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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0F543 it is the complementary color #0F0ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0F543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0F543 shade: #F5F53E, #FFFF51, #FFFF64, #FFFF77 and #FFFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0F543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0F543 shade: #F0F543, #DFE330, #CED11D, #BDBF0A and #ACAD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0F543 shade: #F0F542, #F5C942, #F59942, #F56942 and #F54242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0F543 shade: #F0F542, #BFF542, #8FF542, #5FF542 and #42F555

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0F543 shade matches the following richer shades: #F0F542

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0F543 shade: #F0F542, #E0E452, #D1D462, #C2C472 and #B3B482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0F543 shade: #F59842, #F5C842, #F2F542, #C2F542 and #92F542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0F543 shade: #D3D90B, #ECF21A, #F0F542, #F3F769 and #F6F990

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0F543 shade: #F0F543, #42F568 and #B042F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0F543 shade: #F0F543, #42F2F5 and #F542F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0F543 shade: #F0F543, #42F568, #4542F5 and #F542CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0F543 shade: #F0F543, #42F59E, #4542F5 and #F54298

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 73 / 4

HEX #F0F543

RGB 240 245 67

HSL 61.69, 0.9%, 0.61%

LAB 93.55, -21.54, 79.32

 

Complementary color

CMYK 92 / 95 / 0 / 26

HEX #0F0ABC

RGB 15 10 188

HSL 241.69, 0.9%, 0.39%

LAB 23.5, 60.81, -83.94

 

CMYK 0 / 0 / 75 / 4

HEX #F5F53E

RGB 245 245 62

HSL 60, 0.9%, 0.6%

LAB 93.91, -19.7, 81.33

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 2 / 0 / 73 / 4

HEX #F0F543

RGB 240 245 67

HSL 61.69, 0.9%, 0.61%

LAB 93.55, -21.54, 79.32

 

CMYK 2 / 0 / 79 / 11

HEX #DFE330

RGB 223 227 48

HSL 61.34, 0.76%, 0.54%

LAB 87.41, -20.57, 78.83

 

CMYK 1 / 0 / 86 / 18

HEX #CED11D

RGB 206 209 29

HSL 61, 0.76%, 0.47%

LAB 81.19, -19.43, 77.45

 

CMYK 1 / 0 / 95 / 25

HEX #BDBF0A

RGB 189 191 10

HSL 60.66, 0.9%, 0.39%

LAB 74.89, -18.1, 74.79

 

CMYK 1 / 0 / 100 / 32

HEX #ACAD00

RGB 172 173 0

HSL 60.35, 1%, 0.34%

LAB 68.5, -16.56, 70.54

 

CMYK 2 / 0 / 73 / 4

HEX #F0F542

RGB 240 245 66

HSL 61.68, 0.9%, 0.61%

LAB 93.55, -21.58, 79.63

 

CMYK 0 / 18 / 73 / 4

HEX #F5C942

RGB 245 201 66

HSL 45.25, 0.9%, 0.61%

LAB 82.69, 2.4, 69.44

 

CMYK 0 / 38 / 73 / 4

HEX #F59942

RGB 245 153 66

HSL 29.16, 0.9%, 0.61%

LAB 71.27, 27.53, 58.07

 

CMYK 0 / 57 / 73 / 4

HEX #F56942

RGB 245 105 66

HSL 13.07, 0.9%, 0.61%

LAB 61.58, 51.5, 47.86

 

CMYK 0 / 73 / 73 / 4

HEX #F54242

RGB 245 66 66

HSL 0, 0.9%, 0.61%

LAB 55.79, 67.09, 41.46

 

CMYK 2 / 0 / 73 / 4

HEX #F0F542

RGB 240 245 66

HSL 61.68, 0.9%, 0.61%

LAB 93.55, -21.58, 79.63

 

CMYK 22 / 0 / 73 / 4

HEX #BFF542

RGB 191 245 66

HSL 78.1, 0.9%, 0.61%

LAB 90.22, -40.87, 75.3

 

CMYK 42 / 0 / 73 / 4

HEX #8FF542

RGB 143 245 66

HSL 94.19, 0.9%, 0.61%

LAB 87.75, -57.59, 72.04

 

CMYK 61 / 0 / 73 / 4

HEX #5FF542

RGB 95 245 66

HSL 110.28, 0.9%, 0.61%

LAB 86.07, -70.48, 69.83

 

CMYK 73 / 0 / 65 / 4

HEX #42F555

RGB 66 245 85

HSL 126.37, 0.9%, 0.61%

LAB 85.56, -74.22, 62.14

 

CMYK 2 / 0 / 73 / 4

HEX #F0F542

RGB 240 245 66

HSL 61.68, 0.9%, 0.61%

LAB 93.55, -21.58, 79.63

 

CMYK 2 / 0 / 73 / 4

HEX #F0F542

RGB 240 245 66

HSL 61.68, 0.9%, 0.61%

LAB 93.55, -21.58, 79.63

 

CMYK 2 / 0 / 64 / 11

HEX #E0E452

RGB 224 228 82

HSL 61.64, 0.73%, 0.61%

LAB 87.94, -19.09, 68.03

 

CMYK 1 / 0 / 54 / 17

HEX #D1D462

RGB 209 212 98

HSL 61.58, 0.57%, 0.61%

LAB 82.66, -16.21, 55.13

 

