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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F15569 it is the complementary color #0EAA96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F15569. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F15569 shade: #F65564, #FF6777, #FF798A, #FF8B9D and #FF9DB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F15569. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F15569 shade: #F15569, #E04356, #CF3143, #BE1F30 and #AD0D1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F15569 shade: #F15569 and #F15555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F15569 shade: #F15569, #F15593, #F155BD, #F155E7 and #D155F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F15569 shade matches the following richer shades: #F15569

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F15569 shade: #F15569, #E26474, #D4737F, #C5828A and #B69195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F15569 shade: #F155BD, #F15594, #F1556A, #F16A55 and #F19455

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F15569 shade: #E2122D, #EE2F48, #F15569, #F47B8B and #F7A1AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F15569 shade: #F15569, #E7F155 and #55A8F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F15569 shade: #F15569, #6AF155 and #556AF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F15569 shade: #F15569, #E7F155, #55F1DC and #6055F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F15569 shade: #F15569, #B8F155, #55F1DC and #8E55F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

Complementary color

CMYK 92 / 0 / 12 / 33

HEX #0EAA96

RGB 14 170 150

HSL 172.31, 0.85%, 0.36%

LAB 62.55, -40.86, 0.02

 

CMYK 0 / 65 / 59 / 4

HEX #F65564

RGB 246 85 100

HSL 354.41, 0.9%, 0.65%

LAB 58.98, 62.28, 26.05

 

CMYK 0 / 60 / 53 / 0

HEX #FF6777

RGB 255 103 119

HSL 353.68, 1%, 0.7%

LAB 63.58, 59.03, 21.51

 

CMYK 0 / 53 / 46 / 0

HEX #FF798A

RGB 255 121 138

HSL 352.39, 1%, 0.74%

LAB 67.1, 52.47, 15.55

 

CMYK 0 / 45 / 38 / 0

HEX #FF8B9D

RGB 255 139 157

HSL 350.69, 1%, 0.77%

LAB 70.98, 45.64, 10.33

 

CMYK 0 / 38 / 31 / 0

HEX #FF9DB0

RGB 255 157 176

HSL 348.37, 1%, 0.81%

LAB 75.14, 38.74, 5.76

 

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

CMYK 0 / 70 / 62 / 12

HEX #E04356

RGB 224 67 86

HSL 352.74, 0.72%, 0.57%

LAB 52.44, 61.44, 24.98

 

CMYK 0 / 76 / 68 / 19

HEX #CF3143

RGB 207 49 67

HSL 353.16, 0.62%, 0.5%

LAB 46.8, 61.38, 28.52

 

CMYK 0 / 84 / 75 / 25

HEX #BE1F30

RGB 190 31 48

HSL 353.58, 0.72%, 0.43%

LAB 41.44, 60.61, 32.73

 

CMYK 0 / 92 / 83 / 32

HEX #AD0D1D

RGB 173 13 29

HSL 354, 0.86%, 0.36%

LAB 36.48, 58.77, 37.52

 

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

CMYK 0 / 65 / 65 / 5

HEX #F15555

RGB 241 85 85

HSL 0, 0.85%, 0.64%

LAB 57.9, 59.77, 33.1

 

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

CMYK 0 / 65 / 39 / 5

HEX #F15593

RGB 241 85 147

HSL 336.15, 0.85%, 0.64%

LAB 59.25, 64.72, -1.13

 

CMYK 0 / 65 / 22 / 5

HEX #F155BD

RGB 241 85 189

HSL 320, 0.85%, 0.64%

LAB 60.67, 69.66, -23.29

 

CMYK 0 / 65 / 4 / 5

HEX #F155E7

RGB 241 85 231

HSL 303.85, 0.85%, 0.64%

LAB 62.48, 75.71, -44.2

 

CMYK 13 / 65 / 0 / 5

HEX #D155F1

RGB 209 85 241

HSL 287.69, 0.85%, 0.64%

LAB 58.42, 70.14, -56.51

 

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

CMYK 0 / 56 / 49 / 11

HEX #E26474

RGB 226 100 116

HSL 352.38, 0.68%, 0.64%

LAB 58.55, 50.44, 15.63

 

CMYK 0 / 46 / 40 / 17

HEX #D4737F

RGB 212 115 127

HSL 352.58, 0.53%, 0.64%

LAB 59.7, 39.16, 10.57

 

