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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F14C93 it is the complementary color #0EB36C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F14C93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F14C93 shade: #F64C8E, #FF5EA1, #FF70B4, #FF82C7 and #FF94DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F14C93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F14C93 shade: #F14C93, #E03A80, #CF286D, #BE165A and #AD0447

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F14C93 shade: #F04C93, #F04C66 and #F04C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F14C93 shade: #F04C93, #F04CBF, #F04CEB, #C94CF0 and #9D4CF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F14C93 shade matches the following richer shades: #F04C93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F14C93 shade: #F04C93, #E15B95, #D16B97, #C17B99 and #B28A9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F14C93 shade: #F04CEB, #F04CBF, #F04C93, #F04C67 and #F05C4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F14C93 shade: #D81267, #ED267C, #F04C93, #F472AA and #F798C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F14C93 shade: #F14C93, #F0CA4C and #4CD5F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F14C93 shade: #F14C93, #93F04C and #4C93F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F14C93 shade: #F14C93, #F0CA4C, #4CF0A9 and #4C72F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F14C93 shade: #F14C93, #E5F04C, #4CF0A9 and #574CF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 39 / 5

HEX #F14C93

RGB 241 76 147

HSL 334.18, 0.85%, 0.62%

LAB 58.01, 68.13, -2.95

 

Complementary color

CMYK 92 / 0 / 40 / 30

HEX #0EB36C

RGB 14 179 108

HSL 154.18, 0.85%, 0.38%

LAB 64.5, -54.57, 25.79

 

CMYK 0 / 69 / 42 / 4

HEX #F64C8E

RGB 246 76 142

HSL 336.71, 0.9%, 0.63%

LAB 58.71, 69.04, 1.1

 

CMYK 0 / 63 / 37 / 0

HEX #FF5EA1

RGB 255 94 161

HSL 335.03, 1%, 0.68%

LAB 63.21, 66.67, -3.17

 

CMYK 0 / 56 / 29 / 0

HEX #FF70B4

RGB 255 112 180

HSL 331.47, 1%, 0.72%

LAB 66.63, 61.18, -8.95

 

CMYK 0 / 49 / 22 / 0

HEX #FF82C7

RGB 255 130 199

HSL 326.88, 1%, 0.75%

LAB 70.42, 55.3, -13.94

 

CMYK 0 / 42 / 15 / 0

HEX #FF94DA

RGB 255 148 218

HSL 320.75, 1%, 0.79%

LAB 74.51, 49.22, -18.27

 

CMYK 0 / 68 / 39 / 5

HEX #F14C93

RGB 241 76 147

HSL 334.18, 0.85%, 0.62%

LAB 58.01, 68.13, -2.95

 

CMYK 0 / 74 / 43 / 12

HEX #E03A80

RGB 224 58 128

HSL 334.7, 0.73%, 0.55%

LAB 52.32, 67.77, -0.38

 

CMYK 0 / 81 / 47 / 19

HEX #CF286D

RGB 207 40 109

HSL 335.21, 0.68%, 0.48%

LAB 46.83, 66.77, 2.8

 

CMYK 0 / 88 / 53 / 25

HEX #BE165A

RGB 190 22 90

HSL 335.71, 0.79%, 0.42%

LAB 41.63, 64.84, 6.75

 

CMYK 0 / 98 / 59 / 32

HEX #AD0447

RGB 173 4 71

HSL 336.21, 0.95%, 0.35%

LAB 36.79, 61.77, 11.63

 

CMYK 0 / 68 / 39 / 6

HEX #F04C93

RGB 240 76 147

HSL 334.02, 0.85%, 0.62%

LAB 57.85, 67.85, -3.22

 

CMYK 0 / 68 / 58 / 6

HEX #F04C66

RGB 240 76 102

HSL 350.49, 0.85%, 0.62%

LAB 56.74, 64.02, 21.72

 

CMYK 0 / 68 / 68 / 6

HEX #F04C4C

RGB 240 76 76

HSL 0, 0.85%, 0.62%

LAB 56.3, 62.49, 36.23

 

CMYK 0 / 68 / 39 / 6

HEX #F04C93

RGB 240 76 147

HSL 334.02, 0.85%, 0.62%

LAB 57.85, 67.85, -3.22

 

CMYK 0 / 68 / 20 / 6

HEX #F04CBF

RGB 240 76 191

HSL 317.93, 0.85%, 0.62%

LAB 59.39, 72.99, -26.41

 

CMYK 0 / 68 / 2 / 6

HEX #F04CEB

RGB 240 76 235

HSL 301.83, 0.85%, 0.62%

LAB 61.39, 79.3, -48.17

 

CMYK 16 / 68 / 0 / 6

HEX #C94CF0

RGB 201 76 240

HSL 285.73, 0.85%, 0.62%

LAB 55.97, 71.85, -59.94

 

CMYK 35 / 68 / 0 / 6

HEX #9D4CF0

RGB 157 76 240

HSL 269.63, 0.85%, 0.62%

LAB 50.25, 63.06, -69.45

 

CMYK 0 / 68 / 39 / 6

HEX #F04C93

RGB 240 76 147

HSL 334.02, 0.85%, 0.62%

LAB 57.85, 67.85, -3.22

 

CMYK 0 / 68 / 39 / 6

HEX #F04C93

RGB 240 76 147

HSL 334.02, 0.85%, 0.62%

LAB 57.85, 67.85, -3.22

 

CMYK 0 / 60 / 34 / 12

HEX #E15B95

RGB 225 91 149

HSL 334.03, 0.69%, 0.62%

LAB 57.71, 57.64, -4.86

 

