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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F11E9F it is the complementary color #0EE160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F11E9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F11E9F shade: #F61E9A, #FF30AD, #FF42C0, #FF54D3 and #FF66E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F11E9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F11E9F shade: #F11E9F, #E00C8C, #CF0079, #BE0066 and #AD0053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F11E9F shade: #F11E9F, #F11E66, #F11E2D and #F11E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F11E9F shade: #F11E9F, #F11ED8, #D11EF1, #981EF1 and #5F1EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F11E9F shade matches the following richer shades: #F11E9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F11E9F shade: #F11E9F, #DD319A, #CA4496, #B65892 and #A36B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F11E9F shade: #D11EF1, #F11ED8, #F11EA0, #F11E68 and #F11E2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F11E9F shade: #B10B70, #D70E89, #F11E9F, #F344AF and #F66BC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F11E9F shade: #F11E9F, #F1991E and #1EF1ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F11E9F shade: #F11E9F, #A0F11E and #1EA0F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F11E9F shade: #F11E9F, #F1991E, #1EF16F and #1E76F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F11E9F shade: #F11E9F, #F1D81E, #1EF16F and #1E36F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

Complementary color

CMYK 94 / 0 / 57 / 12

HEX #0EE160

RGB 14 225 96

HSL 143.32, 0.88%, 0.47%

LAB 78.92, -71.69, 49.77

 

CMYK 0 / 88 / 37 / 4

HEX #F61E9A

RGB 246 30 154

HSL 325.56, 0.92%, 0.54%

LAB 54.92, 81.98, -11.58

 

CMYK 0 / 81 / 32 / 0

HEX #FF30AD

RGB 255 48 173

HSL 323.77, 1%, 0.59%

LAB 58.41, 82.48, -17.3

 

CMYK 0 / 74 / 25 / 0

HEX #FF42C0

RGB 255 66 192

HSL 320, 1%, 0.63%

LAB 60.75, 79.96, -24.69

 

CMYK 0 / 67 / 17 / 0

HEX #FF54D3

RGB 255 84 211

HSL 315.44, 1%, 0.66%

LAB 63.59, 76.51, -31.09

 

CMYK 0 / 60 / 10 / 0

HEX #FF66E6

RGB 255 102 230

HSL 309.8, 1%, 0.7%

LAB 66.88, 72.32, -36.61

 

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

CMYK 0 / 95 / 38 / 12

HEX #E00C8C

RGB 224 12 140

HSL 323.77, 0.9%, 0.46%

LAB 49.5, 78.11, -11.8

 

CMYK 0 / 100 / 42 / 19

HEX #CF0079

RGB 207 0 121

HSL 324.93, 1%, 0.41%

LAB 45.15, 73.76, -7.08

 

CMYK 0 / 100 / 46 / 25

HEX #BE0066

RGB 190 0 102

HSL 327.79, 1%, 0.37%

LAB 41.07, 68.43, -1.64

 

CMYK 0 / 100 / 52 / 32

HEX #AD0053

RGB 173 0 83

HSL 331.21, 1%, 0.34%

LAB 36.95, 63.08, 4.07

 

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

CMYK 0 / 88 / 58 / 5

HEX #F11E66

RGB 241 30 102

HSL 339.53, 0.88%, 0.53%

LAB 52.5, 76.74, 16.01

 

CMYK 0 / 88 / 81 / 5

HEX #F11E2D

RGB 241 30 45

HSL 355.73, 0.88%, 0.53%

LAB 51.63, 74.27, 48.25

 

CMYK 0 / 88 / 88 / 5

HEX #F11E1E

RGB 241 30 30

HSL 0, 0.88%, 0.53%

LAB 51.52, 73.95, 55.44

 

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

CMYK 0 / 88 / 10 / 5

HEX #F11ED8

RGB 241 30 216

HSL 307.11, 0.88%, 0.53%

LAB 56.67, 88.05, -44.92

 

CMYK 13 / 88 / 0 / 5

HEX #D11EF1

RGB 209 30 241

HSL 290.9, 0.88%, 0.53%

LAB 52.77, 86.34, -65.58

 

CMYK 37 / 88 / 0 / 5

HEX #981EF1

RGB 152 30 241

HSL 274.69, 0.88%, 0.53%

LAB 44.17, 78.38, -79.96

 

CMYK 61 / 88 / 0 / 5

HEX #5F1EF1

RGB 95 30 241

HSL 258.48, 0.88%, 0.53%

LAB 37.32, 72.73, -91.48

 

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

CMYK 0 / 78 / 30 / 13

HEX #DD319A

RGB 221 49 154

HSL 323.37, 0.72%, 0.53%

LAB 51.73, 72.34, -16.86

 

