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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F19C93 it is the complementary color #0E636C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F19C93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F19C93 shade: #F69C8E, #FFAEA1, #FFC0B4, #FFD2C7 and #FFE4DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F19C93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F19C93 shade: #F19C93, #E08A80, #CF786D, #BE665A and #AD5447

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F19C93 shade: #F19C93 and #F19393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F19C93 shade: #F19C93, #F1B593, #F1CF93, #F1E893 and #E0F193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F19C93 shade matches the following richer shades: #F19C93 and #FB9489

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F19C93 shade: #F19C93, #E7A49D, #DDACA6, #D3B4B0 and #C9BCBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F19C93 shade: #F193BD, #F193A4, #F19B93, #F1B493 and #F1CD93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F19C93 shade: #E7594A, #EC7A6E, #F19C93, #F6BDB7 and #FADFDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F19C93 shade: #F19C93, #D6F193 and #93B1F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F19C93 shade: #F19C93, #93F19B and #9B93F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F19C93 shade: #F19C93, #D6F193, #93E9F1 and #AD93F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F19C93 shade: #F19C93, #BAF193, #93E9F1 and #CA93F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

Complementary color

CMYK 87 / 8 / 0 / 58

HEX #0E636C

RGB 14 99 108

HSL 185.74, 0.77%, 0.24%

LAB 38.02, -19.83, -11.85

 

CMYK 0 / 37 / 42 / 4

HEX #F69C8E

RGB 246 156 142

HSL 8.08, 0.85%, 0.76%

LAB 73.1, 32.02, 21.42

 

CMYK 0 / 32 / 37 / 0

HEX #FFAEA1

RGB 255 174 161

HSL 8.3, 1%, 0.82%

LAB 78.52, 28.08, 18.72

 

CMYK 0 / 25 / 29 / 0

HEX #FFC0B4

RGB 255 192 180

HSL 9.6, 1%, 0.85%

LAB 83.05, 20.98, 14.85

 

CMYK 0 / 18 / 22 / 0

HEX #FFD2C7

RGB 255 210 199

HSL 11.79, 1%, 0.89%

LAB 87.72, 14.15, 11.38

 

CMYK 0 / 11 / 15 / 0

HEX #FFE4DA

RGB 255 228 218

HSL 16.22, 1%, 0.93%

LAB 92.49, 7.66, 8.24

 

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

CMYK 0 / 38 / 43 / 12

HEX #E08A80

RGB 224 138 128

HSL 6.25, 0.61%, 0.69%

LAB 66.2, 31.67, 19.28

 

CMYK 0 / 42 / 47 / 19

HEX #CF786D

RGB 207 120 109

HSL 6.73, 0.51%, 0.62%

LAB 59.71, 32.76, 20.81

 

CMYK 0 / 46 / 53 / 25

HEX #BE665A

RGB 190 102 90

HSL 7.2, 0.43%, 0.55%

LAB 53.15, 33.95, 22.56

 

CMYK 0 / 51 / 59 / 32

HEX #AD5447

RGB 173 84 71

HSL 7.65, 0.42%, 0.48%

LAB 46.55, 35.23, 24.6

 

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

CMYK 0 / 39 / 39 / 5

HEX #F19393

RGB 241 147 147

HSL 0, 0.77%, 0.76%

LAB 70.65, 35.4, 15.17

 

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

CMYK 0 / 25 / 39 / 5

HEX #F1B593

RGB 241 181 147

HSL 21.7, 0.77%, 0.76%

LAB 78.38, 17.46, 25.8

 

CMYK 0 / 14 / 39 / 5

HEX #F1CF93

RGB 241 207 147

HSL 38.3, 0.77%, 0.76%

LAB 84.71, 3.83, 34.23

 

CMYK 0 / 4 / 39 / 5

HEX #F1E893

RGB 241 232 147

HSL 54.26, 0.77%, 0.76%

LAB 91.02, -8.89, 42.42

 

CMYK 7 / 0 / 39 / 5

HEX #E0F193

RGB 224 241 147

HSL 70.85, 0.77%, 0.76%

LAB 92.07, -19.82, 43.5

 

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

CMYK 0 / 41 / 45 / 2

HEX #FB9489

RGB 251 148 137

HSL 5.79, 0.93%, 0.76%

LAB 71.89, 37.54, 22.6

 

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

CMYK 0 / 29 / 32 / 9

HEX #E7A49D

RGB 231 164 157

HSL 5.68, 0.61%, 0.76%

LAB 73.53, 23.87, 13.53

 

