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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0EC3E it is the complementary color #0F13C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0EC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0EC3E shade: #F5EC39, #FFFE4C, #FFFF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0EC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0EC3E shade: #F0EC3E, #DFDA2B, #CEC818, #BDB605 and #ACA400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0EC3E shade: #F0EC3C, #F0BB3C, #F08B3C, #F05A3C and #F03C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0EC3E shade: #F0EC3C, #C3F03C, #93F03C, #62F03C and #3CF046

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0EC3E shade matches the following richer shades: #F0EC3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0EC3E shade: #F0EC3C, #DFDC4D, #CECC5E, #BDBB6F and #ACAB80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0EC3E shade: #F08A3C, #F0BA3C, #F0EA3C, #C6F03C and #96F03C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0EC3E shade: #CBC60F, #EDE816, #F0EC3C, #F3F062 and #F6F389

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0EC3E shade: #F0EC3E, #3CF05A and #A23CF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0EC3E shade: #F0EC3E, #3CF0EA and #EA3CF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0EC3E shade: #F0EC3E, #3CF05A, #3C42F0 and #F03CD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0EC3E shade: #F0EC3E, #3CF090, #3C42F0 and #F03C9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 74 / 6

HEX #F0EC3E

RGB 240 236 62

HSL 58.65, 0.86%, 0.59%

LAB 91.17, -17.41, 78.67

 

Complementary color

CMYK 92 / 90 / 0 / 24

HEX #0F13C1

RGB 15 19 193

HSL 238.65, 0.86%, 0.41%

LAB 25.01, 59.73, -84.39

 

CMYK 0 / 4 / 77 / 4

HEX #F5EC39

RGB 245 236 57

HSL 57.13, 0.9%, 0.59%

LAB 91.55, -15.53, 80.67

 

CMYK 0 / 0 / 70 / 0

HEX #FFFE4C

RGB 255 254 76

HSL 59.66, 1%, 0.65%

LAB 97.09, -19.37, 80.15

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 2 / 74 / 6

HEX #F0EC3E

RGB 240 236 62

HSL 58.65, 0.86%, 0.59%

LAB 91.17, -17.41, 78.67

 

CMYK 0 / 2 / 81 / 13

HEX #DFDA2B

RGB 223 218 43

HSL 58.33, 0.74%, 0.52%

LAB 85, -16.33, 78.04

 

CMYK 0 / 3 / 88 / 19

HEX #CEC818

RGB 206 200 24

HSL 58.02, 0.79%, 0.45%

LAB 78.75, -15.07, 76.42

 

CMYK 0 / 4 / 97 / 26

HEX #BDB605

RGB 189 182 5

HSL 57.72, 0.95%, 0.38%

LAB 72.42, -13.61, 73.48

 

CMYK 0 / 5 / 100 / 33

HEX #ACA400

RGB 172 164 0

HSL 57.21, 1%, 0.34%

LAB 66, -11.92, 68.71

 

CMYK 0 / 2 / 75 / 6

HEX #F0EC3C

RGB 240 236 60

HSL 58.67, 0.86%, 0.59%

LAB 91.16, -17.48, 79.28

 

CMYK 0 / 22 / 75 / 6

HEX #F0BB3C

RGB 240 187 60

HSL 42.33, 0.86%, 0.59%

LAB 78.69, 7.3, 67.64

 

CMYK 0 / 42 / 75 / 6

HEX #F08B3C

RGB 240 139 60

HSL 26.33, 0.86%, 0.59%

LAB 67.51, 32.54, 56.69

 

CMYK 0 / 63 / 75 / 6

HEX #F05A3C

RGB 240 90 60

HSL 10, 0.86%, 0.59%

LAB 58.19, 56.17, 47.06

 

CMYK 0 / 75 / 75 / 6

HEX #F03C3C

RGB 240 60 60

HSL 0, 0.86%, 0.59%

LAB 54.12, 67.3, 42.66

 

CMYK 0 / 2 / 75 / 6

HEX #F0EC3C

RGB 240 236 60

HSL 58.67, 0.86%, 0.59%

LAB 91.16, -17.48, 79.28

 

CMYK 19 / 0 / 75 / 6

HEX #C3F03C

RGB 195 240 60

HSL 75, 0.86%, 0.59%

LAB 89.04, -37.42, 76.15

 

CMYK 39 / 0 / 75 / 6

HEX #93F03C

RGB 147 240 60

HSL 91, 0.86%, 0.59%

LAB 86.43, -54.69, 72.75

 

CMYK 59 / 0 / 75 / 6

HEX #62F03C

RGB 98 240 60

HSL 107.33, 0.86%, 0.59%

LAB 84.61, -68.53, 70.36

 

CMYK 75 / 0 / 71 / 6

HEX #3CF046

RGB 60 240 70

HSL 123.33, 0.86%, 0.59%

LAB 83.82, -74.88, 65.92

 

CMYK 0 / 2 / 75 / 6

HEX #F0EC3C

RGB 240 236 60

HSL 58.67, 0.86%, 0.59%

LAB 91.16, -17.48, 79.28

 

CMYK 0 / 2 / 75 / 6

HEX #F0EC3C

RGB 240 236 60

HSL 58.67, 0.86%, 0.59%

LAB 91.16, -17.48, 79.28

 

CMYK 0 / 1 / 65 / 13

HEX #DFDC4D

RGB 223 220 77

HSL 58.77, 0.7%, 0.59%

LAB 85.71, -15.87, 67.65

 

