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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F17404 it is the complementary color #0E8BFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F17404. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F17404 shade: #F67400, #FF8612, #FF9825, #FFAA38 and #FFBC4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F17404. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F17404 shade: #F17404, #E06200, #CF5000, #BE3E00 and #AD2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F17404 shade: #F17404, #F13404 and #F10404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F17404 shade: #F17404, #F1B404, #EEF104, #AEF104 and #6EF104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F17404 shade matches the following richer shades: #F17404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F17404 shade: #F17404, #DD7517, #CA762B, #B6773F and #A27853

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F17404 shade: #F10414, #F13304, #F17204, #F1B204 and #F1F104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F17404 shade: #A04D02, #C86003, #F17404, #FC8922 and #FC9F4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F17404 shade: #F17404, #53F104 and #1404F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F17404 shade: #F17404, #04F172 and #7204F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F17404 shade: #F17404, #53F104, #0482F1 and #A204F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F17404 shade: #F17404, #0CF104, #0482F1 and #E904F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

Complementary color

CMYK 94 / 45 / 0 / 2

HEX #0E8BFB

RGB 14 139 251

HSL 208.35, 0.97%, 0.52%

LAB 57.58, 10.81, -64.1

 

CMYK 0 / 53 / 100 / 4

HEX #F67400

RGB 246 116 0

HSL 28.29, 1%, 0.48%

LAB 63.41, 45.23, 71.21

 

CMYK 0 / 47 / 93 / 0

HEX #FF8612

RGB 255 134 18

HSL 29.37, 1%, 0.54%

LAB 68.28, 40.01, 72.07

 

CMYK 0 / 40 / 85 / 0

HEX #FF9825

RGB 255 152 37

HSL 31.65, 1%, 0.57%

LAB 72.13, 31.17, 70.21

 

CMYK 0 / 33 / 78 / 0

HEX #FFAA38

RGB 255 170 56

HSL 34.37, 1%, 0.61%

LAB 76.25, 22.36, 67.39

 

CMYK 0 / 26 / 71 / 0

HEX #FFBC4B

RGB 255 188 75

HSL 37.67, 1%, 0.65%

LAB 80.59, 13.75, 64.14

 

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

CMYK 0 / 56 / 100 / 12

HEX #E06200

RGB 224 98 0

HSL 26.25, 1%, 0.44%

LAB 56.67, 45.53, 65.6

 

CMYK 0 / 61 / 100 / 19

HEX #CF5000

RGB 207 80 0

HSL 23.19, 1%, 0.41%

LAB 50.69, 47.6, 60.84

 

CMYK 0 / 67 / 100 / 25

HEX #BE3E00

RGB 190 62 0

HSL 19.58, 1%, 0.37%

LAB 44.79, 49.36, 56.15

 

CMYK 0 / 75 / 100 / 32

HEX #AD2C00

RGB 173 44 0

HSL 15.26, 1%, 0.34%

LAB 39.05, 50.58, 51.58

 

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

CMYK 0 / 78 / 98 / 5

HEX #F13404

RGB 241 52 4

HSL 12.15, 0.97%, 0.48%

LAB 53.13, 68.83, 64.53

 

CMYK 0 / 98 / 98 / 5

HEX #F10404

RGB 241 4 4

HSL 0, 0.97%, 0.48%

LAB 50.45, 76.49, 63.36

 

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

CMYK 0 / 25 / 98 / 5

HEX #F1B404

RGB 241 180 4

HSL 44.56, 0.97%, 0.48%

LAB 76.89, 10.16, 79.08

 

CMYK 1 / 0 / 98 / 5

HEX #EEF104

RGB 238 241 4

HSL 60.76, 0.97%, 0.48%

LAB 92.17, -21.86, 89.96

 

CMYK 28 / 0 / 98 / 5

HEX #AEF104

RGB 174 241 4

HSL 76.96, 0.97%, 0.48%

LAB 87.93, -47.24, 84.88

 

CMYK 54 / 0 / 98 / 5

HEX #6EF104

RGB 110 241 4

HSL 93.16, 0.97%, 0.48%

LAB 85.12, -67.8, 81.47

 

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

CMYK 0 / 47 / 90 / 13

HEX #DD7517

RGB 221 117 23

HSL 28.48, 0.81%, 0.48%

LAB 60.03, 35.17, 62.82

 

CMYK 0 / 42 / 79 / 21

HEX #CA762B

RGB 202 118 43

HSL 28.3, 0.65%, 0.48%

LAB 57.74, 27.33, 52.78

 

