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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0EEE8CE it is the complementary color #0F1117CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0EEE8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0EEE8CE shade: #F5EEE3CE, #FFFFF6CE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0EEE8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0EEE8CE shade: #F0EEE8CE, #DFDCD5CE, #CECAC2CE, #BDB8AFCE and #ACA69CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0EEE8CE shade: #F1EFE9, #F1EDE9, #F1EBE9 and #F1E9E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0EEE8CE shade: #F1EFE9, #F1F1E9, #EFF1E9, #EDF1E9 and #EBF1E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0EEE8CE shade matches the following richer shades: #F1EFE9, #F4F0E7, #F7F2E4, #FAF3E1 and #FCF5DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0EEE8CE shade: #F1EFE9, #EEEEEC, #EBECEF, #E8EBF2 and #E5E9F5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0EEE8CE shade: #F1EBE9, #F1EDE9, #F1EFE9, #F1F1E9 and #EFF1E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0EEE8CE shade: #D0CAB7, #E1DDD0, #F1EFE9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0EEE8CE shade: #F0EEE8, #EAF1E9 and #ECE9F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0EEE8CE shade: #F0EEE8, #E9F1EF and #EFE9F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0EEE8CE shade: #F0EEE8, #EAF1E9, #E9EBF1 and #F1E9F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0EEE8CE shade: #F0EEE8, #E9F1EB, #E9EBF1 and #F1E9EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 3 / 5

HEX #F0EEE8CE

RGBA 240 238 232 0.81

HSLA 45, 0.21%, 0.93%, 0.81

LABA 94.1, -0.37, 3.12, 0.81

 

Complementary color

CMYK 28 / 21 / 0 / 74

HEX #0F1117CE

RGBA 15 17 23 0.81

HSLA 225, 0.21%, 0.07%, 0.81

LABA 5.1, 0.64, -3.95, 0.81

 

CMYK 0 / 2 / 6 / 3

HEX #F5EEE3CE

RGBA 245 238 227 0.81

HSLA 36.67, 0.47%, 0.93%, 0.81

LABA 94.36, 0.49, 6.14, 0.81

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF6CE

RGBA 255 255 246 0.81

HSLA 60, 1%, 0.98%, 0.81

LABA 99.78, -1.54, 4.28, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 1 / 3 / 5

HEX #F0EEE8CE

RGBA 240 238 232 0.81

HSLA 45, 0.21%, 0.93%, 0.81

LABA 94.1, -0.37, 3.12, 0.81

 

CMYK 0 / 1 / 4 / 10

HEX #DFDCD5CE

RGBA 223 220 213 0.81

HSLA 42, 0.14%, 0.85%, 0.81

LABA 87.81, -0.2, 3.78, 0.81

 

CMYK 0 / 2 / 5 / 16

HEX #CECAC2CE

RGBA 206 202 194 0.81

HSLA 40, 0.11%, 0.78%, 0.81

LABA 81.43, -0.03, 4.47, 0.81

 

CMYK 0 / 2 / 6 / 21

HEX #BDB8AFCE

RGBA 189 184 175 0.81

HSLA 38.57, 0.1%, 0.71%, 0.81

LABA 74.95, 0.16, 5.18, 0.81

 

CMYK 0 / 3 / 8 / 26

HEX #ACA69CCE

RGBA 172 166 156 0.81

HSLA 37.5, 0.09%, 0.64%, 0.81

LABA 68.35, 0.37, 5.93, 0.81

 

CMYK 0 / 1 / 3 / 5

HEX #F1EFE9

RGB 241 239 233

HSL 45, 0.22%, 0.93%

LAB 94.45, -0.37, 3.12

 

CMYK 0 / 2 / 3 / 5

HEX #F1EDE9

RGB 241 237 233

HSL 30, 0.22%, 0.93%

LAB 93.95, 0.65, 2.4

 

