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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0FD61 it is the complementary color #0F029E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0FD61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0FD61 shade: #F5FD5C, #FFFF6F, #FFFF82, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0FD61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0FD61 shade: #F0FD61, #DFEB4E, #CED93B, #BDC728 and #ACB515

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0FD61 shade: #F1FD62, #FDE162, #FDB762, #FD8D62 and #FD6362

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0FD61 shade: #F1FD62, #C7FD62, #9DFD62, #73FD62 and #62FD7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0FD61 shade matches the following richer shades: #F1FD62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0FD61 shade: #F1FD62, #E6F16F, #DBE47C, #D1D789 and #C6CA96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0FD61 shade: #FDB862, #FDE162, #F1FD62, #C7FD62 and #9EFD62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0FD61 shade: #E9FD11, #EDFD3A, #F1FD62, #F4FE8B and #F8FEB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0FD61 shade: #F0FD61, #62FD8E and #CC62FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0FD61 shade: #F0FD61, #62F1FD and #FD62F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0FD61 shade: #F0FD61, #62FD8E, #6F62FD and #FD62D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0FD61 shade: #F0FD61, #62FDBD, #6F62FD and #FD62A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 62 / 1

HEX #F0FD61

RGB 240 253 97

HSL 65, 0.98%, 0.69%

LAB 95.85, -23.75, 70.78

 

Complementary color

CMYK 91 / 99 / 0 / 38

HEX #0F029E

RGB 15 2 158

HSL 245, 0.98%, 0.31%

LAB 18.42, 54.93, -74.33

 

CMYK 3 / 0 / 64 / 1

HEX #F5FD5C

RGB 245 253 92

HSL 62.98, 0.98%, 0.68%

LAB 96.18, -22.07, 73.2

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 5 / 0 / 62 / 1

HEX #F0FD61

RGB 240 253 97

HSL 65, 0.98%, 0.69%

LAB 95.85, -23.75, 70.78

 

CMYK 5 / 0 / 67 / 8

HEX #DFEB4E

RGB 223 235 78

HSL 64.59, 0.8%, 0.61%

LAB 89.7, -23.1, 71.33

 

CMYK 5 / 0 / 73 / 15

HEX #CED93B

RGB 206 217 59

HSL 64.18, 0.68%, 0.54%

LAB 83.48, -22.33, 71.49

 

CMYK 5 / 0 / 80 / 22

HEX #BDC728

RGB 189 199 40

HSL 63.77, 0.67%, 0.47%

LAB 77.17, -21.39, 70.99

 

CMYK 5 / 0 / 88 / 29

HEX #ACB515

RGB 172 181 21

HSL 63.38, 0.79%, 0.4%

LAB 70.78, -20.27, 69.44

 

CMYK 5 / 0 / 61 / 1

HEX #F1FD62

RGB 241 253 98

HSL 64.65, 0.97%, 0.69%

LAB 95.93, -23.29, 70.49

 

CMYK 0 / 11 / 61 / 1

HEX #FDE162

RGB 253 225 98

HSL 49.16, 0.97%, 0.69%

LAB 89.68, -4.76, 64

 

CMYK 0 / 28 / 61 / 1

HEX #FDB762

RGB 253 183 98

HSL 32.9, 0.97%, 0.69%

LAB 79.4, 16.85, 52.43

 

CMYK 0 / 44 / 61 / 1

HEX #FD8D62

RGB 253 141 98

HSL 16.65, 0.97%, 0.69%

LAB 70.05, 38.67, 41.34

 

CMYK 0 / 61 / 61 / 1

HEX #FD6362

RGB 253 99 98

HSL 0.39, 0.97%, 0.69%

LAB 62.24, 58.62, 31.63

 

CMYK 5 / 0 / 61 / 1

HEX #F1FD62

RGB 241 253 98

HSL 64.65, 0.97%, 0.69%

LAB 95.93, -23.29, 70.49

 

CMYK 21 / 0 / 61 / 1

HEX #C7FD62

RGB 199 253 98

HSL 80.9, 0.97%, 0.69%

LAB 93.13, -39.4, 66.65

 

CMYK 38 / 0 / 61 / 1

HEX #9DFD62

RGB 157 253 98

HSL 97.16, 0.97%, 0.69%

LAB 90.92, -53.93, 63.58

 

CMYK 55 / 0 / 61 / 1

HEX #73FD62

RGB 115 253 98

HSL 113.42, 0.97%, 0.69%

LAB 89.29, -65.87, 61.31

 

CMYK 61 / 0 / 51 / 1

HEX #62FD7C

RGB 98 253 124

HSL 130.06, 0.97%, 0.69%

LAB 89.07, -66.66, 49.43

 

CMYK 5 / 0 / 61 / 1

HEX #F1FD62

RGB 241 253 98

HSL 64.65, 0.97%, 0.69%

LAB 95.93, -23.29, 70.49

 

CMYK 5 / 0 / 61 / 1

HEX #F1FD62

RGB 241 253 98

HSL 64.65, 0.97%, 0.69%

LAB 95.93, -23.29, 70.49

 

CMYK 5 / 0 / 54 / 5

HEX #E6F16F

RGB 230 241 111

HSL 65.08, 0.82%, 0.69%

LAB 92.08, -20.96, 60.5

 

