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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1D75FCE it is the complementary color #0E28A0CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1D75FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1D75FCE shade: #F6D75ACE, #FFE96DCE, #FFFB80CE, #FFFF93CE and #FFFFA6CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1D75FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1D75FCE shade: #F1D75FCE, #E0C54CCE, #CFB339CE, #BEA126CE and #AD8F13CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1D75FCE shade: #F1D75F, #F1B05F, #F1895F, #F1615F and #F15F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1D75FCE shade: #F1D75F, #E4F15F, #BCF15F, #95F15F and #6EF15F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1D75FCE shade matches the following richer shades: #F1D75F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1D75FCE shade: #F1D75F, #E3CE6E, #D5C57C, #C7BC8A and #B9B398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1D75FCE shade: #F1895F, #F1B05F, #F1D65F, #E5F15F and #BEF15F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1D75FCE shade: #EAC414, #EECE3A, #F1D75F, #F4E185 and #F8EAAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1D75FCE shade: #F1D75F, #5FF162 and #9C5FF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1D75FCE shade: #F1D75F, #5FF1D6 and #D65FF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1D75FCE shade: #F1D75F, #5FF162, #5F7AF1 and #F15FEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1D75FCE shade: #F1D75F, #5FF18E, #5F7AF1 and #F15FC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 49 / 4

HEX #F1D75FCE

RGBA 241 215 95 0.81

HSLA 49.32, 0.84%, 0.66%, 0.81

LABA 86.07, -4.84, 61.03, 0.81

 

Complementary color

CMYK 74 / 61 / 0 / 30

HEX #0E28A0CE

RGBA 14 40 160 0.81

HSLA 229.32, 0.84%, 0.34%, 0.81

LABA 24.16, 39.3, -66.01, 0.81

 

CMYK 0 / 10 / 51 / 3

HEX #F6D75ACE

RGBA 246 215 90 0.81

HSLA 48.08, 0.9%, 0.66%, 0.81

LABA 86.47, -3.09, 63.75, 0.81

 

CMYK 0 / 7 / 46 / 0

HEX #FFE96DCE

RGBA 255 233 109 0.81

HSLA 50.96, 1%, 0.71%, 0.81

LABA 91.97, -7.21, 61.8, 0.81

 

CMYK 0 / 1 / 40 / 0

HEX #FFFB80CE

RGBA 255 251 128 0.81

HSLA 58.11, 1%, 0.75%, 0.81

LABA 96.74, -14.6, 58.77, 0.81

 

CMYK 0 / 0 / 34 / 0

HEX #FFFF93CE

RGBA 255 255 147 0.81

HSLA 60, 1%, 0.79%, 0.81

LABA 97.99, -14.83, 51.43, 0.81

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFA6CE

RGBA 255 255 166 0.81

HSLA 60, 1%, 0.83%, 0.81

LABA 98.25, -12.84, 42.58, 0.81

 

CMYK 0 / 9 / 49 / 4

HEX #F1D75FCE

RGBA 241 215 95 0.81

HSLA 49.32, 0.84%, 0.66%, 0.81

LABA 86.07, -4.84, 61.03, 0.81

 

CMYK 0 / 10 / 54 / 10

HEX #E0C54CCE

RGBA 224 197 76 0.81

HSLA 49.05, 0.7%, 0.59%, 0.81

LABA 79.79, -3.9, 61.94, 0.81

 

CMYK 0 / 11 / 59 / 15

HEX #CFB339CE

RGBA 207 179 57 0.81

HSLA 48.8, 0.61%, 0.52%, 0.81

LABA 73.42, -2.8, 62.55, 0.81

 

CMYK 0 / 12 / 65 / 21

HEX #BEA126CE

RGBA 190 161 38 0.81

HSLA 48.55, 0.67%, 0.45%, 0.81

LABA 66.96, -1.5, 62.59, 0.81

 

CMYK 0 / 14 / 72 / 26

HEX #AD8F13CE

RGBA 173 143 19 0.81

HSLA 48.31, 0.8%, 0.38%, 0.81

LABA 60.41, 0.05, 61.58, 0.81

 

