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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F17FEC it is the complementary color #0E8013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F17FEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F17FEC shade: #F67FE7, #FF91FA, #FFA3FF, #FFB5FF and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F17FEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F17FEC shade: #F17FEC, #E06DD9, #CF5BC6, #BE49B3 and #AD37A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F17FEC shade: #F17EEC, #F17ECD, #F17EAE, #F17E8F and #F17E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F17FEC shade: #F17EEC, #D77EF1, #B87EF1, #997EF1 and #7E7EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F17FEC shade matches the following richer shades: #F17EEC and #FC73F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F17FEC shade: #F17EEC, #E58AE1, #DA96D7, #CEA1CC and #C3ADC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F17FEC shade: #B87EF1, #D67EF1, #F17EED, #F17ECE and #F17EB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F17FEC shade: #E834E1, #ED59E6, #F17EEC, #F5A4F1 and #F9C9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F17FEC shade: #F17FEC, #F1997E and #7EF1C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F17FEC shade: #F17FEC, #EDF17E and #7EEDF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F17FEC shade: #F17FEC, #F1997E, #7EF182 and #7ED6F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F17FEC shade: #F17FEC, #F1BB7E, #7EF182 and #7EB4F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 2 / 5

HEX #F17FEC

RGB 241 127 236

HSL 302.63, 0.8%, 0.72%

LAB 69.42, 58.33, -36.12

 

Complementary color

CMYK 89 / 0 / 85 / 50

HEX #0E8013

RGB 14 128 19

HSL 122.63, 0.8%, 0.28%

LAB 46.42, -49.75, 45.89

 

CMYK 0 / 48 / 6 / 4

HEX #F67FE7

RGB 246 127 231

HSL 307.56, 0.87%, 0.73%

LAB 69.85, 58.91, -32.65

 

CMYK 0 / 43 / 2 / 0

HEX #FF91FA

RGB 255 145 250

HSL 302.73, 1%, 0.78%

LAB 75.08, 55.94, -34.85

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 47 / 2 / 5

HEX #F17FEC

RGB 241 127 236

HSL 302.63, 0.8%, 0.72%

LAB 69.42, 58.33, -36.12

 

CMYK 0 / 51 / 3 / 12

HEX #E06DD9

RGB 224 109 217

HSL 303.65, 0.65%, 0.65%

LAB 63.17, 58.93, -35.46

 

CMYK 0 / 56 / 4 / 19

HEX #CF5BC6

RGB 207 91 198

HSL 304.66, 0.55%, 0.58%

LAB 56.9, 59.41, -34.66

 

CMYK 0 / 62 / 6 / 25

HEX #BE49B3

RGB 190 73 179

HSL 305.64, 0.47%, 0.52%

LAB 50.65, 59.67, -33.66

 

CMYK 0 / 68 / 8 / 32

HEX #AD37A0

RGB 173 55 160

HSL 306.61, 0.52%, 0.45%

LAB 44.45, 59.55, -32.35

 

CMYK 0 / 48 / 2 / 5

HEX #F17EEC

RGB 241 126 236

HSL 302.61, 0.8%, 0.72%

LAB 69.24, 58.81, -36.4

 

CMYK 0 / 48 / 15 / 5

HEX #F17ECD

RGB 241 126 205

HSL 318.78, 0.8%, 0.72%

LAB 68.04, 53.79, -21.06

 

CMYK 0 / 48 / 28 / 5

HEX #F17EAE

RGB 241 126 174

HSL 334.96, 0.8%, 0.72%

LAB 67.04, 49.39, -5.16

 

CMYK 0 / 48 / 41 / 5

HEX #F17E8F

RGB 241 126 143

HSL 351.13, 0.8%, 0.72%

LAB 66.22, 45.7, 11.19

 

CMYK 0 / 48 / 48 / 5

HEX #F17E7E

RGB 241 126 126

HSL 0, 0.8%, 0.72%

LAB 65.85, 43.99, 20.28

 

CMYK 0 / 48 / 2 / 5

HEX #F17EEC

RGB 241 126 236

HSL 302.61, 0.8%, 0.72%

LAB 69.24, 58.81, -36.4

 

CMYK 11 / 48 / 0 / 5

HEX #D77EF1

RGB 215 126 241

HSL 286.43, 0.8%, 0.72%

LAB 66.31, 52.5, -43.97

 

CMYK 24 / 48 / 0 / 5

HEX #B87EF1

RGB 184 126 241

HSL 270.26, 0.8%, 0.72%

LAB 62.9, 44.08, -49.57

 

CMYK 37 / 48 / 0 / 5

HEX #997EF1

RGB 153 126 241

HSL 254.09, 0.8%, 0.72%

LAB 59.93, 36.07, -54.47

 

CMYK 48 / 48 / 0 / 5

HEX #7E7EF1

RGB 126 126 241

HSL 240, 0.8%, 0.72%

LAB 57.76, 29.7, -58.06

 

CMYK 0 / 48 / 2 / 5

HEX #F17EEC

RGB 241 126 236

HSL 302.61, 0.8%, 0.72%

LAB 69.24, 58.81, -36.4

 

CMYK 0 / 54 / 2 / 1

HEX #FC73F6

RGB 252 115 246

HSL 302.63, 0.96%, 0.72%

LAB 69.19, 68.54, -41.87

 

CMYK 0 / 48 / 2 / 5

HEX #F17EEC

RGB 241 126 236

HSL 302.61, 0.8%, 0.72%

LAB 69.24, 58.81, -36.4

 

