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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1CF90 it is the complementary color #0E306F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1CF90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1CF90 shade: #F6CF8B, #FFE19E, #FFF3B1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1CF90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1CF90 shade: #F1CF90, #E0BD7D, #CFAB6A, #BE9957 and #AD8744

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1CF90 shade: #F1CE8E, #F1B38E, #F1988E and #F18E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1CF90 shade: #F1CE8E, #F1E98E, #DEF18E, #C3F18E and #A9F18E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1CF90 shade matches the following richer shades: #F1CE8E and #FBD183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1CF90 shade: #F1CE8E, #E7CB98, #DCC8A2, #D2C5AC and #C8C2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1CF90 shade: #F1978E, #F1B28E, #F1CD8E, #F1E78E and #E0F18E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1CF90 shade: #E8AE44, #ECBE69, #F1CE8E, #F6DEB2 and #FAEED7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1CF90 shade: #F1CF90, #9EF18E and #A58EF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1CF90 shade: #F1CF90, #8EF1CD and #CD8EF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1CF90 shade: #F1CF90, #9EF18E, #8EB2F1 and #E08EF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1CF90 shade: #F1CF90, #8EF19B, #8EB2F1 and #F18EE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 40 / 5

HEX #F1CF90

RGB 241 207 144

HSL 38.97, 0.78%, 0.75%

LAB 84.66, 3.51, 35.71

 

Complementary color

CMYK 87 / 57 / 0 / 56

HEX #0E306F

RGB 14 48 111

HSL 218.97, 0.78%, 0.25%

LAB 21.41, 14.2, -39.86

 

CMYK 0 / 16 / 43 / 4

HEX #F6CF8B

RGB 246 207 139

HSL 38.13, 0.86%, 0.75%

LAB 85.04, 4.96, 38.84

 

CMYK 0 / 12 / 38 / 0

HEX #FFE19E

RGB 255 225 158

HSL 41.44, 1%, 0.81%

LAB 90.59, 1.24, 36.58

 

CMYK 0 / 5 / 31 / 0

HEX #FFF3B1

RGB 255 243 177

HSL 50.77, 1%, 0.85%

LAB 95.39, -5.63, 33.34

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 14 / 40 / 5

HEX #F1CF90

RGB 241 207 144

HSL 38.97, 0.78%, 0.75%

LAB 84.66, 3.51, 35.71

 

CMYK 0 / 16 / 44 / 12

HEX #E0BD7D

RGB 224 189 125

HSL 38.79, 0.61%, 0.68%

LAB 78.3, 4.14, 36.94

 

CMYK 0 / 17 / 49 / 19

HEX #CFAB6A

RGB 207 171 106

HSL 38.61, 0.51%, 0.61%

LAB 71.85, 4.88, 38.23

 

CMYK 0 / 19 / 54 / 25

HEX #BE9957

RGB 190 153 87

HSL 38.45, 0.44%, 0.54%

LAB 65.29, 5.74, 39.58

 

CMYK 0 / 22 / 61 / 32

HEX #AD8744

RGB 173 135 68

HSL 38.29, 0.44%, 0.47%

LAB 58.63, 6.76, 40.95

 

CMYK 0 / 15 / 41 / 5

HEX #F1CE8E

RGB 241 206 142

HSL 38.79, 0.78%, 0.75%

LAB 84.38, 3.81, 36.37

 

CMYK 0 / 26 / 41 / 5

HEX #F1B38E

RGB 241 179 142

HSL 22.42, 0.78%, 0.75%

LAB 77.81, 17.97, 27.7

 

CMYK 0 / 37 / 41 / 5

HEX #F1988E

RGB 241 152 142

HSL 6.06, 0.78%, 0.75%

LAB 71.63, 32.23, 19.3

 

CMYK 0 / 41 / 41 / 5

HEX #F18E8E

RGB 241 142 142

HSL 0, 0.78%, 0.75%

LAB 69.47, 37.45, 16.31

 

CMYK 0 / 15 / 41 / 5

HEX #F1CE8E

RGB 241 206 142

HSL 38.79, 0.78%, 0.75%

LAB 84.38, 3.81, 36.37

 

CMYK 0 / 3 / 41 / 5

HEX #F1E98E

RGB 241 233 142

HSL 55.15, 0.78%, 0.75%

LAB 91.2, -9.91, 45.12

 

CMYK 8 / 0 / 41 / 5

HEX #DEF18E

RGB 222 241 142

HSL 71.52, 0.78%, 0.75%

LAB 91.86, -21.12, 45.64

 

CMYK 19 / 0 / 41 / 5

HEX #C3F18E

RGB 195 241 142

HSL 87.88, 0.78%, 0.75%

LAB 90.08, -31.08, 43.01

 

CMYK 30 / 0 / 41 / 5

HEX #A9F18E

RGB 169 241 142

HSL 103.64, 0.78%, 0.75%

LAB 88.59, -40.05, 40.81

 

CMYK 0 / 15 / 41 / 5

HEX #F1CE8E

RGB 241 206 142

HSL 38.79, 0.78%, 0.75%

LAB 84.38, 3.81, 36.37

 

CMYK 0 / 17 / 48 / 2

HEX #FBD183

RGB 251 209 131

HSL 39, 0.94%, 0.75%

LAB 85.88, 5.14, 44.03

 

CMYK 0 / 15 / 41 / 5

HEX #F1CE8E

RGB 241 206 142

HSL 38.79, 0.78%, 0.75%

LAB 84.38, 3.81, 36.37

 

