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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0CF2B it is the complementary color #0F30D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0CF2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0CF2B shade: #F5CF26, #FFE139, #FFF34C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0CF2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0CF2B shade: #F0CF2B, #DFBD18, #CEAB05, #BD9900 and #AC8700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0CF2B shade: #F0CF28, #F09928, #F06328, #F02D28 and #F02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0CF2B shade: #F0CF28, #DCF028, #A6F028, #70F028 and #3AF028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0CF2B shade matches the following richer shades: #F0CF28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0CF2B shade: #F0CF28, #DEC23B, #CBB64E, #B8AA60 and #A69D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0CF2B shade: #F06128, #F09628, #F0CB28, #DFF028 and #AAF028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0CF2B shade: #B99C0D, #E0BD10, #F0CF28, #F3D74F and #F5E076

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0CF2B shade: #F0CF2B, #28F02C and #7C28F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0CF2B shade: #F0CF2B, #28F0CB and #CB28F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0CF2B shade: #F0CF2B, #28F02C, #284DF0 and #F028ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0CF2B shade: #F0CF2B, #28F068, #284DF0 and #F028B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 82 / 6

HEX #F0CF2B

RGB 240 207 43

HSL 49.95, 0.87%, 0.55%

LAB 83.61, -3.61, 77.44

 

Complementary color

CMYK 93 / 77 / 0 / 17

HEX #0F30D4

RGB 15 48 212

HSL 229.95, 0.87%, 0.45%

LAB 31.74, 52.76, -84.3

 

CMYK 0 / 16 / 84 / 4

HEX #F5CF26

RGB 245 207 38

HSL 48.99, 0.91%, 0.55%

LAB 84.06, -1.61, 79.25

 

CMYK 0 / 12 / 78 / 0

HEX #FFE139

RGB 255 225 57

HSL 50.91, 1%, 0.61%

LAB 89.58, -5.93, 79.22

 

CMYK 0 / 5 / 70 / 0

HEX #FFF34C

RGB 255 243 76

HSL 55.98, 1%, 0.65%

LAB 94.26, -14.06, 77.41

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 14 / 82 / 6

HEX #F0CF2B

RGB 240 207 43

HSL 49.95, 0.87%, 0.55%

LAB 83.61, -3.61, 77.44

 

CMYK 0 / 15 / 89 / 13

HEX #DFBD18

RGB 223 189 24

HSL 49.75, 0.81%, 0.48%

LAB 77.37, -2.1, 75.98

 

CMYK 0 / 17 / 98 / 19

HEX #CEAB05

RGB 206 171 5

HSL 49.55, 0.95%, 0.41%

LAB 71.05, -0.38, 73.18

 

CMYK 0 / 19 / 100 / 26

HEX #BD9900

RGB 189 153 0

HSL 48.57, 1%, 0.37%

LAB 64.64, 1.59, 68.49

 

CMYK 0 / 22 / 100 / 33

HEX #AC8700

RGB 172 135 0

HSL 47.09, 1%, 0.34%

LAB 58.13, 3.7, 63.12

 

CMYK 0 / 14 / 83 / 6

HEX #F0CF28

RGB 240 207 40

HSL 50.1, 0.87%, 0.55%

LAB 83.6, -3.69, 78.2

 

CMYK 0 / 36 / 83 / 6

HEX #F09928

RGB 240 153 40

HSL 33.9, 0.87%, 0.55%

LAB 70.5, 24.53, 67.17

 

CMYK 0 / 59 / 83 / 6

HEX #F06328

RGB 240 99 40

HSL 17.7, 0.87%, 0.55%

LAB 59.53, 51.56, 57.72

 

CMYK 0 / 81 / 83 / 6

HEX #F02D28

RGB 240 45 40

HSL 1.5, 0.87%, 0.55%

LAB 52.46, 70.84, 51.48

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 14 / 83 / 6

HEX #F0CF28

RGB 240 207 40

HSL 50.1, 0.87%, 0.55%

LAB 83.6, -3.69, 78.2

 

CMYK 8 / 0 / 83 / 6

HEX #DCF028

RGB 220 240 40

HSL 66, 0.87%, 0.55%

LAB 90.64, -28.22, 83.43

 

CMYK 31 / 0 / 83 / 6

HEX #A6F028

RGB 166 240 40

HSL 82.2, 0.87%, 0.55%

LAB 87.28, -49.04, 79.24

 

CMYK 53 / 0 / 83 / 6

HEX #70F028

RGB 112 240 40

HSL 98.4, 0.87%, 0.55%

LAB 84.95, -66.08, 76.3

 

CMYK 76 / 0 / 83 / 6

HEX #3AF028

RGB 58 240 40

HSL 114.6, 0.87%, 0.55%

LAB 83.64, -77.03, 74.63

 

CMYK 0 / 14 / 83 / 6

HEX #F0CF28

RGB 240 207 40

HSL 50.1, 0.87%, 0.55%

LAB 83.6, -3.69, 78.2

 

CMYK 0 / 14 / 83 / 6

HEX #F0CF28

RGB 240 207 40

HSL 50.1, 0.87%, 0.55%

LAB 83.6, -3.69, 78.2

 

CMYK 0 / 13 / 73 / 13

HEX #DEC23B

RGB 222 194 59

HSL 49.69, 0.71%, 0.55%

LAB 78.71, -4.06, 67.41

 

