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Color name
HEX #F147D5

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F147D5 it is the complementary color #0EB82A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F147D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F147D5 shade: #F647D0, #FF59E3, #FF6BF6, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F147D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F147D5 shade: #F147D5, #E035C2, #CF23AF, #BE119C and #AD0089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F147D5 shade: #F146D5, #F146A7, #F14679, #F1464B and #F14646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F147D5 shade: #F146D5, #DF46F1, #B146F1, #8346F1 and #5546F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F147D5 shade matches the following richer shades: #F146D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F147D5 shade: #F146D5, #E156CA, #D166BF, #C176B5 and #B186AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F147D5 shade: #B046F1, #DD46F1, #F146D7, #F146AA and #F1467C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F147D5 shade: #D510B4, #EE20CC, #F146D5, #F46CDE and #F793E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F147D5 shade: #F147D5, #F18246 and #46F1C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F147D5 shade: #F147D5, #D7F146 and #46D7F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F147D5 shade: #F147D5, #F18246, #46F160 and #46B5F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F147D5 shade: #F147D5, #F1B546, #46F160 and #4682F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 12 / 5

HEX #F147D5

RGB 241 71 213

HSL 309.88, 0.86%, 0.61%

LAB 59.9, 77.92, -38.14

 

Complementary color

CMYK 92 / 0 / 77 / 28

HEX #0EB82A

RGB 14 184 42

HSL 129.88, 0.86%, 0.39%

LAB 65.39, -65.08, 56.83

 

CMYK 0 / 71 / 15 / 4

HEX #F647D0

RGB 246 71 208

HSL 313.03, 0.91%, 0.62%

LAB 60.47, 78.37, -34.35

 

CMYK 0 / 65 / 11 / 0

HEX #FF59E3

RGB 255 89 227

HSL 310.12, 1%, 0.67%

LAB 64.92, 76.94, -37.99

 

CMYK 0 / 58 / 4 / 0

HEX #FF6BF6

RGB 255 107 246

HSL 303.65, 1%, 0.71%

LAB 68.34, 72.74, -43.18

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 71 / 12 / 5

HEX #F147D5

RGB 241 71 213

HSL 309.88, 0.86%, 0.61%

LAB 59.9, 77.92, -38.14

 

CMYK 0 / 76 / 13 / 12

HEX #E035C2

RGB 224 53 194

HSL 310.53, 0.73%, 0.54%

LAB 54.33, 76.93, -36.2

 

CMYK 0 / 83 / 15 / 19

HEX #CF23AF

RGB 207 35 175

HSL 311.16, 0.71%, 0.47%

LAB 48.96, 75.18, -33.76

 

CMYK 0 / 91 / 18 / 25

HEX #BE119C

RGB 190 17 156

HSL 311.79, 0.84%, 0.41%

LAB 43.87, 72.39, -30.66

 

CMYK 0 / 100 / 21 / 32

HEX #AD0089

RGB 173 0 137

HSL 312.49, 1%, 0.34%

LAB 39.05, 68.52, -26.86

 

CMYK 0 / 71 / 12 / 5

HEX #F146D5

RGB 241 70 213

HSL 309.82, 0.86%, 0.61%

LAB 59.78, 78.25, -38.32

 

CMYK 0 / 71 / 31 / 5

HEX #F146A7

RGB 241 70 167

HSL 325.96, 0.86%, 0.61%

LAB 57.91, 72.37, -14.79

 

CMYK 0 / 71 / 50 / 5

HEX #F14679

RGB 241 70 121

HSL 342.11, 0.86%, 0.61%

LAB 56.55, 67.88, 10.26

 

CMYK 0 / 71 / 69 / 5

HEX #F1464B

RGB 241 70 75

HSL 358.25, 0.86%, 0.61%

LAB 55.67, 64.93, 36.08

 

CMYK 0 / 71 / 71 / 5

HEX #F14646

RGB 241 70 70

HSL 0, 0.86%, 0.61%

LAB 55.61, 64.7, 38.83

 

CMYK 0 / 71 / 12 / 5

HEX #F146D5

RGB 241 70 213

HSL 309.82, 0.86%, 0.61%

LAB 59.78, 78.25, -38.32

 

CMYK 7 / 71 / 0 / 5

HEX #DF46F1

RGB 223 70 241

HSL 293.68, 0.86%, 0.61%

LAB 58.43, 78.72, -56.37

 

CMYK 27 / 71 / 0 / 5

HEX #B146F1

RGB 177 70 241

HSL 277.54, 0.86%, 0.61%

LAB 51.93, 69.65, -67.18

 

CMYK 46 / 71 / 0 / 5

HEX #8346F1

RGB 131 70 241

HSL 261.4, 0.86%, 0.61%

LAB 46.39, 61.5, -76.43

 

CMYK 65 / 71 / 0 / 5

HEX #5546F1

RGB 85 70 241

HSL 245.26, 0.86%, 0.61%

LAB 42.25, 55.05, -83.37

 

CMYK 0 / 71 / 12 / 5

HEX #F146D5

RGB 241 70 213

HSL 309.82, 0.86%, 0.61%

LAB 59.78, 78.25, -38.32

 

CMYK 0 / 71 / 12 / 5

HEX #F146D5

RGB 241 70 213

HSL 309.82, 0.86%, 0.61%

LAB 59.78, 78.25, -38.32

 

CMYK 0 / 62 / 10 / 12

HEX #E156CA

RGB 225 86 202

HSL 309.93, 0.7%, 0.61%

LAB 58.91, 66.94, -33.63

 

