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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F19935 it is the complementary color #0E66CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F19935. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F19935 shade: #F69930, #FFAB43, #FFBD56, #FFCF69 and #FFE17C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F19935. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F19935 shade: #F19935, #E08722, #CF750F, #BE6300 and #AD5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F19935 shade: #F19A37, #F16837 and #F13737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F19935 shade: #F19A37, #F1CC37, #E4F137, #B2F137 and #7FF137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F19935 shade matches the following richer shades: #F19A37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F19935 shade: #F19A37, #E09948, #CE9859, #BD976B and #AC957C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F19935 shade: #F1373A, #F16537, #F19737, #F1C937 and #E8F137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F19935 shade: #C7710E, #EE8611, #F19A37, #F4AD5D and #F6C184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F19935 shade: #F19935, #6CF137 and #4C37F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F19935 shade: #F19935, #37F197 and #9737F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F19935 shade: #F19935, #6CF137, #3791F1 and #BC37F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F19935 shade: #F19935, #37F13A, #3791F1 and #F137EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 78 / 5

HEX #F19935

RGB 241 153 53

HSL 31.91, 0.87%, 0.58%

LAB 70.69, 25.36, 62.74

 

Complementary color

CMYK 93 / 50 / 0 / 21

HEX #0E66CA

RGB 14 102 202

HSL 211.91, 0.87%, 0.42%

LAB 44.03, 14.96, -58.37

 

CMYK 0 / 38 / 80 / 4

HEX #F69930

RGB 246 153 48

HSL 31.82, 0.92%, 0.58%

LAB 71.27, 27.26, 65.38

 

CMYK 0 / 33 / 74 / 0

HEX #FFAB43

RGB 255 171 67

HSL 33.19, 1%, 0.63%

LAB 76.55, 22.26, 63.37

 

CMYK 0 / 26 / 66 / 0

HEX #FFBD56

RGB 255 189 86

HSL 36.57, 1%, 0.67%

LAB 80.92, 13.8, 59.75

 

CMYK 0 / 19 / 59 / 0

HEX #FFCF69

RGB 255 207 105

HSL 40.8, 1%, 0.71%

LAB 85.46, 5.68, 56.17

 

CMYK 0 / 12 / 51 / 0

HEX #FFE17C

RGB 255 225 124

HSL 46.26, 1%, 0.74%

LAB 90.12, -2.04, 52.73

 

CMYK 0 / 37 / 78 / 5

HEX #F19935

RGB 241 153 53

HSL 31.91, 0.87%, 0.58%

LAB 70.69, 25.36, 62.74

 

CMYK 0 / 40 / 85 / 12

HEX #E08722

RGB 224 135 34

HSL 31.89, 0.75%, 0.51%

LAB 64.4, 27.2, 63.16

 

CMYK 0 / 43 / 93 / 19

HEX #CF750F

RGB 207 117 15

HSL 31.88, 0.86%, 0.44%

LAB 58.06, 29.27, 62.45

 

CMYK 0 / 48 / 100 / 25

HEX #BE6300

RGB 190 99 0

HSL 31.26, 1%, 0.37%

LAB 51.69, 31.54, 60.01

 

CMYK 0 / 53 / 100 / 32

HEX #AD5100

RGB 173 81 0

HSL 28.09, 1%, 0.34%

LAB 45.32, 33.97, 54.89

 

CMYK 0 / 36 / 77 / 5

HEX #F19A37

RGB 241 154 55

HSL 31.94, 0.87%, 0.58%

LAB 70.93, 24.9, 62.18

 

CMYK 0 / 57 / 77 / 5

HEX #F16837

RGB 241 104 55

HSL 15.81, 0.87%, 0.58%

LAB 60.67, 50.09, 52.15

 

CMYK 0 / 77 / 77 / 5

HEX #F13737

RGB 241 55 55

HSL 0, 0.87%, 0.58%

LAB 53.72, 68.91, 45.02

 

CMYK 0 / 36 / 77 / 5

HEX #F19A37

RGB 241 154 55

HSL 31.94, 0.87%, 0.58%

LAB 70.93, 24.9, 62.18

 

CMYK 0 / 15 / 77 / 5

HEX #F1CC37

RGB 241 204 55

HSL 48.06, 0.87%, 0.58%

LAB 83, -1.27, 73.42

 

CMYK 5 / 0 / 77 / 5

HEX #E4F137

RGB 228 241 55

HSL 64.19, 0.87%, 0.58%

LAB 91.54, -24.98, 80.73

 

CMYK 26 / 0 / 77 / 5

HEX #B2F137

RGB 178 241 55

HSL 80.32, 0.87%, 0.58%

LAB 88.28, -44.51, 76.56

 

CMYK 47 / 0 / 77 / 5

HEX #7FF137

RGB 127 241 55

HSL 96.77, 0.87%, 0.58%

LAB 85.86, -61.56, 73.42

 

CMYK 0 / 36 / 77 / 5

HEX #F19A37

RGB 241 154 55

HSL 31.94, 0.87%, 0.58%

LAB 70.93, 24.9, 62.18

 

CMYK 0 / 36 / 77 / 5

HEX #F19A37

RGB 241 154 55

HSL 31.94, 0.87%, 0.58%

LAB 70.93, 24.9, 62.18

 

CMYK 0 / 32 / 68 / 12

HEX #E09948

RGB 224 153 72

HSL 31.97, 0.71%, 0.58%

LAB 68.82, 19.12, 51.99

 

