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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F17B6B it is the complementary color #0E8494. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F17B6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F17B6B shade: #F67B66, #FF8D79, #FF9F8C, #FFB19F and #FFC3B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F17B6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F17B6B shade: #F17B6B, #E06958, #CF5745, #BE4532 and #AD331F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F17B6B shade: #F17A6A and #F16A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F17B6B shade: #F17A6A, #F19E6A, #F1C36A, #F1E76A and #D6F16A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F17B6B shade matches the following richer shades: #F17A6A and #FE705C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F17B6B shade: #F17A6A, #E48477, #D78E84, #CA9891 and #BCA29E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F17B6B shade: #F16AA2, #F16A7E, #F1796A, #F19E6A and #F1C26A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F17B6B shade: #EA371E, #EE5844, #F17A6A, #F59C8F and #F8BDB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F17B6B shade: #F17B6B, #C6F16A and #6A90F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F17B6B shade: #F17B6B, #6AF179 and #796AF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F17B6B shade: #F17B6B, #C6F16A, #6AE1F1 and #956AF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F17B6B shade: #F17B6B, #9EF16A, #6AE1F1 and #BD6AF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 56 / 5

HEX #F17B6B

RGB 241 123 107

HSL 7.16, 0.83%, 0.68%

LAB 64.91, 43.87, 29.66

 

Complementary color

CMYK 91 / 11 / 0 / 42

HEX #0E8494

RGB 14 132 148

HSL 187.16, 0.83%, 0.32%

LAB 50.37, -23.44, -17

 

CMYK 0 / 50 / 59 / 4

HEX #F67B66

RGB 246 123 102

HSL 8.75, 0.89%, 0.68%

LAB 65.53, 45.33, 33.36

 

CMYK 0 / 45 / 53 / 0

HEX #FF8D79

RGB 255 141 121

HSL 8.96, 1%, 0.74%

LAB 70.66, 41.15, 29.82

 

CMYK 0 / 38 / 45 / 0

HEX #FF9F8C

RGB 255 159 140

HSL 9.91, 1%, 0.77%

LAB 74.79, 33.65, 24.98

 

CMYK 0 / 31 / 38 / 0

HEX #FFB19F

RGB 255 177 159

HSL 11.25, 1%, 0.81%

LAB 79.16, 26.28, 20.68

 

CMYK 0 / 24 / 30 / 0

HEX #FFC3B2

RGB 255 195 178

HSL 13.25, 1%, 0.85%

LAB 83.71, 19.15, 16.84

 

CMYK 0 / 49 / 56 / 5

HEX #F17B6B

RGB 241 123 107

HSL 7.16, 0.83%, 0.68%

LAB 64.91, 43.87, 29.66

 

CMYK 0 / 53 / 61 / 12

HEX #E06958

RGB 224 105 88

HSL 7.5, 0.69%, 0.61%

LAB 58.65, 45.11, 31.77

 

CMYK 0 / 58 / 67 / 19

HEX #CF5745

RGB 207 87 69

HSL 7.83, 0.59%, 0.54%

LAB 52.41, 46.37, 34.19

 

CMYK 0 / 64 / 74 / 25

HEX #BE4532

RGB 190 69 50

HSL 8.14, 0.58%, 0.47%

LAB 46.22, 47.56, 36.95

 

CMYK 0 / 71 / 82 / 32

HEX #AD331F

RGB 173 51 31

HSL 8.45, 0.7%, 0.4%

LAB 40.17, 48.53, 39.97

 

CMYK 0 / 49 / 56 / 5

HEX #F17A6A

RGB 241 122 106

HSL 7.11, 0.83%, 0.68%

LAB 64.69, 44.29, 29.94

 

CMYK 0 / 56 / 56 / 5

HEX #F16A6A

RGB 241 106 106

HSL 0, 0.83%, 0.68%

LAB 61.7, 51.98, 26.02

 

CMYK 0 / 49 / 56 / 5

HEX #F17A6A

RGB 241 122 106

HSL 7.11, 0.83%, 0.68%

LAB 64.69, 44.29, 29.94

 

CMYK 0 / 34 / 56 / 5

HEX #F19E6A

RGB 241 158 106

HSL 23.11, 0.83%, 0.68%

LAB 72.36, 25.72, 39.66

 

CMYK 0 / 19 / 56 / 5

HEX #F1C36A

RGB 241 195 106

HSL 39.56, 0.83%, 0.68%

LAB 81.17, 6.23, 50.34

 

CMYK 0 / 4 / 56 / 5

HEX #F1E76A

RGB 241 231 106

HSL 55.56, 0.83%, 0.68%

LAB 90.27, -12.08, 60.89

 

CMYK 11 / 0 / 56 / 5

HEX #D6F16A

RGB 214 241 106

HSL 72, 0.83%, 0.68%

LAB 90.89, -27.61, 61.05

 

CMYK 0 / 49 / 56 / 5

HEX #F17A6A

RGB 241 122 106

HSL 7.11, 0.83%, 0.68%

LAB 64.69, 44.29, 29.94

 

CMYK 0 / 56 / 64 / 0

HEX #FE705C

RGB 254 112 92

HSL 7.41, 0.99%, 0.68%

LAB 64.51, 52.8, 37.82

 

CMYK 0 / 49 / 56 / 5

HEX #F17A6A

RGB 241 122 106

HSL 7.11, 0.83%, 0.68%

LAB 64.69, 44.29, 29.94

 

CMYK 0 / 42 / 48 / 11

HEX #E48477

RGB 228 132 119

HSL 7.16, 0.67%, 0.68%

LAB 65.22, 35.45, 23.07

 

