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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1254B it is the complementary color #0EDAB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1254B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1254B shade: #F62546, #FF3759, #FF496C, #FF5B7F and #FF6D92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1254B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1254B shade: #F1254B, #E01338, #CF0125, #BE0012 and #AD0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1254B shade: #F1274D and #F12727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1254B shade: #F1274D, #F12783, #F127BA, #F127F0 and #BC27F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1254B shade matches the following richer shades: #F1274D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1254B shade: #F1274D, #DF3A59, #CC4C64, #BA5F70 and #A7727B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1254B shade: #F127BB, #F12786, #F12750, #F13527 and #F16B27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1254B shade: #BA0C2C, #E10E36, #F1274D, #F44E6D and #F6758D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1254B shade: #F1254B, #F1F127 and #27A0F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1254B shade: #F1254B, #50F127 and #2750F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1254B shade: #F1254B, #F1F127, #27F1C9 and #2727F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1254B shade: #F1254B, #B5F127, #27F1C9 and #6427F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 69 / 5

HEX #F1254B

RGB 241 37 75

HSL 348.82, 0.88%, 0.55%

LAB 52.43, 74.04, 32.16

 

Complementary color

CMYK 94 / 0 / 17 / 15

HEX #0EDAB4

RGB 14 218 180

HSL 168.82, 0.88%, 0.45%

LAB 78.19, -52.83, 6.32

 

CMYK 0 / 85 / 72 / 4

HEX #F62546

RGB 246 37 70

HSL 350.53, 0.92%, 0.55%

LAB 53.34, 75.11, 36.41

 

CMYK 0 / 78 / 65 / 0

HEX #FF3759

RGB 255 55 89

HSL 349.8, 1%, 0.61%

LAB 56.8, 74.21, 29.94

 

CMYK 0 / 71 / 58 / 0

HEX #FF496C

RGB 255 73 108

HSL 348.46, 1%, 0.64%

LAB 59.07, 69.9, 21.79

 

CMYK 0 / 64 / 50 / 0

HEX #FF5B7F

RGB 255 91 127

HSL 346.83, 1%, 0.68%

LAB 61.89, 64.67, 14.58

 

CMYK 0 / 57 / 43 / 0

HEX #FF6D92

RGB 255 109 146

HSL 344.79, 1%, 0.71%

LAB 65.18, 58.76, 8.29

 

CMYK 0 / 85 / 69 / 5

HEX #F1254B

RGB 241 37 75

HSL 348.82, 0.88%, 0.55%

LAB 52.43, 74.04, 32.16

 

CMYK 0 / 92 / 75 / 12

HEX #E01338

RGB 224 19 56

HSL 349.17, 0.84%, 0.48%

LAB 47.75, 71.91, 37

 

CMYK 0 / 100 / 82 / 19

HEX #CF0125

RGB 207 1 37

HSL 349.51, 0.99%, 0.41%

LAB 43.39, 68.9, 42.22

 

CMYK 0 / 100 / 91 / 25

HEX #BE0012

RGB 190 0 18

HSL 354.32, 1%, 0.37%

LAB 39.57, 64.41, 47.14

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 0 / 84 / 68 / 5

HEX #F1274D

RGB 241 39 77

HSL 348.71, 0.88%, 0.55%

LAB 52.61, 73.72, 31.19

 

CMYK 0 / 84 / 84 / 5

HEX #F12727

RGB 241 39 39

HSL 0, 0.88%, 0.55%

LAB 52.17, 72.44, 51.79

 

CMYK 0 / 84 / 68 / 5

HEX #F1274D

RGB 241 39 77

HSL 348.71, 0.88%, 0.55%

LAB 52.61, 73.72, 31.19

 

CMYK 0 / 84 / 46 / 5

HEX #F12783

RGB 241 39 131

HSL 332.67, 0.88%, 0.55%

LAB 53.8, 77.21, 0.36

 

CMYK 0 / 84 / 23 / 5

HEX #F127BA

RGB 241 39 186

HSL 316.34, 0.88%, 0.55%

LAB 55.78, 82.77, -29.09

 

CMYK 0 / 84 / 0 / 5

HEX #F127F0

RGB 241 39 240

HSL 300.3, 0.88%, 0.55%

LAB 58.46, 89.91, -55.61

 

CMYK 22 / 84 / 0 / 5

HEX #BC27F1

RGB 188 39 241

HSL 284.26, 0.88%, 0.55%

LAB 50.09, 81.34, -70.08

 

CMYK 0 / 84 / 68 / 5

HEX #F1274D

RGB 241 39 77

HSL 348.71, 0.88%, 0.55%

LAB 52.61, 73.72, 31.19

 

CMYK 0 / 84 / 68 / 5

HEX #F1274D

RGB 241 39 77

HSL 348.71, 0.88%, 0.55%

LAB 52.61, 73.72, 31.19

 

CMYK 0 / 74 / 60 / 13

HEX #DF3A59

RGB 223 58 89

HSL 348.73, 0.72%, 0.55%

LAB 51.19, 64.43, 21.52

 

CMYK 0 / 63 / 51 / 20

HEX #CC4C64

RGB 204 76 100

HSL 348.75, 0.56%, 0.55%

LAB 50.6, 52.55, 13.55

 

