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Color name
HEX #F0E529

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0E529 it is the complementary color #0F1AD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0E529. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0E529 shade: #F5E524, #FFF737, #FFFF4A, #FFFF5D and #FFFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0E529. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0E529 shade: #F0E529, #DFD316, #CEC103, #BDAF00 and #AC9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0E529 shade: #F0E528, #F0AF28, #F07928, #F04428 and #F02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0E529 shade: #F0E528, #C5F028, #8FF028, #5AF028 and #28F02D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0E529 shade matches the following richer shades: #F0E528

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0E529 shade: #F0E528, #DED53B, #CBC44E, #B8B360 and #A6A373

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0E529 shade: #F07828, #F0AE28, #F0E328, #C8F028 and #93F028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0E529 shade: #B9B00D, #E0D410, #F0E528, #F3EA4F and #F5EE76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0E529 shade: #F0E529, #28F043 and #9328F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0E529 shade: #F0E529, #28F0E3 and #E328F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0E529 shade: #F0E529, #28F043, #2836F0 and #F028D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0E529 shade: #F0E529, #28F07F, #2836F0 and #F0289A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 83 / 6

HEX #F0E529

RGB 240 229 41

HSL 56.68, 0.87%, 0.55%

LAB 89.26, -14.67, 82.68

 

Complementary color

CMYK 93 / 88 / 0 / 16

HEX #0F1AD6

RGB 15 26 214

HSL 236.68, 0.87%, 0.45%

LAB 28.63, 63.27, -90.63

 

CMYK 0 / 7 / 85 / 4

HEX #F5E524

RGB 245 229 36

HSL 55.41, 0.91%, 0.55%

LAB 89.66, -12.7, 84.26

 

CMYK 0 / 3 / 78 / 0

HEX #FFF737

RGB 255 247 55

HSL 57.6, 1%, 0.61%

LAB 95.19, -16.82, 84.75

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4A

RGB 255 255 74

HSL 60, 1%, 0.65%

LAB 97.34, -19.94, 81.05

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 5 / 83 / 6

HEX #F0E529

RGB 240 229 41

HSL 56.68, 0.87%, 0.55%

LAB 89.26, -14.67, 82.68

 

CMYK 0 / 5 / 90 / 13

HEX #DFD316

RGB 223 211 22

HSL 56.42, 0.82%, 0.48%

LAB 83.09, -13.33, 80.76

 

CMYK 0 / 6 / 99 / 19

HEX #CEC103

RGB 206 193 3

HSL 56.16, 0.97%, 0.41%

LAB 76.84, -11.81, 77.6

 

CMYK 0 / 7 / 100 / 26

HEX #BDAF00

RGB 189 175 0

HSL 55.56, 1%, 0.37%

LAB 70.51, -10.07, 72.66

 

CMYK 0 / 9 / 100 / 33

HEX #AC9D00

RGB 172 157 0

HSL 54.77, 1%, 0.34%

LAB 64.07, -8.24, 67.32

 

CMYK 0 / 5 / 83 / 6

HEX #F0E528

RGB 240 229 40

HSL 56.7, 0.87%, 0.55%

LAB 89.26, -14.69, 82.9

 

CMYK 0 / 27 / 83 / 6

HEX #F0AF28

RGB 240 175 40

HSL 40.5, 0.87%, 0.55%

LAB 75.66, 12.92, 71.54

 

CMYK 0 / 50 / 83 / 6

HEX #F07928

RGB 240 121 40

HSL 24.3, 0.87%, 0.55%

LAB 63.63, 41.05, 61.29

 

CMYK 0 / 72 / 83 / 6

HEX #F04428

RGB 240 68 40

HSL 8.4, 0.87%, 0.55%

LAB 54.88, 64.07, 53.64

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 5 / 83 / 6

HEX #F0E528

RGB 240 229 40

HSL 56.7, 0.87%, 0.55%

LAB 89.26, -14.69, 82.9

 

CMYK 18 / 0 / 83 / 6

HEX #C5F028

RGB 197 240 40

HSL 72.9, 0.87%, 0.55%

LAB 89.08, -37.39, 81.5

 

CMYK 40 / 0 / 83 / 6

HEX #8FF028

RGB 143 240 40

HSL 89.1, 0.87%, 0.55%

LAB 86.16, -56.9, 77.83

 

CMYK 63 / 0 / 83 / 6

HEX #5AF028

RGB 90 240 40

HSL 105, 0.87%, 0.55%

LAB 84.3, -71.38, 75.47

 

CMYK 83 / 0 / 81 / 6

HEX #28F02D

RGB 40 240 45

HSL 121.5, 0.87%, 0.55%

LAB 83.42, -78.87, 73.13

 

CMYK 0 / 5 / 83 / 6

HEX #F0E528

RGB 240 229 40

HSL 56.7, 0.87%, 0.55%

LAB 89.26, -14.69, 82.9

 

CMYK 0 / 5 / 83 / 6

HEX #F0E528

RGB 240 229 40

HSL 56.7, 0.87%, 0.55%

LAB 89.26, -14.69, 82.9

 

CMYK 0 / 4 / 73 / 13

HEX #DED53B

RGB 222 213 59

HSL 56.69, 0.71%, 0.55%

LAB 83.67, -13.7, 72.12

 