CMYK 0 / 66 / 26 / 21

HEX #CA4496

RGB 202 68 150

HSL 323.28, 0.56%, 0.53%

LAB 50.56, 60.68, -16.55

 

CMYK 0 / 52 / 20 / 29

HEX #B65892

RGB 182 88 146

HSL 322.98, 0.39%, 0.53%

LAB 50.69, 45.13, -14.27

 

CMYK 0 / 34 / 13 / 36

HEX #A36B8D

RGB 163 107 141

HSL 323.57, 0.23%, 0.53%

LAB 52.09, 27.59, -9.45

 

CMYK 13 / 88 / 0 / 5

HEX #D11EF1

RGB 209 30 241

HSL 290.9, 0.88%, 0.53%

LAB 52.77, 86.34, -65.58

 

CMYK 0 / 88 / 10 / 5

HEX #F11ED8

RGB 241 30 216

HSL 307.11, 0.88%, 0.53%

LAB 56.67, 88.05, -44.92

 

CMYK 0 / 88 / 34 / 5

HEX #F11EA0

RGB 241 30 160

HSL 323.03, 0.88%, 0.53%

LAB 54.2, 81.49, -16.31

 

CMYK 0 / 88 / 57 / 5

HEX #F11E68

RGB 241 30 104

HSL 338.96, 0.88%, 0.53%

LAB 52.54, 76.87, 14.86

 

CMYK 0 / 88 / 80 / 5

HEX #F11E2F

RGB 241 30 47

HSL 355.17, 0.88%, 0.53%

LAB 51.65, 74.32, 47.21

 

CMYK 0 / 94 / 37 / 31

HEX #B10B70

RGB 177 11 112

HSL 323.49, 0.88%, 0.37%

LAB 39.17, 65.32, -11.06

 

CMYK 0 / 93 / 36 / 16

HEX #D70E89

RGB 215 14 137

HSL 323.28, 0.88%, 0.45%

LAB 47.71, 75.73, -12.85

 

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

CMYK 0 / 72 / 28 / 5

HEX #F344AF

RGB 243 68 175

HSL 323.31, 0.88%, 0.61%

LAB 58.31, 74.45, -18.81

 

CMYK 0 / 57 / 22 / 4

HEX #F66BC0

RGB 246 107 192

HSL 323.31, 0.89%, 0.69%

LAB 64.89, 62.29, -18.48

 

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

CMYK 0 / 37 / 88 / 5

HEX #F1991E

RGB 241 153 30

HSL 34.98, 0.88%, 0.53%

LAB 70.58, 24.72, 70.2

 

CMYK 88 / 0 / 2 / 5

HEX #1EF1ED

RGB 30 241 237

HSL 178.86, 0.88%, 0.53%

LAB 86.65, -46.31, -11.41

 

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

CMYK 34 / 0 / 88 / 5

HEX #A0F11E

RGB 160 241 30

HSL 83.03, 0.88%, 0.53%

LAB 87.23, -51.87, 81.05

 

CMYK 88 / 34 / 0 / 5

HEX #1EA0F1

RGB 30 160 241

HSL 203.03, 0.88%, 0.53%

LAB 63.15, -4.63, -49.7

 

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

CMYK 0 / 37 / 88 / 5

HEX #F1991E

RGB 241 153 30

HSL 34.98, 0.88%, 0.53%

LAB 70.58, 24.72, 70.2

 

CMYK 88 / 0 / 54 / 5

HEX #1EF16F

RGB 30 241 111

HSL 143.03, 0.88%, 0.53%

LAB 84.14, -73.73, 49.18

 

CMYK 88 / 51 / 0 / 5

HEX #1E76F1

RGB 30 118 241

HSL 214.98, 0.88%, 0.53%

LAB 51.36, 20.73, -68.58

 

CMYK 0 / 88 / 34 / 5

HEX #F11E9F

RGB 241 30 159

HSL 323.32, 0.88%, 0.53%

LAB 54.17, 81.39, -15.77

 

CMYK 0 / 10 / 88 / 5

HEX #F1D81E

RGB 241 216 30

HSL 52.89, 0.88%, 0.53%

LAB 85.96, -8.04, 82.32

 

CMYK 88 / 0 / 54 / 5

HEX #1EF16F

RGB 30 241 111

HSL 143.03, 0.88%, 0.53%

LAB 84.14, -73.73, 49.18

 

CMYK 88 / 78 / 0 / 5

HEX #1E36F1

RGB 30 54 241

HSL 233.18, 0.88%, 0.53%

LAB 36.49, 59.45, -92.98

 

Description

Color code: HEX #F11E9F | qconv.com Color code: HEX #F11E9F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 30 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 30 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 34 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 34% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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