CMYK 0 / 10 / 62 / 20

HEX #CBB64E

RGB 203 182 78

HSL 49.92, 0.55%, 0.55%

LAB 74, -4.89, 54.3

 

CMYK 0 / 8 / 48 / 28

HEX #B8AA60

RGB 184 170 96

HSL 50.45, 0.38%, 0.55%

LAB 69.32, -5.13, 39.75

 

CMYK 0 / 5 / 31 / 35

HEX #A69D73

RGB 166 157 115

HSL 49.41, 0.22%, 0.55%

LAB 64.53, -3.4, 23.2

 

CMYK 0 / 60 / 83 / 6

HEX #F06128

RGB 240 97 40

HSL 17.1, 0.87%, 0.55%

LAB 59.18, 52.46, 57.42

 

CMYK 0 / 38 / 83 / 6

HEX #F09628

RGB 240 150 40

HSL 33, 0.87%, 0.55%

LAB 69.82, 26.11, 66.59

 

CMYK 0 / 15 / 83 / 6

HEX #F0CB28

RGB 240 203 40

HSL 48.9, 0.87%, 0.55%

LAB 82.59, -1.65, 77.35

 

CMYK 7 / 0 / 83 / 6

HEX #DFF028

RGB 223 240 40

HSL 65.1, 0.87%, 0.55%

LAB 90.85, -27, 83.7

 

CMYK 29 / 0 / 83 / 6

HEX #AAF028

RGB 170 240 40

HSL 81, 0.87%, 0.55%

LAB 87.49, -47.59, 79.51

 

CMYK 0 / 16 / 93 / 27

HEX #B99C0D

RGB 185 156 13

HSL 49.88, 0.87%, 0.39%

LAB 65.06, -1.67, 66.81

 

CMYK 0 / 16 / 93 / 12

HEX #E0BD10

RGB 224 189 16

HSL 49.9, 0.87%, 0.47%

LAB 77.45, -1.79, 77.36

 

CMYK 0 / 14 / 83 / 6

HEX #F0CF28

RGB 240 207 40

HSL 50.1, 0.87%, 0.55%

LAB 83.6, -3.69, 78.2

 

CMYK 0 / 12 / 67 / 5

HEX #F3D74F

RGB 243 215 79

HSL 49.76, 0.87%, 0.63%

LAB 86.12, -4.96, 67.82

 

CMYK 0 / 9 / 52 / 4

HEX #F5E076

RGB 245 224 118

HSL 50.08, 0.86%, 0.71%

LAB 88.94, -6.04, 53.95

 

CMYK 0 / 14 / 82 / 6

HEX #F0CF2B

RGB 240 207 43

HSL 49.95, 0.87%, 0.55%

LAB 83.61, -3.61, 77.44

 

CMYK 83 / 0 / 82 / 6

HEX #28F02C

RGB 40 240 44

HSL 121.2, 0.87%, 0.55%

LAB 83.42, -78.92, 73.38

 

CMYK 48 / 83 / 0 / 6

HEX #7C28F0

RGB 124 40 240

HSL 265.2, 0.87%, 0.55%

LAB 41.37, 72.24, -84.13

 

CMYK 0 / 14 / 82 / 6

HEX #F0CF2B

RGB 240 207 43

HSL 49.95, 0.87%, 0.55%

LAB 83.61, -3.61, 77.44

 

CMYK 83 / 0 / 15 / 6

HEX #28F0CB

RGB 40 240 203

HSL 168.9, 0.87%, 0.55%

LAB 85.55, -54.41, 4.81

 

CMYK 15 / 83 / 0 / 6

HEX #CB28F0

RGB 203 40 240

HSL 288.9, 0.87%, 0.55%

LAB 52.4, 83.3, -65.66

 

CMYK 0 / 14 / 82 / 6

HEX #F0CF2B

RGB 240 207 43

HSL 49.95, 0.87%, 0.55%

LAB 83.61, -3.61, 77.44

 

CMYK 83 / 0 / 82 / 6

HEX #28F02C

RGB 40 240 44

HSL 121.2, 0.87%, 0.55%

LAB 83.42, -78.92, 73.38

 

CMYK 83 / 68 / 0 / 6

HEX #284DF0

RGB 40 77 240

HSL 228.9, 0.87%, 0.55%

LAB 41.3, 46.7, -84.46

 

CMYK 0 / 83 / 1 / 6

HEX #F028ED

RGB 240 40 237

HSL 300.9, 0.87%, 0.55%

LAB 58.19, 89.12, -54.37

 

CMYK 0 / 14 / 82 / 6

HEX #F0CF2B

RGB 240 207 43

HSL 49.95, 0.87%, 0.55%

LAB 83.61, -3.61, 77.44

 

CMYK 83 / 0 / 57 / 6

HEX #28F068

RGB 40 240 104

HSL 139.2, 0.87%, 0.55%

LAB 83.85, -73.59, 52.04

 

CMYK 83 / 68 / 0 / 6

HEX #284DF0

RGB 40 77 240

HSL 228.9, 0.87%, 0.55%

LAB 41.3, 46.7, -84.46

 

CMYK 0 / 83 / 26 / 6

HEX #F028B1

RGB 240 40 177

HSL 318.9, 0.87%, 0.55%

LAB 55.3, 81.32, -24.63

 

Description

Color code: HEX #F0CF2B | qconv.com Color code: HEX #F0CF2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 207 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 207 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 82 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 82% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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