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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1F901 it is the complementary color #0E06FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1F901. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1F901 shade: #F6F900, #FFFF0F, #FFFF22, #FFFF35 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1F901. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1F901 shade: #F1F901, #E0E700, #CFD500, #BEC300 and #ADB100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1F901 shade: #F1F901, #F9BE01, #F97B01, #F93901 and #F90101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1F901 shade: #F1F901, #AEF901, #6BF901, #29F901 and #01F91D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1F901 shade matches the following richer shades: #F1F901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1F901 shade: #F1F901, #DEE415, #CBD02A, #B8BC3E and #A5A852

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1F901 shade: #F97901, #F9BB01, #F5F901, #B3F901 and #71F901

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1F901 shade: #A1A701, #C9D001, #F1F901, #F7FE25 and #F8FE4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1F901 shade: #F1F901, #01F937 and #9A01F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1F901 shade: #F1F901, #01F5F9 and #F901F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1F901 shade: #F1F901, #01F937, #0501F9 and #F901C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1F901 shade: #F1F901, #01F981, #0501F9 and #F90179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

Complementary color

CMYK 94 / 98 / 0 / 0

HEX #0E06FE

RGB 14 6 254

HSL 241.94, 0.99%, 0.51%

LAB 32.66, 78.13, -106.71

 

CMYK 1 / 0 / 100 / 2

HEX #F6F900

RGB 246 249 0

HSL 60.72, 1%, 0.49%

LAB 94.88, -22.41, 92.52

 

CMYK 0 / 0 / 94 / 0

HEX #FFFF0F

RGB 255 255 15

HSL 60, 1%, 0.53%

LAB 97.15, -21.44, 93.42

 

CMYK 0 / 0 / 87 / 0

HEX #FFFF22

RGB 255 255 34

HSL 60, 1%, 0.57%

LAB 97.19, -21.18, 91.01

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF35

RGB 255 255 53

HSL 60, 1%, 0.6%

LAB 97.24, -20.71, 87.06

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

CMYK 3 / 0 / 100 / 9

HEX #E0E700

RGB 224 231 0

HSL 61.82, 1%, 0.45%

LAB 88.45, -22.92, 87.04

 

CMYK 3 / 0 / 100 / 16

HEX #CFD500

RGB 207 213 0

HSL 61.69, 1%, 0.42%

LAB 82.3, -21.36, 81.93

 

CMYK 3 / 0 / 100 / 24

HEX #BEC300

RGB 190 195 0

HSL 61.54, 1%, 0.38%

LAB 76.06, -19.77, 76.74

 

CMYK 2 / 0 / 100 / 31

HEX #ADB100

RGB 173 177 0

HSL 61.36, 1%, 0.35%

LAB 69.7, -18.14, 71.46

 

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

CMYK 0 / 24 / 100 / 2

HEX #F9BE01

RGB 249 190 1

HSL 45.73, 0.99%, 0.49%

LAB 80.16, 8.35, 82.05

 

CMYK 0 / 51 / 100 / 2

HEX #F97B01

RGB 249 123 1

HSL 29.52, 0.99%, 0.49%

LAB 65.21, 42.98, 72.34

 

CMYK 0 / 77 / 100 / 2

HEX #F93901

RGB 249 57 1

HSL 13.55, 0.99%, 0.49%

LAB 55.14, 69.71, 67.02

 

CMYK 0 / 100 / 100 / 2

HEX #F90101

RGB 249 1 1

HSL 0, 0.99%, 0.49%

LAB 52.02, 78.61, 65.76

 

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

CMYK 30 / 0 / 100 / 2

HEX #AEF901

RGB 174 249 1

HSL 78.15, 0.99%, 0.49%

LAB 90.21, -50.6, 86.86

 

CMYK 57 / 0 / 100 / 2

HEX #6BF901

RGB 107 249 1

HSL 94.35, 0.99%, 0.49%

LAB 87.43, -71.28, 83.5

 

CMYK 84 / 0 / 100 / 2

HEX #29F901

RGB 41 249 1

HSL 110.32, 0.99%, 0.49%

LAB 86.12, -82.48, 81.9

 

CMYK 100 / 0 / 88 / 2

HEX #01F91D

RGB 1 249 29

HSL 126.77, 0.99%, 0.49%

LAB 85.93, -84.03, 78.64

 

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

CMYK 3 / 0 / 91 / 11

HEX #DEE415

RGB 222 228 21

HSL 61.74, 0.83%, 0.49%

LAB 87.52, -22.1, 84.3

 