CMYK 0 / 49 / 40 / 27

HEX #BA5F70

RGB 186 95 112

HSL 348.79, 0.4%, 0.55%

LAB 51.6, 38.37, 7.38

 

CMYK 0 / 32 / 26 / 35

HEX #A7727B

RGB 167 114 123

HSL 349.81, 0.23%, 0.55%

LAB 53.69, 22.23, 3.54

 

CMYK 0 / 84 / 22 / 5

HEX #F127BB

RGB 241 39 187

HSL 316.04, 0.88%, 0.55%

LAB 55.83, 82.88, -29.61

 

CMYK 0 / 84 / 44 / 5

HEX #F12786

RGB 241 39 134

HSL 331.78, 0.88%, 0.55%

LAB 53.89, 77.46, -1.31

 

CMYK 0 / 84 / 67 / 5

HEX #F12750

RGB 241 39 80

HSL 347.82, 0.88%, 0.55%

LAB 52.65, 73.87, 29.46

 

CMYK 0 / 78 / 84 / 5

HEX #F13527

RGB 241 53 39

HSL 4.16, 0.88%, 0.55%

LAB 53.38, 69.03, 52.85

 

CMYK 0 / 56 / 84 / 5

HEX #F16B27

RGB 241 107 39

HSL 20.2, 0.88%, 0.55%

LAB 61.1, 48.2, 59.55

 

CMYK 0 / 94 / 76 / 27

HEX #BA0C2C

RGB 186 12 44

HSL 348.97, 0.88%, 0.39%

LAB 39.38, 62.76, 32.6

 

CMYK 0 / 94 / 76 / 12

HEX #E10E36

RGB 225 14 54

HSL 348.63, 0.88%, 0.47%

LAB 47.74, 72.65, 38.21

 

CMYK 0 / 84 / 68 / 5

HEX #F1274D

RGB 241 39 77

HSL 348.71, 0.88%, 0.55%

LAB 52.61, 73.72, 31.19

 

CMYK 0 / 68 / 55 / 4

HEX #F44E6D

RGB 244 78 109

HSL 348.8, 0.88%, 0.63%

LAB 57.83, 64.97, 19.21

 

CMYK 0 / 52 / 43 / 4

HEX #F6758D

RGB 246 117 141

HSL 348.84, 0.88%, 0.71%

LAB 65.15, 51.6, 10.92

 

CMYK 0 / 85 / 69 / 5

HEX #F1254B

RGB 241 37 75

HSL 348.82, 0.88%, 0.55%

LAB 52.43, 74.04, 32.16

 

CMYK 0 / 0 / 84 / 5

HEX #F1F127

RGB 241 241 39

HSL 60, 0.88%, 0.55%

LAB 92.47, -20.13, 85.8

 

CMYK 84 / 34 / 0 / 5

HEX #27A0F1

RGB 39 160 241

HSL 204.06, 0.88%, 0.55%

LAB 63.28, -4.02, -49.49

 

CMYK 0 / 85 / 69 / 5

HEX #F1254B

RGB 241 37 75

HSL 348.82, 0.88%, 0.55%

LAB 52.43, 74.04, 32.16

 

CMYK 67 / 0 / 84 / 5

HEX #50F127

RGB 80 241 39

HSL 107.82, 0.88%, 0.55%

LAB 84.36, -73.77, 75.66

 

CMYK 84 / 67 / 0 / 5

HEX #2750F1

RGB 39 80 241

HSL 227.82, 0.88%, 0.55%

LAB 42.03, 45.18, -83.82

 

CMYK 0 / 85 / 69 / 5

HEX #F1254B

RGB 241 37 75

HSL 348.82, 0.88%, 0.55%

LAB 52.43, 74.04, 32.16

 

CMYK 0 / 0 / 84 / 5

HEX #F1F127

RGB 241 241 39

HSL 60, 0.88%, 0.55%

LAB 92.47, -20.13, 85.8

 

CMYK 84 / 0 / 17 / 5

HEX #27F1C9

RGB 39 241 201

HSL 168.12, 0.88%, 0.55%

LAB 85.79, -55.39, 6.2

 

CMYK 84 / 84 / 0 / 5

HEX #2727F1

RGB 39 39 241

HSL 240, 0.88%, 0.55%

LAB 34.46, 66.6, -96.34

 

CMYK 0 / 85 / 69 / 5

HEX #F1254B

RGB 241 37 75

HSL 348.82, 0.88%, 0.55%

LAB 52.43, 74.04, 32.16

 

CMYK 25 / 0 / 84 / 5

HEX #B5F127

RGB 181 241 39

HSL 77.82, 0.88%, 0.55%

LAB 88.39, -43.99, 80.74

 

CMYK 84 / 0 / 17 / 5

HEX #27F1C9

RGB 39 241 201

HSL 168.12, 0.88%, 0.55%

LAB 85.79, -55.39, 6.2

 

CMYK 59 / 84 / 0 / 5

HEX #6427F1

RGB 100 39 241

HSL 258.12, 0.88%, 0.55%

LAB 38.74, 70.37, -89.11

 

Description

Color code: HEX #F1254B | qconv.com Color code: HEX #F1254B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 37 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 37 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 69 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 69% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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