CMYK 0 / 11 / 61 / 5

HEX #F1D75F

RGB 241 215 95

HSL 49.32, 0.84%, 0.66%

LAB 86.07, -4.84, 61.03

 

CMYK 0 / 27 / 61 / 5

HEX #F1B05F

RGB 241 176 95

HSL 33.29, 0.84%, 0.66%

LAB 76.42, 15.4, 50.09

 

CMYK 0 / 43 / 61 / 5

HEX #F1895F

RGB 241 137 95

HSL 17.26, 0.84%, 0.66%

LAB 67.59, 35.89, 39.56

 

CMYK 0 / 60 / 61 / 5

HEX #F1615F

RGB 241 97 95

HSL 0.82, 0.84%, 0.66%

LAB 59.96, 55.29, 30.02

 

CMYK 0 / 61 / 61 / 5

HEX #F15F5F

RGB 241 95 95

HSL 0, 0.84%, 0.66%

LAB 59.63, 56.16, 29.59

 

CMYK 0 / 11 / 61 / 5

HEX #F1D75F

RGB 241 215 95

HSL 49.32, 0.84%, 0.66%

LAB 86.07, -4.84, 61.03

 

CMYK 5 / 0 / 61 / 5

HEX #E4F15F

RGB 228 241 95

HSL 65.34, 0.84%, 0.66%

LAB 91.79, -22.93, 66.97

 

CMYK 22 / 0 / 61 / 5

HEX #BCF15F

RGB 188 241 95

HSL 81.78, 0.84%, 0.66%

LAB 89.12, -38.34, 63.3

 

CMYK 38 / 0 / 61 / 5

HEX #95F15F

RGB 149 241 95

HSL 97.81, 0.84%, 0.66%

LAB 87.06, -51.9, 60.43

 

CMYK 54 / 0 / 61 / 5

HEX #6EF15F

RGB 110 241 95

HSL 113.84, 0.84%, 0.66%

LAB 85.53, -63.09, 58.29

 

CMYK 0 / 11 / 61 / 5

HEX #F1D75F

RGB 241 215 95

HSL 49.32, 0.84%, 0.66%

LAB 86.07, -4.84, 61.03

 

CMYK 0 / 11 / 61 / 5

HEX #F1D75F

RGB 241 215 95

HSL 49.32, 0.84%, 0.66%

LAB 86.07, -4.84, 61.03

 

CMYK 0 / 9 / 52 / 11

HEX #E3CE6E

RGB 227 206 110

HSL 49.23, 0.68%, 0.66%

LAB 82.7, -4.86, 49.93

 

CMYK 0 / 8 / 42 / 16

HEX #D5C57C

RGB 213 197 124

HSL 49.21, 0.51%, 0.66%

LAB 79.35, -4.56, 38.59

 

CMYK 0 / 6 / 31 / 22

HEX #C7BC8A

RGB 199 188 138

HSL 49.18, 0.35%, 0.66%

LAB 76.03, -3.79, 26.75

 

CMYK 0 / 3 / 18 / 27

HEX #B9B398

RGB 185 179 152

HSL 49.09, 0.19%, 0.66%

LAB 72.77, -2.43, 14.57

 

CMYK 0 / 43 / 61 / 5

HEX #F1895F

RGB 241 137 95

HSL 17.26, 0.84%, 0.66%

LAB 67.59, 35.89, 39.56

 

CMYK 0 / 27 / 61 / 5

HEX #F1B05F

RGB 241 176 95

HSL 33.29, 0.84%, 0.66%

LAB 76.42, 15.4, 50.09

 

CMYK 0 / 11 / 61 / 5

HEX #F1D65F

RGB 241 214 95

HSL 48.9, 0.84%, 0.66%

LAB 85.82, -4.33, 60.75

 

