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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0BA40 it is the complementary color #0F45BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0BA40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0BA40 shade: #F5BA3B, #FFCC4E, #FFDE61, #FFF074 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0BA40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0BA40 shade: #F0BA40, #DFA82D, #CE961A, #BD8407 and #AC7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0BA40 shade: #F0BA42, #F08C42, #F05D42 and #F04242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0BA40 shade: #F0BA42, #F0E942, #C7F042, #99F042 and #6AF042

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0BA40 shade matches the following richer shades: #F0BA42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0BA40 shade: #F0BA42, #DFB453, #CFAE63, #BEA774 and #AEA184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0BA40 shade: #F05C42, #F08B42, #F0B942, #F0E742 and #CAF042

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0BA40 shade: #CF9411, #EDAD1C, #F0BA42, #F3C868 and #F6D68F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0BA40 shade: #F0BA40, #57F042 and #7342F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0BA40 shade: #F0BA40, #42F0B9 and #B942F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0BA40 shade: #F0BA40, #57F042, #4279F0 and #DB42F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0BA40 shade: #F0BA40, #42F062, #4279F0 and #F042D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 73 / 6

HEX #F0BA40

RGB 240 186 64

HSL 41.59, 0.85%, 0.6%

LAB 78.47, 7.99, 65.91

 

Complementary color

CMYK 92 / 64 / 0 / 25

HEX #0F45BF

RGB 15 69 191

HSL 221.59, 0.85%, 0.4%

LAB 34.23, 32.42, -67.94

 

CMYK 0 / 24 / 76 / 4

HEX #F5BA3B

RGB 245 186 59

HSL 40.97, 0.9%, 0.6%

LAB 78.95, 9.9, 68.43

 

CMYK 0 / 20 / 69 / 0

HEX #FFCC4E

RGB 255 204 78

HSL 42.71, 1%, 0.65%

LAB 84.48, 5.61, 66.9

 

CMYK 0 / 13 / 62 / 0

HEX #FFDE61

RGB 255 222 97

HSL 47.47, 1%, 0.69%

LAB 89.1, -2.5, 63.84

 

CMYK 0 / 6 / 55 / 0

HEX #FFF074

RGB 255 240 116

HSL 53.53, 1%, 0.73%

LAB 93.81, -10.17, 60.78

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA40

RGB 240 186 64

HSL 41.59, 0.85%, 0.6%

LAB 78.47, 7.99, 65.91

 

CMYK 0 / 25 / 80 / 13

HEX #DFA82D

RGB 223 168 45

HSL 41.46, 0.74%, 0.53%

LAB 72.15, 9.47, 66.22

 

CMYK 0 / 27 / 87 / 19

HEX #CE961A

RGB 206 150 26

HSL 41.33, 0.78%, 0.45%

LAB 65.76, 11.19, 65.67

 

CMYK 0 / 30 / 96 / 26

HEX #BD8407

RGB 189 132 7

HSL 41.21, 0.93%, 0.38%

LAB 59.28, 13.17, 63.68

 

CMYK 0 / 34 / 100 / 33

HEX #AC7200

RGB 172 114 0

HSL 39.77, 1%, 0.34%

LAB 52.74, 15.44, 59.46

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA42

RGB 240 186 66

HSL 41.38, 0.85%, 0.6%

LAB 78.48, 8.08, 65.15

 

CMYK 0 / 42 / 73 / 6

HEX #F08C42

RGB 240 140 66

HSL 25.52, 0.85%, 0.6%

LAB 67.78, 32.28, 54.26

 

CMYK 0 / 61 / 73 / 6

HEX #F05D42

RGB 240 93 66

HSL 9.31, 0.85%, 0.6%

LAB 58.74, 55.12, 44.52

 

CMYK 0 / 73 / 73 / 6

HEX #F04242

RGB 240 66 66

HSL 0, 0.85%, 0.6%

LAB 54.88, 65.6, 40.19

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA42

RGB 240 186 66

HSL 41.38, 0.85%, 0.6%

LAB 78.48, 8.08, 65.15

 

CMYK 0 / 3 / 73 / 6

HEX #F0E942

RGB 240 233 66

HSL 57.59, 0.85%, 0.6%

LAB 90.41, -15.78, 76.68

 

CMYK 17 / 0 / 73 / 6

HEX #C7F042

RGB 199 240 66

HSL 74.14, 0.85%, 0.6%

LAB 89.33, -35.58, 74.61

 

CMYK 36 / 0 / 73 / 6

HEX #99F042

RGB 153 240 66

HSL 90, 0.85%, 0.6%

LAB 86.74, -52.36, 71.21

 

CMYK 56 / 0 / 73 / 6

HEX #6AF042

RGB 106 240 66

HSL 106.21, 0.85%, 0.6%

LAB 84.88, -66.22, 68.74

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA42

RGB 240 186 66

HSL 41.38, 0.85%, 0.6%

LAB 78.48, 8.08, 65.15

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA42

RGB 240 186 66

HSL 41.38, 0.85%, 0.6%

LAB 78.48, 8.08, 65.15

 

CMYK 0 / 19 / 63 / 13

HEX #DFB453

RGB 223 180 83

HSL 41.57, 0.69%, 0.6%

LAB 75.42, 4.97, 54.13

 