CMYK 0 / 40 / 2 / 10

HEX #E58AE1

RGB 229 138 225

HSL 302.64, 0.64%, 0.72%

LAB 69.66, 47.4, -29.8

 

CMYK 0 / 31 / 1 / 15

HEX #DA96D7

RGB 218 150 215

HSL 302.65, 0.48%, 0.72%

LAB 70.61, 35.84, -22.94

 

CMYK 0 / 22 / 1 / 19

HEX #CEA1CC

RGB 206 161 204

HSL 302.67, 0.31%, 0.72%

LAB 71.54, 23.88, -15.59

 

CMYK 0 / 11 / 1 / 24

HEX #C3ADC2

RGB 195 173 194

HSL 302.73, 0.15%, 0.72%

LAB 73.14, 11.67, -7.79

 

CMYK 24 / 48 / 0 / 5

HEX #B87EF1

RGB 184 126 241

HSL 270.26, 0.8%, 0.72%

LAB 62.9, 44.08, -49.57

 

CMYK 11 / 48 / 0 / 5

HEX #D67EF1

RGB 214 126 241

HSL 285.91, 0.8%, 0.72%

LAB 66.19, 52.22, -44.16

 

CMYK 0 / 48 / 2 / 5

HEX #F17EED

RGB 241 126 237

HSL 302.09, 0.8%, 0.72%

LAB 69.28, 58.98, -36.89

 

CMYK 0 / 48 / 15 / 5

HEX #F17ECE

RGB 241 126 206

HSL 318.26, 0.8%, 0.72%

LAB 68.08, 53.94, -21.56

 

CMYK 0 / 48 / 27 / 5

HEX #F17EB0

RGB 241 126 176

HSL 333.91, 0.8%, 0.72%

LAB 67.09, 49.65, -6.21

 

CMYK 0 / 78 / 3 / 9

HEX #E834E1

RGB 232 52 225

HSL 302.33, 0.8%, 0.56%

LAB 57.12, 83.26, -49.4

 

CMYK 0 / 62 / 3 / 7

HEX #ED59E6

RGB 237 89 230

HSL 302.84, 0.8%, 0.64%

LAB 62.39, 73.08, -43.83

 

CMYK 0 / 48 / 2 / 5

HEX #F17EEC

RGB 241 126 236

HSL 302.61, 0.8%, 0.72%

LAB 69.24, 58.81, -36.4

 

CMYK 0 / 33 / 2 / 4

HEX #F5A4F1

RGB 245 164 241

HSL 302.96, 0.8%, 0.8%

LAB 77.47, 41.68, -26.4

 

CMYK 0 / 19 / 1 / 2

HEX #F9C9F7

RGB 249 201 247

HSL 302.5, 0.8%, 0.88%

LAB 86.32, 24.55, -16.16

 

CMYK 0 / 47 / 2 / 5

HEX #F17FEC

RGB 241 127 236

HSL 302.63, 0.8%, 0.72%

LAB 69.42, 58.33, -36.12

 

CMYK 0 / 37 / 48 / 5

HEX #F1997E

RGB 241 153 126

HSL 14.09, 0.8%, 0.72%

LAB 71.55, 30.08, 27.95

 

CMYK 48 / 0 / 17 / 5

HEX #7EF1C7

RGB 126 241 199

HSL 158.09, 0.8%, 0.72%

LAB 87.71, -42.42, 10.26

 

CMYK 0 / 47 / 2 / 5

HEX #F17FEC

RGB 241 127 236

HSL 302.63, 0.8%, 0.72%

LAB 69.42, 58.33, -36.12

 

CMYK 2 / 0 / 48 / 5

HEX #EDF17E

RGB 237 241 126

HSL 62.09, 0.8%, 0.72%

LAB 92.76, -16.95, 54.61

 

CMYK 48 / 2 / 0 / 5

HEX #7EEDF1

RGB 126 237 241

HSL 182.09, 0.8%, 0.72%

LAB 87.66, -30.73, -11.79

 

CMYK 0 / 47 / 2 / 5

HEX #F17FEC

RGB 241 127 236

HSL 302.63, 0.8%, 0.72%

LAB 69.42, 58.33, -36.12

 

CMYK 0 / 37 / 48 / 5

HEX #F1997E

RGB 241 153 126

HSL 14.09, 0.8%, 0.72%

LAB 71.55, 30.08, 27.95

 

CMYK 48 / 0 / 46 / 5

HEX #7EF182

RGB 126 241 130

HSL 122.09, 0.8%, 0.72%

LAB 86.48, -54.69, 43.58

 

CMYK 48 / 11 / 0 / 5

HEX #7ED6F1

RGB 126 214 241

HSL 194.09, 0.8%, 0.72%

LAB 81.23, -19.45, -21.47

 

CMYK 0 / 47 / 2 / 5

HEX #F17FEC

RGB 241 127 236

HSL 302.63, 0.8%, 0.72%

LAB 69.42, 58.33, -36.12

 

CMYK 0 / 22 / 48 / 5

HEX #F1BB7E

RGB 241 187 126

HSL 31.83, 0.8%, 0.72%

LAB 79.47, 12.13, 38.26

 

CMYK 48 / 0 / 46 / 5

HEX #7EF182

RGB 126 241 130

HSL 122.09, 0.8%, 0.72%

LAB 86.48, -54.69, 43.58

 

CMYK 48 / 25 / 0 / 5

HEX #7EB4F1

RGB 126 180 241

HSL 211.83, 0.8%, 0.72%

LAB 71.85, -1.46, -35.86

 

Description

Color code: HEX #F17FEC | qconv.com Color code: HEX #F17FEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 127 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 127 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 2 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 2% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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