CMYK 0 / 49 / 28 / 18

HEX #D16B97

RGB 209 107 151

HSL 334.12, 0.53%, 0.62%

LAB 58.33, 45.17, -5.37

 

CMYK 0 / 36 / 21 / 24

HEX #C17B99

RGB 193 123 153

HSL 334.29, 0.36%, 0.62%

LAB 59.71, 31.45, -4.71

 

CMYK 0 / 22 / 13 / 30

HEX #B28A9B

RGB 178 138 155

HSL 334.5, 0.21%, 0.62%

LAB 61.66, 17.96, -3.16

 

CMYK 0 / 68 / 2 / 6

HEX #F04CEB

RGB 240 76 235

HSL 301.83, 0.85%, 0.62%

LAB 61.39, 79.3, -48.17

 

CMYK 0 / 68 / 20 / 6

HEX #F04CBF

RGB 240 76 191

HSL 317.93, 0.85%, 0.62%

LAB 59.39, 72.99, -26.41

 

CMYK 0 / 68 / 39 / 6

HEX #F04C93

RGB 240 76 147

HSL 334.02, 0.85%, 0.62%

LAB 57.85, 67.85, -3.22

 

CMYK 0 / 68 / 57 / 6

HEX #F04C67

RGB 240 76 103

HSL 350.12, 0.85%, 0.62%

LAB 56.76, 64.09, 21.16

 

CMYK 0 / 62 / 68 / 6

HEX #F05C4C

RGB 240 92 76

HSL 5.85, 0.85%, 0.62%

LAB 58.7, 56.03, 39.08

 

CMYK 0 / 92 / 52 / 15

HEX #D81267

RGB 216 18 103

HSL 334.24, 0.85%, 0.46%

LAB 46.99, 72.61, 6.97

 

CMYK 0 / 84 / 48 / 7

HEX #ED267C

RGB 237 38 124

HSL 334.07, 0.85%, 0.54%

LAB 52.78, 75.89, 2.99

 

CMYK 0 / 68 / 39 / 6

HEX #F04C93

RGB 240 76 147

HSL 334.02, 0.85%, 0.62%

LAB 57.85, 67.85, -3.22

 

CMYK 0 / 53 / 30 / 4

HEX #F472AA

RGB 244 114 170

HSL 334.15, 0.86%, 0.7%

LAB 65.1, 55.63, -5.72

 

CMYK 0 / 38 / 22 / 3

HEX #F798C1

RGB 247 152 193

HSL 334.11, 0.86%, 0.78%

LAB 73.6, 40.83, -5.98

 

CMYK 0 / 68 / 39 / 5

HEX #F14C93

RGB 241 76 147

HSL 334.18, 0.85%, 0.62%

LAB 58.01, 68.13, -2.95

 

CMYK 0 / 16 / 68 / 6

HEX #F0CA4C

RGB 240 202 76

HSL 46.1, 0.85%, 0.62%

LAB 82.53, 0.26, 65.25

 

CMYK 68 / 11 / 0 / 6

HEX #4CD5F0

RGB 76 213 240

HSL 189.88, 0.85%, 0.62%

LAB 79.28, -28.34, -24.04

 

CMYK 0 / 68 / 39 / 5

HEX #F14C93

RGB 241 76 147

HSL 334.18, 0.85%, 0.62%

LAB 58.01, 68.13, -2.95

 

CMYK 39 / 0 / 68 / 6

HEX #93F04C

RGB 147 240 76

HSL 94.02, 0.85%, 0.62%

LAB 86.53, -53.68, 67.37

 

CMYK 68 / 39 / 0 / 6

HEX #4C93F0

RGB 76 147 240

HSL 214.02, 0.85%, 0.62%

LAB 60.51, 7.37, -53.27

 

CMYK 0 / 68 / 39 / 5

HEX #F14C93

RGB 241 76 147

HSL 334.18, 0.85%, 0.62%

LAB 58.01, 68.13, -2.95

 

CMYK 0 / 16 / 68 / 6

HEX #F0CA4C

RGB 240 202 76

HSL 46.1, 0.85%, 0.62%

LAB 82.53, 0.26, 65.25

 

CMYK 68 / 0 / 30 / 6

HEX #4CF0A9

RGB 76 240 169

HSL 154.02, 0.85%, 0.62%

LAB 85.36, -58.19, 22.3

 

CMYK 68 / 53 / 0 / 6

HEX #4C72F0

RGB 76 114 240

HSL 226.1, 0.85%, 0.62%

LAB 51.68, 27.45, -67.44

 

CMYK 0 / 68 / 39 / 5

HEX #F14C93

RGB 241 76 147

HSL 334.18, 0.85%, 0.62%

LAB 58.01, 68.13, -2.95

 

CMYK 5 / 0 / 68 / 6

HEX #E5F04C

RGB 229 240 76

HSL 64.02, 0.85%, 0.62%

LAB 91.46, -23.18, 73.97

 

CMYK 68 / 0 / 30 / 6

HEX #4CF0A9

RGB 76 240 169

HSL 154.02, 0.85%, 0.62%

LAB 85.36, -58.19, 22.3

 

CMYK 64 / 68 / 0 / 6

HEX #574CF0

RGB 87 76 240

HSL 244.02, 0.85%, 0.62%

LAB 43.49, 51.71, -80.77

 

Description

Color code: HEX #F14C93 | qconv.com Color code: HEX #F14C93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 76 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 76 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 39 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 39% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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