CMYK 0 / 12 / 34 / 9

HEX #E7CB98

RGB 231 203 152

HSL 38.73, 0.62%, 0.75%

LAB 82.9, 2.59, 29.08

 

CMYK 0 / 9 / 26 / 14

HEX #DCC8A2

RGB 220 200 162

HSL 39.31, 0.45%, 0.75%

LAB 81.36, 1.21, 21.58

 

CMYK 0 / 6 / 18 / 18

HEX #D2C5AC

RGB 210 197 172

HSL 39.47, 0.3%, 0.75%

LAB 79.96, 0.47, 14.18

 

CMYK 0 / 3 / 9 / 22

HEX #C8C2B7

RGB 200 194 183

HSL 38.82, 0.13%, 0.75%

LAB 78.63, 0.17, 6.26

 

CMYK 0 / 37 / 41 / 5

HEX #F1978E

RGB 241 151 142

HSL 5.45, 0.78%, 0.75%

LAB 71.41, 32.76, 19

 

CMYK 0 / 26 / 41 / 5

HEX #F1B28E

RGB 241 178 142

HSL 21.82, 0.78%, 0.75%

LAB 77.58, 18.5, 27.38

 

CMYK 0 / 15 / 41 / 5

HEX #F1CD8E

RGB 241 205 142

HSL 38.18, 0.78%, 0.75%

LAB 84.13, 4.33, 36.05

 

CMYK 0 / 4 / 41 / 5

HEX #F1E78E

RGB 241 231 142

HSL 53.94, 0.78%, 0.75%

LAB 90.69, -8.91, 44.47

 

CMYK 7 / 0 / 41 / 5

HEX #E0F18E

RGB 224 241 142

HSL 70.3, 0.78%, 0.75%

LAB 92, -20.37, 45.85

 

CMYK 0 / 25 / 71 / 9

HEX #E8AE44

RGB 232 174 68

HSL 38.78, 0.78%, 0.59%

LAB 74.73, 11.1, 60.28

 

CMYK 0 / 19 / 56 / 7

HEX #ECBE69

RGB 236 190 105

HSL 38.93, 0.78%, 0.67%

LAB 79.43, 6.71, 48.65

 

CMYK 0 / 15 / 41 / 5

HEX #F1CE8E

RGB 241 206 142

HSL 38.79, 0.78%, 0.75%

LAB 84.38, 3.81, 36.37

 

CMYK 0 / 10 / 28 / 4

HEX #F6DEB2

RGB 246 222 178

HSL 38.82, 0.79%, 0.83%

LAB 89.42, 1.76, 24.62

 

CMYK 0 / 5 / 14 / 2

HEX #FAEED7

RGB 250 238 215

HSL 39.43, 0.78%, 0.91%

LAB 94.47, 0.32, 12.58

 

CMYK 0 / 14 / 40 / 5

HEX #F1CF90

RGB 241 207 144

HSL 38.97, 0.78%, 0.75%

LAB 84.66, 3.51, 35.71

 

CMYK 34 / 0 / 41 / 5

HEX #9EF18E

RGB 158 241 142

HSL 110.3, 0.78%, 0.75%

LAB 88.03, -43.61, 39.98

 

CMYK 32 / 41 / 0 / 5

HEX #A58EF1

RGB 165 142 241

HSL 253.94, 0.78%, 0.75%

LAB 64.72, 30.06, -46.81

 

CMYK 0 / 14 / 40 / 5

HEX #F1CF90

RGB 241 207 144

HSL 38.97, 0.78%, 0.75%

LAB 84.66, 3.51, 35.71

 

CMYK 41 / 0 / 15 / 5

HEX #8EF1CD

RGB 142 241 205

HSL 158.18, 0.78%, 0.75%

LAB 88.48, -37.18, 8.32

 

CMYK 15 / 41 / 0 / 5

HEX #CD8EF1

RGB 205 142 241

HSL 278.18, 0.78%, 0.75%

LAB 68.52, 41.28, -40.59

 

CMYK 0 / 14 / 40 / 5

HEX #F1CF90

RGB 241 207 144

HSL 38.97, 0.78%, 0.75%

LAB 84.66, 3.51, 35.71

 

CMYK 34 / 0 / 41 / 5

HEX #9EF18E

RGB 158 241 142

HSL 110.3, 0.78%, 0.75%

LAB 88.03, -43.61, 39.98

 

CMYK 41 / 26 / 0 / 5

HEX #8EB2F1

RGB 142 178 241

HSL 218.18, 0.78%, 0.75%

LAB 72.19, 3.57, -35.25

 

CMYK 7 / 41 / 0 / 5

HEX #E08EF1

RGB 224 142 241

HSL 289.7, 0.78%, 0.75%

LAB 70.56, 46.81, -37.25

 

CMYK 0 / 14 / 40 / 5

HEX #F1CF90

RGB 241 207 144

HSL 38.97, 0.78%, 0.75%

LAB 84.66, 3.51, 35.71

 

CMYK 41 / 0 / 36 / 5

HEX #8EF19B

RGB 142 241 155

HSL 127.88, 0.78%, 0.75%

LAB 87.5, -46.49, 32.67

 

CMYK 41 / 26 / 0 / 5

HEX #8EB2F1

RGB 142 178 241

HSL 218.18, 0.78%, 0.75%

LAB 72.19, 3.57, -35.25

 

CMYK 0 / 41 / 5 / 5

HEX #F18EE4

RGB 241 142 228

HSL 307.88, 0.78%, 0.75%

LAB 71.99, 49.53, -27.75

 

Description

Color code: HEX #F1CF90 | qconv.com Color code: HEX #F1CF90 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 207 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 207 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 40 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 40% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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