CMYK 0 / 2 / 3 / 5

HEX #F1EBE9

RGB 241 235 233

HSL 15, 0.22%, 0.93%

LAB 93.45, 1.67, 1.67

 

CMYK 0 / 3 / 3 / 5

HEX #F1E9E9

RGB 241 233 233

HSL 0, 0.22%, 0.93%

LAB 92.95, 2.7, 0.95

 

CMYK 0 / 1 / 3 / 5

HEX #F1EFE9

RGB 241 239 233

HSL 45, 0.22%, 0.93%

LAB 94.45, -0.37, 3.12

 

CMYK 0 / 0 / 3 / 5

HEX #F1F1E9

RGB 241 241 233

HSL 60, 0.22%, 0.93%

LAB 94.95, -1.39, 3.85

 

CMYK 1 / 0 / 3 / 5

HEX #EFF1E9

RGB 239 241 233

HSL 75, 0.22%, 0.93%

LAB 94.8, -2.06, 3.61

 

CMYK 2 / 0 / 3 / 5

HEX #EDF1E9

RGB 237 241 233

HSL 90, 0.22%, 0.93%

LAB 94.65, -2.73, 3.38

 

CMYK 2 / 0 / 3 / 5

HEX #EBF1E9

RGB 235 241 233

HSL 105, 0.22%, 0.93%

LAB 94.51, -3.4, 3.15

 

CMYK 0 / 1 / 3 / 5

HEX #F1EFE9

RGB 241 239 233

HSL 45, 0.22%, 0.93%

LAB 94.45, -0.37, 3.12

 

CMYK 0 / 2 / 5 / 4

HEX #F4F0E7

RGB 244 240 231

HSL 41.54, 0.37%, 0.93%

LAB 94.88, -0.2, 4.81

 

CMYK 0 / 2 / 8 / 3

HEX #F7F2E4

RGB 247 242 228

HSL 44.21, 0.54%, 0.93%

LAB 95.53, -0.69, 7.33

 

CMYK 0 / 3 / 10 / 2

HEX #FAF3E1

RGB 250 243 225

HSL 43.2, 0.71%, 0.93%

LAB 95.94, -0.65, 9.5

 

CMYK 0 / 3 / 12 / 1

HEX #FCF5DE

RGB 252 245 222

HSL 46, 0.83%, 0.93%

LAB 96.52, -1.44, 11.9

 

CMYK 0 / 1 / 3 / 5

HEX #F1EFE9

RGB 241 239 233

HSL 45, 0.22%, 0.93%

LAB 94.45, -0.37, 3.12

 

CMYK 0 / 0 / 1 / 7

HEX #EEEEEC

RGB 238 238 236

HSL 60, 0.06%, 0.93%

LAB 94.05, -0.35, 0.96

 

CMYK 2 / 1 / 0 / 6

HEX #EBECEF

RGB 235 236 239

HSL 225, 0.11%, 0.93%

LAB 93.4, 0.21, -1.58

 

CMYK 4 / 3 / 0 / 5

HEX #E8EBF2

RGB 232 235 242

HSL 222, 0.28%, 0.93%

LAB 93.01, 0.28, -3.74

 

CMYK 7 / 5 / 0 / 4

HEX #E5E9F5

RGB 229 233 245

HSL 225, 0.44%, 0.93%

LAB 92.37, 0.89, -6.27

 

CMYK 0 / 2 / 3 / 5

HEX #F1EBE9

RGB 241 235 233

HSL 15, 0.22%, 0.93%

LAB 93.45, 1.67, 1.67

 

CMYK 0 / 2 / 3 / 5

HEX #F1EDE9

RGB 241 237 233

HSL 30, 0.22%, 0.93%

LAB 93.95, 0.65, 2.4

 

CMYK 0 / 1 / 3 / 5

HEX #F1EFE9

RGB 241 239 233

HSL 45, 0.22%, 0.93%

LAB 94.45, -0.37, 3.12

 

