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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F170BBCE it is the complementary color #0E8F44CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F170BBCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F170BBCE shade: #F670B6CE, #FF82C9CE, #FF94DCCE, #FFA6EFCE and #FFB8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F170BBCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F170BBCE shade: #F170BBCE, #E05EA8CE, #CF4C95CE, #BE3A82CE and #AD286FCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F170BBCE shade: #F16FBA, #F16F98, #F16F75 and #F16F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F170BBCE shade: #F16FBA, #F16FDD, #E16FF1, #BE6FF1 and #9B6FF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F170BBCE shade matches the following richer shades: #F16FBA and #FE62BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F170BBCE shade: #F16FBA, #E47CB8, #D789B6, #CA95B4 and #BEA2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F170BBCE shade: #E26FF1, #F16FDD, #F16FBB, #F16F98 and #F16F76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F170BBCE shade: #E92497, #ED4AA9, #F16FBA, #F495CC and #F8BADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F170BBCE shade: #F170BB, #F1BF6F and #6FEFF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F170BBCE shade: #F170BB, #BBF16F and #6FBBF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F170BBCE shade: #F170BB, #F1BF6F, #6FF1A5 and #6FA1F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F170BBCE shade: #F170BB, #F1E66F, #6FF1A5 and #6F7AF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 18 / 4

HEX #F170BBCE

RGBA 241 112 187 0.81

HSLA 325.12, 0.82%, 0.69%, 0.81

LABA 64.86, 57.85, -15.76, 0.81

 

Complementary color

CMYK 73 / 0 / 42 / 36

HEX #0E8F44CE

RGBA 14 143 68 0.81

HSLA 145.12, 0.82%, 0.31%, 0.81

LABA 52.01, -49.15, 30.87, 0.81

 

CMYK 0 / 44 / 21 / 3

HEX #F670B6CE

RGBA 246 112 182 0.81

HSLA 328.66, 0.88%, 0.7%, 0.81

LABA 65.4, 58.7, -12.05, 0.81

 

CMYK 0 / 40 / 17 / 0

HEX #FF82C9CE

RGBA 255 130 201 0.81

HSLA 325.92, 1%, 0.75%, 0.81

LABA 70.48, 55.58, -14.95, 0.81

 

CMYK 0 / 34 / 11 / 0

HEX #FF94DCCE

RGBA 255 148 220 0.81

HSLA 319.63, 1%, 0.79%, 0.81

LABA 74.58, 49.53, -19.27, 0.81

 

CMYK 0 / 28 / 5 / 0

HEX #FFA6EFCE

RGBA 255 166 239 0.81

HSLA 310.79, 1%, 0.83%, 0.81

LABA 78.91, 43.44, -23.03, 0.81

 

CMYK 0 / 23 / 0 / 0

HEX #FFB8FFCE

RGBA 255 184 255 0.81

HSLA 300, 1%, 0.86%, 0.81

LABA 83.32, 36.87, -24.9, 0.81

 

CMYK 0 / 43 / 18 / 4

HEX #F170BBCE

RGBA 241 112 187 0.81

HSLA 325.12, 0.82%, 0.69%, 0.81

LABA 64.86, 57.85, -15.76, 0.81

 

CMYK 0 / 47 / 20 / 10

HEX #E05EA8CE

RGBA 224 94 168 0.81

HSLA 325.85, 0.68%, 0.62%, 0.81

LABA 58.68, 58.38, -14.48, 0.81

 

CMYK 0 / 51 / 23 / 15

HEX #CF4C95CE

RGBA 207 76 149 0.81

HSLA 326.56, 0.58%, 0.55%, 0.81

LABA 52.51, 58.72, -12.92, 0.81

 

CMYK 0 / 56 / 26 / 21

HEX #BE3A82CE

RGBA 190 58 130 0.81

HSLA 327.27, 0.53%, 0.49%, 0.81

LABA 46.43, 58.7, -10.99, 0.81

 

CMYK 0 / 62 / 29 / 26

HEX #AD286FCE

RGBA 173 40 111 0.81

HSLA 327.97, 0.62%, 0.42%, 0.81

LABA 40.49, 58.11, -8.51, 0.81

 