CMYK 0 / 22 / 25 / 13

HEX #DDACA6

RGB 221 172 166

HSL 6.55, 0.45%, 0.76%

LAB 74.59, 17.02, 9.96

 

CMYK 0 / 15 / 17 / 17

HEX #D3B4B0

RGB 211 180 176

HSL 6.86, 0.28%, 0.76%

LAB 75.84, 10.5, 6.17

 

CMYK 0 / 6 / 7 / 21

HEX #C9BCBA

RGB 201 188 186

HSL 8, 0.12%, 0.76%

LAB 77.24, 4.23, 2.65

 

CMYK 0 / 39 / 22 / 5

HEX #F193BD

RGB 241 147 189

HSL 333.19, 0.77%, 0.76%

LAB 71.72, 40.8, -6.62

 

CMYK 0 / 39 / 32 / 5

HEX #F193A4

RGB 241 147 164

HSL 349.15, 0.77%, 0.76%

LAB 71.04, 37.42, 6.28

 

CMYK 0 / 36 / 39 / 5

HEX #F19B93

RGB 241 155 147

HSL 5.11, 0.77%, 0.76%

LAB 72.4, 31.21, 17.61

 

CMYK 0 / 25 / 39 / 5

HEX #F1B493

RGB 241 180 147

HSL 21.06, 0.77%, 0.76%

LAB 78.14, 17.99, 25.47

 

CMYK 0 / 15 / 39 / 5

HEX #F1CD93

RGB 241 205 147

HSL 37.02, 0.77%, 0.76%

LAB 84.21, 4.87, 33.58

 

CMYK 0 / 61 / 68 / 9

HEX #E7594A

RGB 231 89 74

HSL 5.73, 0.77%, 0.6%

LAB 56.71, 54.17, 37.47

 

CMYK 0 / 48 / 53 / 7

HEX #EC7A6E

RGB 236 122 110

HSL 5.71, 0.77%, 0.68%

LAB 64.06, 42.77, 26.75

 

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

CMYK 0 / 23 / 26 / 4

HEX #F6BDB7

RGB 246 189 183

HSL 5.71, 0.78%, 0.84%

LAB 81.51, 19.63, 10.95

 

CMYK 0 / 11 / 12 / 2

HEX #FADFDC

RGB 250 223 220

HSL 6, 0.75%, 0.92%

LAB 90.9, 8.79, 4.85

 

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

CMYK 11 / 0 / 39 / 5

HEX #D6F193

RGB 214 241 147

HSL 77.23, 0.77%, 0.76%

LAB 91.38, -23.55, 42.47

 

CMYK 39 / 27 / 0 / 5

HEX #93B1F1

RGB 147 177 241

HSL 220.85, 0.77%, 0.76%

LAB 72.23, 5.42, -35.17

 

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

CMYK 39 / 0 / 36 / 5

HEX #93F19B

RGB 147 241 155

HSL 125.11, 0.77%, 0.76%

LAB 87.72, -45.04, 33

 

CMYK 36 / 39 / 0 / 5

HEX #9B93F1

RGB 155 147 241

HSL 245.11, 0.77%, 0.76%

LAB 65.11, 24.54, -46.25

 

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

CMYK 11 / 0 / 39 / 5

HEX #D6F193

RGB 214 241 147

HSL 77.23, 0.77%, 0.76%

LAB 91.38, -23.55, 42.47

 

CMYK 39 / 3 / 0 / 5

HEX #93E9F1

RGB 147 233 241

HSL 185.11, 0.77%, 0.76%

LAB 87.4, -23.94, -12.08

 

CMYK 28 / 39 / 0 / 5

HEX #AD93F1

RGB 173 147 241

HSL 256.6, 0.77%, 0.76%

LAB 66.6, 29.42, -43.81

 

CMYK 0 / 35 / 39 / 5

HEX #F19C93

RGB 241 156 147

HSL 5.74, 0.77%, 0.76%

LAB 72.62, 30.68, 17.91

 

CMYK 23 / 0 / 39 / 5

HEX #BAF193

RGB 186 241 147

HSL 95.11, 0.77%, 0.76%

LAB 89.61, -33.62, 39.84

 

CMYK 39 / 3 / 0 / 5

HEX #93E9F1

RGB 147 233 241

HSL 185.11, 0.77%, 0.76%

LAB 87.4, -23.94, -12.08

 

CMYK 16 / 39 / 0 / 5

HEX #CA93F1

RGB 202 147 241

HSL 275.11, 0.77%, 0.76%

LAB 69.31, 37.71, -39.37

 

Description

Color code: HEX #F19C93 | qconv.com Color code: HEX #F19C93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 156 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 156 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 39 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 39% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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