CMYK 0 / 51 / 9 / 18

HEX #D166BF

RGB 209 102 191

HSL 310.09, 0.54%, 0.61%

LAB 58.81, 53.65, -27.69

 

CMYK 0 / 39 / 6 / 24

HEX #C176B5

RGB 193 118 181

HSL 309.6, 0.38%, 0.61%

LAB 59.55, 38.8, -21

 

CMYK 0 / 24 / 4 / 31

HEX #B186AA

RGB 177 134 170

HSL 309.77, 0.22%, 0.61%

LAB 61.05, 22.54, -12.63

 

CMYK 27 / 71 / 0 / 5

HEX #B046F1

RGB 176 70 241

HSL 277.19, 0.86%, 0.61%

LAB 51.79, 69.46, -67.4

 

CMYK 8 / 71 / 0 / 5

HEX #DD46F1

RGB 221 70 241

HSL 292.98, 0.86%, 0.61%

LAB 58.14, 78.31, -56.86

 

CMYK 0 / 71 / 11 / 5

HEX #F146D7

RGB 241 70 215

HSL 309.12, 0.86%, 0.61%

LAB 59.88, 78.53, -39.3

 

CMYK 0 / 71 / 29 / 5

HEX #F146AA

RGB 241 70 170

HSL 324.91, 0.86%, 0.61%

LAB 58.02, 72.71, -16.37

 

CMYK 0 / 71 / 49 / 5

HEX #F1467C

RGB 241 70 124

HSL 341.05, 0.86%, 0.61%

LAB 56.62, 68.13, 8.59

 

CMYK 0 / 92 / 15 / 16

HEX #D510B4

RGB 213 16 180

HSL 310.05, 0.86%, 0.45%

LAB 49.27, 79.98, -36.14

 

CMYK 0 / 87 / 14 / 7

HEX #EE20CC

RGB 238 32 204

HSL 309.9, 0.86%, 0.53%

LAB 55.65, 85.62, -39.71

 

CMYK 0 / 71 / 12 / 5

HEX #F146D5

RGB 241 70 213

HSL 309.82, 0.86%, 0.61%

LAB 59.78, 78.25, -38.32

 

CMYK 0 / 56 / 9 / 4

HEX #F46CDE

RGB 244 108 222

HSL 309.71, 0.86%, 0.69%

LAB 65.93, 65.66, -33.76

 

CMYK 0 / 40 / 7 / 3

HEX #F793E6

RGB 247 147 230

HSL 310.2, 0.86%, 0.77%

LAB 73.78, 49.16, -26.05

 

CMYK 0 / 71 / 12 / 5

HEX #F147D5

RGB 241 71 213

HSL 309.88, 0.86%, 0.61%

LAB 59.9, 77.92, -38.14

 

CMYK 0 / 46 / 71 / 5

HEX #F18246

RGB 241 130 70

HSL 21.05, 0.86%, 0.61%

LAB 65.83, 38.02, 50.32

 

CMYK 71 / 0 / 18 / 5

HEX #46F1C6

RGB 70 241 198

HSL 164.91, 0.86%, 0.61%

LAB 86.15, -53.01, 8.35

 

CMYK 0 / 71 / 12 / 5

HEX #F147D5

RGB 241 71 213

HSL 309.88, 0.86%, 0.61%

LAB 59.9, 77.92, -38.14

 

CMYK 11 / 0 / 71 / 5

HEX #D7F146

RGB 215 241 70

HSL 69.12, 0.86%, 0.61%

LAB 90.69, -29.56, 74.96

 

CMYK 71 / 11 / 0 / 5

HEX #46D7F1

RGB 70 215 241

HSL 189.12, 0.86%, 0.61%

LAB 79.76, -29.8, -23.86

 

CMYK 0 / 71 / 12 / 5

HEX #F147D5

RGB 241 71 213

HSL 309.88, 0.86%, 0.61%

LAB 59.9, 77.92, -38.14

 

CMYK 0 / 46 / 71 / 5

HEX #F18246

RGB 241 130 70

HSL 21.05, 0.86%, 0.61%

LAB 65.83, 38.02, 50.32

 

CMYK 71 / 0 / 60 / 5

HEX #46F160

RGB 70 241 96

HSL 129.12, 0.86%, 0.61%

LAB 84.51, -71.17, 56.44

 

CMYK 71 / 25 / 0 / 5

HEX #46B5F1

RGB 70 181 241

HSL 201.05, 0.86%, 0.61%

LAB 69.97, -12.41, -38.95

 

CMYK 0 / 71 / 12 / 5

HEX #F147D5

RGB 241 71 213

HSL 309.88, 0.86%, 0.61%

LAB 59.9, 77.92, -38.14

 

CMYK 0 / 25 / 71 / 5

HEX #F1B546

RGB 241 181 70

HSL 38.95, 0.86%, 0.61%

LAB 77.39, 11.31, 62.47

 

CMYK 71 / 0 / 60 / 5

HEX #46F160

RGB 70 241 96

HSL 129.12, 0.86%, 0.61%

LAB 84.51, -71.17, 56.44

 

CMYK 71 / 46 / 0 / 5

HEX #4682F1

RGB 70 130 241

HSL 218.95, 0.86%, 0.61%

LAB 55.7, 17.1, -61.52

 

Description

Color code: HEX #F147D5 | qconv.com Color code: HEX #F147D5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 71 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 71 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 12% 5% C M Y K

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