CMYK 0 / 54 / 23 / 5

HEX #F16FBA

RGB 241 111 186

HSL 325.38, 0.82%, 0.69%

LAB 64.66, 58.18, -15.51

 

CMYK 0 / 54 / 37 / 5

HEX #F16F98

RGB 241 111 152

HSL 341.08, 0.82%, 0.69%

LAB 63.62, 53.95, 2.34

 

CMYK 0 / 54 / 51 / 5

HEX #F16F75

RGB 241 111 117

HSL 357.23, 0.82%, 0.69%

LAB 62.81, 50.51, 21.24

 

CMYK 0 / 54 / 54 / 5

HEX #F16F6F

RGB 241 111 111

HSL 0, 0.82%, 0.69%

LAB 62.69, 50.02, 24.5

 

CMYK 0 / 54 / 23 / 5

HEX #F16FBA

RGB 241 111 186

HSL 325.38, 0.82%, 0.69%

LAB 64.66, 58.18, -15.51

 

CMYK 0 / 54 / 8 / 5

HEX #F16FDD

RGB 241 111 221

HSL 309.23, 0.82%, 0.69%

LAB 65.97, 63.35, -33.17

 

CMYK 7 / 54 / 0 / 5

HEX #E16FF1

RGB 225 111 241

HSL 292.62, 0.82%, 0.69%

LAB 64.75, 62.5, -46.34

 

CMYK 21 / 54 / 0 / 5

HEX #BE6FF1

RGB 190 111 241

HSL 276.46, 0.82%, 0.69%

LAB 60.49, 53.55, -53.36

 

CMYK 36 / 54 / 0 / 5

HEX #9B6FF1

RGB 155 111 241

HSL 260.31, 0.82%, 0.69%

LAB 56.77, 44.99, -59.5

 

CMYK 0 / 54 / 23 / 5

HEX #F16FBA

RGB 241 111 186

HSL 325.38, 0.82%, 0.69%

LAB 64.66, 58.18, -15.51

 

CMYK 0 / 61 / 26 / 0

HEX #FE62BD

RGB 254 98 189

HSL 325, 0.99%, 0.69%

LAB 64.55, 68.01, -17.19

 

CMYK 0 / 54 / 23 / 5

HEX #F16FBA

RGB 241 111 186

HSL 325.38, 0.82%, 0.69%

LAB 64.66, 58.18, -15.51

 

CMYK 0 / 46 / 19 / 11

HEX #E47CB8

RGB 228 124 184

HSL 325.38, 0.66%, 0.69%

LAB 65.26, 47.53, -13.65

 

CMYK 0 / 36 / 15 / 16

HEX #D789B6

RGB 215 137 182

HSL 325.38, 0.49%, 0.69%

LAB 66.3, 36.14, -11.11

 

CMYK 0 / 26 / 11 / 21

HEX #CA95B4

RGB 202 149 180

HSL 324.91, 0.33%, 0.69%

LAB 67.54, 24.78, -8.3

 

CMYK 0 / 15 / 6 / 25

HEX #BEA2B2

RGB 190 162 178

HSL 325.71, 0.18%, 0.69%

LAB 69.47, 13.01, -4.44

 

CMYK 6 / 54 / 0 / 5

HEX #E26FF1

RGB 226 111 241

HSL 293.08, 0.82%, 0.69%

LAB 64.87, 62.76, -46.13

 

CMYK 0 / 54 / 8 / 5

HEX #F16FDD

RGB 241 111 221

HSL 309.23, 0.82%, 0.69%

LAB 65.97, 63.35, -33.17

 

CMYK 0 / 54 / 22 / 5

HEX #F16FBB

RGB 241 111 187

HSL 324.92, 0.82%, 0.69%

LAB 64.69, 58.31, -16.02

 

CMYK 0 / 54 / 37 / 5

HEX #F16F98

RGB 241 111 152

HSL 341.08, 0.82%, 0.69%

LAB 63.62, 53.95, 2.34

 

