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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1AC01 it is the complementary color #0E53FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1AC01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1AC01 shade: #F6AC00, #FFBE0F, #FFD022, #FFE235 and #FFF448

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1AC01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1AC01 shade: #F1AC01, #E09A00, #CF8800, #BE7600 and #AD6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1AC01 shade: #EFAA01, #EF6A01, #EF2A01 and #EF0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1AC01 shade: #EFAA01, #EFEA01, #B3EF01, #73EF01 and #33EF01

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1AC01 shade matches the following richer shades: #EFAA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1AC01 shade: #EFAA01, #DBA215, #C89A28, #B4923B and #A1894F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1AC01 shade: #EF2901, #EF6801, #EFA701, #EFE701 and #B7EF01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1AC01 shade: #9C7001, #C58D01, #EFAA01, #FEBD1B and #FEC944

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1AC01 shade: #F1AC01, #19EF01 and #4801EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1AC01 shade: #F1AC01, #01EFA7 and #A701EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1AC01 shade: #F1AC01, #19EF01, #0148EF and #D701EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1AC01 shade: #F1AC01, #01EF31, #0148EF and #EF01BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 100 / 5

HEX #F1AC01

RGB 241 172 1

HSL 42.75, 0.99%, 0.47%

LAB 74.96, 14.34, 78.08

 

Complementary color

CMYK 94 / 67 / 0 / 0

HEX #0E53FE

RGB 14 83 254

HSL 222.75, 0.99%, 0.53%

LAB 43.41, 46.97, -88.84

 

CMYK 0 / 30 / 100 / 4

HEX #F6AC00

RGB 246 172 0

HSL 41.95, 1%, 0.48%

LAB 75.51, 16.47, 78.84

 

CMYK 0 / 25 / 94 / 0

HEX #FFBE0F

RGB 255 190 15

HSL 43.75, 1%, 0.53%

LAB 80.81, 11.03, 81.36

 

CMYK 0 / 18 / 87 / 0

HEX #FFD022

RGB 255 208 34

HSL 47.24, 1%, 0.57%

LAB 85.24, 2.04, 81.5

 

CMYK 0 / 11 / 79 / 0

HEX #FFE235

RGB 255 226 53

HSL 51.39, 1%, 0.6%

LAB 89.82, -6.57, 80.59

 

CMYK 0 / 4 / 72 / 0

HEX #FFF448

RGB 255 244 72

HSL 56.39, 1%, 0.64%

LAB 94.5, -14.73, 79

 

CMYK 0 / 29 / 100 / 5

HEX #F1AC01

RGB 241 172 1

HSL 42.75, 0.99%, 0.47%

LAB 74.96, 14.34, 78.08

 

CMYK 0 / 31 / 100 / 12

HEX #E09A00

RGB 224 154 0

HSL 41.25, 1%, 0.44%

LAB 68.72, 16.55, 73.09

 

CMYK 0 / 34 / 100 / 19

HEX #CF8800

RGB 207 136 0

HSL 39.42, 1%, 0.41%

LAB 62.4, 18.86, 67.93

 

CMYK 0 / 38 / 100 / 25

HEX #BE7600

RGB 190 118 0

HSL 37.26, 1%, 0.37%

LAB 55.99, 21.25, 62.71

 

CMYK 0 / 42 / 100 / 32

HEX #AD6400

RGB 173 100 0

HSL 34.68, 1%, 0.34%

LAB 49.49, 23.72, 57.43

 

CMYK 0 / 29 / 100 / 6

HEX #EFAA01

RGB 239 170 1

HSL 42.61, 0.99%, 0.47%

LAB 74.26, 14.53, 77.5

 

CMYK 0 / 56 / 100 / 6

HEX #EF6A01

RGB 239 106 1

HSL 26.47, 0.99%, 0.47%

LAB 60.48, 47.38, 68.81

 

CMYK 0 / 82 / 100 / 6

HEX #EF2A01

RGB 239 42 1

HSL 10.34, 0.99%, 0.47%

LAB 51.85, 70.75, 64.47

 

CMYK 0 / 100 / 100 / 6

HEX #EF0101

RGB 239 1 1

HSL 0, 0.99%, 0.47%

LAB 49.95, 76.21, 63.73

 

CMYK 0 / 29 / 100 / 6

HEX #EFAA01

RGB 239 170 1

HSL 42.61, 0.99%, 0.47%

LAB 74.26, 14.53, 77.5

 

CMYK 0 / 2 / 100 / 6

HEX #EFEA01

RGB 239 234 1

HSL 58.74, 0.99%, 0.47%

LAB 90.41, -18.1, 88.93

 

CMYK 25 / 0 / 100 / 6

HEX #B3EF01

RGB 179 239 1

HSL 75.13, 0.99%, 0.47%

LAB 87.64, -44.55, 85.01

 

CMYK 52 / 0 / 100 / 6

HEX #73EF01

RGB 115 239 1

HSL 91.26, 0.99%, 0.47%

LAB 84.68, -65.81, 81.44

 

CMYK 79 / 0 / 100 / 6

HEX #33EF01

RGB 51 239 1

HSL 107.39, 0.99%, 0.47%

LAB 83.15, -78.66, 79.57

 

CMYK 0 / 29 / 100 / 6

HEX #EFAA01

RGB 239 170 1

HSL 42.61, 0.99%, 0.47%

LAB 74.26, 14.53, 77.5

 

CMYK 0 / 29 / 100 / 6

HEX #EFAA01

RGB 239 170 1

HSL 42.61, 0.99%, 0.47%

LAB 74.26, 14.53, 77.5

 