CMYK 0 / 35 / 65 / 29

HEX #B6773F

RGB 182 119 63

HSL 28.24, 0.49%, 0.48%

LAB 55.58, 19.27, 40.26

 

CMYK 0 / 26 / 49 / 36

HEX #A27853

RGB 162 120 83

HSL 28.1, 0.32%, 0.48%

LAB 53.75, 11.74, 26.66

 

CMYK 0 / 98 / 92 / 5

HEX #F10414

RGB 241 4 20

HSL 355.95, 0.97%, 0.48%

LAB 50.5, 76.62, 58.75

 

CMYK 0 / 79 / 98 / 5

HEX #F13304

RGB 241 51 4

HSL 11.9, 0.97%, 0.48%

LAB 53.03, 69.1, 64.49

 

CMYK 0 / 53 / 98 / 5

HEX #F17204

RGB 241 114 4

HSL 27.85, 0.97%, 0.48%

LAB 62.29, 44.33, 69.52

 

CMYK 0 / 26 / 98 / 5

HEX #F1B204

RGB 241 178 4

HSL 44.05, 0.97%, 0.48%

LAB 76.41, 11.21, 78.75

 

CMYK 0 / 0 / 98 / 5

HEX #F1F104

RGB 241 241 4

HSL 60, 0.97%, 0.48%

LAB 92.41, -20.62, 90.23

 

CMYK 0 / 52 / 99 / 37

HEX #A04D02

RGB 160 77 2

HSL 28.48, 0.98%, 0.32%

LAB 42.44, 30.71, 51.56

 

CMYK 0 / 52 / 99 / 22

HEX #C86003

RGB 200 96 3

HSL 28.32, 0.97%, 0.4%

LAB 52.57, 37.22, 60.66

 

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

CMYK 0 / 46 / 87 / 1

HEX #FC8922

RGB 252 137 34

HSL 28.35, 0.97%, 0.56%

LAB 68.54, 37.57, 68.06

 

CMYK 0 / 37 / 70 / 1

HEX #FC9F4B

RGB 252 159 75

HSL 28.47, 0.97%, 0.64%

LAB 73.55, 27.67, 56.67

 

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

CMYK 66 / 0 / 98 / 5

HEX #53F104

RGB 83 241 4

HSL 100, 0.97%, 0.48%

LAB 84.36, -74.05, 80.55

 

CMYK 92 / 98 / 0 / 5

HEX #1404F1

RGB 20 4 241

HSL 244.05, 0.97%, 0.48%

LAB 30.85, 75.35, -102.4

 

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

CMYK 98 / 0 / 53 / 5

HEX #04F172

RGB 4 241 114

HSL 147.85, 0.97%, 0.48%

LAB 84.04, -74.41, 47.65

 

CMYK 53 / 98 / 0 / 5

HEX #7204F1

RGB 114 4 241

HSL 267.85, 0.97%, 0.48%

LAB 37.87, 78.75, -90.51

 

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

CMYK 66 / 0 / 98 / 5

HEX #53F104

RGB 83 241 4

HSL 100, 0.97%, 0.48%

LAB 84.36, -74.05, 80.55

 

CMYK 98 / 46 / 0 / 5

HEX #0482F1

RGB 4 130 241

HSL 208.1, 0.97%, 0.48%

LAB 54.39, 12.24, -63.71

 

CMYK 33 / 98 / 0 / 5

HEX #A204F1

RGB 162 4 241

HSL 280, 0.97%, 0.48%

LAB 44.4, 83.15, -79.52

 

CMYK 0 / 52 / 98 / 5

HEX #F17404

RGB 241 116 4

HSL 28.35, 0.97%, 0.48%

LAB 62.68, 43.35, 69.75

 

CMYK 95 / 0 / 98 / 5

HEX #0CF104

RGB 12 241 4

HSL 117.97, 0.97%, 0.48%

LAB 83.44, -82.14, 79.42

 

CMYK 98 / 46 / 0 / 5

HEX #0482F1

RGB 4 130 241

HSL 208.1, 0.97%, 0.48%

LAB 54.39, 12.24, -63.71

 

CMYK 3 / 98 / 0 / 5

HEX #E904F1

RGB 233 4 241

HSL 297.97, 0.97%, 0.48%

LAB 55.85, 92.65, -60.42

 

Description

Color code: HEX #F17404 | qconv.com Color code: HEX #F17404 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 116 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 116 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 98 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 98% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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