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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F16333 it is the complementary color #0E9CCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F16333. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F16333: #F6632E, #FF7541, #FF8754, #FF9967 and #FFAB7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F16333. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F16333: #F16333, #E05120, #CF3F0D, #BE2D00 and #AD1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 79 / 5

HEX #F16333

RGB 241 99 51

HSL 15.16, 0.87%, 0.57%

LAB 59.77, 52.24, 53.15

 

Complementary color

CMYK 93 / 24 / 0 / 20

HEX #0E9CCC

RGB 14 156 204

HSL 195.16, 0.87%, 0.43%

LAB 60.1, -16.56, -34

 

CMYK 0 / 60 / 81 / 4

HEX #F6632E

RGB 246 99 46

HSL 15.9, 0.92%, 0.57%

LAB 60.53, 53.86, 56.42

 

CMYK 0 / 54 / 75 / 0

HEX #FF7541

RGB 255 117 65

HSL 16.42, 1%, 0.63%

LAB 65.25, 49.48, 52.73

 

CMYK 0 / 47 / 67 / 0

HEX #FF8754

RGB 255 135 84

HSL 17.89, 1%, 0.66%

LAB 68.92, 41.62, 47.31

 

CMYK 0 / 40 / 60 / 0

HEX #FF9967

RGB 255 153 103

HSL 19.74, 1%, 0.7%

LAB 72.91, 33.64, 42.28

 

CMYK 0 / 33 / 52 / 0

HEX #FFAB7A

RGB 255 171 122

HSL 22.11, 1%, 0.74%

LAB 77.16, 25.75, 37.69

 

CMYK 0 / 59 / 79 / 5

HEX #F16333

RGB 241 99 51

HSL 15.16, 0.87%, 0.57%

LAB 59.77, 52.24, 53.15

 

CMYK 0 / 64 / 86 / 12

HEX #E05120

RGB 224 81 32

HSL 15.31, 0.76%, 0.5%

LAB 53.85, 53.65, 55.12

 

CMYK 0 / 70 / 94 / 19

HEX #CF3F0D

RGB 207 63 13

HSL 15.46, 0.88%, 0.43%

LAB 48.07, 54.87, 56.16

 

CMYK 0 / 76 / 100 / 25

HEX #BE2D00

RGB 190 45 0

HSL 14.21, 1%, 0.37%

LAB 42.5, 55.66, 55.07

 

CMYK 0 / 84 / 100 / 32

HEX #AD1B00

RGB 173 27 0

HSL 9.36, 1%, 0.34%

LAB 37.24, 55.64, 50.8

 

CMYK 0 / 59 / 79 / 5

HEX #F16333

RGB 241 99 51

HSL 15.16, 0.87%, 0.57%

LAB 59.77, 52.24, 53.15

 

CMYK 0 / 46 / 80 / 6

HEX #F08131

RGB 240 129 49

HSL 25.13, 0.86%, 0.57%

LAB 65.32, 37.28, 59.26

 

CMYK 0 / 33 / 80 / 6

HEX #F0A131

RGB 240 161 49

HSL 35.18, 0.86%, 0.57%

LAB 72.39, 20.58, 65.76

 

CMYK 0 / 20 / 80 / 6

HEX #F0C131

RGB 240 193 49

HSL 45.24, 0.86%, 0.57%

LAB 80.12, 3.77, 72.69

 

CMYK 0 / 7 / 80 / 6

HEX #F0E031

RGB 240 224 49

HSL 54.97, 0.86%, 0.57%

LAB 88, -11.98, 79.61

 

CMYK 0 / 59 / 79 / 5

HEX #F16333

RGB 241 99 51

HSL 15.16, 0.87%, 0.57%

LAB 59.77, 52.24, 53.15

 

CMYK 0 / 59 / 78 / 85

HEX #250F08

RGB 37 15 8

HSL 14.48, 0.64%, 0.09%

LAB 6.8, 10.47, 7.09

 

CMYK 0 / 59 / 78 / 65

HEX #582413

RGB 88 36 19

HSL 14.78, 0.64%, 0.21%

LAB 21.52, 22.75, 22.56

 

CMYK 0 / 59 / 79 / 45

HEX #8B391D

RGB 139 57 29

HSL 15.27, 0.65%, 0.33%

LAB 35.01, 33.25, 33.86

 

CMYK 0 / 59 / 79 / 25

HEX #BE4E28

RGB 190 78 40

HSL 15.2, 0.65%, 0.45%

LAB 47.69, 43.01, 43.77

 

CMYK 0 / 59 / 79 / 5

HEX #F16333

RGB 241 99 51

HSL 15.16, 0.87%, 0.57%

LAB 59.77, 52.24, 53.15

 

CMYK 36 / 0 / 80 / 6

HEX #9AF031

RGB 154 240 49

HSL 87.02, 0.86%, 0.57%

LAB 86.71, -52.89, 76.31

 

CMYK 80 / 68 / 0 / 6

HEX #314EF0

RGB 49 78 240

HSL 230.89, 0.86%, 0.57%

LAB 41.83, 46.71, -83.56

 

CMYK 0 / 59 / 79 / 5

HEX #F16333

RGB 241 99 51

HSL 15.16, 0.87%, 0.57%

LAB 59.77, 52.24, 53.15

 

CMYK 80 / 0 / 60 / 6

HEX #31F061

RGB 49 240 97

HSL 135.08, 0.86%, 0.57%

LAB 83.88, -73.56, 55.19

 

CMYK 60 / 80 / 0 / 6

HEX #6131F0

RGB 97 49 240

HSL 255.08, 0.86%, 0.57%

LAB 39.63, 66.07, -87.09

 

CMYK 0 / 59 / 79 / 5

HEX #F16333

RGB 241 99 51

HSL 15.16, 0.87%, 0.57%

LAB 59.77, 52.24, 53.15

 

CMYK 36 / 0 / 80 / 6

HEX #9AF031

RGB 154 240 49

HSL 87.02, 0.86%, 0.57%

LAB 86.71, -52.89, 76.31

 

CMYK 80 / 20 / 0 / 6

HEX #31C1F0

RGB 49 193 240

HSL 194.76, 0.86%, 0.57%

LAB 72.95, -21.41, -33.81

 

CMYK 44 / 80 / 0 / 6

HEX #8731F0

RGB 135 49 240

HSL 267.02, 0.86%, 0.57%

LAB 43.71, 70.57, -80.23

 

CMYK 0 / 59 / 79 / 5

HEX #F16333

RGB 241 99 51

HSL 15.16, 0.87%, 0.57%

LAB 59.77, 52.24, 53.15

 

CMYK 60 / 0 / 80 / 6

HEX #61F031

RGB 97 240 49

HSL 104.92, 0.86%, 0.57%

LAB 84.53, -69.4, 73.5

 

CMYK 80 / 20 / 0 / 6

HEX #31C1F0

RGB 49 193 240

HSL 194.76, 0.86%, 0.57%

LAB 72.95, -21.41, -33.81

 

CMYK 20 / 80 / 0 / 6

HEX #C131F0

RGB 193 49 240

HSL 285.24, 0.86%, 0.57%

LAB 51.64, 79.42, -66.97

 

Description

Color code: HEX #F16333 | qconv.com Color code: HEX #F16333 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 99 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 99 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 79 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 79% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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