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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F19454 it is the complementary color #0E6BAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F19454. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F19454 shade: #F6944F, #FFA662, #FFB875, #FFCA88 and #FFDC9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F19454. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F19454 shade: #F19454, #E08241, #CF702E, #BE5E1B and #AD4C08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F19454 shade: #F19555, #F16B55 and #F15555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F19454 shade: #F19555, #F1BF55, #F1E955, #CFF155 and #A5F155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F19454 shade matches the following richer shades: #F19555

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F19454 shade: #F19555, #E29864, #D49A73, #C59D82 and #B6A091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F19454 shade: #F1556A, #F16A55, #F19455, #F1BD55 and #F1E755

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F19454 shade: #E26712, #EE7D2F, #F19555, #F4AD7B and #F7C5A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F19454 shade: #F19454, #94F155 and #5555F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F19454 shade: #F19454, #55F194 and #9455F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F19454 shade: #F19454, #94F155, #55B3F1 and #B355F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F19454 shade: #F19454, #65F155, #55B3F1 and #E255F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 65 / 5

HEX #F19454

RGB 241 148 84

HSL 24.46, 0.85%, 0.64%

LAB 69.84, 29.46, 47.89

 

Complementary color

CMYK 92 / 37 / 0 / 33

HEX #0E6BAB

RGB 14 107 171

HSL 204.46, 0.85%, 0.36%

LAB 43.58, -0.59, -41.07

 

CMYK 0 / 40 / 68 / 4

HEX #F6944F

RGB 246 148 79

HSL 24.79, 0.9%, 0.64%

LAB 70.41, 31.18, 51.16

 

CMYK 0 / 35 / 62 / 0

HEX #FFA662

RGB 255 166 98

HSL 25.99, 1%, 0.69%

LAB 75.71, 26.55, 48.18

 

CMYK 0 / 28 / 54 / 0

HEX #FFB875

RGB 255 184 117

HSL 29.13, 1%, 0.73%

LAB 80.08, 18.53, 43.93

 

CMYK 0 / 21 / 47 / 0

HEX #FFCA88

RGB 255 202 136

HSL 33.28, 1%, 0.77%

LAB 84.63, 10.82, 40.01

 

CMYK 0 / 14 / 39 / 0

HEX #FFDC9B

RGB 255 220 155

HSL 39, 1%, 0.8%

LAB 89.31, 3.47, 36.42

 

CMYK 0 / 39 / 65 / 5

HEX #F19454

RGB 241 148 84

HSL 24.46, 0.85%, 0.64%

LAB 69.84, 29.46, 47.89

 

CMYK 0 / 42 / 71 / 12

HEX #E08241

RGB 224 130 65

HSL 24.53, 0.72%, 0.57%

LAB 63.5, 31, 49.55

 

CMYK 0 / 46 / 78 / 19

HEX #CF702E

RGB 207 112 46

HSL 24.6, 0.64%, 0.5%

LAB 57.13, 32.71, 51.12

 

CMYK 0 / 51 / 86 / 25

HEX #BE5E1B

RGB 190 94 27

HSL 24.66, 0.75%, 0.43%

LAB 50.72, 34.61, 52.25

 

CMYK 0 / 56 / 95 / 32

HEX #AD4C08

RGB 173 76 8

HSL 24.73, 0.91%, 0.35%

LAB 44.33, 36.65, 52.16

 

CMYK 0 / 38 / 65 / 5

HEX #F19555

RGB 241 149 85

HSL 24.62, 0.85%, 0.64%

LAB 70.07, 29, 47.66

 

CMYK 0 / 56 / 65 / 5

HEX #F16B55

RGB 241 107 85

HSL 8.46, 0.85%, 0.64%

LAB 61.54, 50.11, 37.58

 

CMYK 0 / 65 / 65 / 5

HEX #F15555

RGB 241 85 85

HSL 0, 0.85%, 0.64%

LAB 57.9, 59.77, 33.1

 

CMYK 0 / 38 / 65 / 5

HEX #F19555

RGB 241 149 85

HSL 24.62, 0.85%, 0.64%

LAB 70.07, 29, 47.66

 

CMYK 0 / 21 / 65 / 5

HEX #F1BF55

RGB 241 191 85

HSL 40.77, 0.85%, 0.64%

LAB 79.96, 6.89, 58.74

 

CMYK 0 / 3 / 65 / 5

HEX #F1E955

RGB 241 233 85

HSL 56.92, 0.85%, 0.64%

LAB 90.61, -14.43, 70.04

 

CMYK 14 / 0 / 65 / 5

HEX #CFF155

RGB 207 241 85

HSL 73.08, 0.85%, 0.64%

LAB 90.24, -31.84, 68.88

 

CMYK 32 / 0 / 65 / 5

HEX #A5F155

RGB 165 241 85

HSL 89.23, 0.85%, 0.64%

LAB 87.76, -47.38, 65.5

 

CMYK 0 / 38 / 65 / 5

HEX #F19555

RGB 241 149 85

HSL 24.62, 0.85%, 0.64%

LAB 70.07, 29, 47.66

 

CMYK 0 / 38 / 65 / 5

HEX #F19555

RGB 241 149 85

HSL 24.62, 0.85%, 0.64%

LAB 70.07, 29, 47.66

 

CMYK 0 / 33 / 56 / 11

HEX #E29864

RGB 226 152 100

HSL 24.76, 0.68%, 0.64%

LAB 69.14, 22.39, 38.43

 

