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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F20A87 it is the complementary color #0DF578. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F20A87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F20A87 shade: #F70A82, #FF1C95, #FF2EA8, #FF40BB and #FF52CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F20A87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F20A87 shade: #F20A87, #E10074, #D00061, #BF004E and #AE003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F20A87 shade: #F00A86, #F00A48 and #F00A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F20A87 shade: #F00A86, #F00AC4, #DE0AF0, #A00AF0 and #620AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F20A87 shade matches the following richer shades: #F00A86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F20A87 shade: #F00A86, #DC1E84, #C73283, #B34781 and #9F5B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F20A87 shade: #DD0AF0, #F00AC6, #F00A88, #F00A4B and #F00A0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F20A87 shade: #A1075A, #C80870, #F00A86, #F62D99 and #F855AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F20A87 shade: #F20A87, #F09F0A and #0AE4F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F20A87 shade: #F20A87, #88F00A and #0A88F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F20A87 shade: #F20A87, #F09F0A, #0AF071 and #0A5AF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F20A87 shade: #F20A87, #F0E40A, #0AF071 and #0A15F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 44 / 5

HEX #F20A87

RGB 242 10 135

HSL 327.67, 0.92%, 0.49%

LAB 52.78, 81.64, -3.52

 

Complementary color

CMYK 95 / 0 / 51 / 4

HEX #0DF578

RGB 13 245 120

HSL 147.67, 0.92%, 0.51%

LAB 85.38, -74.5, 46.49

 

CMYK 0 / 96 / 47 / 3

HEX #F70A82

RGB 247 10 130

HSL 329.62, 0.94%, 0.5%

LAB 53.6, 82.32, 0.81

 

CMYK 0 / 89 / 42 / 0

HEX #FF1C95

RGB 255 28 149

HSL 328.02, 1%, 0.55%

LAB 56.35, 83.77, -6.32

 

CMYK 0 / 82 / 34 / 0

HEX #FF2EA8

RGB 255 46 168

HSL 324.98, 1%, 0.59%

LAB 58.08, 82.4, -14.89

 

CMYK 0 / 75 / 27 / 0

HEX #FF40BB

RGB 255 64 187

HSL 321.36, 1%, 0.63%

LAB 60.35, 79.95, -22.43

 

CMYK 0 / 68 / 19 / 0

HEX #FF52CE

RGB 255 82 206

HSL 316.99, 1%, 0.66%

LAB 63.14, 76.55, -28.97

 

CMYK 0 / 96 / 44 / 5

HEX #F20A87

RGB 242 10 135

HSL 327.67, 0.92%, 0.49%

LAB 52.78, 81.64, -3.52

 

CMYK 0 / 100 / 48 / 12

HEX #E10074

RGB 225 0 116

HSL 329.07, 1%, 0.44%

LAB 48.6, 77.21, 1.5

 

CMYK 0 / 100 / 53 / 18

HEX #D00061

RGB 208 0 97

HSL 332.02, 1%, 0.41%

LAB 44.62, 72.06, 7.11

 

CMYK 0 / 100 / 59 / 25

HEX #BF004E

RGB 191 0 78

HSL 335.5, 1%, 0.37%

LAB 40.62, 66.91, 12.99

 

CMYK 0 / 100 / 66 / 32

HEX #AE003B

RGB 174 0 59

HSL 339.66, 1%, 0.34%

LAB 36.58, 61.78, 19.16

 

CMYK 0 / 96 / 44 / 6

HEX #F00A86

RGB 240 10 134

HSL 327.65, 0.92%, 0.49%

LAB 52.36, 81.13, -3.59

 

CMYK 0 / 96 / 70 / 6

HEX #F00A48

RGB 240 10 72

HSL 343.83, 0.92%, 0.49%

LAB 50.93, 77.28, 32.06

 

CMYK 0 / 96 / 96 / 6

HEX #F00A0A

RGB 240 10 10

HSL 0, 0.92%, 0.49%

LAB 50.41, 75.84, 61.67

 

CMYK 0 / 96 / 44 / 6

HEX #F00A86

RGB 240 10 134

HSL 327.65, 0.92%, 0.49%

LAB 52.36, 81.13, -3.59

 

CMYK 0 / 96 / 18 / 6

HEX #F00AC4

RGB 240 10 196

HSL 311.48, 0.92%, 0.49%

LAB 54.79, 87.45, -36.44

 

CMYK 8 / 96 / 0 / 6

HEX #DE0AF0

RGB 222 10 240

HSL 295.3, 0.92%, 0.49%

LAB 54.07, 90.44, -62.82

 

CMYK 33 / 96 / 0 / 6

HEX #A00AF0

RGB 160 10 240

HSL 279.13, 0.92%, 0.49%

LAB 44.21, 82.18, -79.29

 

CMYK 59 / 96 / 0 / 6

HEX #620AF0

RGB 98 10 240

HSL 262.96, 0.92%, 0.49%

LAB 36.19, 76.73, -92.79

 

CMYK 0 / 96 / 44 / 6

HEX #F00A86

RGB 240 10 134

HSL 327.65, 0.92%, 0.49%

LAB 52.36, 81.13, -3.59

 

CMYK 0 / 96 / 44 / 6

HEX #F00A86

RGB 240 10 134

HSL 327.65, 0.92%, 0.49%

LAB 52.36, 81.13, -3.59

 

CMYK 0 / 86 / 40 / 14

HEX #DC1E84

RGB 220 30 132

HSL 327.79, 0.76%, 0.49%

LAB 49.27, 74.12, -7.39

 

