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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0C56ACE it is the complementary color #0F3A95CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0C56ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0C56ACE shade: #F5C565CE, #FFD778CE, #FFE98BCE, #FFFB9ECE and #FFFFB1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0C56ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0C56ACE shade: #F0C56ACE, #DFB357CE, #CEA144CE, #BD8F31CE and #AC7D1ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0C56ACE shade: #F0C56A, #F0A16A, #F07D6A and #F06A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0C56ACE shade: #F0C56A, #F0E96A, #D3F06A, #AFF06A and #8BF06A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0C56ACE shade matches the following richer shades: #F0C56A and #FECA5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0C56ACE shade: #F0C56A, #E3C178, #D6BC85, #C9B792 and #BCB29F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0C56ACE shade: #F07C6A, #F0A06A, #F0C46A, #F0E76A and #D6F06A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0C56ACE shade: #E9A81F, #EDB745, #F0C56A, #F4D490 and #F8E3B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0C56ACE shade: #F0C56A, #7CF06A and #8E6AF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0C56ACE shade: #F0C56A, #6AF0C4 and #C46AF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0C56ACE shade: #F0C56A, #7CF06A, #6A97F0 and #DE6AF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0C56ACE shade: #F0C56A, #6AF081, #6A97F0 and #F06ADA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 45 / 5

HEX #F0C56ACE

RGBA 240 197 106 0.81

HSLA 40.75, 0.82%, 0.68%, 0.81

LABA 81.56, 4.78, 50.79, 0.81

 

Complementary color

CMYK 73 / 49 / 0 / 34

HEX #0F3A95CE

RGBA 15 58 149 0.81

HSLA 220.75, 0.82%, 0.32%, 0.81

LABA 27.57, 23.13, -53.68, 0.81

 

CMYK 0 / 16 / 48 / 3

HEX #F5C565CE

RGBA 245 197 101 0.81

HSLA 40, 0.88%, 0.68%, 0.81

LABA 81.99, 6.47, 53.79, 0.81

 

CMYK 0 / 13 / 43 / 0

HEX #FFD778CE

RGBA 255 215 120 0.81

HSLA 42.22, 1%, 0.74%, 0.81

LABA 87.59, 2.71, 51.6, 0.81

 

CMYK 0 / 7 / 37 / 0

HEX #FFE98BCE

RGBA 255 233 139 0.81

HSLA 48.62, 1%, 0.77%, 0.81

LABA 92.31, -4.74, 48.21, 0.81

 

CMYK 0 / 1 / 31 / 0

HEX #FFFB9ECE

RGBA 255 251 158 0.81

HSLA 57.53, 1%, 0.81%, 0.81

LABA 97.12, -11.75, 45.03, 0.81

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFB1CE

RGBA 255 255 177 0.81

HSLA 60, 1%, 0.85%, 0.81

LABA 98.41, -11.56, 37.37, 0.81

 

CMYK 0 / 15 / 45 / 5

HEX #F0C56ACE

RGBA 240 197 106 0.81

HSLA 40.75, 0.82%, 0.68%, 0.81

LABA 81.56, 4.78, 50.79, 0.81

 

CMYK 0 / 16 / 49 / 10

HEX #DFB357CE

RGBA 223 179 87 0.81

HSLA 40.59, 0.68%, 0.61%, 0.81

LABA 75.21, 5.77, 52.04, 0.81

 

CMYK 0 / 18 / 54 / 16

HEX #CEA144CE

RGBA 206 161 68 0.81

HSLA 40.43, 0.58%, 0.54%, 0.81

LABA 68.77, 6.91, 53.2, 0.81

 

CMYK 0 / 20 / 60 / 21

HEX #BD8F31CE

RGBA 189 143 49 0.81

HSLA 40.29, 0.59%, 0.47%, 0.81

LABA 62.24, 8.27, 54.11, 0.81

 

CMYK 0 / 22 / 67 / 26

HEX #AC7D1ECE

RGBA 172 125 30 0.81

HSLA 40.14, 0.7%, 0.4%, 0.81

LABA 55.62, 9.87, 54.46, 0.81

 