CMYK 2 / 0 / 80 / 18

HEX #CBD02A

RGB 203 208 42

HSL 61.81, 0.66%, 0.49%

LAB 80.73, -19.85, 73.98

 

CMYK 2 / 0 / 67 / 26

HEX #B8BC3E

RGB 184 188 62

HSL 61.9, 0.5%, 0.49%

LAB 73.87, -17.04, 60.42

 

CMYK 2 / 0 / 51 / 34

HEX #A5A852

RGB 165 168 82

HSL 62.09, 0.34%, 0.49%

LAB 66.99, -13.37, 43.56

 

CMYK 0 / 51 / 100 / 2

HEX #F97901

RGB 249 121 1

HSL 29.03, 0.99%, 0.49%

LAB 64.82, 43.96, 72.11

 

CMYK 0 / 25 / 100 / 2

HEX #F9BB01

RGB 249 187 1

HSL 45, 0.99%, 0.49%

LAB 79.43, 9.91, 81.55

 

CMYK 2 / 0 / 100 / 2

HEX #F5F901

RGB 245 249 1

HSL 60.97, 0.99%, 0.49%

LAB 94.81, -22.81, 92.36

 

CMYK 28 / 0 / 100 / 2

HEX #B3F901

RGB 179 249 1

HSL 76.94, 0.99%, 0.49%

LAB 90.48, -48.78, 87.19

 

CMYK 55 / 0 / 100 / 2

HEX #71F901

RGB 113 249 1

HSL 92.9, 0.99%, 0.49%

LAB 87.61, -69.77, 83.72

 

CMYK 4 / 0 / 99 / 35

HEX #A1A701

RGB 161 167 1

HSL 62.17, 0.99%, 0.33%

LAB 65.92, -18.34, 68.11

 

CMYK 3 / 0 / 100 / 18

HEX #C9D001

RGB 201 208 1

HSL 62.03, 0.99%, 0.41%

LAB 80.48, -21.45, 80.28

 

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

CMYK 3 / 0 / 85 / 0

HEX #F7FE25

RGB 247 254 37

HSL 61.94, 0.99%, 0.57%

LAB 96.32, -23.9, 89.53

 

CMYK 2 / 0 / 69 / 0

HEX #F8FE4E

RGB 248 254 78

HSL 62.05, 0.99%, 0.65%

LAB 96.57, -22.1, 78.78

 

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

CMYK 100 / 0 / 78 / 2

HEX #01F937

RGB 1 249 55

HSL 133.06, 0.99%, 0.49%

LAB 86.02, -82.82, 72.78

 

CMYK 38 / 100 / 0 / 2

HEX #9A01F9

RGB 154 1 249

HSL 277.02, 0.99%, 0.49%

LAB 43.85, 84.12, -84.98

 

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

CMYK 100 / 2 / 0 / 2

HEX #01F5F9

RGB 1 245 249

HSL 180.97, 0.99%, 0.49%

LAB 88.04, -45.46, -15.62

 

CMYK 0 / 100 / 2 / 2

HEX #F901F5

RGB 249 1 245

HSL 300.97, 0.99%, 0.49%

LAB 58.75, 95.88, -57.86

 

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

CMYK 100 / 0 / 78 / 2

HEX #01F937

RGB 1 249 55

HSL 133.06, 0.99%, 0.49%

LAB 86.02, -82.82, 72.78

 

CMYK 98 / 100 / 0 / 2

HEX #0501F9

RGB 5 1 249

HSL 240.97, 0.99%, 0.49%

LAB 31.56, 77.65, -105.72

 

CMYK 0 / 100 / 22 / 2

HEX #F901C3

RGB 249 1 195

HSL 313.06, 0.99%, 0.49%

LAB 56.19, 89.56, -33.55

 

CMYK 3 / 0 / 100 / 2

HEX #F1F901

RGB 241 249 1

HSL 61.94, 0.99%, 0.49%

LAB 94.51, -24.45, 92

 

CMYK 100 / 0 / 48 / 2

HEX #01F981

RGB 1 249 129

HSL 150.97, 0.99%, 0.49%

LAB 86.67, -74.7, 43.83

 

CMYK 98 / 100 / 0 / 2

HEX #0501F9

RGB 5 1 249

HSL 240.97, 0.99%, 0.49%

LAB 31.56, 77.65, -105.72

 

CMYK 0 / 100 / 51 / 2

HEX #F90179

RGB 249 1 121

HSL 330.97, 0.99%, 0.49%

LAB 53.54, 82.7, 6.19

 

Description

Color code: HEX #F1F901 | qconv.com Color code: HEX #F1F901 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 249 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 249 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 100 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 100% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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