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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F101F0 it is the complementary color #0EFE0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F101F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F101F0 shade: #F601EB, #FF13FE, #FF25FF, #FF37FF and #FF49FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F101F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F101F0 shade: #F101F0, #E000DD, #CF00CA, #BE00B7 and #AD00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F101F0 shade: #EF01EE, #EF01AE, #EF016E, #EF012E and #EF0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F101F0 shade: #EF01EE, #AF01EF, #7001EF, #3001EF and #0101EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F101F0 shade matches the following richer shades: #EF01EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F101F0 shade: #EF01EE, #DB15DA, #C828C7, #B43BB4 and #A14FA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F101F0 shade: #7001EF, #AF01EF, #EF01EF, #EF01AF and #EF0170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F101F0 shade: #9C019C, #C501C5, #EF01EE, #FE1BFD and #FE44FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F101F0 shade: #F101F0, #EF3101 and #01EF90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F101F0 shade: #F101F0, #EFEF01 and #01EFEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F101F0 shade: #F101F0, #EF3101, #01EF01 and #01BFEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F101F0 shade: #F101F0, #EF7801, #01EF01 and #0178EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 0 / 5

HEX #F101F0

RGB 241 1 240

HSL 300.25, 0.99%, 0.47%

LAB 57.09, 93.94, -57.8

 

Complementary color

CMYK 94 / 0 / 94 / 0

HEX #0EFE0F

RGB 14 254 15

HSL 120.25, 0.99%, 0.53%

LAB 87.49, -85.29, 81.81

 

CMYK 0 / 100 / 4 / 4

HEX #F601EB

RGB 246 1 235

HSL 302.69, 0.99%, 0.48%

LAB 57.67, 94.04, -54.02

 

CMYK 0 / 93 / 0 / 0

HEX #FF13FE

RGB 255 19 254

HSL 300.25, 1%, 0.54%

LAB 60.68, 96.89, -59.72

 

CMYK 0 / 85 / 0 / 0

HEX #FF25FF

RGB 255 37 255

HSL 300, 1%, 0.57%

LAB 61.48, 94.82, -58.98

 

CMYK 0 / 78 / 0 / 0

HEX #FF37FF

RGB 255 55 255

HSL 300, 1%, 0.61%

LAB 62.69, 91.31, -57.06

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 100 / 0 / 5

HEX #F101F0

RGB 241 1 240

HSL 300.25, 0.99%, 0.47%

LAB 57.09, 93.94, -57.8

 

CMYK 0 / 100 / 1 / 12

HEX #E000DD

RGB 224 0 221

HSL 300.8, 1%, 0.44%

LAB 53.02, 88.66, -53.74

 

CMYK 0 / 100 / 2 / 19

HEX #CF00CA

RGB 207 0 202

HSL 301.45, 1%, 0.41%

LAB 48.92, 83.24, -49.58

 

CMYK 0 / 100 / 4 / 25

HEX #BE00B7

RGB 190 0 183

HSL 302.21, 1%, 0.37%

LAB 44.75, 77.74, -45.33

 

CMYK 0 / 100 / 5 / 32

HEX #AD00A4

RGB 173 0 164

HSL 303.12, 1%, 0.34%

LAB 40.52, 72.14, -40.97

 

CMYK 0 / 100 / 0 / 6

HEX #EF01EE

RGB 239 1 238

HSL 300.25, 0.99%, 0.47%

LAB 56.63, 93.35, -57.43

 

CMYK 0 / 100 / 27 / 6

HEX #EF01AE

RGB 239 1 174

HSL 316.39, 0.99%, 0.47%

LAB 53.42, 85.37, -25.79

 

CMYK 0 / 100 / 54 / 6

HEX #EF016E

RGB 239 1 110

HSL 332.52, 0.99%, 0.47%

LAB 51.27, 79.77, 9.37

 

CMYK 0 / 100 / 81 / 6

HEX #EF012E

RGB 239 1 46

HSL 348.66, 0.99%, 0.47%

LAB 50.18, 76.84, 46.17

 

CMYK 0 / 100 / 100 / 6

HEX #EF0101

RGB 239 1 1

HSL 0, 0.99%, 0.47%

LAB 49.95, 76.21, 63.73

 

CMYK 0 / 100 / 0 / 6

HEX #EF01EE

RGB 239 1 238

HSL 300.25, 0.99%, 0.47%

LAB 56.63, 93.35, -57.43

 

CMYK 27 / 100 / 0 / 6

HEX #AF01EF

RGB 175 1 239

HSL 283.87, 0.99%, 0.47%

LAB 46.13, 84.56, -75.48

 

CMYK 53 / 100 / 0 / 6

HEX #7001EF

RGB 112 1 239

HSL 267.98, 0.99%, 0.47%

LAB 37.3, 78.54, -90.34

 

CMYK 80 / 100 / 0 / 6

HEX #3001EF

RGB 48 1 239

HSL 251.85, 0.99%, 0.47%

LAB 31.54, 75.76, -100.08

 

CMYK 100 / 100 / 0 / 6

HEX #0101EF

RGB 1 1 239

HSL 240, 0.99%, 0.47%

LAB 30.06, 75.24, -102.58

 

CMYK 0 / 100 / 0 / 6

HEX #EF01EE

RGB 239 1 238

HSL 300.25, 0.99%, 0.47%

LAB 56.63, 93.35, -57.43

 

CMYK 0 / 100 / 0 / 6

HEX #EF01EE

RGB 239 1 238

HSL 300.25, 0.99%, 0.47%

LAB 56.63, 93.35, -57.43

 

