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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1591ACE it is the complementary color #0EA6E5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1591ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1591ACE shade: #F65915CE, #FF6B28CE, #FF7D3BCE, #FF8F4ECE and #FFA161CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1591ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1591ACE shade: #F1591ACE, #E04707CE, #CF3500CE, #BE2300CE and #AD1100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1591ACE shade: #F05819, #F01E19 and #F01919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1591ACE shade: #F05819, #F09219, #F0CC19, #DAF019 and #A0F019

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1591ACE shade matches the following richer shades: #F05819

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1591ACE shade: #F05819, #DD602D, #C96840, #B57154 and #A17968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1591ACE shade: #F0194F, #F01C19, #F05619, #F08F19 and #F0C919

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1591ACE shade: #AC3A0B, #D3470D, #F05819, #F37440 and #F59066

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1591ACE shade: #F1591A, #88F019 and #1932F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1591ACE shade: #F1591A, #19F056 and #5619F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1591ACE shade: #F1591A, #88F019, #19B3F0 and #8119F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1591ACE shade: #F1591A, #48F019, #19B3F0 and #C219F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 72 / 4

HEX #F1591ACE

RGBA 241 89 26 0.81

HSLA 17.58, 0.88%, 0.52%, 0.81

LABA 57.96, 56, 61.76, 0.81

 

Complementary color

CMYK 76 / 22 / 0 / 8

HEX #0EA6E5CE

RGBA 14 166 229 0.81

HSLA 197.58, 0.88%, 0.48%, 0.81

LABA 64.18, -13.07, -41.5, 0.81

 

CMYK 0 / 52 / 74 / 3

HEX #F65915CE

RGBA 246 89 21 0.81

HSLA 18.13, 0.93%, 0.52%, 0.81

LABA 58.78, 57.64, 64.26, 0.81

 

CMYK 0 / 47 / 68 / 0

HEX #FF6B28CE

RGBA 255 107 40 0.81

HSLA 18.7, 1%, 0.58%, 0.81

LABA 63.28, 53.31, 61.88, 0.81

 

CMYK 0 / 41 / 62 / 0

HEX #FF7D3BCE

RGBA 255 125 59 0.81

HSLA 20.2, 1%, 0.62%, 0.81

LABA 66.71, 45.42, 57.01, 0.81

 

CMYK 0 / 36 / 56 / 0

HEX #FF8F4ECE

RGBA 255 143 78 0.81

HSLA 22.03, 1%, 0.65%, 0.81

LABA 70.49, 37.27, 52.06, 0.81

 

CMYK 0 / 30 / 50 / 0

HEX #FFA161CE

RGBA 255 161 97 0.81

HSLA 24.3, 1%, 0.69%, 0.81

LABA 74.58, 29.09, 47.35, 0.81

 

CMYK 0 / 51 / 72 / 4

HEX #F1591ACE

RGBA 241 89 26 0.81

HSLA 17.58, 0.88%, 0.52%, 0.81

LABA 57.96, 56, 61.76, 0.81

 

CMYK 0 / 55 / 78 / 10

HEX #E04707CE

RGBA 224 71 7 0.81

HSLA 17.7, 0.94%, 0.45%, 0.81

LABA 52.25, 57.35, 61.66, 0.81

 

CMYK 0 / 60 / 81 / 15

HEX #CF3500CE

RGBA 207 53 0 0.81

HSLA 15.36, 1%, 0.41%, 0.81

LABA 46.73, 58.33, 58.87, 0.81

 

CMYK 0 / 66 / 81 / 21

HEX #BE2300CE

RGBA 190 35 0 0.81

HSLA 11.05, 1%, 0.37%, 0.81

LABA 41.45, 58.59, 54.62, 0.81

 

CMYK 0 / 73 / 81 / 26

HEX #AD1100CE

RGBA 173 17 0 0.81

HSLA 5.9, 1%, 0.34%, 0.81

LABA 36.53, 57.68, 50.49, 0.81

 

CMYK 0 / 63 / 90 / 6

HEX #F05819

RGB 240 88 25

HSL 17.58, 0.88%, 0.52%

LAB 57.63, 56.07, 61.77

 

CMYK 0 / 88 / 90 / 6

HEX #F01E19

RGB 240 30 25

HSL 1.4, 0.88%, 0.52%

LAB 51.29, 73.62, 57.27

 

CMYK 0 / 90 / 90 / 6

HEX #F01919

RGB 240 25 25

HSL 0, 0.88%, 0.52%

LAB 51.03, 74.39, 57.08

 

CMYK 0 / 63 / 90 / 6

HEX #F05819

RGB 240 88 25

HSL 17.58, 0.88%, 0.52%

LAB 57.63, 56.07, 61.77

 

CMYK 0 / 39 / 90 / 6

HEX #F09219

RGB 240 146 25

HSL 33.77, 0.88%, 0.52%

LAB 68.86, 27.88, 70.07

 

CMYK 0 / 15 / 90 / 6

HEX #F0CC19

RGB 240 204 25

HSL 49.95, 0.88%, 0.52%

LAB 82.8, -2.47, 80.7

 

CMYK 9 / 0 / 90 / 6

HEX #DAF019

RGB 218 240 25

HSL 66.14, 0.88%, 0.52%

LAB 90.46, -29.36, 85.92

 

CMYK 33 / 0 / 90 / 6

HEX #A0F019

RGB 160 240 25

HSL 82.33, 0.88%, 0.52%

LAB 86.93, -51.58, 81.61

 

CMYK 0 / 63 / 90 / 6

HEX #F05819

RGB 240 88 25

HSL 17.58, 0.88%, 0.52%

LAB 57.63, 56.07, 61.77

 

