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Color name
HEX #F0CD49

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0CD49 it is the complementary color #0F32B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0CD49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0CD49 shade: #F5CD44, #FFDF57, #FFF16A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0CD49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0CD49 shade: #F0CD49, #DFBB36, #CEA923, #BD9710 and #AC8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0CD49 shade: #F0CD47, #F09F47, #F07147 and #F04747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0CD49 shade: #F0CD47, #E6F047, #B8F047, #8BF047 and #5DF047

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0CD49 shade matches the following richer shades: #F0CD47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0CD49 shade: #F0CD47, #E0C357, #D0BA67, #C0B177 and #B0A787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0CD49 shade: #F07147, #F09E47, #F0CB47, #E8F047 and #BBF047

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0CD49 shade: #D3AB11, #EDC221, #F0CD47, #F3D76D and #F6E293

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0CD49 shade: #F0CD49, #4AF047 and #8847F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0CD49 shade: #F0CD49, #47F0CB and #CB47F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0CD49 shade: #F0CD49, #4AF047, #476CF0 and #ED47F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0CD49 shade: #F0CD49, #47F077, #476CF0 and #F047C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 70 / 6

HEX #F0CD49

RGB 240 205 73

HSL 47.43, 0.85%, 0.61%

LAB 83.27, -1.43, 67.19

 

Complementary color

CMYK 92 / 73 / 0 / 29

HEX #0F32B6

RGB 15 50 182

HSL 227.43, 0.85%, 0.39%

LAB 28.8, 41.21, -71.57

 

CMYK 0 / 16 / 72 / 4

HEX #F5CD44

RGB 245 205 68

HSL 46.44, 0.9%, 0.61%

LAB 83.7, 0.43, 69.69

 

CMYK 0 / 13 / 66 / 0

HEX #FFDF57

RGB 255 223 87

HSL 48.57, 1%, 0.67%

LAB 89.26, -3.59, 68.21

 

CMYK 0 / 5 / 58 / 0

HEX #FFF16A

RGB 255 241 106

HSL 54.36, 1%, 0.71%

LAB 93.97, -11.38, 65.35

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 15 / 70 / 6

HEX #F0CD49

RGB 240 205 73

HSL 47.43, 0.85%, 0.61%

LAB 83.27, -1.43, 67.19

 

CMYK 0 / 16 / 76 / 13

HEX #DFBB36

RGB 223 187 54

HSL 47.22, 0.73%, 0.54%

LAB 76.98, -0.21, 67.57

 

CMYK 0 / 18 / 83 / 19

HEX #CEA923

RGB 206 169 35

HSL 47.02, 0.71%, 0.47%

LAB 70.61, 1.21, 67.27

 

CMYK 0 / 20 / 92 / 26

HEX #BD9710

RGB 189 151 16

HSL 46.82, 0.84%, 0.4%

LAB 64.15, 2.88, 65.8

 

CMYK 0 / 23 / 100 / 33

HEX #AC8500

RGB 172 133 0

HSL 46.4, 1%, 0.34%

LAB 57.6, 4.81, 62.76

 

CMYK 0 / 15 / 70 / 6

HEX #F0CD47

RGB 240 205 71

HSL 47.57, 0.85%, 0.61%

LAB 83.25, -1.53, 67.95

 

CMYK 0 / 34 / 70 / 6

HEX #F09F47

RGB 240 159 71

HSL 31.24, 0.85%, 0.61%

LAB 72.08, 22.55, 56.5

 

CMYK 0 / 53 / 70 / 6

HEX #F07147

RGB 240 113 71

HSL 14.91, 0.85%, 0.61%

LAB 62.33, 46.14, 45.92

 

CMYK 0 / 70 / 70 / 6

HEX #F04747

RGB 240 71 71

HSL 0, 0.85%, 0.61%

LAB 55.57, 64.09, 38.18

 

CMYK 0 / 15 / 70 / 6

HEX #F0CD47

RGB 240 205 71

HSL 47.57, 0.85%, 0.61%

LAB 83.25, -1.53, 67.95

 

CMYK 4 / 0 / 70 / 6

HEX #E6F047

RGB 230 240 71

HSL 63.55, 0.85%, 0.61%

LAB 91.5, -23.02, 75.78

 

CMYK 23 / 0 / 70 / 6

HEX #B8F047

RGB 184 240 71

HSL 79.88, 0.85%, 0.61%

LAB 88.43, -41.03, 71.73

 

CMYK 42 / 0 / 70 / 6

HEX #8BF047

RGB 139 240 71

HSL 95.86, 0.85%, 0.61%

LAB 86.14, -56.58, 68.67

 

CMYK 61 / 0 / 70 / 6

HEX #5DF047

RGB 93 240 71

HSL 112.19, 0.85%, 0.61%

LAB 84.54, -68.88, 66.52

 

CMYK 0 / 15 / 70 / 6

HEX #F0CD47

RGB 240 205 71

HSL 47.57, 0.85%, 0.61%

LAB 83.25, -1.53, 67.95

 

CMYK 0 / 15 / 70 / 6

HEX #F0CD47

RGB 240 205 71

HSL 47.57, 0.85%, 0.61%

LAB 83.25, -1.53, 67.95

 

CMYK 0 / 13 / 61 / 12

HEX #E0C357

RGB 224 195 87

HSL 47.3, 0.69%, 0.61%

LAB 79.37, -2.18, 56.72

 