CMYK 0 / 75 / 34 / 22

HEX #C73283

RGB 199 50 131

HSL 327.38, 0.6%, 0.49%

LAB 47.06, 64, -10.49

 

CMYK 0 / 60 / 28 / 30

HEX #B34781

RGB 179 71 129

HSL 327.78, 0.43%, 0.49%

LAB 46.55, 49.94, -10.38

 

CMYK 0 / 43 / 19 / 38

HEX #9F5B80

RGB 159 91 128

HSL 327.35, 0.27%, 0.49%

LAB 47.51, 32.94, -8.63

 

CMYK 8 / 96 / 0 / 6

HEX #DD0AF0

RGB 221 10 240

HSL 295.04, 0.92%, 0.49%

LAB 53.9, 90.29, -63.1

 

CMYK 0 / 96 / 18 / 6

HEX #F00AC6

RGB 240 10 198

HSL 310.96, 0.92%, 0.49%

LAB 54.89, 87.69, -37.44

 

CMYK 0 / 96 / 43 / 6

HEX #F00A88

RGB 240 10 136

HSL 327.13, 0.92%, 0.49%

LAB 52.42, 81.3, -4.7

 

CMYK 0 / 96 / 69 / 6

HEX #F00A4B

RGB 240 10 75

HSL 343.04, 0.92%, 0.49%

LAB 50.98, 77.41, 30.32

 

CMYK 0 / 96 / 94 / 6

HEX #F00A0E

RGB 240 10 14

HSL 358.96, 0.92%, 0.49%

LAB 50.42, 75.87, 60.59

 

CMYK 0 / 96 / 44 / 37

HEX #A1075A

RGB 161 7 90

HSL 327.66, 0.92%, 0.33%

LAB 34.94, 60.04, -3.69

 

CMYK 0 / 96 / 44 / 22

HEX #C80870

RGB 200 8 112

HSL 327.5, 0.92%, 0.41%

LAB 43.69, 70.72, -3.82

 

CMYK 0 / 96 / 44 / 6

HEX #F00A86

RGB 240 10 134

HSL 327.65, 0.92%, 0.49%

LAB 52.36, 81.13, -3.59

 

CMYK 0 / 82 / 38 / 4

HEX #F62D99

RGB 246 45 153

HSL 327.76, 0.92%, 0.57%

LAB 55.86, 79.09, -9.59

 

CMYK 0 / 66 / 30 / 3

HEX #F855AD

RGB 248 85 173

HSL 327.61, 0.92%, 0.65%

LAB 61.19, 69.55, -13.2

 

CMYK 0 / 96 / 44 / 5

HEX #F20A87

RGB 242 10 135

HSL 327.67, 0.92%, 0.49%

LAB 52.78, 81.64, -3.52

 

CMYK 0 / 34 / 96 / 6

HEX #F09F0A

RGB 240 159 10

HSL 38.87, 0.92%, 0.49%

LAB 71.79, 20.85, 74.82

 

CMYK 96 / 5 / 0 / 6

HEX #0AE4F0

RGB 10 228 240

HSL 183.13, 0.92%, 0.49%

LAB 82.83, -40.39, -18.73

 

CMYK 0 / 96 / 44 / 5

HEX #F20A87

RGB 242 10 135

HSL 327.67, 0.92%, 0.49%

LAB 52.78, 81.64, -3.52

 

CMYK 43 / 0 / 96 / 6

HEX #88F00A

RGB 136 240 10

HSL 87.13, 0.92%, 0.49%

LAB 85.79, -59.85, 81.94

 

CMYK 96 / 43 / 0 / 6

HEX #0A88F0

RGB 10 136 240

HSL 207.13, 0.92%, 0.49%

LAB 56.05, 8.32, -60.48

 

CMYK 0 / 96 / 44 / 5

HEX #F20A87

RGB 242 10 135

HSL 327.67, 0.92%, 0.49%

LAB 52.78, 81.64, -3.52

 

CMYK 0 / 34 / 96 / 6

HEX #F09F0A

RGB 240 159 10

HSL 38.87, 0.92%, 0.49%

LAB 71.79, 20.85, 74.82

 

CMYK 96 / 0 / 53 / 6

HEX #0AF071

RGB 10 240 113

HSL 146.87, 0.92%, 0.49%

LAB 83.75, -74.08, 47.75

 

CMYK 96 / 63 / 0 / 6

HEX #0A5AF0

RGB 10 90 240

HSL 219.13, 0.92%, 0.49%

LAB 43.75, 37.39, -80.44

 

CMYK 0 / 96 / 44 / 5

HEX #F20A87

RGB 242 10 135

HSL 327.67, 0.92%, 0.49%

LAB 52.78, 81.64, -3.52

 

CMYK 0 / 5 / 96 / 6

HEX #F0E40A

RGB 240 228 10

HSL 56.87, 0.92%, 0.49%

LAB 88.94, -14.69, 87.17

 

CMYK 96 / 0 / 53 / 6

HEX #0AF071

RGB 10 240 113

HSL 146.87, 0.92%, 0.49%

LAB 83.75, -74.08, 47.75

 

CMYK 96 / 91 / 0 / 6

HEX #0A15F0

RGB 10 21 240

HSL 237.13, 0.92%, 0.49%

LAB 31.56, 71.77, -100.64

 

Description

Color code: HEX #F20A87 | qconv.com Color code: HEX #F20A87 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 10 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 10 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 44 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 44% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - Maïder Tomasena | Co...
Link: http://www.maidertomasena.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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