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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F122E4 it is the complementary color #0EDD1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F122E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F122E4 shade: #F622DF, #FF34F2, #FF46FF, #FF58FF and #FF6AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F122E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F122E4 shade: #F122E4, #E010D1, #CF00BE, #BE00AB and #AD0098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F122E4 shade: #F122E4, #F122AC, #F12275, #F1223D and #F12222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F122E4 shade: #F122E4, #C622F1, #8F22F1, #5722F1 and #2222F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F122E4 shade matches the following richer shades: #F122E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F122E4 shade: #F122E4, #DE35D3, #CB48C3, #B85BB2 and #A56EA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F122E4 shade: #8D22F1, #C422F1, #F122E7, #F122B0 and #F12278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F122E4 shade: #B50CAB, #DC0ECF, #F122E4, #F349E9 and #F670ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F122E4 shade: #F122E4, #F15622 and #22F1A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F122E4 shade: #F122E4, #E7F122 and #22E7F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F122E4 shade: #F122E4, #F15622, #22F12D and #22BDF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F122E4 shade: #F122E4, #F19422, #22F12D and #227FF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

Complementary color

CMYK 94 / 0 / 88 / 13

HEX #0EDD1B

RGB 14 221 27

HSL 123.77, 0.88%, 0.46%

LAB 77.21, -76.23, 71.48

 

CMYK 0 / 86 / 9 / 4

HEX #F622DF

RGB 246 34 223

HSL 306.51, 0.92%, 0.55%

LAB 58.1, 89.28, -46.57

 

CMYK 0 / 80 / 5 / 0

HEX #FF34F2

RGB 255 52 242

HSL 303.84, 1%, 0.6%

LAB 61.76, 90.11, -51.33

 

CMYK 0 / 73 / 0 / 0

HEX #FF46FF

RGB 255 70 255

HSL 300, 1%, 0.64%

LAB 64.05, 87.38, -54.9

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

CMYK 0 / 93 / 7 / 12

HEX #E010D1

RGB 224 16 209

HSL 304.33, 0.87%, 0.47%

LAB 52.75, 85.8, -47.32

 

CMYK 0 / 100 / 8 / 19

HEX #CF00BE

RGB 207 0 190

HSL 304.93, 1%, 0.41%

LAB 48.24, 81.58, -43.7

 

CMYK 0 / 100 / 10 / 25

HEX #BE00AB

RGB 190 0 171

HSL 306, 1%, 0.37%

LAB 44.07, 76.07, -39.31

 

CMYK 0 / 100 / 12 / 32

HEX #AD0098

RGB 173 0 152

HSL 307.28, 1%, 0.34%

LAB 39.83, 70.47, -34.81

 

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

CMYK 0 / 86 / 29 / 5

HEX #F122AC

RGB 241 34 172

HSL 320, 0.88%, 0.54%

LAB 54.89, 82.09, -22.32

 

CMYK 0 / 86 / 51 / 5

HEX #F12275

RGB 241 34 117

HSL 335.94, 0.88%, 0.54%

LAB 53.09, 77.07, 7.76

 

CMYK 0 / 86 / 75 / 5

HEX #F1223D

RGB 241 34 61

HSL 352.17, 0.88%, 0.54%

LAB 52.04, 74.05, 39.86

 

CMYK 0 / 86 / 86 / 5

HEX #F12222

RGB 241 34 34

HSL 0, 0.88%, 0.54%

LAB 51.79, 73.32, 53.85

 

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

CMYK 18 / 86 / 0 / 5

HEX #C622F1

RGB 198 34 241

HSL 287.54, 0.88%, 0.54%

LAB 51.27, 83.93, -68.1

 

CMYK 41 / 86 / 0 / 5

HEX #8F22F1

RGB 143 34 241

HSL 271.59, 0.88%, 0.54%

LAB 43.26, 76.36, -81.49

 

CMYK 64 / 86 / 0 / 5

HEX #5722F1

RGB 87 34 241

HSL 255.36, 0.88%, 0.54%

LAB 36.97, 70.95, -92.09

 

CMYK 86 / 86 / 0 / 5

HEX #2222F1

RGB 34 34 241

HSL 240, 0.88%, 0.54%

LAB 33.64, 68.36, -97.72

 

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

CMYK 0 / 76 / 5 / 13

HEX #DE35D3

RGB 222 53 211

HSL 303.91, 0.72%, 0.54%

LAB 54.84, 78.94, -45.17

 

CMYK 0 / 65 / 4 / 20

HEX #CB48C3

RGB 203 72 195

HSL 303.66, 0.56%, 0.54%

LAB 53.25, 65.94, -38.72

 

