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Color name
HEX #F19E80

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F19E80 it is the complementary color #0E617F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F19E80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F19E80 shade: #F69E7B, #FFB08E, #FFC2A1, #FFD4B4 and #FFE6C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F19E80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F19E80 shade: #F19E80, #E08C6D, #CF7A5A, #BE6847 and #AD5634

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F19E80 shade: #F19D7E and #F17E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F19E80 shade: #F19D7E, #F1BC7E, #F1DA7E, #E8F17E and #C9F17E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F19E80 shade matches the following richer shades: #F19D7E and #FC9773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F19E80 shade: #F19D7E, #E5A28A, #DAA896, #CEADA1 and #C3B2AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F19E80 shade: #F17E9F, #F17E80, #F19B7E, #F1BA7E and #F1D87E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F19E80 shade: #E86434, #ED8059, #F19D7E, #F5B9A4 and #F9D6C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F19E80 shade: #F19E80, #BDF17E and #7E90F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F19E80 shade: #F19E80, #7EF19B and #9B7EF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F19E80 shade: #F19E80, #BDF17E, #7ED4F1 and #B27EF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F19E80 shade: #F19E80, #9BF17E, #7ED4F1 and #D47EF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 47 / 5

HEX #F19E80

RGB 241 158 128

HSL 15.93, 0.8%, 0.72%

LAB 72.7, 27.64, 28.39

 

Complementary color

CMYK 89 / 24 / 0 / 50

HEX #0E617F

RGB 14 97 127

HSL 195.93, 0.8%, 0.28%

LAB 38.15, -11.72, -23.28

 

CMYK 0 / 36 / 50 / 4

HEX #F69E7B

RGB 246 158 123

HSL 17.07, 0.87%, 0.72%

LAB 73.2, 29.12, 31.86

 

CMYK 0 / 31 / 44 / 0

HEX #FFB08E

RGB 255 176 142

HSL 18.05, 1%, 0.78%

LAB 78.62, 24.98, 29.04

 

CMYK 0 / 24 / 37 / 0

HEX #FFC2A1

RGB 255 194 161

HSL 21.06, 1%, 0.82%

LAB 83.13, 17.61, 25.06

 

CMYK 0 / 17 / 29 / 0

HEX #FFD4B4

RGB 255 212 180

HSL 25.6, 1%, 0.85%

LAB 87.8, 10.54, 21.47

 

CMYK 0 / 10 / 22 / 0

HEX #FFE6C7

RGB 255 230 199

HSL 33.21, 1%, 0.89%

LAB 92.56, 3.83, 18.22

 

CMYK 0 / 34 / 47 / 5

HEX #F19E80

RGB 241 158 128

HSL 15.93, 0.8%, 0.72%

LAB 72.7, 27.64, 28.39

 

CMYK 0 / 38 / 51 / 12

HEX #E08C6D

RGB 224 140 109

HSL 16.17, 0.65%, 0.65%

LAB 66.3, 28.75, 29.93

 

CMYK 0 / 41 / 57 / 19

HEX #CF7A5A

RGB 207 122 90

HSL 16.41, 0.55%, 0.58%

LAB 59.82, 29.99, 31.63

 

CMYK 0 / 45 / 63 / 25

HEX #BE6847

RGB 190 104 71

HSL 16.64, 0.48%, 0.51%

LAB 53.28, 31.37, 33.53

 

CMYK 0 / 50 / 70 / 32

HEX #AD5634

RGB 173 86 52

HSL 16.86, 0.54%, 0.44%

LAB 46.69, 32.9, 35.63

 

CMYK 0 / 35 / 48 / 5

HEX #F19D7E

RGB 241 157 126

HSL 16.17, 0.8%, 0.72%

LAB 72.44, 27.98, 29.13

 

CMYK 0 / 48 / 48 / 5

HEX #F17E7E

RGB 241 126 126

HSL 0, 0.8%, 0.72%

LAB 65.85, 43.99, 20.28

 

CMYK 0 / 35 / 48 / 5

HEX #F19D7E

RGB 241 157 126

HSL 16.17, 0.8%, 0.72%

LAB 72.44, 27.98, 29.13

 

CMYK 0 / 22 / 48 / 5

HEX #F1BC7E

RGB 241 188 126

HSL 32.35, 0.8%, 0.72%

LAB 79.71, 11.6, 38.56

 

CMYK 0 / 10 / 48 / 5

HEX #F1DA7E

RGB 241 218 126

HSL 48, 0.8%, 0.72%

LAB 87.17, -3.92, 47.9

 

CMYK 4 / 0 / 48 / 5

HEX #E8F17E

RGB 232 241 126

HSL 64.7, 0.8%, 0.72%

LAB 92.39, -18.9, 54.08

 

CMYK 17 / 0 / 48 / 5

HEX #C9F17E

RGB 201 241 126

HSL 80.87, 0.8%, 0.72%

LAB 90.25, -30.69, 50.99

 

CMYK 0 / 35 / 48 / 5

HEX #F19D7E

RGB 241 157 126

HSL 16.17, 0.8%, 0.72%

LAB 72.44, 27.98, 29.13

 

CMYK 0 / 40 / 54 / 1

HEX #FC9773

RGB 252 151 115

HSL 15.77, 0.96%, 0.72%

LAB 72.27, 34.41, 35.08

 

CMYK 0 / 35 / 48 / 5

HEX #F19D7E

RGB 241 157 126

HSL 16.17, 0.8%, 0.72%

LAB 72.44, 27.98, 29.13

 