CMYK 5 / 0 / 61 / 5

HEX #E5F15F

RGB 229 241 95

HSL 64.93, 0.84%, 0.66%

LAB 91.86, -22.53, 67.07

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 0 / 16 / 91 / 8

HEX #EAC414

RGB 234 196 20

HSL 49.35, 0.84%, 0.5%

LAB 80.19, -1.02, 79.27

 

CMYK 0 / 13 / 76 / 7

HEX #EECE3A

RGB 238 206 58

HSL 49.33, 0.84%, 0.58%

LAB 83.24, -3.45, 72.56

 

CMYK 0 / 11 / 61 / 5

HEX #F1D75F

RGB 241 215 95

HSL 49.32, 0.84%, 0.66%

LAB 86.07, -4.84, 61.03

 

CMYK 0 / 8 / 45 / 4

HEX #F4E185

RGB 244 225 133

HSL 49.73, 0.83%, 0.74%

LAB 89.29, -5.62, 47.17

 

CMYK 0 / 6 / 31 / 3

HEX #F8EAAB

RGB 248 234 171

HSL 49.09, 0.85%, 0.82%

LAB 92.46, -4.47, 32.37

 

CMYK 0 / 11 / 61 / 5

HEX #F1D75F

RGB 241 215 95

HSL 49.32, 0.84%, 0.66%

LAB 86.07, -4.84, 61.03

 

CMYK 61 / 0 / 59 / 5

HEX #5FF162

RGB 95 241 98

HSL 121.23, 0.84%, 0.66%

LAB 85.11, -66.26, 56.41

 

CMYK 35 / 61 / 0 / 5

HEX #9C5FF1

RGB 156 95 241

HSL 265.07, 0.84%, 0.66%

LAB 53.6, 53.8, -64.59

 

CMYK 0 / 11 / 61 / 5

HEX #F1D75F

RGB 241 215 95

HSL 49.32, 0.84%, 0.66%

LAB 86.07, -4.84, 61.03

 

CMYK 61 / 0 / 11 / 5

HEX #5FF1D6

RGB 95 241 214

HSL 168.9, 0.84%, 0.66%

LAB 87.09, -45.34, 1.42

 

CMYK 11 / 61 / 0 / 5

HEX #D65FF1

RGB 214 95 241

HSL 288.9, 0.84%, 0.66%

LAB 60.63, 67.03, -52.94

 

CMYK 0 / 11 / 61 / 5

HEX #F1D75F

RGB 241 215 95

HSL 49.32, 0.84%, 0.66%

LAB 86.07, -4.84, 61.03

 

CMYK 61 / 0 / 59 / 5

HEX #5FF162

RGB 95 241 98

HSL 121.23, 0.84%, 0.66%

LAB 85.11, -66.26, 56.41

 

CMYK 61 / 49 / 0 / 5

HEX #5F7AF1

RGB 95 122 241

HSL 228.9, 0.84%, 0.66%

LAB 54.76, 25.9, -62.97

 

CMYK 0 / 61 / 1 / 5

HEX #F15FEF

RGB 241 95 239

HSL 300.82, 0.84%, 0.66%

LAB 64.26, 73.11, -45.86

 

CMYK 0 / 11 / 61 / 5

HEX #F1D75F

RGB 241 215 95

HSL 49.32, 0.84%, 0.66%

LAB 86.07, -4.84, 61.03

 

CMYK 61 / 0 / 41 / 5

HEX #5FF18E

RGB 95 241 142

HSL 139.32, 0.84%, 0.66%

LAB 85.65, -60.19, 36.44

 

CMYK 61 / 49 / 0 / 5

HEX #5F7AF1

RGB 95 122 241

HSL 228.9, 0.84%, 0.66%

LAB 54.76, 25.9, -62.97

 

CMYK 0 / 61 / 19 / 5

HEX #F15FC3

RGB 241 95 195

HSL 318.9, 0.84%, 0.66%

LAB 62.36, 66.46, -24.11

 

Description

Color code: HEX #F1D75FCE | qconv.com Color code: HEX #F1D75FCE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 215 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 215 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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