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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1706ACE it is the complementary color #0E8F95CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1706ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1706ACE shade: #F67065CE, #FF8278CE, #FF948BCE, #FFA69ECE and #FFB8B1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1706ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1706ACE shade: #F1706ACE, #E05E57CE, #CF4C44CE, #BE3A31CE and #AD281ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1706ACE shade: #F1706A and #F16A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1706ACE shade: #F1706A, #F1946A, #F1B96A, #F1DD6A and #E0F16A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1706ACE shade matches the following richer shades: #F1706A and #FE645C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1706ACE shade: #F1706A, #E47C77, #D78884, #CA9491 and #BCA09E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1706ACE shade: #F16AAD, #F16A89, #F16E6A, #F1926A and #F1B66A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1706ACE shade: #EA271E, #EE4B44, #F1706A, #F5948F and #F8B8B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1706ACE shade: #F1706A, #D2F16A and #6A9BF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1706ACE shade: #F1706A, #6AF16E and #6E6AF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1706ACE shade: #F1706A, #D2F16A, #6AEDF1 and #896AF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1706ACE shade: #F1706A, #A9F16A, #6AEDF1 and #B26AF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 45 / 4

HEX #F1706ACE

RGBA 241 112 106 0.81

HSLA 2.67, 0.83%, 0.68%, 0.81

LABA 62.78, 49.16, 27.45, 0.81

 

Complementary color

CMYK 73 / 3 / 0 / 34

HEX #0E8F95CE

RGBA 14 143 149 0.81

HSLA 182.67, 0.83%, 0.32%, 0.81

LABA 53.93, -28.67, -12.19, 0.81

 

CMYK 0 / 44 / 48 / 3

HEX #F67065CE

RGBA 246 112 101 0.81

HSLA 4.55, 0.89%, 0.68%, 0.81

LABA 63.44, 50.56, 31.26, 0.81

 

CMYK 0 / 40 / 43 / 0

HEX #FF8278CE

RGBA 255 130 120 0.81

HSLA 4.44, 1%, 0.74%, 0.81

LABA 68.45, 46.54, 27.46, 0.81

 

CMYK 0 / 34 / 37 / 0

HEX #FF948BCE

RGBA 255 148 139 0.81

HSLA 4.66, 1%, 0.77%, 0.81

LABA 72.43, 39.22, 22.33, 0.81

 

CMYK 0 / 28 / 31 / 0

HEX #FFA69ECE

RGBA 255 166 158 0.81

HSLA 4.95, 1%, 0.81%, 0.81

LABA 76.68, 31.92, 17.79, 0.81

 

CMYK 0 / 23 / 25 / 0

HEX #FFB8B1CE

RGBA 255 184 177 0.81

HSLA 5.38, 1%, 0.85%, 0.81

LABA 81.13, 24.78, 13.76, 0.81

 

CMYK 0 / 43 / 45 / 4

HEX #F1706ACE

RGBA 241 112 106 0.81

HSLA 2.67, 0.83%, 0.68%, 0.81

LABA 62.78, 49.16, 27.45, 0.81

 

CMYK 0 / 47 / 50 / 10

HEX #E05E57CE

RGBA 224 94 87 0.81

HSLA 3.07, 0.69%, 0.61%, 0.81

LABA 56.63, 50.27, 29.78, 0.81

 

CMYK 0 / 51 / 54 / 15

HEX #CF4C44CE

RGBA 207 76 68 0.81

HSLA 3.45, 0.59%, 0.54%, 0.81

LABA 50.51, 51.3, 32.48, 0.81

 

CMYK 0 / 56 / 60 / 21

HEX #BE3A31CE

RGBA 190 58 49 0.81

HSLA 3.83, 0.59%, 0.47%, 0.81

LABA 44.51, 52.11, 35.61, 0.81

 