CMYK 0 / 90 / 0 / 14

HEX #DB15DA

RGB 219 21 218

HSL 300.3, 0.83%, 0.47%

LAB 52.57, 85.67, -52.8

 

CMYK 0 / 80 / 0 / 22

HEX #C828C7

RGB 200 40 199

HSL 300.38, 0.67%, 0.47%

LAB 49.4, 76.1, -47.15

 

CMYK 0 / 67 / 0 / 29

HEX #B43BB4

RGB 180 59 180

HSL 300, 0.51%, 0.47%

LAB 47.14, 62.99, -39.87

 

CMYK 0 / 51 / 0 / 37

HEX #A14FA1

RGB 161 79 161

HSL 300, 0.34%, 0.47%

LAB 46.63, 45.73, -29.66

 

CMYK 53 / 100 / 0 / 6

HEX #7001EF

RGB 112 1 239

HSL 267.98, 0.99%, 0.47%

LAB 37.3, 78.54, -90.34

 

CMYK 27 / 100 / 0 / 6

HEX #AF01EF

RGB 175 1 239

HSL 283.87, 0.99%, 0.47%

LAB 46.13, 84.56, -75.48

 

CMYK 0 / 100 / 0 / 6

HEX #EF01EF

RGB 239 1 239

HSL 300, 0.99%, 0.47%

LAB 56.69, 93.49, -57.9

 

CMYK 0 / 100 / 27 / 6

HEX #EF01AF

RGB 239 1 175

HSL 316.13, 0.99%, 0.47%

LAB 53.46, 85.48, -26.31

 

CMYK 0 / 100 / 53 / 6

HEX #EF0170

RGB 239 1 112

HSL 332.02, 0.99%, 0.47%

LAB 51.32, 79.9, 8.22

 

CMYK 0 / 99 / 0 / 39

HEX #9C019C

RGB 156 1 156

HSL 300, 0.99%, 0.31%

LAB 36.91, 67.95, -42.08

 

CMYK 0 / 99 / 0 / 23

HEX #C501C5

RGB 197 1 197

HSL 300, 0.99%, 0.39%

LAB 46.87, 80.82, -50.05

 

CMYK 0 / 100 / 0 / 6

HEX #EF01EE

RGB 239 1 238

HSL 300.25, 0.99%, 0.47%

LAB 56.63, 93.35, -57.43

 

CMYK 0 / 89 / 0 / 0

HEX #FE1BFD

RGB 254 27 253

HSL 300.26, 0.99%, 0.55%

LAB 60.73, 95.76, -59.08

 

CMYK 0 / 73 / 0 / 0

HEX #FE44FD

RGB 254 68 253

HSL 300.32, 0.99%, 0.63%

LAB 63.59, 87.46, -54.54

 

CMYK 0 / 100 / 0 / 5

HEX #F101F0

RGB 241 1 240

HSL 300.25, 0.99%, 0.47%

LAB 57.09, 93.94, -57.8

 

CMYK 0 / 79 / 100 / 6

HEX #EF3101

RGB 239 49 1

HSL 12.1, 0.99%, 0.47%

LAB 52.45, 69.04, 64.72

 

CMYK 100 / 0 / 40 / 6

HEX #01EF90

RGB 1 239 144

HSL 156.05, 0.99%, 0.47%

LAB 83.84, -68.86, 32.82

 

CMYK 0 / 100 / 0 / 5

HEX #F101F0

RGB 241 1 240

HSL 300.25, 0.99%, 0.47%

LAB 57.09, 93.94, -57.8

 

CMYK 0 / 0 / 100 / 6

HEX #EFEF01

RGB 239 239 1

HSL 60, 0.99%, 0.47%

LAB 91.72, -20.52, 89.88

 

CMYK 100 / 0 / 0 / 6

HEX #01EFEF

RGB 1 239 239

HSL 180, 0.99%, 0.47%

LAB 85.99, -45.76, -13.46

 

CMYK 0 / 100 / 0 / 5

HEX #F101F0

RGB 241 1 240

HSL 300.25, 0.99%, 0.47%

LAB 57.09, 93.94, -57.8

 

CMYK 0 / 79 / 100 / 6

HEX #EF3101

RGB 239 49 1

HSL 12.1, 0.99%, 0.47%

LAB 52.45, 69.04, 64.72

 

CMYK 100 / 0 / 100 / 6

HEX #01EF01

RGB 1 239 1

HSL 120, 0.99%, 0.47%

LAB 82.78, -82.01, 79.12

 

CMYK 100 / 20 / 0 / 6

HEX #01BFEF

RGB 1 191 239

HSL 192.1, 0.99%, 0.47%

LAB 71.89, -23.14, -34.94

 

CMYK 0 / 100 / 0 / 5

HEX #F101F0

RGB 241 1 240

HSL 300.25, 0.99%, 0.47%

LAB 57.09, 93.94, -57.8

 

CMYK 0 / 50 / 100 / 6

HEX #EF7801

RGB 239 120 1

HSL 30, 0.99%, 0.47%

LAB 63.17, 40.57, 70.38

 

CMYK 100 / 0 / 100 / 6

HEX #01EF01

RGB 1 239 1

HSL 120, 0.99%, 0.47%

LAB 82.78, -82.01, 79.12

 

CMYK 100 / 50 / 0 / 6

HEX #0178EF

RGB 1 120 239

HSL 210, 0.99%, 0.47%

LAB 51.46, 17.63, -67.32

 

Description

Color code: HEX #F101F0 | qconv.com Color code: HEX #F101F0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 1 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 1 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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