CMYK 0 / 16 / 52 / 19

HEX #CFAE63

RGB 207 174 99

HSL 41.67, 0.53%, 0.6%

LAB 72.52, 2.64, 42.63

 

CMYK 0 / 12 / 39 / 25

HEX #BEA774

RGB 190 167 116

HSL 41.35, 0.36%, 0.6%

LAB 69.36, 1.08, 29.46

 

CMYK 0 / 7 / 24 / 32

HEX #AEA184

RGB 174 161 132

HSL 41.43, 0.21%, 0.6%

LAB 66.64, 0.01, 16.83

 

CMYK 0 / 62 / 73 / 6

HEX #F05C42

RGB 240 92 66

HSL 8.97, 0.85%, 0.6%

LAB 58.58, 55.56, 44.34

 

CMYK 0 / 42 / 73 / 6

HEX #F08B42

RGB 240 139 66

HSL 25.17, 0.85%, 0.6%

LAB 67.56, 32.8, 54.03

 

CMYK 0 / 23 / 73 / 6

HEX #F0B942

RGB 240 185 66

HSL 41.03, 0.85%, 0.6%

LAB 78.24, 8.6, 64.91

 

CMYK 0 / 4 / 73 / 6

HEX #F0E742

RGB 240 231 66

HSL 56.9, 0.85%, 0.6%

LAB 89.89, -14.8, 76.19

 

CMYK 16 / 0 / 73 / 6

HEX #CAF042

RGB 202 240 66

HSL 73.1, 0.85%, 0.6%

LAB 89.52, -34.41, 74.86

 

CMYK 0 / 29 / 92 / 19

HEX #CF9411

RGB 207 148 17

HSL 41.37, 0.85%, 0.44%

LAB 65.35, 12.55, 67.38

 

CMYK 0 / 27 / 88 / 7

HEX #EDAD1C

RGB 237 173 28

HSL 41.63, 0.85%, 0.52%

LAB 74.81, 12.42, 73.79

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA42

RGB 240 186 66

HSL 41.38, 0.85%, 0.6%

LAB 78.48, 8.08, 65.15

 

CMYK 0 / 18 / 57 / 5

HEX #F3C868

RGB 243 200 104

HSL 41.44, 0.85%, 0.68%

LAB 82.57, 4.31, 53

 

CMYK 0 / 13 / 42 / 4

HEX #F6D68F

RGB 246 214 143

HSL 41.36, 0.85%, 0.76%

LAB 86.83, 1.76, 39.13

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA40

RGB 240 186 64

HSL 41.59, 0.85%, 0.6%

LAB 78.47, 7.99, 65.91

 

CMYK 64 / 0 / 73 / 6

HEX #57F042

RGB 87 240 66

HSL 112.76, 0.85%, 0.6%

LAB 84.35, -70.53, 68.03

 

CMYK 52 / 73 / 0 / 6

HEX #7342F0

RGB 115 66 240

HSL 256.9, 0.85%, 0.6%

LAB 43.99, 60.69, -79.85

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA40

RGB 240 186 64

HSL 41.59, 0.85%, 0.6%

LAB 78.47, 7.99, 65.91

 

CMYK 73 / 0 / 23 / 6

HEX #42F0B9

RGB 66 240 185

HSL 161.03, 0.85%, 0.6%

LAB 85.49, -56.14, 14.17

 

CMYK 23 / 73 / 0 / 6

HEX #B942F0

RGB 185 66 240

HSL 281.03, 0.85%, 0.6%

LAB 52.4, 72.49, -65.8

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA40

RGB 240 186 64

HSL 41.59, 0.85%, 0.6%

LAB 78.47, 7.99, 65.91

 

CMYK 64 / 0 / 73 / 6

HEX #57F042

RGB 87 240 66

HSL 112.76, 0.85%, 0.6%

LAB 84.35, -70.53, 68.03

 

CMYK 73 / 50 / 0 / 6

HEX #4279F0

RGB 66 121 240

HSL 221.03, 0.85%, 0.6%

LAB 53.09, 21.77, -65.19

 

CMYK 9 / 73 / 0 / 6

HEX #DB42F0

RGB 219 66 240

HSL 292.76, 0.85%, 0.6%

LAB 57.32, 79.06, -57.63

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA40

RGB 240 186 64

HSL 41.59, 0.85%, 0.6%

LAB 78.47, 7.99, 65.91

 

CMYK 73 / 0 / 59 / 6

HEX #42F062

RGB 66 240 98

HSL 131.03, 0.85%, 0.6%

LAB 84.15, -71.24, 55.14

 

CMYK 73 / 50 / 0 / 6

HEX #4279F0

RGB 66 121 240

HSL 221.03, 0.85%, 0.6%

LAB 53.09, 21.77, -65.19

 

CMYK 0 / 73 / 13 / 6

HEX #F042D0

RGB 240 66 208

HSL 311.03, 0.85%, 0.6%

LAB 58.95, 78.58, -36.8

 

Description

Color code: HEX #F0BA40 | qconv.com Color code: HEX #F0BA40 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 186 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 186 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 73 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 73% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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