CMYK 0 / 51 / 3 / 28

HEX #B85BB2

RGB 184 91 178

HSL 303.87, 0.4%, 0.54%

LAB 52.83, 49.51, -29.74

 

CMYK 0 / 33 / 2 / 35

HEX #A56EA2

RGB 165 110 162

HSL 303.27, 0.23%, 0.54%

LAB 53.77, 30.42, -19.18

 

CMYK 41 / 86 / 0 / 5

HEX #8D22F1

RGB 141 34 241

HSL 271.01, 0.88%, 0.54%

LAB 43, 76.12, -81.93

 

CMYK 19 / 86 / 0 / 5

HEX #C422F1

RGB 196 34 241

HSL 286.96, 0.88%, 0.54%

LAB 50.96, 83.62, -68.62

 

CMYK 0 / 86 / 4 / 5

HEX #F122E7

RGB 241 34 231

HSL 302.9, 0.88%, 0.54%

LAB 57.67, 89.48, -51.82

 

CMYK 0 / 86 / 27 / 5

HEX #F122B0

RGB 241 34 176

HSL 318.84, 0.88%, 0.54%

LAB 55.05, 82.53, -24.41

 

CMYK 0 / 86 / 50 / 5

HEX #F12278

RGB 241 34 120

HSL 335.07, 0.88%, 0.54%

LAB 53.17, 77.29, 6.06

 

CMYK 0 / 93 / 6 / 29

HEX #B50CAB

RGB 181 12 171

HSL 303.55, 0.88%, 0.38%

LAB 42.8, 73.33, -41.43

 

CMYK 0 / 94 / 6 / 14

HEX #DC0ECF

RGB 220 14 207

HSL 303.79, 0.88%, 0.46%

LAB 51.88, 85.02, -47.61

 

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

CMYK 0 / 70 / 4 / 5

HEX #F349E9

RGB 243 73 233

HSL 303.53, 0.88%, 0.62%

LAB 61.4, 80.64, -47.01

 

CMYK 0 / 54 / 4 / 4

HEX #F670ED

RGB 246 112 237

HSL 304.03, 0.88%, 0.7%

LAB 67.5, 66.82, -39.62

 

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

CMYK 0 / 64 / 86 / 5

HEX #F15622

RGB 241 86 34

HSL 15.07, 0.88%, 0.54%

LAB 57.53, 57.41, 58.53

 

CMYK 86 / 0 / 30 / 5

HEX #22F1A9

RGB 34 241 169

HSL 159.13, 0.88%, 0.54%

LAB 85.06, -63.16, 21.78

 

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

CMYK 4 / 0 / 86 / 5

HEX #E7F122

RGB 231 241 34

HSL 62.9, 0.88%, 0.54%

LAB 91.69, -24.35, 85.83

 

CMYK 86 / 4 / 0 / 5

HEX #22E7F1

RGB 34 231 241

HSL 182.9, 0.88%, 0.54%

LAB 83.88, -40.51, -17.66

 

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

CMYK 0 / 64 / 86 / 5

HEX #F15622

RGB 241 86 34

HSL 15.07, 0.88%, 0.54%

LAB 57.53, 57.41, 58.53

 

CMYK 86 / 0 / 81 / 5

HEX #22F12D

RGB 34 241 45

HSL 123.19, 0.88%, 0.54%

LAB 83.67, -79.67, 73.34

 

CMYK 86 / 22 / 0 / 5

HEX #22BDF1

RGB 34 189 241

HSL 195.07, 0.88%, 0.54%

LAB 71.61, -20.17, -36.43

 

CMYK 0 / 86 / 5 / 5

HEX #F122E4

RGB 241 34 228

HSL 303.77, 0.88%, 0.54%

LAB 57.51, 89.06, -50.39

 

CMYK 0 / 39 / 86 / 5

HEX #F19422

RGB 241 148 34

HSL 33.04, 0.88%, 0.54%

LAB 69.47, 27.43, 68.21

 

CMYK 86 / 0 / 81 / 5

HEX #22F12D

RGB 34 241 45

HSL 123.19, 0.88%, 0.54%

LAB 83.67, -79.67, 73.34

 

CMYK 86 / 47 / 0 / 5

HEX #227FF1

RGB 34 127 241

HSL 213.04, 0.88%, 0.54%

LAB 53.89, 15.34, -64.5

 

Description

Color code: HEX #F122E4 | qconv.com Color code: HEX #F122E4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 34 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 34 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 5 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 5% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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