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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0CD35 it is the complementary color #0F32CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0CD35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0CD35 shade: #F5CD30, #FFDF43, #FFF156, #FFFF69 and #FFFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0CD35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0CD35 shade: #F0CD35, #DFBB22, #CEA90F, #BD9700 and #AC8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0CD35 shade: #F0CC33, #F09933, #F06733, #F03433 and #F03333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0CD35 shade: #F0CC33, #E0F033, #ADF033, #7AF033 and #48F033

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0CD35 shade matches the following richer shades: #F0CC33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0CD35 shade: #F0CC33, #DEC145, #CCB657, #BAAB68 and #A9A07A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0CD35 shade: #F06533, #F09833, #F0CA33, #E3F033 and #B1F033

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0CD35 shade: #C2A00F, #E8C011, #F0CC33, #F3D659 and #F5DF80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0CD35 shade: #F0CD35, #33F033 and #7E33F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0CD35 shade: #F0CD35, #33F0CA and #CA33F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0CD35 shade: #F0CD35, #33F033, #3359F0 and #F033F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0CD35 shade: #F0CD35, #33F06C, #3359F0 and #F033B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 78 / 6

HEX #F0CD35

RGB 240 205 53

HSL 48.77, 0.86%, 0.57%

LAB 83.15, -2.28, 74.15

 

Complementary color

CMYK 93 / 75 / 0 / 21

HEX #0F32CA

RGB 15 50 202

HSL 228.77, 0.86%, 0.43%

LAB 30.99, 48.28, -79.73

 

CMYK 0 / 16 / 80 / 4

HEX #F5CD30

RGB 245 205 48

HSL 47.82, 0.91%, 0.57%

LAB 83.59, -0.32, 76.23

 

CMYK 0 / 13 / 74 / 0

HEX #FFDF43

RGB 255 223 67

HSL 49.79, 1%, 0.63%

LAB 89.13, -4.56, 75.59

 

CMYK 0 / 5 / 66 / 0

HEX #FFF156

RGB 255 241 86

HSL 55.03, 1%, 0.67%

LAB 93.82, -12.59, 73.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 15 / 78 / 6

HEX #F0CD35

RGB 240 205 53

HSL 48.77, 0.86%, 0.57%

LAB 83.15, -2.28, 74.15

 

CMYK 0 / 16 / 85 / 13

HEX #DFBB22

RGB 223 187 34

HSL 48.57, 0.75%, 0.5%

LAB 76.89, -0.85, 73.46

 

CMYK 0 / 18 / 93 / 19

HEX #CEA90F

RGB 206 169 15

HSL 48.38, 0.86%, 0.43%

LAB 70.55, 0.79, 71.56

 

CMYK 0 / 20 / 100 / 26

HEX #BD9700

RGB 189 151 0

HSL 47.94, 1%, 0.37%

LAB 64.12, 2.67, 68.13

 

CMYK 0 / 23 / 100 / 33

HEX #AC8500

RGB 172 133 0

HSL 46.4, 1%, 0.34%

LAB 57.6, 4.81, 62.76

 

CMYK 0 / 15 / 79 / 6

HEX #F0CC33

RGB 240 204 51

HSL 48.57, 0.86%, 0.57%

LAB 82.89, -1.83, 74.54

 

CMYK 0 / 36 / 79 / 6

HEX #F09933

RGB 240 153 51

HSL 32.38, 0.86%, 0.57%

LAB 70.56, 24.87, 63.34

 

CMYK 0 / 57 / 79 / 6

HEX #F06733

RGB 240 103 51

HSL 16.51, 0.86%, 0.57%

LAB 60.31, 50.06, 53.62

 

CMYK 0 / 78 / 79 / 6

HEX #F03433

RGB 240 52 51

HSL 0.32, 0.86%, 0.57%

LAB 53.19, 69.34, 46.56

 

CMYK 0 / 79 / 79 / 6

HEX #F03333

RGB 240 51 51

HSL 0, 0.86%, 0.57%

LAB 53.09, 69.61, 46.46

 

CMYK 0 / 15 / 79 / 6

HEX #F0CC33

RGB 240 204 51

HSL 48.57, 0.86%, 0.57%

LAB 82.89, -1.83, 74.54

 

CMYK 7 / 0 / 79 / 6

HEX #E0F033

RGB 224 240 51

HSL 65.08, 0.86%, 0.57%

LAB 90.97, -26.27, 81.19

 

CMYK 28 / 0 / 79 / 6

HEX #ADF033

RGB 173 240 51

HSL 81.27, 0.86%, 0.57%

LAB 87.7, -46.09, 77.04

 

CMYK 49 / 0 / 79 / 6

HEX #7AF033

RGB 122 240 51

HSL 97.46, 0.86%, 0.57%

LAB 85.35, -62.84, 74.02

 

CMYK 70 / 0 / 79 / 6

HEX #48F033

RGB 72 240 51

HSL 113.33, 0.86%, 0.57%

LAB 83.93, -74.32, 72.18

 

CMYK 0 / 15 / 79 / 6

HEX #F0CC33

RGB 240 204 51

HSL 48.57, 0.86%, 0.57%

LAB 82.89, -1.83, 74.54

 

CMYK 0 / 15 / 79 / 6

HEX #F0CC33

RGB 240 204 51

HSL 48.57, 0.86%, 0.57%

LAB 82.89, -1.83, 74.54

 

CMYK 0 / 13 / 69 / 13

HEX #DEC145

RGB 222 193 69

HSL 48.63, 0.7%, 0.57%

LAB 78.52, -3.06, 63.43

 

