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Color name
HEX #F1BA10

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1BA10 it is the complementary color #0E45EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1BA10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1BA10 shade: #F6BA0B, #FFCC1E, #FFDE31, #FFF044 and #FFFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1BA10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1BA10 shade: #F1BA10, #E0A800, #CF9600, #BE8400 and #AD7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1BA10 shade: #F1B90E, #F17C0E, #F13F0E and #F10E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1BA10 shade: #F1B90E, #EBF10E, #AEF10E, #71F10E and #34F10E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1BA10 shade matches the following richer shades: #F1B90E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1BA10 shade: #F1B90E, #DCAF23, #C8A437, #B39A4C and #9E8F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1BA10 shade: #F13F0E, #F17C0E, #F1B80E, #EDF10E and #B1F10E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1BA10 shade: #A37D09, #CA9B0C, #F1B90E, #F3C535 and #F6D05C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1BA10 shade: #F1BA10, #19F10E and #5D0EF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1BA10 shade: #F1BA10, #0EF1B8 and #B80EF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1BA10 shade: #F1BA10, #19F10E, #0E47F1 and #E60EF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1BA10 shade: #F1BA10, #0EF147, #0E47F1 and #F10EB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 93 / 5

HEX #F1BA10

RGB 241 186 16

HSL 45.33, 0.89%, 0.5%

LAB 78.38, 7.13, 78.8

 

Complementary color

CMYK 94 / 71 / 0 / 6

HEX #0E45EF

RGB 14 69 239

HSL 225.33, 0.89%, 0.5%

LAB 38.87, 50.05, -87.93

 

CMYK 0 / 24 / 96 / 4

HEX #F6BA0B

RGB 246 186 11

HSL 44.68, 0.93%, 0.5%

LAB 78.89, 9.23, 80.01

 

CMYK 0 / 20 / 88 / 0

HEX #FFCC1E

RGB 255 204 30

HSL 46.4, 1%, 0.56%

LAB 84.25, 4.01, 81.53

 

CMYK 0 / 13 / 81 / 0

HEX #FFDE31

RGB 255 222 49

HSL 50.39, 1%, 0.6%

LAB 88.79, -4.68, 80.81

 

CMYK 0 / 6 / 73 / 0

HEX #FFF044

RGB 255 240 68

HSL 55.19, 1%, 0.63%

LAB 93.45, -12.95, 79.33

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 23 / 93 / 5

HEX #F1BA10

RGB 241 186 16

HSL 45.33, 0.89%, 0.5%

LAB 78.38, 7.13, 78.8

 

CMYK 0 / 25 / 100 / 12

HEX #E0A800

RGB 224 168 0

HSL 45, 1%, 0.44%

LAB 72.13, 9.08, 75.39

 

CMYK 0 / 28 / 100 / 19

HEX #CF9600

RGB 207 150 0

HSL 43.48, 1%, 0.41%

LAB 65.81, 11.26, 70.2

 

CMYK 0 / 31 / 100 / 25

HEX #BE8400

RGB 190 132 0

HSL 41.68, 1%, 0.37%

LAB 59.39, 13.53, 64.94

 

CMYK 0 / 34 / 100 / 32

HEX #AD7200

RGB 173 114 0

HSL 39.54, 1%, 0.34%

LAB 52.86, 15.89, 59.61

 

CMYK 0 / 23 / 94 / 5

HEX #F1B90E

RGB 241 185 14

HSL 45.2, 0.89%, 0.5%

LAB 78.13, 7.63, 78.88

 

CMYK 0 / 49 / 94 / 5

HEX #F17C0E

RGB 241 124 14

HSL 29.07, 0.89%, 0.5%

LAB 64.28, 39.47, 69.18

 

CMYK 0 / 74 / 94 / 5

HEX #F13F0E

RGB 241 63 14

HSL 12.95, 0.89%, 0.5%

LAB 54.33, 65.62, 62.88

 

CMYK 0 / 94 / 94 / 5

HEX #F10E0E

RGB 241 14 14

HSL 0, 0.89%, 0.5%

LAB 50.74, 75.79, 60.87

 

CMYK 0 / 23 / 94 / 5

HEX #F1B90E

RGB 241 185 14

HSL 45.2, 0.89%, 0.5%

LAB 78.13, 7.63, 78.88

 

CMYK 2 / 0 / 94 / 5

HEX #EBF10E

RGB 235 241 14

HSL 61.59, 0.89%, 0.5%

LAB 91.96, -23.02, 88.91

 

CMYK 28 / 0 / 94 / 5

HEX #AEF10E

RGB 174 241 14

HSL 77.71, 0.89%, 0.5%

LAB 87.94, -47.13, 84.07

 

CMYK 53 / 0 / 94 / 5

HEX #71F10E

RGB 113 241 14

HSL 93.83, 0.89%, 0.5%

LAB 85.23, -66.87, 80.76

 

CMYK 78 / 0 / 94 / 5

HEX #34F10E

RGB 52 241 14

HSL 109.96, 0.89%, 0.5%

LAB 83.79, -78.9, 79

 

CMYK 0 / 23 / 94 / 5

HEX #F1B90E

RGB 241 185 14

HSL 45.2, 0.89%, 0.5%

LAB 78.13, 7.63, 78.88

 

CMYK 0 / 23 / 94 / 5

HEX #F1B90E

RGB 241 185 14

HSL 45.2, 0.89%, 0.5%

LAB 78.13, 7.63, 78.88

 

CMYK 0 / 20 / 84 / 14

HEX #DCAF23

RGB 220 175 35

HSL 45.41, 0.73%, 0.5%

LAB 73.54, 4.16, 70.31

 