CMYK 4 / 0 / 46 / 11

HEX #DBE47C

RGB 219 228 124

HSL 65.19, 0.66%, 0.69%

LAB 87.97, -17.81, 49.45

 

CMYK 3 / 0 / 36 / 16

HEX #D1D789

RGB 209 215 137

HSL 64.62, 0.49%, 0.69%

LAB 83.95, -13.87, 37.83

 

CMYK 2 / 0 / 26 / 21

HEX #C6CA96

RGB 198 202 150

HSL 64.62, 0.33%, 0.69%

LAB 79.87, -9.83, 25.58

 

CMYK 0 / 27 / 61 / 1

HEX #FDB862

RGB 253 184 98

HSL 33.29, 0.97%, 0.69%

LAB 79.64, 16.33, 52.71

 

CMYK 0 / 11 / 61 / 1

HEX #FDE162

RGB 253 225 98

HSL 49.16, 0.97%, 0.69%

LAB 89.68, -4.76, 64

 

CMYK 5 / 0 / 61 / 1

HEX #F1FD62

RGB 241 253 98

HSL 64.65, 0.97%, 0.69%

LAB 95.93, -23.29, 70.49

 

CMYK 21 / 0 / 61 / 1

HEX #C7FD62

RGB 199 253 98

HSL 80.9, 0.97%, 0.69%

LAB 93.13, -39.4, 66.65

 

CMYK 38 / 0 / 61 / 1

HEX #9EFD62

RGB 158 253 98

HSL 96.77, 0.97%, 0.69%

LAB 90.96, -53.61, 63.64

 

CMYK 8 / 0 / 93 / 1

HEX #E9FD11

RGB 233 253 17

HSL 65.08, 0.98%, 0.53%

LAB 95, -29.44, 90.88

 

CMYK 6 / 0 / 77 / 1

HEX #EDFD3A

RGB 237 253 58

HSL 64.92, 0.98%, 0.61%

LAB 95.4, -26.88, 83.6

 

CMYK 5 / 0 / 61 / 1

HEX #F1FD62

RGB 241 253 98

HSL 64.65, 0.97%, 0.69%

LAB 95.93, -23.29, 70.49

 

CMYK 4 / 0 / 45 / 0

HEX #F4FE8B

RGB 244 254 139

HSL 65.22, 0.98%, 0.77%

LAB 96.81, -19.33, 53.57

 

CMYK 2 / 0 / 29 / 0

HEX #F8FEB4

RGB 248 254 180

HSL 64.86, 0.97%, 0.85%

LAB 97.69, -13.28, 34.82

 

CMYK 5 / 0 / 62 / 1

HEX #F0FD61

RGB 240 253 97

HSL 65, 0.98%, 0.69%

LAB 95.85, -23.75, 70.78

 

CMYK 61 / 0 / 44 / 1

HEX #62FD8E

RGB 98 253 142

HSL 137.03, 0.97%, 0.69%

LAB 89.3, -64.05, 41.17

 

CMYK 19 / 61 / 0 / 1

HEX #CC62FD

RGB 204 98 253

HSL 281.03, 0.97%, 0.69%

LAB 60.48, 65.71, -59.9

 

CMYK 5 / 0 / 62 / 1

HEX #F0FD61

RGB 240 253 97

HSL 65, 0.98%, 0.69%

LAB 95.85, -23.75, 70.78

 

CMYK 61 / 5 / 0 / 1

HEX #62F1FD

RGB 98 241 253

HSL 184.65, 0.97%, 0.69%

LAB 88.26, -34.7, -17.27

 

CMYK 0 / 61 / 5 / 1

HEX #FD62F1

RGB 253 98 241

HSL 304.65, 0.97%, 0.69%

LAB 66.5, 75.12, -43.32

 

CMYK 5 / 0 / 62 / 1

HEX #F0FD61

RGB 240 253 97

HSL 65, 0.98%, 0.69%

LAB 95.85, -23.75, 70.78

 

CMYK 61 / 0 / 44 / 1

HEX #62FD8E

RGB 98 253 142

HSL 137.03, 0.97%, 0.69%

LAB 89.3, -64.05, 41.17

 

CMYK 56 / 61 / 0 / 1

HEX #6F62FD

RGB 111 98 253

HSL 245.03, 0.97%, 0.69%

LAB 50.93, 46.77, -75.8

 

CMYK 0 / 61 / 17 / 1

HEX #FD62D2

RGB 253 98 210

HSL 316.65, 0.97%, 0.69%

LAB 65.18, 70.53, -28.1

 

CMYK 5 / 0 / 62 / 1

HEX #F0FD61

RGB 240 253 97

HSL 65, 0.98%, 0.69%

LAB 95.85, -23.75, 70.78

 

CMYK 61 / 0 / 25 / 1

HEX #62FDBD

RGB 98 253 189

HSL 155.23, 0.97%, 0.69%

LAB 90.1, -55.47, 18.68

 

CMYK 56 / 61 / 0 / 1

HEX #6F62FD

RGB 111 98 253

HSL 245.03, 0.97%, 0.69%

LAB 50.93, 46.77, -75.8

 

CMYK 0 / 61 / 36 / 1

HEX #FD62A3

RGB 253 98 163

HSL 334.84, 0.97%, 0.69%

LAB 63.56, 64.66, -3.84

 

Description

Color code: HEX #F0FD61 | qconv.com Color code: HEX #F0FD61 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 253 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 253 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 62 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 62% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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