CMYK 0 / 1 / 54 / 19

HEX #CECC5E

RGB 206 204 94

HSL 58.93, 0.53%, 0.59%

LAB 80.24, -13.75, 54.12

 

CMYK 0 / 1 / 41 / 26

HEX #BDBB6F

RGB 189 187 111

HSL 58.46, 0.37%, 0.59%

LAB 74.51, -10.44, 38.67

 

CMYK 0 / 1 / 26 / 33

HEX #ACAB80

RGB 172 171 128

HSL 58.64, 0.21%, 0.59%

LAB 69.08, -6.73, 22.34

 

CMYK 0 / 43 / 75 / 6

HEX #F08A3C

RGB 240 138 60

HSL 26, 0.86%, 0.59%

LAB 67.3, 33.06, 56.48

 

CMYK 0 / 23 / 75 / 6

HEX #F0BA3C

RGB 240 186 60

HSL 42, 0.86%, 0.59%

LAB 78.44, 7.82, 67.4

 

CMYK 0 / 3 / 75 / 6

HEX #F0EA3C

RGB 240 234 60

HSL 58, 0.86%, 0.59%

LAB 90.64, -16.51, 78.8

 

CMYK 18 / 0 / 75 / 6

HEX #C6F03C

RGB 198 240 60

HSL 74, 0.86%, 0.59%

LAB 89.23, -36.25, 76.4

 

CMYK 38 / 0 / 75 / 6

HEX #96F03C

RGB 150 240 60

HSL 90, 0.86%, 0.59%

LAB 86.57, -53.7, 72.93

 

CMYK 0 / 2 / 93 / 20

HEX #CBC60F

RGB 203 198 15

HSL 58.4, 0.86%, 0.43%

LAB 77.95, -15.5, 77.04

 

CMYK 0 / 2 / 91 / 7

HEX #EDE816

RGB 237 232 22

HSL 58.6, 0.86%, 0.51%

LAB 89.76, -17.76, 86.4

 

CMYK 0 / 2 / 75 / 6

HEX #F0EC3C

RGB 240 236 60

HSL 58.67, 0.86%, 0.59%

LAB 91.16, -17.48, 79.28

 

CMYK 0 / 1 / 60 / 5

HEX #F3F062

RGB 243 240 98

HSL 58.76, 0.86%, 0.67%

LAB 92.69, -16.25, 67.04

 

CMYK 0 / 1 / 44 / 4

HEX #F6F389

RGB 246 243 137

HSL 58.35, 0.86%, 0.75%

LAB 94.1, -13.4, 51.22

 

CMYK 0 / 2 / 74 / 6

HEX #F0EC3E

RGB 240 236 62

HSL 58.65, 0.86%, 0.59%

LAB 91.17, -17.41, 78.67

 

CMYK 75 / 0 / 63 / 6

HEX #3CF05A

RGB 60 240 90

HSL 130, 0.86%, 0.59%

LAB 83.98, -72.99, 58.32

 

CMYK 33 / 75 / 0 / 6

HEX #A23CF0

RGB 162 60 240

HSL 274, 0.86%, 0.59%

LAB 48.52, 70.63, -72.24

 

CMYK 0 / 2 / 74 / 6

HEX #F0EC3E

RGB 240 236 62

HSL 58.65, 0.86%, 0.59%

LAB 91.17, -17.41, 78.67

 

CMYK 75 / 0 / 3 / 6

HEX #3CF0EA

RGB 60 240 234

HSL 178, 0.86%, 0.59%

LAB 86.61, -44.47, -9.85

 

CMYK 3 / 75 / 0 / 6

HEX #EA3CF0

RGB 234 60 240

HSL 298, 0.86%, 0.59%

LAB 58.99, 83.8, -54.83

 

CMYK 0 / 2 / 74 / 6

HEX #F0EC3E

RGB 240 236 62

HSL 58.65, 0.86%, 0.59%

LAB 91.17, -17.41, 78.67

 

CMYK 75 / 0 / 63 / 6

HEX #3CF05A

RGB 60 240 90

HSL 130, 0.86%, 0.59%

LAB 83.98, -72.99, 58.32

 

CMYK 75 / 73 / 0 / 6

HEX #3C42F0

RGB 60 66 240

HSL 238, 0.86%, 0.59%

LAB 39.83, 54.45, -86.85

 

CMYK 0 / 75 / 13 / 6

HEX #F03CD2

RGB 240 60 210

HSL 310, 0.86%, 0.59%

LAB 58.42, 80.62, -38.76

 

CMYK 0 / 2 / 74 / 6

HEX #F0EC3E

RGB 240 236 62

HSL 58.65, 0.86%, 0.59%

LAB 91.17, -17.41, 78.67

 

CMYK 75 / 0 / 40 / 6

HEX #3CF090

RGB 60 240 144

HSL 148, 0.86%, 0.59%

LAB 84.64, -65.24, 33.97

 

CMYK 75 / 73 / 0 / 6

HEX #3C42F0

RGB 60 66 240

HSL 238, 0.86%, 0.59%

LAB 39.83, 54.45, -86.85

 

CMYK 0 / 75 / 35 / 6

HEX #F03C9C

RGB 240 60 156

HSL 328, 0.86%, 0.59%

LAB 56.24, 74.07, -10.89

 

Description

Color code: HEX #F0EC3E | qconv.com Color code: HEX #F0EC3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 236 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 236 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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