CMYK 0 / 27 / 46 / 17

HEX #D49A73

RGB 212 154 115

HSL 24.12, 0.53%, 0.64%

LAB 68.27, 16.98, 28.99

 

CMYK 0 / 20 / 34 / 23

HEX #C59D82

RGB 197 157 130

HSL 24.18, 0.37%, 0.64%

LAB 67.72, 11.03, 19.77

 

CMYK 0 / 12 / 20 / 29

HEX #B6A091

RGB 182 160 145

HSL 24.32, 0.2%, 0.64%

LAB 67.38, 5.62, 10.77

 

CMYK 0 / 65 / 56 / 5

HEX #F1556A

RGB 241 85 106

HSL 351.92, 0.85%, 0.64%

LAB 58.26, 61.12, 21.45

 

CMYK 0 / 56 / 65 / 5

HEX #F16A55

RGB 241 106 85

HSL 8.08, 0.85%, 0.64%

LAB 61.36, 50.58, 37.36

 

CMYK 0 / 39 / 65 / 5

HEX #F19455

RGB 241 148 85

HSL 24.23, 0.85%, 0.64%

LAB 69.85, 29.52, 47.4

 

CMYK 0 / 22 / 65 / 5

HEX #F1BD55

RGB 241 189 85

HSL 40, 0.85%, 0.64%

LAB 79.47, 7.93, 58.2

 

CMYK 0 / 4 / 65 / 5

HEX #F1E755

RGB 241 231 85

HSL 56.15, 0.85%, 0.64%

LAB 90.09, -13.45, 69.5

 

CMYK 0 / 54 / 92 / 11

HEX #E26712

RGB 226 103 18

HSL 24.52, 0.85%, 0.48%

LAB 57.95, 44.08, 62.96

 

CMYK 0 / 47 / 80 / 7

HEX #EE7D2F

RGB 238 125 47

HSL 24.5, 0.85%, 0.56%

LAB 64.2, 38.46, 58.94

 

CMYK 0 / 38 / 65 / 5

HEX #F19555

RGB 241 149 85

HSL 24.62, 0.85%, 0.64%

LAB 70.07, 29, 47.66

 

CMYK 0 / 29 / 50 / 4

HEX #F4AD7B

RGB 244 173 123

HSL 24.79, 0.85%, 0.72%

LAB 76.41, 20.43, 35.95

 

CMYK 0 / 20 / 35 / 3

HEX #F7C5A1

RGB 247 197 161

HSL 25.12, 0.84%, 0.8%

LAB 83.06, 12.97, 24.83

 

CMYK 0 / 39 / 65 / 5

HEX #F19454

RGB 241 148 84

HSL 24.46, 0.85%, 0.64%

LAB 69.84, 29.46, 47.89

 

CMYK 39 / 0 / 65 / 5

HEX #94F155

RGB 148 241 85

HSL 95.77, 0.85%, 0.64%

LAB 86.93, -53.08, 64.36

 

CMYK 65 / 65 / 0 / 5

HEX #5555F1

RGB 85 85 241

HSL 240, 0.85%, 0.64%

LAB 45.33, 46.64, -78.32

 

CMYK 0 / 39 / 65 / 5

HEX #F19454

RGB 241 148 84

HSL 24.46, 0.85%, 0.64%

LAB 69.84, 29.46, 47.89

 

CMYK 65 / 0 / 39 / 5

HEX #55F194

RGB 85 241 148

HSL 144.23, 0.85%, 0.64%

LAB 85.49, -61.08, 33.19

 

CMYK 39 / 65 / 0 / 5

HEX #9455F1

RGB 148 85 241

HSL 264.23, 0.85%, 0.64%

LAB 50.85, 57.25, -69.08

 

CMYK 0 / 39 / 65 / 5

HEX #F19454

RGB 241 148 84

HSL 24.46, 0.85%, 0.64%

LAB 69.84, 29.46, 47.89

 

CMYK 39 / 0 / 65 / 5

HEX #94F155

RGB 148 241 85

HSL 95.77, 0.85%, 0.64%

LAB 86.93, -53.08, 64.36

 

CMYK 65 / 26 / 0 / 5

HEX #55B3F1

RGB 85 179 241

HSL 203.85, 0.85%, 0.64%

LAB 69.84, -9.1, -39.11

 

CMYK 26 / 65 / 0 / 5

HEX #B355F1

RGB 179 85 241

HSL 276.15, 0.85%, 0.64%

LAB 54.48, 63.62, -63.04

 

CMYK 0 / 39 / 65 / 5

HEX #F19454

RGB 241 148 84

HSL 24.46, 0.85%, 0.64%

LAB 69.84, 29.46, 47.89

 

CMYK 58 / 0 / 65 / 5

HEX #65F155

RGB 101 241 85

HSL 113.85, 0.85%, 0.64%

LAB 85.17, -66.23, 61.94

 

CMYK 65 / 26 / 0 / 5

HEX #55B3F1

RGB 85 179 241

HSL 203.85, 0.85%, 0.64%

LAB 69.84, -9.1, -39.11

 

CMYK 6 / 65 / 0 / 5

HEX #E255F1

RGB 226 85 241

HSL 294.23, 0.85%, 0.64%

LAB 60.8, 73.92, -52.58

 

Description

Color code: HEX #F19454 | qconv.com Color code: HEX #F19454 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 148 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 148 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 65 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 65% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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