CMYK 0 / 62 / 67 / 26

HEX #AD281ECE

RGBA 173 40 30 0.81

HSLA 4.2, 0.7%, 0.4%, 0.81

LABA 38.72, 52.48, 39.11, 0.81

 

CMYK 0 / 54 / 56 / 5

HEX #F1706A

RGB 241 112 106

HSL 2.67, 0.83%, 0.68%

LAB 62.78, 49.16, 27.45

 

CMYK 0 / 56 / 56 / 5

HEX #F16A6A

RGB 241 106 106

HSL 0, 0.83%, 0.68%

LAB 61.7, 51.98, 26.02

 

CMYK 0 / 54 / 56 / 5

HEX #F1706A

RGB 241 112 106

HSL 2.67, 0.83%, 0.68%

LAB 62.78, 49.16, 27.45

 

CMYK 0 / 39 / 56 / 5

HEX #F1946A

RGB 241 148 106

HSL 18.67, 0.83%, 0.68%

LAB 70.12, 30.98, 36.87

 

CMYK 0 / 23 / 56 / 5

HEX #F1B96A

RGB 241 185 106

HSL 35.11, 0.83%, 0.68%

LAB 78.72, 11.47, 47.42

 

CMYK 0 / 8 / 56 / 5

HEX #F1DD6A

RGB 241 221 106

HSL 51.11, 0.83%, 0.68%

LAB 87.71, -7.09, 57.96

 

CMYK 7 / 0 / 56 / 5

HEX #E0F16A

RGB 224 241 106

HSL 67.56, 0.83%, 0.68%

LAB 91.59, -23.71, 62.03

 

CMYK 0 / 54 / 56 / 5

HEX #F1706A

RGB 241 112 106

HSL 2.67, 0.83%, 0.68%

LAB 62.78, 49.16, 27.45

 

CMYK 0 / 61 / 64 / 0

HEX #FE645C

RGB 254 100 92

HSL 2.96, 0.99%, 0.68%

LAB 62.47, 58.16, 35.31

 

CMYK 0 / 54 / 56 / 5

HEX #F1706A

RGB 241 112 106

HSL 2.67, 0.83%, 0.68%

LAB 62.78, 49.16, 27.45

 

CMYK 0 / 46 / 48 / 11

HEX #E47C77

RGB 228 124 119

HSL 2.75, 0.67%, 0.68%

LAB 63.54, 39.59, 20.8

 

CMYK 0 / 37 / 39 / 16

HEX #D78884

RGB 215 136 132

HSL 2.89, 0.51%, 0.68%

LAB 64.74, 29.75, 14.85

 

CMYK 0 / 27 / 28 / 21

HEX #CA9491

RGB 202 148 145

HSL 3.16, 0.35%, 0.68%

LAB 66.35, 19.91, 9.59

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09E

RGB 188 160 158

HSL 4, 0.18%, 0.68%

LAB 68.24, 9.95, 4.86

 

CMYK 0 / 56 / 28 / 5

HEX #F16AAD

RGB 241 106 173

HSL 330.22, 0.83%, 0.68%

LAB 63.36, 58.76, -10.05

 

CMYK 0 / 56 / 43 / 5

HEX #F16A89

RGB 241 106 137

HSL 346.22, 0.83%, 0.68%

LAB 62.35, 54.69, 9.14

 

CMYK 0 / 54 / 56 / 5

HEX #F16E6A

RGB 241 110 106

HSL 1.78, 0.83%, 0.68%

LAB 62.42, 50.11, 26.97

 

CMYK 0 / 39 / 56 / 5

HEX #F1926A

RGB 241 146 106

HSL 17.78, 0.83%, 0.68%

LAB 69.68, 32.02, 36.31

 

CMYK 0 / 24 / 56 / 5

HEX #F1B66A

RGB 241 182 106

HSL 33.78, 0.83%, 0.68%

LAB 77.99, 13.04, 46.55

 