CMYK 0 / 11 / 57 / 20

HEX #CCB657

RGB 204 182 87

HSL 48.72, 0.53%, 0.57%

LAB 74.18, -3.82, 50.38

 

CMYK 0 / 8 / 44 / 27

HEX #BAAB68

RGB 186 171 104

HSL 49.02, 0.37%, 0.57%

LAB 69.87, -4.02, 36.37

 

CMYK 0 / 5 / 28 / 34

HEX #A9A07A

RGB 169 160 122

HSL 48.51, 0.21%, 0.57%

LAB 65.73, -2.86, 21.03

 

CMYK 0 / 58 / 79 / 6

HEX #F06533

RGB 240 101 51

HSL 15.87, 0.86%, 0.57%

LAB 59.95, 50.98, 53.27

 

CMYK 0 / 37 / 79 / 6

HEX #F09833

RGB 240 152 51

HSL 32.06, 0.86%, 0.57%

LAB 70.33, 25.4, 63.13

 

CMYK 0 / 16 / 79 / 6

HEX #F0CA33

RGB 240 202 51

HSL 47.94, 0.86%, 0.57%

LAB 82.38, -0.81, 74.09

 

CMYK 5 / 0 / 79 / 6

HEX #E3F033

RGB 227 240 51

HSL 64.13, 0.86%, 0.57%

LAB 91.18, -25.05, 81.47

 

CMYK 26 / 0 / 79 / 6

HEX #B1F033

RGB 177 240 51

HSL 80, 0.86%, 0.57%

LAB 87.92, -44.62, 77.32

 

CMYK 0 / 18 / 92 / 24

HEX #C2A00F

RGB 194 160 15

HSL 48.6, 0.86%, 0.41%

LAB 67.01, 0.26, 68.37

 

CMYK 0 / 17 / 93 / 9

HEX #E8C011

RGB 232 192 17

HSL 48.84, 0.86%, 0.49%

LAB 78.98, 0.14, 78.71

 

CMYK 0 / 15 / 79 / 6

HEX #F0CC33

RGB 240 204 51

HSL 48.57, 0.86%, 0.57%

LAB 82.89, -1.83, 74.54

 

CMYK 0 / 12 / 63 / 5

HEX #F3D659

RGB 243 214 89

HSL 48.7, 0.87%, 0.65%

LAB 85.94, -3.88, 63.53

 

CMYK 0 / 9 / 48 / 4

HEX #F5DF80

RGB 245 223 128

HSL 48.72, 0.85%, 0.73%

LAB 88.8, -4.67, 49.01

 

CMYK 0 / 15 / 78 / 6

HEX #F0CD35

RGB 240 205 53

HSL 48.77, 0.86%, 0.57%

LAB 83.15, -2.28, 74.15

 

CMYK 79 / 0 / 79 / 6

HEX #33F033

RGB 51 240 51

HSL 120, 0.86%, 0.57%

LAB 83.58, -77.37, 71.72

 

CMYK 48 / 79 / 0 / 6

HEX #7E33F0

RGB 126 51 240

HSL 263.81, 0.86%, 0.57%

LAB 42.91, 68.65, -81.59

 

CMYK 0 / 15 / 78 / 6

HEX #F0CD35

RGB 240 205 53

HSL 48.77, 0.86%, 0.57%

LAB 83.15, -2.28, 74.15

 

CMYK 79 / 0 / 16 / 6

HEX #33F0CA

RGB 51 240 202

HSL 167.94, 0.86%, 0.57%

LAB 85.65, -53.75, 5.49

 

CMYK 16 / 79 / 0 / 6

HEX #CA33F0

RGB 202 51 240

HSL 287.94, 0.86%, 0.57%

LAB 53.18, 80.41, -64.41

 

CMYK 0 / 15 / 78 / 6

HEX #F0CD35

RGB 240 205 53

HSL 48.77, 0.86%, 0.57%

LAB 83.15, -2.28, 74.15

 

CMYK 79 / 0 / 79 / 6

HEX #33F033

RGB 51 240 51

HSL 120, 0.86%, 0.57%

LAB 83.58, -77.37, 71.72

 

CMYK 79 / 63 / 0 / 6

HEX #3359F0

RGB 51 89 240

HSL 227.94, 0.86%, 0.57%

LAB 44.43, 40.17, -79.29

 

CMYK 0 / 79 / 0 / 6

HEX #F033F0

RGB 240 51 240

HSL 300, 0.86%, 0.57%

LAB 59.14, 87.25, -54.52

 

CMYK 0 / 15 / 78 / 6

HEX #F0CD35

RGB 240 205 53

HSL 48.77, 0.86%, 0.57%

LAB 83.15, -2.28, 74.15

 

CMYK 79 / 0 / 55 / 6

HEX #33F06C

RGB 51 240 108

HSL 138.1, 0.86%, 0.57%

LAB 84.02, -71.95, 50.47

 

CMYK 79 / 63 / 0 / 6

HEX #3359F0

RGB 51 89 240

HSL 227.94, 0.86%, 0.57%

LAB 44.43, 40.17, -79.29

 

CMYK 0 / 79 / 24 / 6

HEX #F033B7

RGB 240 51 183

HSL 318.1, 0.86%, 0.57%

LAB 56.4, 79.55, -26.42

 

Description

Color code: HEX #F0CD35 | qconv.com Color code: HEX #F0CD35 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 205 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 205 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 78 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 78% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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