CMYK 0 / 63 / 90 / 6

HEX #F05819

RGB 240 88 25

HSL 17.58, 0.88%, 0.52%

LAB 57.63, 56.07, 61.77

 

CMYK 0 / 57 / 80 / 13

HEX #DD602D

RGB 221 96 45

HSL 17.39, 0.72%, 0.52%

LAB 56.01, 46.17, 51.21

 

CMYK 0 / 48 / 68 / 21

HEX #C96840

RGB 201 104 64

HSL 17.52, 0.56%, 0.52%

LAB 54.75, 35.34, 39.45

 

CMYK 0 / 38 / 54 / 29

HEX #B57154

RGB 181 113 84

HSL 17.94, 0.4%, 0.52%

LAB 54.32, 23.81, 27.28

 

CMYK 0 / 25 / 35 / 37

HEX #A17968

RGB 161 121 104

HSL 17.89, 0.23%, 0.52%

LAB 54.29, 13.19, 15.38

 

CMYK 0 / 90 / 67 / 6

HEX #F0194F

RGB 240 25 79

HSL 344.93, 0.88%, 0.52%

LAB 51.59, 76, 28.69

 

CMYK 0 / 88 / 90 / 6

HEX #F01C19

RGB 240 28 25

HSL 0.84, 0.88%, 0.52%

LAB 51.18, 73.94, 57.19

 

CMYK 0 / 64 / 90 / 6

HEX #F05619

RGB 240 86 25

HSL 17.02, 0.88%, 0.52%

LAB 57.32, 56.9, 61.54

 

CMYK 0 / 40 / 90 / 6

HEX #F08F19

RGB 240 143 25

HSL 32.93, 0.88%, 0.52%

LAB 68.2, 29.45, 69.57

 

CMYK 0 / 16 / 90 / 6

HEX #F0C919

RGB 240 201 25

HSL 49.12, 0.88%, 0.52%

LAB 82.04, -0.94, 80.11

 

CMYK 0 / 66 / 94 / 33

HEX #AC3A0B

RGB 172 58 11

HSL 17.52, 0.88%, 0.36%

LAB 40.93, 44.83, 48.98

 

CMYK 0 / 66 / 94 / 17

HEX #D3470D

RGB 211 71 13

HSL 17.58, 0.88%, 0.44%

LAB 49.96, 53.03, 57.72

 

CMYK 0 / 63 / 90 / 6

HEX #F05819

RGB 240 88 25

HSL 17.58, 0.88%, 0.52%

LAB 57.63, 56.07, 61.77

 

CMYK 0 / 52 / 74 / 5

HEX #F37440

RGB 243 116 64

HSL 17.43, 0.88%, 0.6%

LAB 63.27, 45.48, 50.59

 

CMYK 0 / 41 / 58 / 4

HEX #F59066

RGB 245 144 102

HSL 17.62, 0.88%, 0.68%

LAB 69.7, 34.32, 38.57

 

CMYK 0 / 63 / 89 / 5

HEX #F1591A

RGB 241 89 26

HSL 17.58, 0.88%, 0.52%

LAB 57.96, 56, 61.76

 

CMYK 43 / 0 / 90 / 6

HEX #88F019

RGB 136 240 25

HSL 89.02, 0.88%, 0.52%

LAB 85.82, -59.59, 80.23

 

CMYK 90 / 79 / 0 / 6

HEX #1932F0

RGB 25 50 240

HSL 233.02, 0.88%, 0.52%

LAB 35.56, 60.97, -93.97

 

CMYK 0 / 63 / 89 / 5

HEX #F1591A

RGB 241 89 26

HSL 17.58, 0.88%, 0.52%

LAB 57.96, 56, 61.76

 

CMYK 90 / 0 / 64 / 6

HEX #19F056

RGB 25 240 86

HSL 137.02, 0.88%, 0.52%

LAB 83.55, -76.81, 59.38

 

CMYK 64 / 90 / 0 / 6

HEX #5619F0

RGB 86 25 240

HSL 257.02, 0.88%, 0.52%

LAB 35.92, 73.19, -93.27

 

CMYK 0 / 63 / 89 / 5

HEX #F1591A

RGB 241 89 26

HSL 17.58, 0.88%, 0.52%

LAB 57.96, 56, 61.76

 

CMYK 43 / 0 / 90 / 6

HEX #88F019

RGB 136 240 25

HSL 89.02, 0.88%, 0.52%

LAB 85.82, -59.59, 80.23

 

CMYK 90 / 25 / 0 / 6

HEX #19B3F0

RGB 25 179 240

HSL 197.02, 0.88%, 0.52%

LAB 68.56, -15.75, -40.65

 

CMYK 46 / 90 / 0 / 6

HEX #8119F0

RGB 129 25 240

HSL 269.02, 0.88%, 0.52%

LAB 40.66, 76.68, -85.27

 

CMYK 0 / 63 / 89 / 5

HEX #F1591A

RGB 241 89 26

HSL 17.58, 0.88%, 0.52%

LAB 57.96, 56, 61.76

 

CMYK 70 / 0 / 90 / 6

HEX #48F019

RGB 72 240 25

HSL 106.88, 0.88%, 0.52%

LAB 83.84, -75.4, 77.78

 

CMYK 90 / 25 / 0 / 6

HEX #19B3F0

RGB 25 179 240

HSL 197.02, 0.88%, 0.52%

LAB 68.56, -15.75, -40.65

 

CMYK 19 / 90 / 0 / 6

HEX #C219F0

RGB 194 25 240

HSL 287.16, 0.88%, 0.52%

LAB 50.04, 84.71, -69.55

 

Description

Color code: HEX #F1591ACE | qconv.com Color code: HEX #F1591ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 89 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 89 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 72 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 72% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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