CMYK 0 / 54 / 51 / 5

HEX #F16F76

RGB 241 111 118

HSL 356.77, 0.82%, 0.69%

LAB 62.83, 50.6, 20.7

 

CMYK 0 / 85 / 35 / 9

HEX #E92497

RGB 233 36 151

HSL 324.97, 0.82%, 0.53%

LAB 52.75, 77.79, -13.31

 

CMYK 0 / 69 / 29 / 7

HEX #ED4AA9

RGB 237 74 169

HSL 325.03, 0.82%, 0.61%

LAB 57.81, 70.18, -16.17

 

CMYK 0 / 54 / 23 / 5

HEX #F16FBA

RGB 241 111 186

HSL 325.38, 0.82%, 0.69%

LAB 64.66, 58.18, -15.51

 

CMYK 0 / 39 / 16 / 4

HEX #F495CC

RGB 244 149 204

HSL 325.26, 0.81%, 0.77%

LAB 72.95, 43.01, -13.05

 

CMYK 0 / 25 / 10 / 3

HEX #F8BADE

RGB 248 186 222

HSL 325.16, 0.82%, 0.85%

LAB 82.03, 27.83, -9.25

 

CMYK 0 / 54 / 22 / 5

HEX #F170BB

RGB 241 112 187

HSL 325.12, 0.82%, 0.69%

LAB 64.86, 57.85, -15.76

 

CMYK 0 / 21 / 54 / 5

HEX #F1BF6F

RGB 241 191 111

HSL 36.92, 0.82%, 0.69%

LAB 80.24, 8.72, 46.79

 

CMYK 54 / 1 / 0 / 5

HEX #6FEFF1

RGB 111 239 241

HSL 180.92, 0.82%, 0.69%

LAB 87.71, -34.71, -11.77

 

CMYK 0 / 54 / 22 / 5

HEX #F170BB

RGB 241 112 187

HSL 325.12, 0.82%, 0.69%

LAB 64.86, 57.85, -15.76

 

CMYK 22 / 0 / 54 / 5

HEX #BBF16F

RGB 187 241 111

HSL 84.92, 0.82%, 0.69%

LAB 89.22, -37.32, 56.45

 

CMYK 54 / 22 / 0 / 5

HEX #6FBBF1

RGB 111 187 241

HSL 204.92, 0.82%, 0.69%

LAB 73.07, -8.6, -34.02

 

CMYK 0 / 54 / 22 / 5

HEX #F170BB

RGB 241 112 187

HSL 325.12, 0.82%, 0.69%

LAB 64.86, 57.85, -15.76

 

CMYK 0 / 21 / 54 / 5

HEX #F1BF6F

RGB 241 191 111

HSL 36.92, 0.82%, 0.69%

LAB 80.24, 8.72, 46.79

 

CMYK 54 / 0 / 32 / 5

HEX #6FF1A5

RGB 111 241 165

HSL 144.92, 0.82%, 0.69%

LAB 86.51, -52.72, 26.06

 

CMYK 54 / 33 / 0 / 5

HEX #6FA1F1

RGB 111 161 241

HSL 216.92, 0.82%, 0.69%

LAB 65.92, 5.89, -45.17

 

CMYK 0 / 54 / 22 / 5

HEX #F170BB

RGB 241 112 187

HSL 325.12, 0.82%, 0.69%

LAB 64.86, 57.85, -15.76

 

CMYK 0 / 5 / 54 / 5

HEX #F1E66F

RGB 241 230 111

HSL 54.92, 0.82%, 0.69%

LAB 90.06, -11.21, 58.41

 

CMYK 54 / 0 / 32 / 5

HEX #6FF1A5

RGB 111 241 165

HSL 144.92, 0.82%, 0.69%

LAB 86.51, -52.72, 26.06

 

CMYK 54 / 49 / 0 / 5

HEX #6F7AF1

RGB 111 122 241

HSL 234.92, 0.82%, 0.69%

LAB 55.74, 28.91, -61.36

 

Description

Color code: HEX #F170BBCE | qconv.com Color code: HEX #F170BBCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 112 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 112 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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