CMYK 0 / 26 / 90 / 14

HEX #DBA215

RGB 219 162 21

HSL 42.73, 0.83%, 0.47%

LAB 70.14, 10.34, 70.82

 

CMYK 0 / 23 / 80 / 22

HEX #C89A28

RGB 200 154 40

HSL 42.75, 0.67%, 0.47%

LAB 66.17, 6.77, 61.61

 

CMYK 0 / 19 / 67 / 29

HEX #B4923B

RGB 180 146 59

HSL 43.14, 0.51%, 0.47%

LAB 62.15, 3.17, 49.38

 

CMYK 0 / 15 / 51 / 37

HEX #A1894F

RGB 161 137 79

HSL 42.44, 0.34%, 0.47%

LAB 58.07, 1.33, 34.27

 

CMYK 0 / 83 / 100 / 6

HEX #EF2901

RGB 239 41 1

HSL 10.08, 0.99%, 0.47%

LAB 51.77, 70.98, 64.43

 

CMYK 0 / 56 / 100 / 6

HEX #EF6801

RGB 239 104 1

HSL 25.97, 0.99%, 0.47%

LAB 60.12, 48.32, 68.6

 

CMYK 0 / 30 / 100 / 6

HEX #EFA701

RGB 239 167 1

HSL 41.85, 0.99%, 0.47%

LAB 73.54, 16.12, 77.02

 

CMYK 0 / 3 / 100 / 6

HEX #EFE701

RGB 239 231 1

HSL 57.98, 0.99%, 0.47%

LAB 89.63, -16.65, 88.35

 

CMYK 23 / 0 / 100 / 6

HEX #B7EF01

RGB 183 239 1

HSL 74.12, 0.99%, 0.47%

LAB 87.87, -43.03, 85.29

 

CMYK 0 / 28 / 99 / 39

HEX #9C7001

RGB 156 112 1

HSL 42.97, 0.99%, 0.31%

LAB 50.29, 9.23, 56.68

 

CMYK 0 / 28 / 99 / 23

HEX #C58D01

RGB 197 141 1

HSL 42.86, 0.99%, 0.39%

LAB 62.44, 11.73, 67.23

 

CMYK 0 / 29 / 100 / 6

HEX #EFAA01

RGB 239 170 1

HSL 42.61, 0.99%, 0.47%

LAB 74.26, 14.53, 77.5

 

CMYK 0 / 26 / 89 / 0

HEX #FEBD1B

RGB 254 189 27

HSL 42.82, 0.99%, 0.55%

LAB 80.49, 11.28, 79.17

 

CMYK 0 / 21 / 73 / 0

HEX #FEC944

RGB 254 201 68

HSL 42.9, 0.99%, 0.63%

LAB 83.58, 6.27, 69.86

 

CMYK 0 / 29 / 100 / 5

HEX #F1AC01

RGB 241 172 1

HSL 42.75, 0.99%, 0.47%

LAB 74.96, 14.34, 78.08

 

CMYK 90 / 0 / 100 / 6

HEX #19EF01

RGB 25 239 1

HSL 113.95, 0.99%, 0.47%

LAB 82.88, -81.04, 79.25

 

CMYK 70 / 100 / 0 / 6

HEX #4801EF

RGB 72 1 239

HSL 257.9, 0.99%, 0.47%

LAB 33.2, 76.44, -97.26

 

CMYK 0 / 29 / 100 / 5

HEX #F1AC01

RGB 241 172 1

HSL 42.75, 0.99%, 0.47%

LAB 74.96, 14.34, 78.08

 

CMYK 100 / 0 / 30 / 6

HEX #01EFA7

RGB 1 239 167

HSL 161.85, 0.99%, 0.47%

LAB 84.24, -64.2, 21.66

 

CMYK 30 / 100 / 0 / 6

HEX #A701EF

RGB 167 1 239

HSL 281.85, 0.99%, 0.47%

LAB 44.9, 83.62, -77.55

 

CMYK 0 / 29 / 100 / 5

HEX #F1AC01

RGB 241 172 1

HSL 42.75, 0.99%, 0.47%

LAB 74.96, 14.34, 78.08

 

CMYK 90 / 0 / 100 / 6

HEX #19EF01

RGB 25 239 1

HSL 113.95, 0.99%, 0.47%

LAB 82.88, -81.04, 79.25

 

CMYK 100 / 70 / 0 / 6

HEX #0148EF

RGB 1 72 239

HSL 222.1, 0.99%, 0.47%

LAB 39.37, 48.01, -87.11

 

CMYK 10 / 100 / 0 / 6

HEX #D701EF

RGB 215 1 239

HSL 293.95, 0.99%, 0.47%

LAB 52.62, 89.88, -64.65

 

CMYK 0 / 29 / 100 / 5

HEX #F1AC01

RGB 241 172 1

HSL 42.75, 0.99%, 0.47%

LAB 74.96, 14.34, 78.08

 

CMYK 100 / 0 / 79 / 6

HEX #01EF31

RGB 1 239 49

HSL 132.1, 0.99%, 0.47%

LAB 82.89, -80.49, 71.5

 

CMYK 100 / 70 / 0 / 6

HEX #0148EF

RGB 1 72 239

HSL 222.1, 0.99%, 0.47%

LAB 39.37, 48.01, -87.11

 

CMYK 0 / 100 / 20 / 6

HEX #EF01BF

RGB 239 1 191

HSL 312.1, 0.99%, 0.47%

LAB 54.17, 87.28, -34.53

 

Description

Color code: HEX #F1AC01 | qconv.com Color code: HEX #F1AC01 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 172 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 172 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 100 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 100% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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