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Color name
HEX #F0FC0C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0FC0C it is the complementary color #0F03F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0FC0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0FC0C shade: #F5FC07, #FFFF1A, #FFFF2D, #FFFF40 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0FC0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0FC0C shade: #F0FC0C, #DFEA00, #CED800, #BDC600 and #ACB400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0FC0C shade: #F1FD0D, #FDC80D, #FD870D, #FD460D and #FD0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0FC0C shade: #F1FD0D, #B0FD0D, #6FFD0D, #2EFD0D and #0DFD2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0FC0C shade matches the following richer shades: #F1FD0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0FC0C shade: #F1FD0D, #DFE920, #CDD534, #BBC148 and #A9AD5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0FC0C shade: #FD890D, #FDC90D, #F1FD0D, #B1FD0D and #71FD0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0FC0C shade: #ACB502, #D3DE02, #F1FD0D, #F3FD35 and #F5FD5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0FC0C shade: #F0FC0C, #0DFD49 and #A90DFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0FC0C shade: #F0FC0C, #0DF1FD and #FD0DF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0FC0C shade: #F0FC0C, #0DFD49, #190DFD and #FD0DC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0FC0C shade: #F0FC0C, #0DFD91, #190DFD and #FD0D79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 95 / 1

HEX #F0FC0C

RGB 240 252 12

HSL 63, 0.98%, 0.52%

LAB 95.23, -26.18, 91.72

 

Complementary color

CMYK 94 / 99 / 0 / 5

HEX #0F03F3

RGB 15 3 243

HSL 243, 0.98%, 0.48%

LAB 30.97, 75.95, -103.33

 

CMYK 3 / 0 / 97 / 1

HEX #F5FC07

RGB 245 252 7

HSL 61.71, 0.98%, 0.51%

LAB 95.6, -24.18, 92.52

 

CMYK 0 / 0 / 90 / 0

HEX #FFFF1A

RGB 255 255 26

HSL 60, 1%, 0.55%

LAB 97.17, -21.31, 92.21

 

CMYK 0 / 0 / 82 / 0

HEX #FFFF2D

RGB 255 255 45

HSL 60, 1%, 0.59%

LAB 97.22, -20.93, 88.91

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF40

RGB 255 255 64

HSL 60, 1%, 0.63%

LAB 97.29, -20.34, 84.11

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 5 / 0 / 95 / 1

HEX #F0FC0C

RGB 240 252 12

HSL 63, 0.98%, 0.52%

LAB 95.23, -26.18, 91.72

 

CMYK 5 / 0 / 100 / 8

HEX #DFEA00

RGB 223 234 0

HSL 62.82, 1%, 0.46%

LAB 89.17, -24.77, 87.54

 

CMYK 5 / 0 / 100 / 15

HEX #CED800

RGB 206 216 0

HSL 62.78, 1%, 0.42%

LAB 83.04, -23.23, 82.43

 

CMYK 5 / 0 / 100 / 22

HEX #BDC600

RGB 189 198 0

HSL 62.73, 1%, 0.39%

LAB 76.8, -21.67, 77.25

 

CMYK 4 / 0 / 100 / 29

HEX #ACB400

RGB 172 180 0

HSL 62.67, 1%, 0.35%

LAB 70.46, -20.09, 71.98

 

CMYK 5 / 0 / 95 / 1

HEX #F1FD0D

RGB 241 253 13

HSL 63, 0.98%, 0.52%

LAB 95.57, -26.23, 91.93

 

CMYK 0 / 21 / 95 / 1

HEX #FDC80D

RGB 253 200 13

HSL 46.75, 0.98%, 0.52%

LAB 83.03, 4.99, 83.1

 

CMYK 0 / 47 / 95 / 1

HEX #FD870D

RGB 253 135 13

HSL 30.5, 0.98%, 0.52%

LAB 68.2, 38.67, 72.76

 

CMYK 0 / 72 / 95 / 1

HEX #FD460D

RGB 253 70 13

HSL 14.25, 0.98%, 0.52%

LAB 57.36, 66.95, 66.02

 

CMYK 0 / 95 / 95 / 1

HEX #FD0D0D

RGB 253 13 13

HSL 0, 0.98%, 0.52%

LAB 53.17, 78.81, 63.76

 

CMYK 5 / 0 / 95 / 1

HEX #F1FD0D

RGB 241 253 13

HSL 63, 0.98%, 0.52%

LAB 95.57, -26.23, 91.93

 

CMYK 30 / 0 / 95 / 1

HEX #B0FD0D

RGB 176 253 13

HSL 79.25, 0.98%, 0.52%

LAB 91.46, -51.4, 86.98

 

CMYK 56 / 0 / 95 / 1

HEX #6FFD0D

RGB 111 253 13

HSL 95.5, 0.98%, 0.52%

LAB 88.76, -71.47, 83.69

 

CMYK 82 / 0 / 95 / 1

HEX #2EFD0D

RGB 46 253 13

HSL 111.75, 0.98%, 0.52%

LAB 87.42, -82.92, 82.03

 

CMYK 95 / 0 / 83 / 1

HEX #0DFD2C

RGB 13 253 44

HSL 127.75, 0.98%, 0.52%

LAB 87.25, -84.13, 76.81

 

CMYK 5 / 0 / 95 / 1

HEX #F1FD0D

RGB 241 253 13

HSL 63, 0.98%, 0.52%

LAB 95.57, -26.23, 91.93

 

CMYK 5 / 0 / 95 / 1

HEX #F1FD0D

RGB 241 253 13

HSL 63, 0.98%, 0.52%

LAB 95.57, -26.23, 91.93

 