CMYK 0 / 34 / 30 / 23

HEX #C5828A

RGB 197 130 138

HSL 352.84, 0.37%, 0.64%

LAB 61.37, 26.92, 6.37

 

CMYK 0 / 20 / 18 / 29

HEX #B69195

RGB 182 145 149

HSL 353.51, 0.2%, 0.64%

LAB 63.64, 14.55, 3.19

 

CMYK 0 / 65 / 22 / 5

HEX #F155BD

RGB 241 85 189

HSL 320, 0.85%, 0.64%

LAB 60.67, 69.66, -23.29

 

CMYK 0 / 65 / 39 / 5

HEX #F15594

RGB 241 85 148

HSL 335.77, 0.85%, 0.64%

LAB 59.28, 64.82, -1.67

 

CMYK 0 / 65 / 56 / 5

HEX #F1556A

RGB 241 85 106

HSL 351.92, 0.85%, 0.64%

LAB 58.26, 61.12, 21.45

 

CMYK 0 / 56 / 65 / 5

HEX #F16A55

RGB 241 106 85

HSL 8.08, 0.85%, 0.64%

LAB 61.36, 50.58, 37.36

 

CMYK 0 / 39 / 65 / 5

HEX #F19455

RGB 241 148 85

HSL 24.23, 0.85%, 0.64%

LAB 69.85, 29.52, 47.4

 

CMYK 0 / 92 / 80 / 11

HEX #E2122D

RGB 226 18 45

HSL 352.21, 0.85%, 0.48%

LAB 48, 72.19, 43.66

 

CMYK 0 / 80 / 70 / 7

HEX #EE2F48

RGB 238 47 72

HSL 352.15, 0.85%, 0.56%

LAB 52.6, 70.87, 33.99

 

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

CMYK 0 / 50 / 43 / 4

HEX #F47B8B

RGB 244 123 139

HSL 352.07, 0.85%, 0.72%

LAB 65.95, 47.81, 13.14

 

CMYK 0 / 35 / 30 / 3

HEX #F7A1AD

RGB 247 161 173

HSL 351.63, 0.84%, 0.8%

LAB 75, 33.42, 7.09

 

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

CMYK 4 / 0 / 65 / 5

HEX #E7F155

RGB 231 241 85

HSL 63.85, 0.85%, 0.64%

LAB 91.93, -22.36, 71.16

 

CMYK 65 / 30 / 0 / 5

HEX #55A8F1

RGB 85 168 241

HSL 208.08, 0.85%, 0.64%

LAB 66.74, -3, -43.96

 

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

CMYK 56 / 0 / 65 / 5

HEX #6AF155

RGB 106 241 85

HSL 111.92, 0.85%, 0.64%

LAB 85.32, -65.04, 62.15

 

CMYK 65 / 56 / 0 / 5

HEX #556AF1

RGB 85 106 241

HSL 231.92, 0.85%, 0.64%

LAB 50.2, 34.04, -70.37

 

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

CMYK 4 / 0 / 65 / 5

HEX #E7F155

RGB 231 241 85

HSL 63.85, 0.85%, 0.64%

LAB 91.93, -22.36, 71.16

 

CMYK 65 / 0 / 9 / 5

HEX #55F1DC

RGB 85 241 220

HSL 171.92, 0.85%, 0.64%

LAB 87, -45.47, -1.89

 

CMYK 60 / 65 / 0 / 5

HEX #6055F1

RGB 96 85 241

HSL 244.23, 0.85%, 0.64%

LAB 46.09, 48.18, -77.04

 

CMYK 0 / 65 / 56 / 5

HEX #F15569

RGB 241 85 105

HSL 352.31, 0.85%, 0.64%

LAB 58.24, 61.05, 22.01

 

CMYK 24 / 0 / 65 / 5

HEX #B8F155

RGB 184 241 85

HSL 81.92, 0.85%, 0.64%

LAB 88.81, -40.57, 66.93

 

CMYK 65 / 0 / 9 / 5

HEX #55F1DC

RGB 85 241 220

HSL 171.92, 0.85%, 0.64%

LAB 87, -45.47, -1.89

 

CMYK 41 / 65 / 0 / 5

HEX #8E55F1

RGB 142 85 241

HSL 261.92, 0.85%, 0.64%

LAB 50.21, 56.09, -70.15

 

Description

Color code: HEX #F15569 | qconv.com Color code: HEX #F15569 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 85 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 85 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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