CMYK 0 / 26 / 57 / 19

HEX #CE9859

RGB 206 152 89

HSL 32.31, 0.54%, 0.58%

LAB 66.75, 13.23, 40.7

 

CMYK 0 / 20 / 43 / 26

HEX #BD976B

RGB 189 151 107

HSL 32.2, 0.38%, 0.58%

LAB 64.97, 8.36, 28.55

 

CMYK 0 / 13 / 28 / 33

HEX #AC957C

RGB 172 149 124

HSL 31.25, 0.22%, 0.58%

LAB 63.11, 4.65, 16.37

 

CMYK 0 / 77 / 76 / 5

HEX #F1373A

RGB 241 55 58

HSL 359.03, 0.87%, 0.58%

LAB 53.75, 69.01, 43.42

 

CMYK 0 / 58 / 77 / 5

HEX #F16537

RGB 241 101 55

HSL 14.84, 0.87%, 0.58%

LAB 60.14, 51.47, 51.62

 

CMYK 0 / 37 / 77 / 5

HEX #F19737

RGB 241 151 55

HSL 30.97, 0.87%, 0.58%

LAB 70.25, 26.48, 61.53

 

CMYK 0 / 17 / 77 / 5

HEX #F1C937

RGB 241 201 55

HSL 47.1, 0.87%, 0.58%

LAB 82.24, 0.27, 72.73

 

CMYK 4 / 0 / 77 / 5

HEX #E8F137

RGB 232 241 55

HSL 62.9, 0.87%, 0.58%

LAB 91.84, -23.35, 81.11

 

CMYK 0 / 43 / 93 / 22

HEX #C7710E

RGB 199 113 14

HSL 32.11, 0.87%, 0.42%

LAB 56.07, 28.02, 60.74

 

CMYK 0 / 44 / 93 / 7

HEX #EE8611

RGB 238 134 17

HSL 31.76, 0.87%, 0.5%

LAB 65.96, 33.19, 69.57

 

CMYK 0 / 36 / 77 / 5

HEX #F19A37

RGB 241 154 55

HSL 31.94, 0.87%, 0.58%

LAB 70.93, 24.9, 62.18

 

CMYK 0 / 29 / 62 / 4

HEX #F4AD5D

RGB 244 173 93

HSL 31.79, 0.87%, 0.66%

LAB 76.01, 18.08, 50.67

 

CMYK 0 / 22 / 46 / 4

HEX #F6C184

RGB 246 193 132

HSL 32.11, 0.86%, 0.74%

LAB 81.51, 11.55, 37.88

 

CMYK 0 / 37 / 78 / 5

HEX #F19935

RGB 241 153 53

HSL 31.91, 0.87%, 0.58%

LAB 70.69, 25.36, 62.74

 

CMYK 55 / 0 / 77 / 5

HEX #6CF137

RGB 108 241 55

HSL 102.9, 0.87%, 0.58%

LAB 85.19, -66.75, 72.55

 

CMYK 68 / 77 / 0 / 5

HEX #4C37F1

RGB 76 55 241

HSL 246.77, 0.87%, 0.58%

LAB 38.93, 61.72, -88.87

 

CMYK 0 / 37 / 78 / 5

HEX #F19935

RGB 241 153 53

HSL 31.91, 0.87%, 0.58%

LAB 70.69, 25.36, 62.74

 

CMYK 77 / 0 / 37 / 5

HEX #37F197

RGB 55 241 151

HSL 150.97, 0.87%, 0.58%

LAB 84.97, -64.91, 30.89

 

CMYK 37 / 77 / 0 / 5

HEX #9737F1

RGB 151 55 241

HSL 270.97, 0.87%, 0.58%

LAB 46.53, 70.93, -76.1

 

CMYK 0 / 37 / 78 / 5

HEX #F19935

RGB 241 153 53

HSL 31.91, 0.87%, 0.58%

LAB 70.69, 25.36, 62.74

 

CMYK 55 / 0 / 77 / 5

HEX #6CF137

RGB 108 241 55

HSL 102.9, 0.87%, 0.58%

LAB 85.19, -66.75, 72.55

 

CMYK 77 / 40 / 0 / 5

HEX #3791F1

RGB 55 145 241

HSL 210.97, 0.87%, 0.58%

LAB 59.36, 6.21, -55.71

 

CMYK 22 / 77 / 0 / 5

HEX #BC37F1

RGB 188 55 241

HSL 282.9, 0.87%, 0.58%

LAB 51.58, 76.99, -67.66

 

CMYK 0 / 37 / 78 / 5

HEX #F19935

RGB 241 153 53

HSL 31.91, 0.87%, 0.58%

LAB 70.69, 25.36, 62.74

 

CMYK 77 / 0 / 76 / 5

HEX #37F13A

RGB 55 241 58

HSL 120.97, 0.87%, 0.58%

LAB 83.98, -76.73, 70.06

 

CMYK 77 / 40 / 0 / 5

HEX #3791F1

RGB 55 145 241

HSL 210.97, 0.87%, 0.58%

LAB 59.36, 6.21, -55.71

 

CMYK 0 / 77 / 1 / 5

HEX #F137EE

RGB 241 55 238

HSL 300.97, 0.87%, 0.58%

LAB 59.53, 86.17, -52.78

 

Description

Color code: HEX #F19935 | qconv.com Color code: HEX #F19935 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 153 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 153 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 78 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 78% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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