242 56 24

HSL 8.81, 0.89%, 0.52%

LAB 53.78, 68.19, 59.55

 

CMYK 0 / 53 / 90 / 5

HEX #F27218

RGB 242 114 24

HSL 24.77, 0.89%, 0.52%

LAB 62.49, 44.93, 65.73

 

CMYK 0 / 94 / 83 / 32

HEX #AD0A1D

RGB 173 10 29

HSL 353.01, 0.89%, 0.36%

LAB 36.35, 59.16, 37.39

 

CMYK 0 / 94 / 83 / 17

HEX #D40C23

RGB 212 12 35

HSL 353.1, 0.89%, 0.44%

LAB 44.77, 69.08, 44.97

 

CMYK 0 / 90 / 80 / 5

HEX #F21831

RGB 242 24 49

HSL 353.12, 0.89%, 0.52%

LAB 51.56, 75.53, 46.11

 

CMYK 0 / 74 / 66 / 4

HEX #F43F54

RGB 244 63 84

HSL 353.04, 0.89%, 0.6%

LAB 55.51, 68.59, 30.81

 

CMYK 0 / 59 / 52 / 4

HEX #F66676

RGB 246 102 118

HSL 353.33, 0.89%, 0.68%

LAB 62, 56.43, 19.7

 

CMYK 0 / 90 / 79 / 5

HEX #F21932

RGB 242 25 50

HSL 353.09, 0.89%, 0.52%

LAB 51.61, 75.42, 45.62

 

CMYK 8 / 0 / 90 / 5

HEX #DFF218

RGB 223 242 24

HSL 65.23, 0.89%, 0.52%

LAB 91.35, -28.28, 86.92

 

CMYK 90 / 44 / 0 / 5

HEX #1888F2

RGB 24 136 242

HSL 209.17, 0.89%, 0.52%

LAB 56.3, 9.6, -61.18

 

CMYK 0 / 90 / 79 / 5

HEX #F21932

RGB 242 25 50

HSL 353.09, 0.89%, 0.52%

LAB 51.61, 75.42, 45.62

 

CMYK 80 / 0 / 90 / 5

HEX #31F218

RGB 49 242 24

HSL 113.12, 0.89%, 0.52%

LAB 84.08, -79.31, 77.98

 

CMYK 90 / 80 / 0 / 5

HEX #1831F2

RGB 24 49 242

HSL 233.12, 0.89%, 0.52%

LAB 35.6, 62.05, -95.03

 

CMYK 0 / 90 / 79 / 5

HEX #F21932

RGB 242 25 50

HSL 353.09, 0.89%, 0.52%

LAB 51.61, 75.42, 45.62

 

CMYK 8 / 0 / 90 / 5

HEX #DFF218

RGB 223 242 24

HSL 65.23, 0.89%, 0.52%

LAB 91.35, -28.28, 86.92

 

CMYK 90 / 0 / 11 / 5

HEX #18F2D8

RGB 24 242 216

HSL 172.84, 0.89%, 0.52%

LAB 86.33, -52.78, -0.87

 

CMYK 83 / 90 / 0 / 5

HEX #2A18F2

RGB 42 24 242

HSL 244.95, 0.89%, 0.52%

LAB 33.04, 72.02, -99.28

 

CMYK 0 / 90 / 79 / 5

HEX #F21932

RGB 242 25 50

HSL 353.09, 0.89%, 0.52%

LAB 51.61, 75.42, 45.62

 

CMYK 35 / 0 / 90 / 5

HEX #9EF218

RGB 158 242 24

HSL 83.12, 0.89%, 0.52%

LAB 87.41, -53.11, 82.1

 

CMYK 90 / 0 / 11 / 5

HEX #18F2D8

RGB 24 242 216

HSL 172.84, 0.89%, 0.52%

LAB 86.33, -52.78, -0.87

 

CMYK 56 / 90 / 0 / 5

HEX #6B18F2

RGB 107 24 242

HSL 262.84, 0.89%, 0.52%

LAB 38.18, 75.38, -90.59

 

Description

Color code: HEX #F21932 | qconv.com Color code: HEX #F21932 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 25 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 25 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 79 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 79% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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