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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0DF63 it is the complementary color #0F209C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0DF63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0DF63 shade: #F5DF5E, #FFF171, #FFFF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0DF63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0DF63 shade: #F0DF63, #DFCD50, #CEBB3D, #BDA92A and #AC9717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0DF63 shade: #EFDE61, #EFB861, #EF9261, #EF6B61 and #EF6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0DF63 shade: #EFDE61, #DAEF61, #B4EF61, #8DEF61 and #67EF61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0DF63 shade matches the following richer shades: #EFDE61 and #FDE953

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0DF63 shade: #EFDE61, #E1D46F, #D3C97D, #C5BE8B and #B7B499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0DF63 shade: #EF9161, #EFB761, #EFDC61, #DCEF61 and #B7EF61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0DF63 shade: #E7CE17, #ECD63C, #EFDE61, #F3E687 and #F7EEAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0DF63 shade: #F0DF63, #61EF6B and #A461EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0DF63 shade: #F0DF63, #61EFDC and #DC61EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0DF63 shade: #F0DF63, #61EF6B, #6174EF and #EF61E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0DF63 shade: #F0DF63, #61EF95, #6174EF and #EF61BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 59 / 6

HEX #F0DF63

RGB 240 223 99

HSL 52.77, 0.82%, 0.66%

LAB 88.07, -9, 61.47

 

Complementary color

CMYK 90 / 79 / 0 / 39

HEX #0F209C

RGB 15 32 156

HSL 232.77, 0.82%, 0.34%

LAB 22.07, 42.6, -67.03

 

CMYK 0 / 9 / 62 / 4

HEX #F5DF5E

RGB 245 223 94

HSL 51.26, 0.88%, 0.66%

LAB 88.45, -7.29, 64.16

 

CMYK 0 / 5 / 56 / 0

HEX #FFF171

RGB 255 241 113

HSL 54.08, 1%, 0.72%

LAB 94.04, -10.89, 62.37

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 7 / 59 / 6

HEX #F0DF63

RGB 240 223 99

HSL 52.77, 0.82%, 0.66%

LAB 88.07, -9, 61.47

 

CMYK 0 / 8 / 64 / 13

HEX #DFCD50

RGB 223 205 80

HSL 52.45, 0.69%, 0.59%

LAB 81.8, -8.18, 62.37

 

CMYK 0 / 9 / 70 / 19

HEX #CEBB3D

RGB 206 187 61

HSL 52.14, 0.6%, 0.52%

LAB 75.45, -7.2, 63

 

CMYK 0 / 11 / 78 / 26

HEX #BDA92A

RGB 189 169 42

HSL 51.84, 0.64%, 0.45%

LAB 69.01, -6.04, 63.11

 

CMYK 0 / 12 / 87 / 33

HEX #AC9717

RGB 172 151 23

HSL 51.54, 0.76%, 0.38%

LAB 62.48, -4.65, 62.29

 

CMYK 0 / 7 / 59 / 6

HEX #EFDE61

RGB 239 222 97

HSL 52.82, 0.82%, 0.66%

LAB 87.71, -9.05, 61.92

 

CMYK 0 / 23 / 59 / 6

HEX #EFB861

RGB 239 184 97

HSL 36.76, 0.82%, 0.66%

LAB 78.17, 10.5, 51.1

 

CMYK 0 / 39 / 59 / 6

HEX #EF9261

RGB 239 146 97

HSL 20.7, 0.82%, 0.66%

LAB 69.31, 30.56, 40.55

 

CMYK 0 / 55 / 59 / 6

HEX #EF6B61

RGB 239 107 97

HSL 4.23, 0.82%, 0.66%

LAB 61.42, 50.17, 30.69

 

CMYK 0 / 59 / 59 / 6

HEX #EF6161

RGB 239 97 97

HSL 0, 0.82%, 0.66%

LAB 59.67, 54.74, 28.45

 

CMYK 0 / 7 / 59 / 6

HEX #EFDE61

RGB 239 222 97

HSL 52.82, 0.82%, 0.66%

LAB 87.71, -9.05, 61.92

 

CMYK 9 / 0 / 59 / 6

HEX #DAEF61

RGB 218 239 97

HSL 68.87, 0.82%, 0.66%

LAB 90.55, -25.79, 64.59

 

CMYK 25 / 0 / 59 / 6

HEX #B4EF61

RGB 180 239 97

HSL 84.93, 0.82%, 0.66%

LAB 88.11, -40.22, 61.21

 

CMYK 41 / 0 / 59 / 6

HEX #8DEF61

RGB 141 239 97

HSL 101.41, 0.82%, 0.66%

LAB 86.14, -53.43, 58.44

 

CMYK 57 / 0 / 59 / 6

HEX #67EF61

RGB 103 239 97

HSL 117.46, 0.82%, 0.66%

LAB 84.73, -63.85, 56.47

 

CMYK 0 / 7 / 59 / 6

HEX #EFDE61

RGB 239 222 97

HSL 52.82, 0.82%, 0.66%

LAB 87.71, -9.05, 61.92

 

CMYK 0 / 8 / 67 / 1

HEX #FDE953

RGB 253 233 83

HSL 52.94, 0.98%, 0.66%

LAB 91.59, -9.63, 72.13

 

CMYK 0 / 7 / 59 / 6

HEX #EFDE61

RGB 239 222 97

HSL 52.82, 0.82%, 0.66%

LAB 87.71, -9.05, 61.92

 

