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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1F241 it is the complementary color #0E0DBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1F241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1F241 shade: #F6F23C, #FFFF4F, #FFFF62, #FFFF75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1F241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1F241 shade: #F1F241, #E0E02E, #CFCE1B, #BEBC08 and #ADAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1F241 shade: #F1F240, #F2C340, #F29340, #F26340 and #F24040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1F241 shade: #F1F240, #C1F240, #91F240, #61F240 and #40F24F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1F241 shade matches the following richer shades: #F1F240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1F241 shade: #F1F240, #E0E151, #D0D161, #C0C072 and #AFB082

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1F241 shade: #F29340, #F2C240, #F2F240, #C2F240 and #93F240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1F241 shade: #D0D10F, #EEEF1A, #F1F240, #F4F467 and #F7F78D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1F241 shade: #F1F241, #40F264 and #AB40F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1F241 shade: #F1F241, #40F2F2 and #F240F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1F241 shade: #F1F241, #40F264, #4040F2 and #F240CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1F241 shade: #F1F241, #40F299, #4040F2 and #F24099

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 73 / 5

HEX #F1F241

RGB 241 242 65

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.77, 79.31

 

Complementary color

CMYK 93 / 93 / 0 / 25

HEX #0E0DBE

RGB 14 13 190

HSL 240.34, 0.87%, 0.4%

LAB 24, 60.61, -84.31

 

CMYK 0 / 2 / 76 / 4

HEX #F6F23C

RGB 246 242 60

HSL 58.71, 0.91%, 0.6%

LAB 93.2, -17.92, 81.31

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 0 / 73 / 5

HEX #F1F241

RGB 241 242 65

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.77, 79.31

 

CMYK 0 / 0 / 79 / 12

HEX #E0E02E

RGB 224 224 46

HSL 60, 0.74%, 0.53%

LAB 86.68, -18.76, 78.75

 

CMYK 0 / 0 / 87 / 19

HEX #CFCE1B

RGB 207 206 27

HSL 59.67, 0.77%, 0.46%

LAB 80.45, -17.57, 77.27

 

CMYK 0 / 1 / 96 / 25

HEX #BEBC08

RGB 190 188 8

HSL 59.34, 0.92%, 0.39%

LAB 74.15, -16.18, 74.48

 

CMYK 0 / 2 / 100 / 32

HEX #ADAA00

RGB 173 170 0

HSL 58.96, 1%, 0.34%

LAB 67.75, -14.58, 70.03

 

CMYK 0 / 0 / 74 / 5

HEX #F1F240

RGB 241 242 64

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.82, 79.61

 

CMYK 0 / 19 / 74 / 5

HEX #F2C340

RGB 242 195 64

HSL 44.16, 0.87%, 0.6%

LAB 80.89, 4.15, 68.34

 

CMYK 0 / 39 / 74 / 5

HEX #F29340

RGB 242 147 64

HSL 27.98, 0.87%, 0.6%

LAB 69.55, 29.35, 57.07

 

CMYK 0 / 59 / 74 / 5

HEX #F26340

RGB 242 99 64

HSL 11.8, 0.87%, 0.6%

LAB 60.04, 53.08, 47.08

 

CMYK 0 / 74 / 74 / 5

HEX #F24040

RGB 242 64 64

HSL 0, 0.87%, 0.6%

LAB 54.98, 66.77, 41.52

 

CMYK 0 / 0 / 74 / 5

HEX #F1F240

RGB 241 242 64

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.82, 79.61

 

CMYK 20 / 0 / 74 / 5

HEX #C1F240

RGB 193 242 64

HSL 76.52, 0.87%, 0.6%

LAB 89.49, -38.89, 75.28

 

CMYK 40 / 0 / 74 / 5

HEX #91F240

RGB 145 242 64

HSL 92.7, 0.87%, 0.6%

LAB 86.94, -55.9, 71.94

 

CMYK 60 / 0 / 74 / 5

HEX #61F240

RGB 97 242 64

HSL 108.88, 0.87%, 0.6%

LAB 85.21, -69.17, 69.65

 

CMYK 74 / 0 / 67 / 5

HEX #40F24F

RGB 64 242 79

HSL 125.06, 0.87%, 0.6%

LAB 84.57, -74.14, 63.39

 

CMYK 0 / 0 / 74 / 5

HEX #F1F240

RGB 241 242 64

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.82, 79.61

 

CMYK 0 / 0 / 74 / 5

HEX #F1F240

RGB 241 242 64

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.82, 79.61

 

CMYK 0 / 0 / 64 / 12

HEX #E0E151

RGB 224 225 81

HSL 60.42, 0.71%, 0.6%

LAB 87.14, -17.68, 67.59

 

CMYK 0 / 0 / 54 / 18

HEX #D0D161

RGB 208 209 97

HSL 60.54, 0.55%, 0.6%

LAB 81.77, -15.2, 54.54

 

