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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F16629 it is the complementary color #0E99D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F16629. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F16629 shade: #F66624, #FF7837, #FF8A4A, #FF9C5D and #FFAE70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F16629. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F16629 shade: #F16629, #E05416, #CF4203, #BE3000 and #AD1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F16629 shade: #F16527, #F12E27 and #F12727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F16629 shade: #F16527, #F19B27, #F1D227, #DAF127 and #A4F127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F16629 shade matches the following richer shades: #F16527

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F16629 shade: #F16527, #DF6C3A, #CC734C, #BA7B5F and #A78272

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F16629 shade: #F12756, #F12E27, #F16427, #F19A27 and #F1D027

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F16629 shade: #BA410C, #E14F0E, #F16527, #F4814E and #F69C75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F16629 shade: #F16629, #8CF127 and #273BF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F16629 shade: #F16629, #27F164 and #6427F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F16629 shade: #F16629, #8CF127, #27B5F1 and #8C27F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F16629 shade: #F16629, #50F127, #27B5F1 and #C927F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 83 / 5

HEX #F16629

RGB 241 102 41

HSL 18.3, 0.88%, 0.55%

LAB 60.22, 50.58, 57.98

 

Complementary color

CMYK 93 / 29 / 0 / 16

HEX #0E99D6

RGB 14 153 214

HSL 198.3, 0.88%, 0.45%

LAB 59.64, -11.3, -40.3

 

CMYK 0 / 59 / 85 / 4

HEX #F66624

RGB 246 102 36

HSL 18.86, 0.92%, 0.55%

LAB 60.98, 52.26, 60.91

 

CMYK 0 / 53 / 78 / 0

HEX #FF7837

RGB 255 120 55

HSL 19.5, 1%, 0.61%

LAB 65.72, 47.69, 57.84

 

CMYK 0 / 46 / 71 / 0

HEX #FF8A4A

RGB 255 138 74

HSL 21.22, 1%, 0.65%

LAB 69.42, 39.6, 52.83

 

CMYK 0 / 39 / 64 / 0

HEX #FF9C5D

RGB 255 156 93

HSL 23.33, 1%, 0.68%

LAB 73.43, 31.43, 48.01

 

CMYK 0 / 32 / 56 / 0

HEX #FFAE70

RGB 255 174 112

HSL 26.01, 1%, 0.72%

LAB 77.7, 23.37, 43.52

 

CMYK 0 / 58 / 83 / 5

HEX #F16629

RGB 241 102 41

HSL 18.3, 0.88%, 0.55%

LAB 60.22, 50.58, 57.98

 

CMYK 0 / 63 / 90 / 12

HEX #E05416

RGB 224 84 22

HSL 18.42, 0.82%, 0.48%

LAB 54.29, 52.17, 59.09

 

CMYK 0 / 68 / 99 / 19

HEX #CF4203

RGB 207 66 3

HSL 18.53, 0.97%, 0.41%

LAB 48.47, 53.59, 58.92

 

CMYK 0 / 75 / 100 / 25

HEX #BE3000

RGB 190 48 0

HSL 15.16, 1%, 0.37%

LAB 42.86, 54.66, 55.23

 

CMYK 0 / 83 / 100 / 32

HEX #AD1E00

RGB 173 30 0

HSL 10.4, 1%, 0.34%

LAB 37.5, 54.89, 50.91

 

CMYK 0 / 58 / 84 / 5

HEX #F16527

RGB 241 101 39

HSL 18.42, 0.88%, 0.55%

LAB 60.03, 50.99, 58.63

 

CMYK 0 / 81 / 84 / 5

HEX #F12E27

RGB 241 46 39

HSL 2.08, 0.88%, 0.55%

LAB 52.73, 70.85, 52.28

 

CMYK 0 / 84 / 84 / 5

HEX #F12727

RGB 241 39 39

HSL 0, 0.88%, 0.55%

LAB 52.17, 72.44, 51.79

 

CMYK 0 / 58 / 84 / 5

HEX #F16527

RGB 241 101 39

HSL 18.42, 0.88%, 0.55%

LAB 60.03, 50.99, 58.63

 

CMYK 0 / 36 / 84 / 5

HEX #F19B27

RGB 241 155 39

HSL 34.46, 0.88%, 0.55%

LAB 71.07, 23.87, 68.02

 

CMYK 0 / 13 / 84 / 5

HEX #F1D227

RGB 241 210 39

HSL 50.79, 0.88%, 0.55%

LAB 84.45, -4.81, 79.18

 

CMYK 10 / 0 / 84 / 5

HEX #DAF127

RGB 218 241 39

HSL 66.83, 0.88%, 0.55%

LAB 90.76, -29.52, 83.69

 

CMYK 32 / 0 / 84 / 5

HEX #A4F127

RGB 164 241 39

HSL 82.87, 0.88%, 0.55%

LAB 87.46, -50.19, 79.57

 

CMYK 0 / 58 / 84 / 5

HEX #F16527

RGB 241 101 39

HSL 18.42, 0.88%, 0.55%

LAB 60.03, 50.99, 58.63

 

CMYK 0 / 58 / 84 / 5

HEX #F16527

RGB 241 101 39

HSL 18.42, 0.88%, 0.55%

LAB 60.03, 50.99, 58.63

 

CMYK 0 / 52 / 74 / 13

HEX #DF6C3A

RGB 223 108 58

HSL 18.18, 0.72%, 0.55%

LAB 58.71, 41.58, 47.81

 

