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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F19BDB it is the complementary color #0E6424. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F19BDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F19BDB shade: #F69BD6, #FFADE9, #FFBFFC, #FFD1FF and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F19BDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F19BDB shade: #F19BDB, #E089C8, #CF77B5, #BE65A2 and #AD538F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F19BDB shade: #F19DDB, #F19DC5, #F19DAE and #F19D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F19BDB shade: #F19DDB, #F09DF1, #D99DF1, #C29DF1 and #AC9DF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F19BDB shade matches the following richer shades: #F19DDB and #FA94E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F19BDB shade: #F19DDB, #E8A6D7, #DFAFD3, #D6B8CE and #CDC1CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F19BDB shade: #D99DF1, #F09DF1, #F19DDC, #F19DC5 and #F19DAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F19BDB shade: #E755C1, #EC79CE, #F19DDB, #F6C1E9 and #FBE5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F19BDB shade: #F19BDB, #F1C39D and #9DF1E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F19BDB shade: #F19BDB, #DCF19D and #9DDCF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F19BDB shade: #F19BDB, #F1C39D, #9DF1B2 and #9DCBF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F19BDB shade: #F19BDB, #F1DC9D, #9DF1B2 and #9DB2F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 9 / 5

HEX #F19BDB

RGB 241 155 219

HSL 315.35, 0.75%, 0.78%

LAB 74.35, 41.32, -19.21

 

Complementary color

CMYK 86 / 0 / 64 / 61

HEX #0E6424

RGB 14 100 36

HSL 135.35, 0.75%, 0.22%

LAB 36.62, -38.76, 28.98

 

CMYK 0 / 37 / 13 / 4

HEX #F69BD6

RGB 246 155 214

HSL 321.1, 0.83%, 0.79%

LAB 74.76, 42.13, -15.81

 

CMYK 0 / 32 / 9 / 0

HEX #FFADE9

RGB 255 173 233

HSL 316.1, 1%, 0.84%

LAB 80.2, 38.8, -17.84

 

CMYK 0 / 25 / 1 / 0

HEX #FFBFFC

RGB 255 191 252

HSL 302.81, 1%, 0.87%

LAB 84.77, 32.66, -21.1

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 36 / 9 / 5

HEX #F19BDB

RGB 241 155 219

HSL 315.35, 0.75%, 0.78%

LAB 74.35, 41.32, -19.21

 

CMYK 0 / 39 / 11 / 12

HEX #E089C8

RGB 224 137 200

HSL 316.55, 0.58%, 0.71%

LAB 67.95, 42.06, -18.6

 

CMYK 0 / 43 / 13 / 19

HEX #CF77B5

RGB 207 119 181

HSL 317.73, 0.48%, 0.64%

LAB 61.48, 42.82, -17.92

 

CMYK 0 / 47 / 15 / 25

HEX #BE65A2

RGB 190 101 162

HSL 318.88, 0.41%, 0.57%

LAB 54.93, 43.58, -17.13

 

CMYK 0 / 52 / 17 / 32

HEX #AD538F

RGB 173 83 143

HSL 320, 0.35%, 0.5%

LAB 48.33, 44.3, -16.19

 

CMYK 0 / 35 / 9 / 5

HEX #F19DDB

RGB 241 157 219

HSL 315.71, 0.75%, 0.78%

LAB 74.78, 40.27, -18.57

 

CMYK 0 / 35 / 18 / 5

HEX #F19DC5

RGB 241 157 197

HSL 331.43, 0.75%, 0.78%

LAB 74.09, 36.77, -7.53

 

CMYK 0 / 35 / 28 / 5

HEX #F19DAE

RGB 241 157 174

HSL 347.86, 0.75%, 0.78%

LAB 73.46, 33.49, 4.23

 

CMYK 0 / 35 / 35 / 5

HEX #F19D9D

RGB 241 157 157

HSL 0, 0.75%, 0.78%

LAB 73.06, 31.32, 13.02

 

CMYK 0 / 35 / 9 / 5

HEX #F19DDB

RGB 241 157 219

HSL 315.71, 0.75%, 0.78%

LAB 74.78, 40.27, -18.57

 

CMYK 0 / 35 / 0 / 5

HEX #F09DF1

RGB 240 157 241

HSL 299.29, 0.75%, 0.78%

LAB 75.45, 43.79, -29.55

 

CMYK 10 / 35 / 0 / 5

HEX #D99DF1

RGB 217 157 241

HSL 282.86, 0.75%, 0.78%

LAB 73.03, 36.76, -33.47

 

CMYK 20 / 35 / 0 / 5

HEX #C29DF1

RGB 194 157 241

HSL 266.43, 0.75%, 0.78%

LAB 70.83, 29.87, -37.07

 

CMYK 29 / 35 / 0 / 5

HEX #AC9DF1

RGB 172 157 241

HSL 250.71, 0.75%, 0.78%

LAB 68.92, 23.51, -40.18

 

CMYK 0 / 35 / 9 / 5

HEX #F19DDB

RGB 241 157 219

HSL 315.71, 0.75%, 0.78%

LAB 74.78, 40.27, -18.57

 

CMYK 0 / 41 / 10 / 2

HEX #FA94E0

RGB 250 148 224

HSL 315.29, 0.91%, 0.78%

LAB 74.12, 48.6, -22.21

 

CMYK 0 / 35 / 9 / 5

HEX #F19DDB

RGB 241 157 219

HSL 315.71, 0.75%, 0.78%

LAB 74.78, 40.27, -18.57

 