CMYK 0 / 18 / 56 / 6

HEX #F0C56A

RGB 240 197 106

HSL 40.75, 0.82%, 0.68%

LAB 81.56, 4.78, 50.79

 

CMYK 0 / 33 / 56 / 6

HEX #F0A16A

RGB 240 161 106

HSL 24.63, 0.82%, 0.68%

LAB 72.93, 23.73, 40.34

 

CMYK 0 / 48 / 56 / 6

HEX #F07D6A

RGB 240 125 106

HSL 8.51, 0.82%, 0.68%

LAB 65.15, 42.42, 30.5

 

CMYK 0 / 56 / 56 / 6

HEX #F06A6A

RGB 240 106 106

HSL 0, 0.82%, 0.68%

LAB 61.55, 51.63, 25.8

 

CMYK 0 / 18 / 56 / 6

HEX #F0C56A

RGB 240 197 106

HSL 40.75, 0.82%, 0.68%

LAB 81.56, 4.78, 50.79

 

CMYK 0 / 3 / 56 / 6

HEX #F0E96A

RGB 240 233 106

HSL 56.87, 0.82%, 0.68%

LAB 90.71, -13.47, 61.36

 

CMYK 12 / 0 / 56 / 6

HEX #D3F06A

RGB 211 240 106

HSL 72.99, 0.82%, 0.68%

LAB 90.42, -28.29, 60.45

 

CMYK 27 / 0 / 56 / 6

HEX #AFF06A

RGB 175 240 106

HSL 89.1, 0.82%, 0.68%

LAB 88.2, -41.66, 57.32

 

CMYK 42 / 0 / 56 / 6

HEX #8BF06A

RGB 139 240 106

HSL 105.22, 0.82%, 0.68%

LAB 86.43, -53.52, 54.82

 

CMYK 0 / 18 / 56 / 6

HEX #F0C56A

RGB 240 197 106

HSL 40.75, 0.82%, 0.68%

LAB 81.56, 4.78, 50.79

 

CMYK 0 / 20 / 63 / 0

HEX #FECA5D

RGB 254 202 93

HSL 40.62, 0.99%, 0.68%

LAB 84.02, 7.06, 59.99

 

CMYK 0 / 18 / 56 / 6

HEX #F0C56A

RGB 240 197 106

HSL 40.75, 0.82%, 0.68%

LAB 81.56, 4.78, 50.79

 

CMYK 0 / 15 / 47 / 11

HEX #E3C178

RGB 227 193 120

HSL 40.93, 0.66%, 0.68%

LAB 79.52, 2.77, 41.09

 

CMYK 0 / 12 / 38 / 16

HEX #D6BC85

RGB 214 188 133

HSL 40.74, 0.5%, 0.68%

LAB 77.25, 1.53, 31.24

 

CMYK 0 / 9 / 27 / 21

HEX #C9B792

RGB 201 183 146

HSL 40.36, 0.34%, 0.68%

LAB 75.05, 0.7, 21.17

 

CMYK 0 / 5 / 15 / 26

HEX #BCB29F

RGB 188 178 159

HSL 39.31, 0.18%, 0.68%

LAB 72.92, 0.34, 10.99

 

CMYK 0 / 48 / 56 / 6

HEX #F07C6A

RGB 240 124 106

HSL 8.06, 0.82%, 0.68%

LAB 64.95, 42.92, 30.24

 

CMYK 0 / 33 / 56 / 6

HEX #F0A06A

RGB 240 160 106

HSL 24.18, 0.82%, 0.68%

LAB 72.7, 24.26, 40.06

 

CMYK 0 / 18 / 56 / 6

HEX #F0C46A

RGB 240 196 106

HSL 40.3, 0.82%, 0.68%

LAB 81.32, 5.3, 50.5

 

CMYK 0 / 4 / 56 / 6

HEX #F0E76A

RGB 240 231 106

HSL 55.97, 0.82%, 0.68%

LAB 90.19, -12.48, 60.77

 