CMYK 0 / 6 / 51 / 12

HEX #E1D46F

RGB 225 212 111

HSL 53.16, 0.66%, 0.66%

LAB 84.09, -8.64, 51.07

 

CMYK 0 / 5 / 41 / 17

HEX #D3C97D

RGB 211 201 125

HSL 53.02, 0.49%, 0.66%

LAB 80.24, -7.32, 39.18

 

CMYK 0 / 4 / 29 / 23

HEX #C5BE8B

RGB 197 190 139

HSL 52.76, 0.33%, 0.66%

LAB 76.41, -5.48, 26.7

 

CMYK 0 / 2 / 16 / 28

HEX #B7B499

RGB 183 180 153

HSL 54, 0.17%, 0.66%

LAB 72.9, -3.56, 14.17

 

CMYK 0 / 39 / 59 / 6

HEX #EF9161

RGB 239 145 97

HSL 20.28, 0.82%, 0.66%

LAB 69.09, 31.09, 40.28

 

CMYK 0 / 23 / 59 / 6

HEX #EFB761

RGB 239 183 97

HSL 36.34, 0.82%, 0.66%

LAB 77.92, 11.03, 50.82

 

CMYK 0 / 8 / 59 / 6

HEX #EFDC61

RGB 239 220 97

HSL 51.97, 0.82%, 0.66%

LAB 87.19, -8.05, 61.35

 

CMYK 8 / 0 / 59 / 6

HEX #DCEF61

RGB 220 239 97

HSL 68.03, 0.82%, 0.66%

LAB 90.69, -25, 64.79

 

CMYK 23 / 0 / 59 / 6

HEX #B7EF61

RGB 183 239 97

HSL 83.66, 0.82%, 0.66%

LAB 88.29, -39.13, 61.45

 

CMYK 0 / 11 / 90 / 9

HEX #E7CE17

RGB 231 206 23

HSL 52.79, 0.82%, 0.5%

LAB 82.48, -7.38, 80.43

 

CMYK 0 / 9 / 75 / 7

HEX #ECD63C

RGB 236 214 60

HSL 52.5, 0.82%, 0.58%

LAB 85.12, -8.27, 73.58

 

CMYK 0 / 7 / 59 / 6

HEX #EFDE61

RGB 239 222 97

HSL 52.82, 0.82%, 0.66%

LAB 87.71, -9.05, 61.92

 

CMYK 0 / 5 / 44 / 5

HEX #F3E687

RGB 243 230 135

HSL 52.78, 0.82%, 0.74%

LAB 90.5, -8.33, 47.69

 

CMYK 0 / 4 / 30 / 3

HEX #F7EEAC

RGB 247 238 172

HSL 52.8, 0.82%, 0.82%

LAB 93.41, -6.73, 33.11

 

CMYK 0 / 7 / 59 / 6

HEX #F0DF63

RGB 240 223 99

HSL 52.77, 0.82%, 0.66%

LAB 88.07, -9, 61.47

 

CMYK 59 / 0 / 55 / 6

HEX #61EF6B

RGB 97 239 107

HSL 124.23, 0.82%, 0.66%

LAB 84.66, -64.07, 51.91

 

CMYK 31 / 59 / 0 / 6

HEX #A461EF

RGB 164 97 239

HSL 268.31, 0.82%, 0.66%

LAB 54.73, 54.05, -61.61

 

CMYK 0 / 7 / 59 / 6

HEX #F0DF63

RGB 240 223 99

HSL 52.77, 0.82%, 0.66%

LAB 88.07, -9, 61.47

 

CMYK 59 / 0 / 8 / 6

HEX #61EFDC

RGB 97 239 220

HSL 171.97, 0.82%, 0.66%

LAB 86.72, -42.63, -2.26

 

CMYK 8 / 59 / 0 / 6

HEX #DC61EF

RGB 220 97 239

HSL 291.97, 0.82%, 0.66%

LAB 61.65, 67.22, -50.16

 

CMYK 0 / 7 / 59 / 6

HEX #F0DF63

RGB 240 223 99

HSL 52.77, 0.82%, 0.66%

LAB 88.07, -9, 61.47

 

CMYK 59 / 0 / 55 / 6

HEX #61EF6B

RGB 97 239 107

HSL 124.23, 0.82%, 0.66%

LAB 84.66, -64.07, 51.91

 

CMYK 59 / 51 / 0 / 6

HEX #6174EF

RGB 97 116 239

HSL 231.97, 0.82%, 0.66%

LAB 53.24, 29.25, -64.31

 

CMYK 0 / 59 / 4 / 6

HEX #EF61E6

RGB 239 97 230

HSL 303.8, 0.82%, 0.66%

LAB 63.85, 70.34, -41.52

 

CMYK 0 / 7 / 59 / 6

HEX #F0DF63

RGB 240 223 99

HSL 52.77, 0.82%, 0.66%

LAB 88.07, -9, 61.47

 

CMYK 59 / 0 / 38 / 6

HEX #61EF95

RGB 97 239 149

HSL 141.97, 0.82%, 0.66%

LAB 85.22, -57.84, 32.38

 

CMYK 59 / 51 / 0 / 6

HEX #6174EF

RGB 97 116 239

HSL 231.97, 0.82%, 0.66%

LAB 53.24, 29.25, -64.31

 

CMYK 0 / 59 / 22 / 6

HEX #EF61BB

RGB 239 97 187

HSL 321.97, 0.82%, 0.66%

LAB 62.07, 63.96, -20.02

 

Description

Color code: HEX #F0DF63 | qconv.com Color code: HEX #F0DF63 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 223 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 223 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 59 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 59% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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