CMYK 0 / 0 / 41 / 25

HEX #C0C072

RGB 192 192 114

HSL 60, 0.38%, 0.6%

LAB 76.14, -11.48, 39.25

 

CMYK 1 / 0 / 26 / 31

HEX #AFB082

RGB 175 176 130

HSL 61.3, 0.23%, 0.6%

LAB 70.72, -7.93, 23.52

 

CMYK 0 / 39 / 74 / 5

HEX #F29340

RGB 242 147 64

HSL 27.98, 0.87%, 0.6%

LAB 69.55, 29.35, 57.07

 

CMYK 0 / 20 / 74 / 5

HEX #F2C240

RGB 242 194 64

HSL 43.82, 0.87%, 0.6%

LAB 80.64, 4.67, 68.1

 

CMYK 0 / 0 / 74 / 5

HEX #F2F240

RGB 242 242 64

HSL 60, 0.87%, 0.6%

LAB 92.91, -19.41, 79.71

 

CMYK 20 / 0 / 74 / 5

HEX #C2F240

RGB 194 242 64

HSL 76.18, 0.87%, 0.6%

LAB 89.55, -38.5, 75.36

 

CMYK 39 / 0 / 74 / 5

HEX #93F240

RGB 147 242 64

HSL 92.02, 0.87%, 0.6%

LAB 87.03, -55.26, 72.06

 

CMYK 0 / 0 / 93 / 18

HEX #D0D10F

RGB 208 209 15

HSL 60.31, 0.87%, 0.44%

LAB 81.32, -18.82, 79.8

 

CMYK 0 / 0 / 89 / 6

HEX #EEEF1A

RGB 238 239 26

HSL 60.28, 0.87%, 0.52%

LAB 91.68, -20.67, 87.37

 

CMYK 0 / 0 / 74 / 5

HEX #F1F240

RGB 241 242 64

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.82, 79.61

 

CMYK 0 / 0 / 58 / 4

HEX #F4F467

RGB 244 244 103

HSL 60, 0.87%, 0.68%

LAB 93.85, -17.45, 66.24

 

CMYK 0 / 0 / 43 / 3

HEX #F7F78D

RGB 247 247 141

HSL 60, 0.87%, 0.76%

LAB 95.25, -14.59, 50.76

 

CMYK 0 / 0 / 73 / 5

HEX #F1F241

RGB 241 242 65

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.77, 79.31

 

CMYK 74 / 0 / 59 / 5

HEX #40F264

RGB 64 242 100

HSL 132.13, 0.87%, 0.6%

LAB 84.75, -71.94, 54.95

 

CMYK 29 / 74 / 0 / 5

HEX #AB40F2

RGB 171 64 242

HSL 276.07, 0.87%, 0.6%

LAB 50.38, 71.1, -70.28

 

CMYK 0 / 0 / 73 / 5

HEX #F1F241

RGB 241 242 65

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.77, 79.31

 

CMYK 74 / 0 / 0 / 5

HEX #40F2F2

RGB 64 242 242

HSL 180, 0.87%, 0.6%

LAB 87.49, -42.73, -12.74

 

CMYK 0 / 74 / 0 / 5

HEX #F240F2

RGB 242 64 242

HSL 300, 0.87%, 0.6%

LAB 60.74, 84.55, -53.08

 

CMYK 0 / 0 / 73 / 5

HEX #F1F241

RGB 241 242 65

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.77, 79.31

 

CMYK 74 / 0 / 59 / 5

HEX #40F264

RGB 64 242 100

HSL 132.13, 0.87%, 0.6%

LAB 84.75, -71.94, 54.95

 

CMYK 74 / 74 / 0 / 5

HEX #4040F2

RGB 64 64 242

HSL 240, 0.87%, 0.6%

LAB 39.86, 56.49, -87.92

 

CMYK 0 / 74 / 15 / 5

HEX #F240CE

RGB 242 64 206

HSL 312.13, 0.87%, 0.6%

LAB 58.97, 79.36, -35.6

 

CMYK 0 / 0 / 73 / 5

HEX #F1F241

RGB 241 242 65

HSL 60.34, 0.87%, 0.6%

LAB 92.83, -19.77, 79.31

 

CMYK 74 / 0 / 37 / 5

HEX #40F299

RGB 64 242 153

HSL 150, 0.87%, 0.6%

LAB 85.45, -63.79, 30.54

 

CMYK 74 / 74 / 0 / 5

HEX #4040F2

RGB 64 64 242

HSL 240, 0.87%, 0.6%

LAB 39.86, 56.49, -87.92

 

CMYK 0 / 74 / 37 / 5

HEX #F24099

RGB 242 64 153

HSL 330, 0.87%, 0.6%

LAB 56.92, 73.05, -8.07

 

Description

Color code: HEX #F1F241 | qconv.com Color code: HEX #F1F241 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 242 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 242 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 73 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 73% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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