CMYK 11 / 0 / 56 / 6

HEX #D6F06A

RGB 214 240 106

HSL 71.64, 0.82%, 0.68%

LAB 90.62, -27.14, 60.74

 

CMYK 0 / 28 / 87 / 9

HEX #E9A81F

RGB 233 168 31

HSL 40.69, 0.82%, 0.52%

LAB 73.17, 13.4, 71.61

 

CMYK 0 / 23 / 71 / 7

HEX #EDB745

RGB 237 183 69

HSL 40.71, 0.82%, 0.6%

LAB 77.46, 8.52, 62.82

 

CMYK 0 / 18 / 56 / 6

HEX #F0C56A

RGB 240 197 106

HSL 40.75, 0.82%, 0.68%

LAB 81.56, 4.78, 50.79

 

CMYK 0 / 13 / 41 / 4

HEX #F4D490

RGB 244 212 144

HSL 40.8, 0.82%, 0.76%

LAB 86.17, 2.11, 37.73

 

CMYK 0 / 8 / 27 / 3

HEX #F8E3B6

RGB 248 227 182

HSL 40.91, 0.83%, 0.84%

LAB 90.9, 0.47, 24.62

 

CMYK 0 / 18 / 56 / 6

HEX #F0C56A

RGB 240 197 106

HSL 40.75, 0.82%, 0.68%

LAB 81.56, 4.78, 50.79

 

CMYK 48 / 0 / 56 / 6

HEX #7CF06A

RGB 124 240 106

HSL 111.94, 0.82%, 0.68%

LAB 85.83, -57.86, 53.96

 

CMYK 41 / 56 / 0 / 6

HEX #8E6AF0

RGB 142 106 240

HSL 256.12, 0.82%, 0.68%

LAB 54.4, 44.54, -62.83

 

CMYK 0 / 18 / 56 / 6

HEX #F0C56A

RGB 240 197 106

HSL 40.75, 0.82%, 0.68%

LAB 81.56, 4.78, 50.79

 

CMYK 56 / 0 / 18 / 6

HEX #6AF0C4

RGB 106 240 196

HSL 160.3, 0.82%, 0.68%

LAB 86.69, -47.04, 10.27

 

CMYK 18 / 56 / 0 / 6

HEX #C46AF0

RGB 196 106 240

HSL 280.3, 0.82%, 0.68%

LAB 60.19, 57.35, -53.23

 

CMYK 0 / 18 / 56 / 6

HEX #F0C56A

RGB 240 197 106

HSL 40.75, 0.82%, 0.68%

LAB 81.56, 4.78, 50.79

 

CMYK 48 / 0 / 56 / 6

HEX #7CF06A

RGB 124 240 106

HSL 111.94, 0.82%, 0.68%

LAB 85.83, -57.86, 53.96

 

CMYK 56 / 37 / 0 / 6

HEX #6A97F0

RGB 106 151 240

HSL 219.85, 0.82%, 0.68%

LAB 62.92, 10.33, -49.37

 

CMYK 8 / 56 / 0 / 6

HEX #DE6AF0

RGB 222 106 240

HSL 291.94, 0.82%, 0.68%

LAB 63.45, 63.86, -47.86

 

CMYK 0 / 18 / 56 / 6

HEX #F0C56A

RGB 240 197 106

HSL 40.75, 0.82%, 0.68%

LAB 81.56, 4.78, 50.79

 

CMYK 56 / 0 / 46 / 6

HEX #6AF081

RGB 106 240 129

HSL 130.3, 0.82%, 0.68%

LAB 85.49, -59.46, 42.66

 

CMYK 56 / 37 / 0 / 6

HEX #6A97F0

RGB 106 151 240

HSL 219.85, 0.82%, 0.68%

LAB 62.92, 10.33, -49.37

 

CMYK 0 / 56 / 9 / 6

HEX #F06ADA

RGB 240 106 218

HSL 309.85, 0.82%, 0.68%

LAB 64.88, 64.84, -33.2

 

Description

Color code: HEX #F0C56ACE | qconv.com Color code: HEX #F0C56ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 197 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 197 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 45 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 45% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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