CMYK 0 / 18 / 73 / 22

HEX #C8A437

RGB 200 164 55

HSL 45.1, 0.57%, 0.5%

LAB 68.83, 2.01, 58.59

 

CMYK 0 / 14 / 58 / 30

HEX #B39A4C

RGB 179 154 76

HSL 45.44, 0.4%, 0.5%

LAB 64.34, -0.44, 43.72

 

CMYK 0 / 9 / 39 / 38

HEX #9E8F61

RGB 158 143 97

HSL 45.25, 0.24%, 0.5%

LAB 59.69, -1.33, 26.53

 

CMYK 0 / 74 / 94 / 5

HEX #F13F0E

RGB 241 63 14

HSL 12.95, 0.89%, 0.5%

LAB 54.33, 65.62, 62.88

 

CMYK 0 / 49 / 94 / 5

HEX #F17C0E

RGB 241 124 14

HSL 29.07, 0.89%, 0.5%

LAB 64.28, 39.47, 69.18

 

CMYK 0 / 24 / 94 / 5

HEX #F1B80E

RGB 241 184 14

HSL 44.93, 0.89%, 0.5%

LAB 77.88, 8.15, 78.7

 

CMYK 2 / 0 / 94 / 5

HEX #EDF10E

RGB 237 241 14

HSL 61.06, 0.89%, 0.5%

LAB 92.11, -22.19, 89.09

 

CMYK 27 / 0 / 94 / 5

HEX #B1F10E

RGB 177 241 14

HSL 76.92, 0.89%, 0.5%

LAB 88.11, -46.01, 84.27

 

CMYK 0 / 23 / 94 / 36

HEX #A37D09

RGB 163 125 9

HSL 45.19, 0.9%, 0.34%

LAB 54.53, 5.25, 58.55

 

CMYK 0 / 23 / 94 / 21

HEX #CA9B0C

RGB 202 155 12

HSL 45.16, 0.89%, 0.42%

LAB 66.54, 6.47, 68.84

 

CMYK 0 / 23 / 94 / 5

HEX #F1B90E

RGB 241 185 14

HSL 45.2, 0.89%, 0.5%

LAB 78.13, 7.63, 78.88

 

CMYK 0 / 19 / 78 / 5

HEX #F3C535

RGB 243 197 53

HSL 45.47, 0.89%, 0.58%

LAB 81.43, 3.11, 72.7

 

CMYK 0 / 15 / 63 / 4

HEX #F6D05C

RGB 246 208 92

HSL 45.19, 0.9%, 0.66%

LAB 84.73, 0.6, 61

 

CMYK 0 / 23 / 93 / 5

HEX #F1BA10

RGB 241 186 16

HSL 45.33, 0.89%, 0.5%

LAB 78.38, 7.13, 78.8

 

CMYK 90 / 0 / 94 / 5

HEX #19F10E

RGB 25 241 14

HSL 117.09, 0.89%, 0.5%

LAB 83.52, -81.37, 78.66

 

CMYK 61 / 94 / 0 / 5

HEX #5D0EF1

RGB 93 14 241

HSL 260.88, 0.89%, 0.5%

LAB 35.97, 76.08, -93.73

 

CMYK 0 / 23 / 93 / 5

HEX #F1BA10

RGB 241 186 16

HSL 45.33, 0.89%, 0.5%

LAB 78.38, 7.13, 78.8

 

CMYK 94 / 0 / 24 / 5

HEX #0EF1B8

RGB 14 241 184

HSL 164.93, 0.89%, 0.5%

LAB 85.23, -60.76, 14.25

 

CMYK 24 / 94 / 0 / 5

HEX #B80EF1

RGB 184 14 241

HSL 284.93, 0.89%, 0.5%

LAB 48.08, 84.9, -73.38

 

CMYK 0 / 23 / 93 / 5

HEX #F1BA10

RGB 241 186 16

HSL 45.33, 0.89%, 0.5%

LAB 78.38, 7.13, 78.8

 

CMYK 90 / 0 / 94 / 5

HEX #19F10E

RGB 25 241 14

HSL 117.09, 0.89%, 0.5%

LAB 83.52, -81.37, 78.66

 

CMYK 94 / 71 / 0 / 5

HEX #0E47F1

RGB 14 71 241

HSL 224.93, 0.89%, 0.5%

LAB 39.5, 49.57, -88.01

 

CMYK 5 / 94 / 0 / 5

HEX #E60EF1

RGB 230 14 241

HSL 297.09, 0.89%, 0.5%

LAB 55.57, 91.51, -60.89

 

CMYK 0 / 23 / 93 / 5

HEX #F1BA10

RGB 241 186 16

HSL 45.33, 0.89%, 0.5%

LAB 78.38, 7.13, 78.8

 

CMYK 94 / 0 / 71 / 5

HEX #0EF147

RGB 14 241 71

HSL 135.07, 0.89%, 0.5%

LAB 83.68, -79.05, 65.28

 

CMYK 94 / 71 / 0 / 5

HEX #0E47F1

RGB 14 71 241

HSL 224.93, 0.89%, 0.5%

LAB 39.5, 49.57, -88.01

 

CMYK 0 / 94 / 24 / 5

HEX #F10EB8

RGB 241 14 184

HSL 315.07, 0.89%, 0.5%

LAB 54.53, 85.94, -29.88

 

Description

Color code: HEX #F1BA10 | qconv.com Color code: HEX #F1BA10 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 186 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 186 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 93 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 93% 5% C M Y K

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