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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0E9CD it is the complementary color #0F1632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0E9CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0E9CD shade: #F5E9C8, #FFFBDB, #FFFFEE and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0E9CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0E9CD shade: #F0E9CD, #DFD7BA, #CEC5A7, #BDB394 and #ACA181

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0E9CD shade: #F0E9CC, #F0DFCC, #F0D5CC and #F0CCCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0E9CD shade: #F0E9CC, #EDF0CC, #E4F0CC, #DAF0CC and #D0F0CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0E9CD shade matches the following richer shades: #F0E9CC, #F5ECC7 and #FAEFC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0E9CD shade: #F0E9CC, #EAE5D1, #E5E2D7, #E0DFDC and #DADCE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0E9CD shade: #F0D5CC, #F0DFCC, #F0E9CC, #EDF0CC and #E4F0CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0E9CD shade: #DDCD8C, #E6DBAC, #F0E9CC, #F9F7EC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0E9CD shade: #F0E9CD, #CCF0CC and #DACCF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0E9CD shade: #F0E9CD, #CCF0E9 and #E9CCF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0E9CD shade: #F0E9CD, #CCF0CC, #CCD3F0 and #F0CCF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0E9CD shade: #F0E9CD, #CCF0D7, #CCD3F0 and #F0CCE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 15 / 6

HEX #F0E9CD

RGB 240 233 205

HSL 48, 0.54%, 0.87%

LAB 92.23, -2.22, 14.46

 

Complementary color

CMYK 70 / 56 / 0 / 80

HEX #0F1632

RGB 15 22 50

HSL 228, 0.54%, 0.13%

LAB 8.18, 7.48, -19.62

 

CMYK 0 / 5 / 18 / 4

HEX #F5E9C8

RGB 245 233 200

HSL 44, 0.69%, 0.87%

LAB 92.51, -1.18, 17.51

 

CMYK 0 / 2 / 14 / 0

HEX #FFFBDB

RGB 255 251 219

HSL 53.33, 1%, 0.93%

LAB 98.18, -3.87, 15.82

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CD

RGB 240 233 205

HSL 48, 0.54%, 0.87%

LAB 92.23, -2.22, 14.46

 

CMYK 0 / 4 / 17 / 13

HEX #DFD7BA

RGB 223 215 186

HSL 47.03, 0.37%, 0.8%

LAB 85.92, -2.01, 15.3

 

CMYK 0 / 4 / 19 / 19

HEX #CEC5A7

RGB 206 197 167

HSL 46.15, 0.28%, 0.73%

LAB 79.53, -1.77, 16.19

 

CMYK 0 / 5 / 22 / 26

HEX #BDB394

RGB 189 179 148

HSL 45.37, 0.24%, 0.66%

LAB 73.02, -1.52, 17.13

 

CMYK 0 / 6 / 25 / 33

HEX #ACA181

RGB 172 161 129

HSL 44.65, 0.21%, 0.59%

LAB 66.4, -1.22, 18.13

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CC

RGB 240 233 204

HSL 48.33, 0.55%, 0.87%

LAB 92.2, -2.37, 14.95

 

CMYK 0 / 7 / 15 / 6

HEX #F0DFCC

RGB 240 223 204

HSL 31.67, 0.55%, 0.87%

LAB 89.7, 2.75, 11.4

 

CMYK 0 / 11 / 15 / 6

HEX #F0D5CC

RGB 240 213 204

HSL 15, 0.55%, 0.87%

LAB 87.23, 7.93, 7.86

 

CMYK 0 / 15 / 15 / 6

HEX #F0CCCC

RGB 240 204 204

HSL 0, 0.55%, 0.87%

LAB 85.03, 12.64, 4.7

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CC

RGB 240 233 204

HSL 48.33, 0.55%, 0.87%

LAB 92.2, -2.37, 14.95

 

CMYK 1 / 0 / 15 / 6

HEX #EDF0CC

RGB 237 240 204

HSL 65, 0.55%, 0.87%

LAB 93.75, -6.97, 17.09

 

CMYK 5 / 0 / 15 / 6

HEX #E4F0CC

RGB 228 240 204

HSL 80, 0.55%, 0.87%

LAB 93.09, -10.13, 16.07

 

CMYK 9 / 0 / 15 / 6

HEX #DAF0CC

RGB 218 240 204

HSL 96.67, 0.55%, 0.87%

LAB 92.39, -13.59, 14.98

 

CMYK 13 / 0 / 15 / 6

HEX #D0F0CC

RGB 208 240 204

HSL 113.33, 0.55%, 0.87%

LAB 91.73, -16.98, 13.95

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CC

RGB 240 233 204

HSL 48.33, 0.55%, 0.87%

LAB 92.2, -2.37, 14.95

 

CMYK 0 / 4 / 19 / 4

HEX #F5ECC7

RGB 245 236 199

HSL 48.26, 0.7%, 0.87%

LAB 93.24, -2.84, 19.05

 

CMYK 0 / 4 / 23 / 2

HEX #FAEFC1

RGB 250 239 193

HSL 48.42, 0.85%, 0.87%

LAB 94.27, -3.39, 23.63

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CC

RGB 240 233 204

HSL 48.33, 0.55%, 0.87%

LAB 92.2, -2.37, 14.95

 