CMYK 0 / 44 / 63 / 20

HEX #CC734C

RGB 204 115 76

HSL 18.28, 0.56%, 0.55%

LAB 57.68, 31.49, 36.56

 

CMYK 0 / 34 / 49 / 27

HEX #BA7B5F

RGB 186 123 95

HSL 18.46, 0.4%, 0.55%

LAB 57.49, 21.36, 25.32

 

CMYK 0 / 22 / 32 / 35

HEX #A78272

RGB 167 130 114

HSL 18.11, 0.23%, 0.55%

LAB 57.46, 11.87, 14.11

 

CMYK 0 / 84 / 64 / 5

HEX #F12756

RGB 241 39 86

HSL 346.04, 0.88%, 0.55%

LAB 52.76, 74.17, 26.01

 

CMYK 0 / 81 / 84 / 5

HEX #F12E27

RGB 241 46 39

HSL 2.08, 0.88%, 0.55%

LAB 52.73, 70.85, 52.28

 

CMYK 0 / 59 / 84 / 5

HEX #F16427

RGB 241 100 39

HSL 18.12, 0.88%, 0.55%

LAB 59.85, 51.44, 58.48

 

CMYK 0 / 36 / 84 / 5

HEX #F19A27

RGB 241 154 39

HSL 34.16, 0.88%, 0.55%

LAB 70.84, 24.4, 67.82

 

CMYK 0 / 14 / 84 / 5

HEX #F1D027

RGB 241 208 39

HSL 50.2, 0.88%, 0.55%

LAB 83.94, -3.8, 78.76

 

CMYK 0 / 65 / 94 / 27

HEX #BA410C

RGB 186 65 12

HSL 18.28, 0.88%, 0.39%

LAB 44.58, 46.81, 52.33

 

CMYK 0 / 65 / 94 / 12

HEX #E14F0E

RGB 225 79 14

HSL 18.48, 0.88%, 0.47%

LAB 53.63, 54.54, 61.01

 

CMYK 0 / 58 / 84 / 5

HEX #F16527

RGB 241 101 39

HSL 18.42, 0.88%, 0.55%

LAB 60.03, 50.99, 58.63

 

CMYK 0 / 47 / 68 / 4

HEX #F4814E

RGB 244 129 78

HSL 18.43, 0.88%, 0.63%

LAB 66.12, 40.09, 46.77

 

CMYK 0 / 37 / 52 / 4

HEX #F69C75

RGB 246 156 117

HSL 18.14, 0.88%, 0.71%

LAB 72.66, 29.65, 34.36

 

CMYK 0 / 58 / 83 / 5

HEX #F16629

RGB 241 102 41

HSL 18.3, 0.88%, 0.55%

LAB 60.22, 50.58, 57.98

 

CMYK 42 / 0 / 84 / 5

HEX #8CF127

RGB 140 241 39

HSL 90, 0.88%, 0.55%

LAB 86.32, -58.29, 78.14

 

CMYK 84 / 76 / 0 / 5

HEX #273BF1

RGB 39 59 241

HSL 234.06, 0.88%, 0.55%

LAB 37.68, 57.22, -91

 

CMYK 0 / 58 / 83 / 5

HEX #F16629

RGB 241 102 41

HSL 18.3, 0.88%, 0.55%

LAB 60.22, 50.58, 57.98

 

CMYK 84 / 0 / 59 / 5

HEX #27F164

RGB 39 241 100

HSL 138.12, 0.88%, 0.55%

LAB 84.1, -74.49, 54.11

 

CMYK 59 / 84 / 0 / 5

HEX #6427F1

RGB 100 39 241

HSL 258.12, 0.88%, 0.55%

LAB 38.74, 70.37, -89.11

 

CMYK 0 / 58 / 83 / 5

HEX #F16629

RGB 241 102 41

HSL 18.3, 0.88%, 0.55%

LAB 60.22, 50.58, 57.98

 

CMYK 42 / 0 / 84 / 5

HEX #8CF127

RGB 140 241 39

HSL 90, 0.88%, 0.55%

LAB 86.32, -58.29, 78.14

 

CMYK 84 / 25 / 0 / 5

HEX #27B5F1

RGB 39 181 241

HSL 197.82, 0.88%, 0.55%

LAB 69.35, -15.62, -39.96

 

CMYK 42 / 84 / 0 / 5

HEX #8C27F1

RGB 140 39 241

HSL 270, 0.88%, 0.55%

LAB 43.33, 74.65, -81.4

 

CMYK 0 / 58 / 83 / 5

HEX #F16629

RGB 241 102 41

HSL 18.3, 0.88%, 0.55%

LAB 60.22, 50.58, 57.98

 

CMYK 67 / 0 / 84 / 5

HEX #50F127

RGB 80 241 39

HSL 107.82, 0.88%, 0.55%

LAB 84.36, -73.77, 75.66

 

CMYK 84 / 25 / 0 / 5

HEX #27B5F1

RGB 39 181 241

HSL 197.82, 0.88%, 0.55%

LAB 69.35, -15.62, -39.96

 

CMYK 17 / 84 / 0 / 5

HEX #C927F1

RGB 201 39 241

HSL 288.12, 0.88%, 0.55%

LAB 52.08, 83.37, -66.75

 

Description

Color code: HEX #F16629 | qconv.com Color code: HEX #F16629 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 102 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 102 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 83 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 83% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

63% - Pyre Fox Website Con...
Link: http://pyrefox.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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