CMYK 0 / 29 / 40 / 10

HEX #E5A28A

RGB 229 162 138

HSL 15.82, 0.64%, 0.72%

LAB 72.45, 21.89, 22.39

 

CMYK 0 / 23 / 31 / 15

HEX #DAA896

RGB 218 168 150

HSL 15.88, 0.48%, 0.72%

LAB 72.97, 15.86, 16.37

 

CMYK 0 / 16 / 22 / 19

HEX #CEADA1

RGB 206 173 161

HSL 16, 0.31%, 0.72%

LAB 73.27, 10.11, 10.62

 

CMYK 0 / 9 / 11 / 24

HEX #C3B2AD

RGB 195 178 173

HSL 13.64, 0.15%, 0.72%

LAB 73.84, 5.22, 4.74

 

CMYK 0 / 48 / 34 / 5

HEX #F17E9F

RGB 241 126 159

HSL 342.78, 0.8%, 0.72%

LAB 66.62, 47.51, 2.7

 

CMYK 0 / 48 / 47 / 5

HEX #F17E80

RGB 241 126 128

HSL 358.96, 0.8%, 0.72%

LAB 65.89, 44.18, 19.21

 

CMYK 0 / 36 / 48 / 5

HEX #F19B7E

RGB 241 155 126

HSL 15.13, 0.8%, 0.72%

LAB 71.99, 29.03, 28.54

 

CMYK 0 / 23 / 48 / 5

HEX #F1BA7E

RGB 241 186 126

HSL 31.3, 0.8%, 0.72%

LAB 79.23, 12.66, 37.95

 

CMYK 0 / 10 / 48 / 5

HEX #F1D87E

RGB 241 216 126

HSL 46.96, 0.8%, 0.72%

LAB 86.66, -2.9, 47.28

 

CMYK 0 / 57 / 78 / 9

HEX #E86434

RGB 232 100 52

HSL 16, 0.8%, 0.56%

LAB 58.53, 48.58, 50.97

 

CMYK 0 / 46 / 62 / 7

HEX #ED8059

RGB 237 128 89

HSL 15.81, 0.8%, 0.64%

LAB 65.09, 38.56, 39.59

 

CMYK 0 / 35 / 48 / 5

HEX #F19D7E

RGB 241 157 126

HSL 16.17, 0.8%, 0.72%

LAB 72.44, 27.98, 29.13

 

CMYK 0 / 24 / 33 / 4

HEX #F5B9A4

RGB 245 185 164

HSL 15.56, 0.8%, 0.8%

LAB 80.06, 18.89, 19.08

 

CMYK 0 / 14 / 19 / 2

HEX #F9D6C9

RGB 249 214 201

HSL 16.25, 0.8%, 0.88%

LAB 88.18, 10.19, 10.92

 

CMYK 0 / 34 / 47 / 5

HEX #F19E80

RGB 241 158 128

HSL 15.93, 0.8%, 0.72%

LAB 72.7, 27.64, 28.39

 

CMYK 22 / 0 / 48 / 5

HEX #BDF17E

RGB 189 241 126

HSL 87.13, 0.8%, 0.72%

LAB 89.5, -35.07, 49.91

 

CMYK 48 / 40 / 0 / 5

HEX #7E90F1

RGB 126 144 241

HSL 230.61, 0.8%, 0.72%

LAB 62.28, 19.09, -50.86

 

CMYK 0 / 34 / 47 / 5

HEX #F19E80

RGB 241 158 128

HSL 15.93, 0.8%, 0.72%

LAB 72.7, 27.64, 28.39

 

CMYK 48 / 0 / 36 / 5

HEX #7EF19B

RGB 126 241 155

HSL 135.13, 0.8%, 0.72%

LAB 86.86, -50.85, 31.7

 

CMYK 36 / 48 / 0 / 5

HEX #9B7EF1

RGB 155 126 241

HSL 255.13, 0.8%, 0.72%

LAB 60.11, 36.56, -54.18

 

CMYK 0 / 34 / 47 / 5

HEX #F19E80

RGB 241 158 128

HSL 15.93, 0.8%, 0.72%

LAB 72.7, 27.64, 28.39

 

CMYK 22 / 0 / 48 / 5

HEX #BDF17E

RGB 189 241 126

HSL 87.13, 0.8%, 0.72%

LAB 89.5, -35.07, 49.91

 

CMYK 48 / 12 / 0 / 5

HEX #7ED4F1

RGB 126 212 241

HSL 195.13, 0.8%, 0.72%

LAB 80.67, -18.43, -22.31

 

CMYK 26 / 48 / 0 / 5

HEX #B27EF1

RGB 178 126 241

HSL 267.13, 0.8%, 0.72%

LAB 62.29, 42.49, -50.58

 

CMYK 0 / 34 / 47 / 5

HEX #F19E80

RGB 241 158 128

HSL 15.93, 0.8%, 0.72%

LAB 72.7, 27.64, 28.39

 

CMYK 36 / 0 / 48 / 5

HEX #9BF17E

RGB 155 241 126

HSL 104.87, 0.8%, 0.72%

LAB 87.67, -46.66, 47.25

 

CMYK 48 / 12 / 0 / 5

HEX #7ED4F1

RGB 126 212 241

HSL 195.13, 0.8%, 0.72%

LAB 80.67, -18.43, -22.31

 

CMYK 12 / 48 / 0 / 5

HEX #D47EF1

RGB 212 126 241

HSL 284.87, 0.8%, 0.72%

LAB 65.96, 51.67, -44.54

 

Description

Color code: HEX #F19E80 | qconv.com Color code: HEX #F19E80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 158 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 158 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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