CMYK 0 / 34 / 39 / 16

HEX #D78E84

RGB 215 142 132

HSL 7.23, 0.51%, 0.68%

LAB 66.1, 26.52, 16.74

 

CMYK 0 / 25 / 28 / 21

HEX #CA9891

RGB 202 152 145

HSL 7.37, 0.35%, 0.68%

LAB 67.32, 17.72, 10.97

 

CMYK 0 / 14 / 16 / 26

HEX #BCA29E

RGB 188 162 158

HSL 8, 0.18%, 0.68%

LAB 68.75, 8.86, 5.59

 

CMYK 0 / 56 / 33 / 5

HEX #F16AA2

RGB 241 106 162

HSL 335.11, 0.83%, 0.68%

LAB 63.03, 57.41, -4.26

 

CMYK 0 / 56 / 48 / 5

HEX #F16A7E

RGB 241 106 126

HSL 351.11, 0.83%, 0.68%

LAB 62.1, 53.64, 15.11

 

CMYK 0 / 50 / 56 / 5

HEX #F1796A

RGB 241 121 106

HSL 6.67, 0.83%, 0.68%

LAB 64.5, 44.78, 29.68

 

CMYK 0 / 34 / 56 / 5

HEX #F19E6A

RGB 241 158 106

HSL 23.11, 0.83%, 0.68%

LAB 72.36, 25.72, 39.66

 

CMYK 0 / 20 / 56 / 5

HEX #F1C26A

RGB 241 194 106

HSL 39.11, 0.83%, 0.68%

LAB 80.92, 6.75, 50.05

 

CMYK 0 / 76 / 87 / 8

HEX #EA371E

RGB 234 55 30

HSL 7.35, 0.83%, 0.52%

LAB 52.2, 66.24, 55.36

 

CMYK 0 / 63 / 71 / 7

HEX #EE5844

RGB 238 88 68

HSL 7.06, 0.83%, 0.6%

LAB 57.63, 56.67, 42.12

 

CMYK 0 / 49 / 56 / 5

HEX #F17A6A

RGB 241 122 106

HSL 7.11, 0.83%, 0.68%

LAB 64.69, 44.29, 29.94

 

CMYK 0 / 36 / 42 / 4

HEX #F59C8F

RGB 245 156 143

HSL 7.65, 0.84%, 0.76%

LAB 73.01, 31.75, 20.72

 

CMYK 0 / 24 / 27 / 3

HEX #F8BDB5

RGB 248 189 181

HSL 7.16, 0.83%, 0.84%

LAB 81.67, 20.1, 12.27

 

CMYK 0 / 49 / 56 / 5

HEX #F17B6B

RGB 241 123 107

HSL 7.16, 0.83%, 0.68%

LAB 64.91, 43.87, 29.66

 

CMYK 18 / 0 / 56 / 5

HEX #C6F16A

RGB 198 241 106

HSL 79.11, 0.83%, 0.68%

LAB 89.84, -33.71, 59.57

 

CMYK 56 / 40 / 0 / 5

HEX #6A90F1

RGB 106 144 241

HSL 223.11, 0.83%, 0.68%

LAB 61.1, 14.76, -52.81

 

CMYK 0 / 49 / 56 / 5

HEX #F17B6B

RGB 241 123 107

HSL 7.16, 0.83%, 0.68%

LAB 64.91, 43.87, 29.66

 

CMYK 56 / 0 / 50 / 5

HEX #6AF179

RGB 106 241 121

HSL 126.67, 0.83%, 0.68%

LAB 85.68, -60.96, 46.73

 

CMYK 50 / 56 / 0 / 5

HEX #796AF1

RGB 121 106 241

HSL 246.67, 0.83%, 0.68%

LAB 52.65, 40.4, -66.3

 

CMYK 0 / 49 / 56 / 5

HEX #F17B6B

RGB 241 123 107

HSL 7.16, 0.83%, 0.68%

LAB 64.91, 43.87, 29.66

 

CMYK 18 / 0 / 56 / 5

HEX #C6F16A

RGB 198 241 106

HSL 79.11, 0.83%, 0.68%

LAB 89.84, -33.71, 59.57

 

CMYK 56 / 7 / 0 / 5

HEX #6AE1F1

RGB 106 225 241

HSL 187.11, 0.83%, 0.68%

LAB 83.58, -29.01, -17.97

 

CMYK 38 / 56 / 0 / 5

HEX #956AF1

RGB 149 106 241

HSL 259.11, 0.83%, 0.68%

LAB 55.12, 46.36, -62.18

 

CMYK 0 / 49 / 56 / 5

HEX #F17B6B

RGB 241 123 107

HSL 7.16, 0.83%, 0.68%

LAB 64.91, 43.87, 29.66

 

CMYK 34 / 0 / 56 / 5

HEX #9EF16A

RGB 158 241 106

HSL 96.89, 0.83%, 0.68%

LAB 87.59, -47.91, 56.39

 

CMYK 56 / 7 / 0 / 5

HEX #6AE1F1

RGB 106 225 241

HSL 187.11, 0.83%, 0.68%

LAB 83.58, -29.01, -17.97

 

CMYK 22 / 56 / 0 / 5

HEX #BD6AF1

RGB 189 106 241

HSL 276.89, 0.83%, 0.68%

LAB 59.41, 55.83, -55.07

 

Description

Color code: HEX #F17B6B | qconv.com Color code: HEX #F17B6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 123 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 123 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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