CMYK 0 / 83 / 87 / 8

HEX #EA271E

RGB 234 39 30

HSL 2.65, 0.83%, 0.52%

LAB 50.73, 70.38, 54.22

 

CMYK 0 / 68 / 71 / 7

HEX #EE4B44

RGB 238 75 68

HSL 2.47, 0.83%, 0.6%

LAB 55.71, 61.87, 39.93

 

CMYK 0 / 54 / 56 / 5

HEX #F1706A

RGB 241 112 106

HSL 2.67, 0.83%, 0.68%

LAB 62.78, 49.16, 27.45

 

CMYK 0 / 40 / 42 / 4

HEX #F5948F

RGB 245 148 143

HSL 2.94, 0.84%, 0.76%

LAB 71.27, 35.92, 18.32

 

CMYK 0 / 26 / 27 / 3

HEX #F8B8B5

RGB 248 184 181

HSL 2.69, 0.83%, 0.84%

LAB 80.5, 22.73, 10.61

 

CMYK 0 / 54 / 56 / 5

HEX #F1706A

RGB 241 112 106

HSL 2.67, 0.83%, 0.68%

LAB 62.78, 49.16, 27.45

 

CMYK 13 / 0 / 56 / 5

HEX #D2F16A

RGB 210 241 106

HSL 73.78, 0.83%, 0.68%

LAB 90.62, -29.15, 60.67

 

CMYK 56 / 36 / 0 / 5

HEX #6A9BF1

RGB 106 155 241

HSL 218.22, 0.83%, 0.68%

LAB 64.05, 8.31, -48.14

 

CMYK 0 / 54 / 56 / 5

HEX #F1706A

RGB 241 112 106

HSL 2.67, 0.83%, 0.68%

LAB 62.78, 49.16, 27.45

 

CMYK 56 / 0 / 54 / 5

HEX #6AF16E

RGB 106 241 110

HSL 121.78, 0.83%, 0.68%

LAB 85.55, -62.38, 51.68

 

CMYK 54 / 56 / 0 / 5

HEX #6E6AF1

RGB 110 106 241

HSL 241.78, 0.83%, 0.68%

LAB 51.81, 38.27, -67.7

 

CMYK 0 / 54 / 56 / 5

HEX #F1706A

RGB 241 112 106

HSL 2.67, 0.83%, 0.68%

LAB 62.78, 49.16, 27.45

 

CMYK 13 / 0 / 56 / 5

HEX #D2F16A

RGB 210 241 106

HSL 73.78, 0.83%, 0.68%

LAB 90.62, -29.15, 60.67

 

CMYK 56 / 2 / 0 / 5

HEX #6AEDF1

RGB 106 237 241

HSL 181.78, 0.83%, 0.68%

LAB 86.99, -34.7, -12.86

 

CMYK 43 / 56 / 0 / 5

HEX #896AF1

RGB 137 106 241

HSL 253.78, 0.83%, 0.68%

LAB 54, 43.72, -64.04

 

CMYK 0 / 54 / 56 / 5

HEX #F1706A

RGB 241 112 106

HSL 2.67, 0.83%, 0.68%

LAB 62.78, 49.16, 27.45

 

CMYK 30 / 0 / 56 / 5

HEX #A9F16A

RGB 169 241 106

HSL 92, 0.83%, 0.68%

LAB 88.15, -44.19, 57.19

 

CMYK 56 / 2 / 0 / 5

HEX #6AEDF1

RGB 106 237 241

HSL 181.78, 0.83%, 0.68%

LAB 86.99, -34.7, -12.86

 

CMYK 26 / 56 / 0 / 5

HEX #B26AF1

RGB 178 106 241

HSL 272, 0.83%, 0.68%

LAB 58.15, 53.15, -57.15

 

Description

Color code: HEX #F1706ACE | qconv.com Color code: HEX #F1706ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 112 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 112 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 45 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 45% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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