CMYK 0 / 3 / 62 / 20

HEX #CBC44E

RGB 203 196 78

HSL 56.64, 0.55%, 0.55%

LAB 77.71, -12.1, 58.34

 

CMYK 0 / 3 / 48 / 28

HEX #B8B360

RGB 184 179 96

HSL 56.59, 0.38%, 0.55%

LAB 71.74, -9.86, 42.71

 

CMYK 0 / 2 / 31 / 35

HEX #A6A373

RGB 166 163 115

HSL 56.47, 0.22%, 0.55%

LAB 66.17, -6.63, 25.39

 

CMYK 0 / 50 / 83 / 6

HEX #F07828

RGB 240 120 40

HSL 24, 0.87%, 0.55%

LAB 63.43, 41.55, 61.11

 

CMYK 0 / 28 / 83 / 6

HEX #F0AE28

RGB 240 174 40

HSL 40.2, 0.87%, 0.55%

LAB 75.42, 13.45, 71.33

 

CMYK 0 / 5 / 83 / 6

HEX #F0E328

RGB 240 227 40

HSL 56.1, 0.87%, 0.55%

LAB 88.74, -13.71, 82.47

 

CMYK 17 / 0 / 83 / 6

HEX #C8F028

RGB 200 240 40

HSL 72, 0.87%, 0.55%

LAB 89.28, -36.21, 81.74

 

CMYK 39 / 0 / 83 / 6

HEX #93F028

RGB 147 240 40

HSL 87.9, 0.87%, 0.55%

LAB 86.34, -55.59, 78.06

 

CMYK 0 / 5 / 93 / 27

HEX #B9B00D

RGB 185 176 13

HSL 56.86, 0.87%, 0.39%

LAB 70.45, -12.2, 70.91

 

CMYK 0 / 5 / 93 / 12

HEX #E0D410

RGB 224 212 16

HSL 56.54, 0.87%, 0.47%

LAB 83.43, -13.49, 81.86

 

CMYK 0 / 5 / 83 / 6

HEX #F0E528

RGB 240 229 40

HSL 56.7, 0.87%, 0.55%

LAB 89.26, -14.69, 82.9

 

CMYK 0 / 4 / 67 / 5

HEX #F3EA4F

RGB 243 234 79

HSL 56.71, 0.87%, 0.63%

LAB 90.99, -14.43, 72.77

 

CMYK 0 / 3 / 52 / 4

HEX #F5EE76

RGB 245 238 118

HSL 56.69, 0.86%, 0.71%

LAB 92.52, -13.01, 58.16

 

CMYK 0 / 5 / 83 / 6

HEX #F0E529

RGB 240 229 41

HSL 56.68, 0.87%, 0.55%

LAB 89.26, -14.67, 82.68

 

CMYK 83 / 0 / 72 / 6

HEX #28F043

RGB 40 240 67

HSL 128.1, 0.87%, 0.55%

LAB 83.54, -77.44, 66.6

 

CMYK 39 / 83 / 0 / 6

HEX #9328F0

RGB 147 40 240

HSL 272.1, 0.87%, 0.55%

LAB 44.25, 75.04, -79.29

 

CMYK 0 / 5 / 83 / 6

HEX #F0E529

RGB 240 229 41

HSL 56.68, 0.87%, 0.55%

LAB 89.26, -14.67, 82.68

 

CMYK 83 / 0 / 5 / 6

HEX #28F0E3

RGB 40 240 227

HSL 176.1, 0.87%, 0.55%

LAB 86.16, -48.09, -6.88

 

CMYK 5 / 83 / 0 / 6

HEX #E328F0

RGB 227 40 240

HSL 296.1, 0.87%, 0.55%

LAB 56.23, 87.3, -59.31

 

CMYK 0 / 5 / 83 / 6

HEX #F0E529

RGB 240 229 41

HSL 56.68, 0.87%, 0.55%

LAB 89.26, -14.67, 82.68

 

CMYK 83 / 0 / 72 / 6

HEX #28F043

RGB 40 240 67

HSL 128.1, 0.87%, 0.55%

LAB 83.54, -77.44, 66.6

 

CMYK 83 / 78 / 0 / 6

HEX #2836F0

RGB 40 54 240

HSL 235.8, 0.87%, 0.55%

LAB 36.71, 59.53, -92.05

 

CMYK 0 / 83 / 11 / 6

HEX #F028D5

RGB 240 40 213

HSL 308.1, 0.87%, 0.55%

LAB 56.93, 85.77, -42.82

 

CMYK 0 / 5 / 83 / 6

HEX #F0E529

RGB 240 229 41

HSL 56.68, 0.87%, 0.55%

LAB 89.26, -14.67, 82.68

 

CMYK 83 / 0 / 47 / 6

HEX #28F07F

RGB 40 240 127

HSL 146.1, 0.87%, 0.55%

LAB 84.12, -70.25, 41.62

 

CMYK 83 / 78 / 0 / 6

HEX #2836F0

RGB 40 54 240

HSL 235.8, 0.87%, 0.55%

LAB 36.71, 59.53, -92.05

 

CMYK 0 / 83 / 36 / 6

HEX #F0289A

RGB 240 40 154

HSL 325.8, 0.87%, 0.55%

LAB 54.42, 78.87, -12.45

 

Description

Color code: HEX #F0E529 | qconv.com Color code: HEX #F0E529 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 229 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 229 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 83% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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