CMYK 0 / 28 / 7 / 9

HEX #E8A6D7

RGB 232 166 215

HSL 315.45, 0.59%, 0.78%

LAB 75.66, 31.87, -15.15

 

CMYK 0 / 22 / 5 / 13

HEX #DFAFD3

RGB 223 175 211

HSL 315, 0.43%, 0.78%

LAB 76.71, 23.31, -11.49

 

CMYK 0 / 14 / 4 / 16

HEX #D6B8CE

RGB 214 184 206

HSL 316, 0.27%, 0.78%

LAB 77.89, 14.48, -7.1

 

CMYK 0 / 6 / 1 / 20

HEX #CDC1CA

RGB 205 193 202

HSL 315, 0.11%, 0.78%

LAB 79.26, 5.81, -3

 

CMYK 10 / 35 / 0 / 5

HEX #D99DF1

RGB 217 157 241

HSL 282.86, 0.75%, 0.78%

LAB 73.03, 36.76, -33.47

 

CMYK 0 / 35 / 0 / 5

HEX #F09DF1

RGB 240 157 241

HSL 299.29, 0.75%, 0.78%

LAB 75.45, 43.79, -29.55

 

CMYK 0 / 35 / 9 / 5

HEX #F19DDC

RGB 241 157 220

HSL 315, 0.75%, 0.78%

LAB 74.81, 40.44, -19.06

 

CMYK 0 / 35 / 18 / 5

HEX #F19DC5

RGB 241 157 197

HSL 331.43, 0.75%, 0.78%

LAB 74.09, 36.77, -7.53

 

CMYK 0 / 35 / 27 / 5

HEX #F19DAF

RGB 241 157 175

HSL 347.14, 0.75%, 0.78%

LAB 73.49, 33.62, 3.71

 

CMYK 0 / 63 / 16 / 9

HEX #E755C1

RGB 231 85 193

HSL 315.62, 0.75%, 0.62%

LAB 59.28, 67.58, -27.84

 

CMYK 0 / 49 / 13 / 7

HEX #EC79CE

RGB 236 121 206

HSL 315.65, 0.75%, 0.7%

LAB 66.49, 54.86, -24.04

 

CMYK 0 / 35 / 9 / 5

HEX #F19DDB

RGB 241 157 219

HSL 315.71, 0.75%, 0.78%

LAB 74.78, 40.27, -18.57

 

CMYK 0 / 22 / 5 / 4

HEX #F6C1E9

RGB 246 193 233

HSL 314.72, 0.75%, 0.86%

LAB 83.77, 25.31, -12.57

 

CMYK 0 / 9 / 2 / 2

HEX #FBE5F6

RGB 251 229 246

HSL 313.64, 0.73%, 0.94%

LAB 93.1, 10.39, -5.52

 

CMYK 0 / 36 / 9 / 5

HEX #F19BDB

RGB 241 155 219

HSL 315.35, 0.75%, 0.78%

LAB 74.35, 41.32, -19.21

 

CMYK 0 / 19 / 35 / 5

HEX #F1C39D

RGB 241 195 157

HSL 27.14, 0.75%, 0.78%

LAB 81.93, 11.24, 25.3

 

CMYK 35 / 0 / 5 / 5

HEX #9DF1E4

RGB 157 241 228

HSL 170.71, 0.75%, 0.78%

LAB 89.71, -28.25, -1.81

 

CMYK 0 / 36 / 9 / 5

HEX #F19BDB

RGB 241 155 219

HSL 315.35, 0.75%, 0.78%

LAB 74.35, 41.32, -19.21

 

CMYK 9 / 0 / 35 / 5

HEX #DCF19D

RGB 220 241 157

HSL 75, 0.75%, 0.78%

LAB 91.94, -20.13, 38.33

 

CMYK 35 / 9 / 0 / 5

HEX #9DDCF1

RGB 157 220 241

HSL 195, 0.75%, 0.78%

LAB 84.33, -14.86, -16.63

 

CMYK 0 / 36 / 9 / 5

HEX #F19BDB

RGB 241 155 219

HSL 315.35, 0.75%, 0.78%

LAB 74.35, 41.32, -19.21

 

CMYK 0 / 19 / 35 / 5

HEX #F1C39D

RGB 241 195 157

HSL 27.14, 0.75%, 0.78%

LAB 81.93, 11.24, 25.3

 

CMYK 35 / 0 / 26 / 5

HEX #9DF1B2

RGB 157 241 178

HSL 135, 0.75%, 0.78%

LAB 88.59, -38.24, 22.55

 

CMYK 35 / 16 / 0 / 5

HEX #9DCBF1

RGB 157 203 241

HSL 207.14, 0.75%, 0.78%

LAB 79.75, -6.03, -23.57

 

CMYK 0 / 36 / 9 / 5

HEX #F19BDB

RGB 241 155 219

HSL 315.35, 0.75%, 0.78%

LAB 74.35, 41.32, -19.21

 

CMYK 0 / 9 / 35 / 5

HEX #F1DC9D

RGB 241 220 157

HSL 45, 0.75%, 0.78%

LAB 88.12, -1.71, 33.62

 

CMYK 35 / 0 / 26 / 5

HEX #9DF1B2

RGB 157 241 178

HSL 135, 0.75%, 0.78%

LAB 88.59, -38.24, 22.55

 

CMYK 35 / 26 / 0 / 5

HEX #9DB2F1

RGB 157 178 241

HSL 225, 0.75%, 0.78%

LAB 73.13, 7.54, -33.73

 

Description

Color code: HEX #F19BDB | qconv.com Color code: HEX #F19BDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 155 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 155 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 9 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 9% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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