CMYK 0 / 0 / 3 / 5

HEX #F1F1E9

RGB 241 241 233

HSL 60, 0.22%, 0.93%

LAB 94.95, -1.39, 3.85

 

CMYK 1 / 0 / 3 / 5

HEX #EFF1E9

RGB 239 241 233

HSL 75, 0.22%, 0.93%

LAB 94.8, -2.06, 3.61

 

CMYK 0 / 3 / 12 / 18

HEX #D0CAB7

RGB 208 202 183

HSL 45.6, 0.21%, 0.77%

LAB 81.33, -1.16, 10.22

 

CMYK 0 / 2 / 8 / 12

HEX #E1DDD0

RGB 225 221 208

HSL 45.88, 0.22%, 0.85%

LAB 88.1, -0.88, 6.85

 

CMYK 0 / 1 / 3 / 5

HEX #F1EFE9

RGB 241 239 233

HSL 45, 0.22%, 0.93%

LAB 94.45, -0.37, 3.12

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 1 / 3 / 6

HEX #F0EEE8

RGB 240 238 232

HSL 45, 0.21%, 0.93%

LAB 94.1, -0.37, 3.12

 

CMYK 3 / 0 / 3 / 5

HEX #EAF1E9

RGB 234 241 233

HSL 112.5, 0.22%, 0.93%

LAB 94.43, -3.74, 3.04

 

CMYK 2 / 3 / 0 / 5

HEX #ECE9F1

RGB 236 233 241

HSL 262.5, 0.22%, 0.93%

LAB 92.78, 2.44, -3.52

 

CMYK 0 / 1 / 3 / 6

HEX #F0EEE8

RGB 240 238 232

HSL 45, 0.21%, 0.93%

LAB 94.1, -0.37, 3.12

 

CMYK 3 / 0 / 1 / 5

HEX #E9F1EF

RGB 233 241 239

HSL 165, 0.22%, 0.93%

LAB 94.51, -3, 0.03

 

CMYK 1 / 3 / 0 / 5

HEX #EFE9F1

RGB 239 233 241

HSL 285, 0.22%, 0.93%

LAB 93.01, 3.44, -3.16

 

CMYK 0 / 1 / 3 / 6

HEX #F0EEE8

RGB 240 238 232

HSL 45, 0.21%, 0.93%

LAB 94.1, -0.37, 3.12

 

CMYK 3 / 0 / 3 / 5

HEX #EAF1E9

RGB 234 241 233

HSL 112.5, 0.22%, 0.93%

LAB 94.43, -3.74, 3.04

 

CMYK 3 / 2 / 0 / 5

HEX #E9EBF1

RGB 233 235 241

HSL 225, 0.22%, 0.93%

LAB 93.05, 0.42, -3.14

 

CMYK 0 / 3 / 0 / 5

HEX #F1E9F1

RGB 241 233 241

HSL 300, 0.22%, 0.93%

LAB 93.16, 4.1, -2.92

 

CMYK 0 / 1 / 3 / 6

HEX #F0EEE8

RGB 240 238 232

HSL 45, 0.21%, 0.93%

LAB 94.1, -0.37, 3.12

 

CMYK 3 / 0 / 2 / 5

HEX #E9F1EB

RGB 233 241 235

HSL 135, 0.22%, 0.93%

LAB 94.41, -3.72, 1.96

 

CMYK 3 / 2 / 0 / 5

HEX #E9EBF1

RGB 233 235 241

HSL 225, 0.22%, 0.93%

LAB 93.05, 0.42, -3.14

 

CMYK 0 / 3 / 1 / 5

HEX #F1E9EF

RGB 241 233 239

HSL 315, 0.22%, 0.93%

LAB 93.11, 3.75, -1.95

 

Description

Color code: HEX #F0EEE8CE | qconv.com Color code: HEX #F0EEE8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 238 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 238 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 3 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 3% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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