CMYK 1 / 0 / 42 / 23

HEX #C2C472

RGB 194 196 114

HSL 61.46, 0.41%, 0.61%

LAB 77.38, -12.72, 40.83

 

CMYK 1 / 0 / 28 / 29

HEX #B3B482

RGB 179 180 130

HSL 61.2, 0.25%, 0.61%

LAB 72.12, -8.47, 25.47

 

CMYK 0 / 38 / 73 / 4

HEX #F59842

RGB 245 152 66

HSL 28.83, 0.9%, 0.61%

LAB 71.05, 28.05, 57.84

 

CMYK 0 / 18 / 73 / 4

HEX #F5C842

RGB 245 200 66

HSL 44.92, 0.9%, 0.61%

LAB 82.44, 2.92, 69.2

 

CMYK 1 / 0 / 73 / 4

HEX #F2F542

RGB 242 245 66

HSL 61.01, 0.9%, 0.61%

LAB 93.7, -20.77, 79.83

 

CMYK 21 / 0 / 73 / 4

HEX #C2F542

RGB 194 245 66

HSL 77.09, 0.9%, 0.61%

LAB 90.4, -39.74, 75.53

 

CMYK 40 / 0 / 73 / 4

HEX #92F542

RGB 146 245 66

HSL 93.18, 0.9%, 0.61%

LAB 87.88, -56.64, 72.22

 

CMYK 3 / 0 / 95 / 15

HEX #D3D90B

RGB 211 217 11

HSL 61.75, 0.9%, 0.45%

LAB 83.7, -21.51, 82.13

 

CMYK 2 / 0 / 89 / 5

HEX #ECF21A

RGB 236 242 26

HSL 61.67, 0.89%, 0.53%

LAB 92.31, -22.93, 87.8

 

CMYK 2 / 0 / 73 / 4

HEX #F0F542

RGB 240 245 66

HSL 61.68, 0.9%, 0.61%

LAB 93.55, -21.58, 79.63

 

CMYK 2 / 0 / 57 / 3

HEX #F3F769

RGB 243 247 105

HSL 61.69, 0.9%, 0.69%

LAB 94.57, -19.16, 66.17

 

CMYK 1 / 0 / 42 / 2

HEX #F6F990

RGB 246 249 144

HSL 61.71, 0.9%, 0.77%

LAB 95.73, -15.65, 49.9

 

CMYK 2 / 0 / 73 / 4

HEX #F0F543

RGB 240 245 67

HSL 61.69, 0.9%, 0.61%

LAB 93.55, -21.54, 79.32

 

CMYK 73 / 0 / 58 / 4

HEX #42F568

RGB 66 245 104

HSL 132.74, 0.9%, 0.61%

LAB 85.74, -72.14, 54.35

 

CMYK 28 / 73 / 0 / 4

HEX #B042F5

RGB 176 66 245

HSL 276.87, 0.9%, 0.61%

LAB 51.52, 71.85, -70.08

 

CMYK 2 / 0 / 73 / 4

HEX #F0F543

RGB 240 245 67

HSL 61.69, 0.9%, 0.61%

LAB 93.55, -21.54, 79.32

 

CMYK 73 / 1 / 0 / 4

HEX #42F2F5

RGB 66 242 245

HSL 181.01, 0.9%, 0.61%

LAB 87.61, -41.67, -14.12

 

CMYK 0 / 73 / 1 / 4

HEX #F542F2

RGB 245 66 242

HSL 301.01, 0.9%, 0.61%

LAB 61.41, 84.57, -51.98

 

CMYK 2 / 0 / 73 / 4

HEX #F0F543

RGB 240 245 67

HSL 61.69, 0.9%, 0.61%

LAB 93.55, -21.54, 79.32

 

CMYK 73 / 0 / 58 / 4

HEX #42F568

RGB 66 245 104

HSL 132.74, 0.9%, 0.61%

LAB 85.74, -72.14, 54.35

 

CMYK 72 / 73 / 0 / 4

HEX #4542F5

RGB 69 66 245

HSL 241.01, 0.9%, 0.61%

LAB 40.82, 56.79, -88.01

 

CMYK 0 / 73 / 16 / 4

HEX #F542CE

RGB 245 66 206

HSL 313.07, 0.9%, 0.61%

LAB 59.68, 79.43, -34.47

 

CMYK 2 / 0 / 73 / 4

HEX #F0F543

RGB 240 245 67

HSL 61.69, 0.9%, 0.61%

LAB 93.55, -21.54, 79.32

 

CMYK 73 / 0 / 36 / 4

HEX #42F59E

RGB 66 245 158

HSL 150.84, 0.9%, 0.61%

LAB 86.47, -63.67, 29.38

 

CMYK 72 / 73 / 0 / 4

HEX #4542F5

RGB 69 66 245

HSL 241.01, 0.9%, 0.61%

LAB 40.82, 56.79, -88.01

 

CMYK 0 / 73 / 38 / 4

HEX #F54298

RGB 245 66 152

HSL 331.17, 0.9%, 0.61%

LAB 57.63, 73.1, -6.37

 

Description

Color code: HEX #F0F543 | qconv.com Color code: HEX #F0F543 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 245 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 245 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 73 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 73% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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