CMYK 4 / 0 / 86 / 9

HEX #DFE920

RGB 223 233 32

HSL 62.99, 0.82%, 0.52%

LAB 88.96, -23.88, 83.73

 

CMYK 4 / 0 / 76 / 16

HEX #CDD534

RGB 205 213 52

HSL 62.98, 0.66%, 0.52%

LAB 82.28, -21.09, 72.57

 

CMYK 3 / 0 / 63 / 24

HEX #BBC148

RGB 187 193 72

HSL 62.98, 0.49%, 0.52%

LAB 75.56, -17.68, 58.19

 

CMYK 2 / 0 / 47 / 32

HEX #A9AD5C

RGB 169 173 92

HSL 62.96, 0.33%, 0.52%

LAB 68.82, -13.34, 40.88

 

CMYK 0 / 46 / 95 / 1

HEX #FD890D

RGB 253 137 13

HSL 31, 0.98%, 0.52%

LAB 68.61, 37.66, 73.04

 

CMYK 0 / 21 / 95 / 1

HEX #FDC90D

RGB 253 201 13

HSL 47, 0.98%, 0.52%

LAB 83.28, 4.47, 83.28

 

CMYK 5 / 0 / 95 / 1

HEX #F1FD0D

RGB 241 253 13

HSL 63, 0.98%, 0.52%

LAB 95.57, -26.23, 91.93

 

CMYK 30 / 0 / 95 / 1

HEX #B1FD0D

RGB 177 253 13

HSL 79, 0.98%, 0.52%

LAB 91.52, -51.04, 87.05

 

CMYK 55 / 0 / 95 / 1

HEX #71FD0D

RGB 113 253 13

HSL 95, 0.98%, 0.52%

LAB 88.82, -70.96, 83.76

 

CMYK 5 / 0 / 99 / 29

HEX #ACB502

RGB 172 181 2

HSL 63.02, 0.98%, 0.36%

LAB 70.75, -20.56, 71.96

 

CMYK 5 / 0 / 99 / 13

HEX #D3DE02

RGB 211 222 2

HSL 63, 0.98%, 0.44%

LAB 85.05, -24.01, 83.91

 

CMYK 5 / 0 / 95 / 1

HEX #F1FD0D

RGB 241 253 13

HSL 63, 0.98%, 0.52%

LAB 95.57, -26.23, 91.93

 

CMYK 4 / 0 / 79 / 1

HEX #F3FD35

RGB 243 253 53

HSL 63, 0.98%, 0.6%

LAB 95.81, -24.63, 85.47

 

CMYK 3 / 0 / 63 / 1

HEX #F5FD5E

RGB 245 253 94

HSL 63.02, 0.98%, 0.68%

LAB 96.19, -21.96, 72.44

 

CMYK 5 / 0 / 95 / 1

HEX #F0FC0C

RGB 240 252 12

HSL 63, 0.98%, 0.52%

LAB 95.23, -26.18, 91.72

 

CMYK 95 / 0 / 71 / 1

HEX #0DFD49

RGB 13 253 73

HSL 135, 0.98%, 0.52%

LAB 87.4, -82.26, 68.4

 

CMYK 33 / 95 / 0 / 1

HEX #A90DFD

RGB 169 13 253

HSL 279, 0.98%, 0.52%

LAB 46.73, 85.36, -82.4

 

CMYK 5 / 0 / 95 / 1

HEX #F0FC0C

RGB 240 252 12

HSL 63, 0.98%, 0.52%

LAB 95.23, -26.18, 91.72

 

CMYK 95 / 5 / 0 / 1

HEX #0DF1FD

RGB 13 241 253

HSL 183, 0.98%, 0.52%

LAB 87.04, -42.26, -19.22

 

CMYK 0 / 95 / 5 / 1

HEX #FD0DF1

RGB 253 13 241

HSL 303, 0.98%, 0.52%

LAB 59.45, 95.25, -54.46

 

CMYK 5 / 0 / 95 / 1

HEX #F0FC0C

RGB 240 252 12

HSL 63, 0.98%, 0.52%

LAB 95.23, -26.18, 91.72

 

CMYK 95 / 0 / 71 / 1

HEX #0DFD49

RGB 13 253 73

HSL 135, 0.98%, 0.52%

LAB 87.4, -82.26, 68.4

 

CMYK 90 / 95 / 0 / 1

HEX #190DFD

RGB 25 13 253

HSL 243, 0.98%, 0.52%

LAB 33.11, 76.92, -105.39

 

CMYK 0 / 95 / 24 / 1

HEX #FD0DC1

RGB 253 13 193

HSL 315, 0.98%, 0.52%

LAB 57.1, 89.31, -30.93

 

CMYK 5 / 0 / 95 / 1

HEX #F0FC0C

RGB 240 252 12

HSL 63, 0.98%, 0.52%

LAB 95.23, -26.18, 91.72

 

CMYK 95 / 0 / 43 / 1

HEX #0DFD91

RGB 13 253 145

HSL 153, 0.98%, 0.52%

LAB 88.15, -72.98, 37.99

 

CMYK 90 / 95 / 0 / 1

HEX #190DFD

RGB 25 13 253

HSL 243, 0.98%, 0.52%

LAB 33.11, 76.92, -105.39

 

CMYK 0 / 95 / 52 / 1

HEX #FD0D79

RGB 253 13 121

HSL 333, 0.98%, 0.52%

LAB 54.61, 82.75, 7.82

 

Description

Color code: HEX #F0FC0C | qconv.com Color code: HEX #F0FC0C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 252 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 252 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 95 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 95% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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