CMYK 0 / 11 / 50 / 18

HEX #D0BA67

RGB 208 186 103

HSL 47.43, 0.53%, 0.61%

LAB 75.77, -2.92, 44.6

 

CMYK 0 / 8 / 38 / 25

HEX #C0B177

RGB 192 177 119

HSL 47.67, 0.37%, 0.61%

LAB 72.22, -3.1, 31.63

 

CMYK 0 / 5 / 23 / 31

HEX #B0A787

RGB 176 167 135

HSL 46.83, 0.21%, 0.61%

LAB 68.47, -2.02, 17.75

 

CMYK 0 / 53 / 70 / 6

HEX #F07147

RGB 240 113 71

HSL 14.91, 0.85%, 0.61%

LAB 62.33, 46.14, 45.92

 

CMYK 0 / 34 / 70 / 6

HEX #F09E47

RGB 240 158 71

HSL 30.89, 0.85%, 0.61%

LAB 71.85, 23.08, 56.25

 

CMYK 0 / 15 / 70 / 6

HEX #F0CB47

RGB 240 203 71

HSL 46.86, 0.85%, 0.61%

LAB 82.75, -0.5, 67.45

 

CMYK 3 / 0 / 70 / 6

HEX #E8F047

RGB 232 240 71

HSL 62.84, 0.85%, 0.61%

LAB 91.65, -22.21, 75.98

 

CMYK 22 / 0 / 70 / 6

HEX #BBF047

RGB 187 240 71

HSL 78.82, 0.85%, 0.61%

LAB 88.61, -39.9, 71.96

 

CMYK 0 / 19 / 92 / 17

HEX #D3AB11

RGB 211 171 17

HSL 47.63, 0.85%, 0.45%

LAB 71.57, 1.97, 72.23

 

CMYK 0 / 18 / 86 / 7

HEX #EDC221

RGB 237 194 33

HSL 47.35, 0.85%, 0.53%

LAB 80.01, 1.53, 76.79

 

CMYK 0 / 15 / 70 / 6

HEX #F0CD47

RGB 240 205 71

HSL 47.57, 0.85%, 0.61%

LAB 83.25, -1.53, 67.95

 

CMYK 0 / 12 / 55 / 5

HEX #F3D76D

RGB 243 215 109

HSL 47.46, 0.85%, 0.69%

LAB 86.38, -3.02, 55.1

 

CMYK 0 / 8 / 40 / 4

HEX #F6E293

RGB 246 226 147

HSL 47.88, 0.85%, 0.77%

LAB 89.9, -3.94, 41.07

 

CMYK 0 / 15 / 70 / 6

HEX #F0CD49

RGB 240 205 73

HSL 47.43, 0.85%, 0.61%

LAB 83.27, -1.43, 67.19

 

CMYK 69 / 0 / 70 / 6

HEX #4AF047

RGB 74 240 71

HSL 118.93, 0.85%, 0.61%

LAB 84.09, -72.61, 65.92

 

CMYK 43 / 70 / 0 / 6

HEX #8847F0

RGB 136 71 240

HSL 263.08, 0.85%, 0.61%

LAB 47.02, 61.6, -74.82

 

CMYK 0 / 15 / 70 / 6

HEX #F0CD49

RGB 240 205 73

HSL 47.43, 0.85%, 0.61%

LAB 83.27, -1.43, 67.19

 

CMYK 70 / 0 / 15 / 6

HEX #47F0CB

RGB 71 240 203

HSL 166.86, 0.85%, 0.61%

LAB 85.99, -51.26, 5.51

 

CMYK 15 / 70 / 0 / 6

HEX #CB47F0

RGB 203 71 240

HSL 286.86, 0.85%, 0.61%

LAB 55.58, 74.15, -60.55

 

CMYK 0 / 15 / 70 / 6

HEX #F0CD49

RGB 240 205 73

HSL 47.43, 0.85%, 0.61%

LAB 83.27, -1.43, 67.19

 

CMYK 69 / 0 / 70 / 6

HEX #4AF047

RGB 74 240 71

HSL 118.93, 0.85%, 0.61%

LAB 84.09, -72.61, 65.92

 

CMYK 70 / 55 / 0 / 6

HEX #476CF0

RGB 71 108 240

HSL 226.86, 0.85%, 0.61%

LAB 49.93, 30.5, -70.3

 

CMYK 1 / 70 / 0 / 6

HEX #ED47F0

RGB 237 71 240

HSL 298.93, 0.85%, 0.61%

LAB 60.61, 81.1, -52.22

 

CMYK 0 / 15 / 70 / 6

HEX #F0CD49

RGB 240 205 73

HSL 47.43, 0.85%, 0.61%

LAB 83.27, -1.43, 67.19

 

CMYK 70 / 0 / 50 / 6

HEX #47F077

RGB 71 240 119

HSL 137.04, 0.85%, 0.61%

LAB 84.48, -67.73, 45.99

 

CMYK 70 / 55 / 0 / 6

HEX #476CF0

RGB 71 108 240

HSL 226.86, 0.85%, 0.61%

LAB 49.93, 30.5, -70.3

 

CMYK 0 / 70 / 20 / 6

HEX #F047C0

RGB 240 71 192

HSL 317.04, 0.85%, 0.61%

LAB 58.82, 74.83, -27.86

 

Description

Color code: HEX #F0CD49 | qconv.com Color code: HEX #F0CD49 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 205 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 205 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 70 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 70% 6% C M Y K

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Provide designers and agencies with accurate color values.

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