CMYK 0 / 2 / 11 / 8

HEX #EAE5D1

RGB 234 229 209

HSL 48, 0.37%, 0.87%

LAB 90.84, -1.67, 10.35

 

CMYK 0 / 1 / 6 / 10

HEX #E5E2D7

RGB 229 226 215

HSL 47.14, 0.21%, 0.87%

LAB 89.84, -0.89, 5.72

 

CMYK 0 / 0 / 2 / 12

HEX #E0DFDC

RGB 224 223 220

HSL 45, 0.06%, 0.87%

LAB 88.82, -0.19, 1.58

 

CMYK 3 / 2 / 0 / 12

HEX #DADCE1

RGB 218 220 225

HSL 222.86, 0.1%, 0.87%

LAB 87.74, 0.25, -2.69

 

CMYK 0 / 11 / 15 / 6

HEX #F0D5CC

RGB 240 213 204

HSL 15, 0.55%, 0.87%

LAB 87.23, 7.93, 7.86

 

CMYK 0 / 7 / 15 / 6

HEX #F0DFCC

RGB 240 223 204

HSL 31.67, 0.55%, 0.87%

LAB 89.7, 2.75, 11.4

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CC

RGB 240 233 204

HSL 48.33, 0.55%, 0.87%

LAB 92.2, -2.37, 14.95

 

CMYK 1 / 0 / 15 / 6

HEX #EDF0CC

RGB 237 240 204

HSL 65, 0.55%, 0.87%

LAB 93.75, -6.97, 17.09

 

CMYK 5 / 0 / 15 / 6

HEX #E4F0CC

RGB 228 240 204

HSL 80, 0.55%, 0.87%

LAB 93.09, -10.13, 16.07

 

CMYK 0 / 7 / 37 / 13

HEX #DDCD8C

RGB 221 205 140

HSL 48.15, 0.54%, 0.71%

LAB 82.34, -3.76, 34.4

 

CMYK 0 / 5 / 25 / 10

HEX #E6DBAC

RGB 230 219 172

HSL 48.62, 0.54%, 0.79%

LAB 87.22, -3.49, 24.52

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CC

RGB 240 233 204

HSL 48.33, 0.55%, 0.87%

LAB 92.2, -2.37, 14.95

 

CMYK 0 / 1 / 5 / 2

HEX #F9F7EC

RGB 249 247 236

HSL 50.77, 0.52%, 0.95%

LAB 97.11, -1.21, 5.51

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CD

RGB 240 233 205

HSL 48, 0.54%, 0.87%

LAB 92.23, -2.22, 14.46

 

CMYK 15 / 0 / 15 / 6

HEX #CCF0CC

RGB 204 240 204

HSL 120, 0.55%, 0.87%

LAB 91.47, -18.32, 13.55

 

CMYK 9 / 15 / 0 / 6

HEX #DACCF0

RGB 218 204 240

HSL 263.33, 0.55%, 0.87%

LAB 84.16, 11.54, -15.95

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CD

RGB 240 233 205

HSL 48, 0.54%, 0.87%

LAB 92.23, -2.22, 14.46

 

CMYK 15 / 0 / 3 / 6

HEX #CCF0E9

RGB 204 240 233

HSL 168.33, 0.55%, 0.87%

LAB 92.15, -12.98, -0.54

 

CMYK 3 / 15 / 0 / 6

HEX #E9CCF0

RGB 233 204 240

HSL 288.33, 0.55%, 0.87%

LAB 85.4, 16.43, -13.97

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CD

RGB 240 233 205

HSL 48, 0.54%, 0.87%

LAB 92.23, -2.22, 14.46

 

CMYK 15 / 0 / 15 / 6

HEX #CCF0CC

RGB 204 240 204

HSL 120, 0.55%, 0.87%

LAB 91.47, -18.32, 13.55

 

CMYK 15 / 12 / 0 / 6

HEX #CCD3F0

RGB 204 211 240

HSL 228.33, 0.55%, 0.87%

LAB 84.85, 3.37, -15.03

 

CMYK 0 / 15 / 0 / 6

HEX #F0CCF0

RGB 240 204 240

HSL 300, 0.55%, 0.87%

LAB 86.01, 18.74, -13

 

CMYK 0 / 3 / 15 / 6

HEX #F0E9CD

RGB 240 233 205

HSL 48, 0.54%, 0.87%

LAB 92.23, -2.22, 14.46

 

CMYK 15 / 0 / 10 / 6

HEX #CCF0D7

RGB 204 240 215

HSL 138.33, 0.55%, 0.87%

LAB 91.71, -16.37, 8.19

 

CMYK 15 / 12 / 0 / 6

HEX #CCD3F0

RGB 204 211 240

HSL 228.33, 0.55%, 0.87%

LAB 84.85, 3.37, -15.03

 

CMYK 0 / 15 / 5 / 6

HEX #F0CCE5

RGB 240 204 229

HSL 318.33, 0.55%, 0.87%

LAB 85.69, 16.78, -7.63

 

Description

Color code: HEX #F0E9CD | qconv.com Color code: HEX #F0E9CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 233 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 233 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 15 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 15% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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